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Click here to subscribeBurmantofts Faience turquoise-glaze vase, of double gourd form, the body incised with flowerheads and floral sprigs, within floral borders, impressed factory marks beneath, model no. 274, H53cm Condition Report:Restoration to the top rim and patches of restoration (residue), some scratches to the glaze and chips to the foot rim. General surface wear and crazing commensurate with age.
A mid-20th century Majolica Burmantofts jardinière stand, the body decorated with moulded sunflower decorations within arched panels68.5cm high x 30.5cm diameter at the baseQty: 1Some chipping to the body, noticeable in the lower band and around the upper band above the capitol. Some surface dirt and paint residue. In generally good condition.
A collection of Burmantofts pottery comprising a bottle vase, impressed no. 434, 26.5cm high, a jardiniere, impressed marks, 17.5cm high, a pair of floral design lustre tiles, 19cm x 11cm, and a similar unmarked yellow glazed earthenware vase, 23.7cm high (5)Condition Reportthe bottle vase with a crack to its neck. Crazing throughout. Chips to the tiles. Please see the additional images.
A collection of seven Burmantofts Pottery coloured vases, c.1890, of various bottle forms, in turquoise, yellow and green, variously stamped makers' marks and numbers, 8.5 to 28.5cm high (7)Provenance: David Sheard, Doncaster. Condition Reportlarge turquoise - stamped 1610, small blemish to the rim. Appears to be an old defect due to it being glazed over. large yellow, stamped 1533, crazing to the body 25cm highturquoise - stamped 1538 and White - crazing 20cm highgreen bottle vase - 531 - strut marks to underside, with some loss to the glaze. Yellow - stamped 531 and impressed with sunbursts, 19cm highsamll green stamped 90 - 14cm Small stamped 465 - possibly not Burmantofts?All exhibiting even crazing throughout.
Burmantofts Faience pottery dragon vase, double gourd shaped vase with an applied dragon coiled round the neck incised 579 Burmantofts Faience to base, height 62cm CONDITION REPORTthere are two chips on the left dragon wing and a crack 5 cm long.there is a chip on the outer edge of the dragons tail
Burmantofts - Leonard King - A Faience Anglo-Persian vase of footed globe and shaft form, decorated with an Isnik band of stylised foliate motifs in tonal blues and brown, below graduated banded borders to the neck, impressed mark, hand painted LK monogram and pattern code D-184, height 25cm, slight damage.
A Burmantofts faience turquoise glazed jardinière with stand, late 19th century, the jardinière of twin handled urn form with geometric motifs and Greek key borders, the column of fluted Doric form with circular base, the jardinière stamped BURMANTOFTS FAIENCE 542, the stand stamped BF 838, approx. 97cm high overall (2)Condition Report: Several small losses to the glaze of the jardiniere exterior, cracks to the underside, crazing to the whole jardiniere. Some crazing and surface dirt to the pedestal and small losses to the base.
HALSEY RICARDO (1854-1928) (DESIGNER) THE BIRMINGHAM GUILD OF HANDICRAFT LTD (MAKER) PAIR OF DOUBLE WALL LIGHTS, CIRCA 1906-1907 24-carat gold-plated brass, gold foil enamel and original opalescent glass shades Dimensions:35.5cm wide, 30.5cm high, 19cm deep Provenance:Provenance: Supplied to Sir Ernest Debenham for Debenham House, 8 Addison Road, London, removed circa 1960 Phillips Auctioneers lots 148, 149, 150, 30th March 1993 Haslam & Whiteway, London one pair British Art Market 2014 Paul Shutler Note: Literature: The Architectural Review, An Essay in Colour Architecture, March 1907 Country Life, Madge Garland, 8 Addison Road, Kensington - The Town Houses of Halsey Ricardo - II, 20th November 1975Note: Sir Ernest Debenham (1865-1952) of the Debenham department store family, commissioned the architect and designer Halsey Ricardo to build him a house at 8 Addison Road in 1906. This house came to be known as Debenham House or, on occasion, The Peacock House. Halsey Ralph Ricardo established his architectural practice in 1878 but also worked in partnership with William De Morgan (1839-1917) designing ceramics. He advocated the use of architectural glazed tiles to resist the pollution of 19th century London. Debenham House is a striking example of this practice. Ricardo clad the external walls with glazed Burmantofts tiles in bands of peacock greens and blues. He fitted the four reception rooms, seventeen bedrooms and six bathrooms, all with De Morgan tiled fire surrounds (with no two alike) and with De Morgan pictorial panels throughout the building. In addition to this, he used various marbles and architectural elements clad with Doulton 'Carrara ware' tiles. Described as the last flourish of the Arts & Crafts movement, the house features plaster friezes by Ernest Gimson (1864-1919), stained glass by Edward Prior (1852-1932) and a mosaic designed by George Jack (1855-1931). Along with the exterior gates and railings, the interior door furniture, including the handles, finger plates, bell-pushes and light fittings were all designed and made under the supervision of Ricardo by the Birmingham Guild of Handicraft. It would have been inappropriate for Ricardo to use any other firm for this commission as Debenham's father-in-law was Birmingham MP William Kenrick (1831-1919), chief shareholder and director of the Birmingham Guild of Handicraft, and his brother-in-law was the Guild's managing director, Claude Napier-Clavering (1869-1938). These lights are one of the original three pairs designed specifically for the main hall, they feature butterflies circling a single rose before ivy leaves, a theme repeated throughout the building.
A Burmantofts Faience 9" Tile, blue glaze, relief moulded with a stork, impressed BF,23cm squareA Burmantofts Faience Pot Pourri Jar and Cover, pierced neck and cover, moulded with repeating patterns, olive green glaze, impressed FB 1751 WHITE A,25.5cm highAn Art Pottery Roundel, moulded with a boy riding a grasshopper, green glazed, unmarked,14cm diameterAn Art Pottery Plaque, moulded with game birds, green glazed, unmarked,15cm diameter (4)1. Tile - There are restored coloured glaze chips on the two bottom leaves of the flower, glaze wear on the bottom of the water reeds. Chips to the corners. Light surface wear and scratches.2. Jar and cover, the cover has some surface wear and scratches, the jar has two old rim chips, crazed and surface scratches.3. Grasshopper - Surface wear and scratches, glaze wear on rim.4. Game birds - chips on rim, glaze chips on edge, crazing.
A Pair of Burmantofts Faience Vases, ribbed and incised decoration, turquoise glaze, each impressed BF 1532,21.5cm highA Bretby Vase, burnt red glaze, impressed factory mark and 1335B,16.5cm high (restored)A Linthorpe Pottery Vase, turquoise glaze, impressed factory mark and 2219,35.5cm highA Linthorpe Pottery Plate, repeating pattern, on a mustard ground, impressed factory mark and 1898,22cm diameterFour Linthorpe Pottery Side Plates, repeating pattern, on a mustard ground, impressed factory marks and 1700,22cm diameter (9)Burmantofts - crazed, one with chip to foot.Bretby vase - repair to the rim. Crazed.Linthorpe vase - crazed. Minor flakes to the rim.Plate - crazed, rim slightly abraded.Side plates - crazed, rims slightly abraded.
A Burmantofts Faience Pottery Planter, decorated with flowers, in shades of blue, green and brown, on an ivory ground, impressed BURMANTOFTS FAIENCE 2022A ENGLAND, painted Col 50,24cm diameter 22cm highAn Art Nouveau Frosted Glass Vase, enamel painted with purple and yellow iris, cylindrical form, unmarked,24.5cm highA Macintyre Dura Ware Sicilian Shape Jug, with slip design, brown printed mark, RD No. 311908 and painted M338,16.5cm high (3)Burmantofts - crazed, some minor flakes to the tube lining.Glass vase - no chips or cracks, some light wear.Jug - some gilt wear.
A Burmantofts Faience 'strawberry' ceramic jardiniere pot, a pierced lyre-shaped metal music stand, a papier-mache black lacquered Chinese pestle bowl and an Indian hammered metal bowl (4)Burmantofts jardiniere has large chip to the rim as well as scratches and minor chips to the rims. One fracture line running down from the rim. Some knocks on the exterior causing glaze loss and chips and flakes to the rim - see images
A Burmantofts style yellow glazed pottery jardiniere,late 19th to early 20th century, with relief floral decoration featuring cherubs and lion masks, raised on claw feet, 309 stamped to the base,49cm diameter43cm highCondition Reportvarious cracks and repairs some with staples, chips, losses and crazing throughout
A BURMANTOFTS FAIENCE JARDINIERE, early 20th century, of cylindrical form with lobed rim, moulded in relief with stylised yellow flowers on long stems on a pale green ground, shape 2228, impressed and inscribed marks, 8" high (Est. plus 24% premium inc. VAT)Condition Report: No chips or restoration, cracked, glaze crazed and discoloured especially rim
A BURMANTOFTS FAIENCE VASE, early 20th century, of globular form with tall flared cylindrical neck, tubelined and painted in yellow, ochre and grey with large flowerheads and scrolling foliage on a green ground, shape 2043, inscribed 607.165A, impressed mark, 15 3/4" high (Est. plus 24% premium inc. VAT)Condition Report: No chips, cracks or restoration
A BURMANTOFTS TURQUOISE BLUE FAIENCE BALUSTER VASE TABLE LAMPEarly 20th Century and Later Adapted The underside incised BURMANTOFTS FAIENCE 1315, 81cm high (including cream silk pleated shade)Condition report: A hairline crack to the collar, see image. Various marks and areas of discolouration from age, wear and use to the glaze. See images. Other superficial marks can probably be cleaned off. The metal attachment to the top where the electrical wiring runs from can be detached, and in our opinion the vase restored to it’s original purpose.
Pierre Mallett (1836-1898) for Burmantofts Pair of framed faience ceramic tile plaques, depicting a flamingo and a heron, each with moulded signature lower left, impressed 'Burmantofts Faience' to the reverse, ,44cm x 25cm including the frame (2)Literature: Burmantofts Decorative Tiles for Interiors, TACS, volume 22, 2016, page 29 catalogue number 64 these actual tiles illustrated. Please note these tiles have not been removed from their frames to examine. Overall wear, scuffs and marks to both, some general display scuffs to the frames as expected. The heron tile in particular has some deeper scratches to the glaze which almost look like glue lines, but we do not believe they are damaged or repaired.
Two Art Pottery spoon warmers or vases attributed to Burmantofts, late 19th c, as a grimacing warty creature on three legs, the streaky olive glaze stopping short of the three clawed feet, 15 and 16cm h, unmarked The under belly of one with small hole glazed over during manufacture. Both in good condition with minor variations of glaze. The unglazed feet of one with several small old chips, not too noticeably. No restoration
A Burmantoft shallow relief moulded tile decorated with a bird of prey feeding its young, signed 'p. Mallet' and with back stamp to the reverse, set in a modern gilt frameunframed 30cm x 30cm, framed 33.5cm x 33.5cmQty: 1Pierre Mallet (b.1836-d.1898) was a Frenchman working for Burmantofts and produced a number of designs for them.In good condition.
Sale Item: 3 PLANTERS-BRETBY & BURMANTOFTS (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
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