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Ca.200 AD Extremely rare Gandhara schist figure of a starving prince Siddhartha ."The young prince Siddharatha left his palace in search of enlightenment and practised for six years such severe austerities and intense mental concentration that his beautiful body withered away to skin and bones. Ultimately he attained enlightenment at the age of thirty five and became known as the Buddha - "The enlightened one". This resolve was illustrated for the first time in Gandhara art. This so called statue of Fasting Siddharatha ranks not only as the finest specimen of Gandhara Art, but also as one of the rarest antiquities of the earliest world." Fine Condition, on custom made stand; Size: 320x200; 12.6x 7.87in; over 5kg; ; Provenance: Private collection of an Oxford professional, formed in the 1970s-1990s on the UK art market, All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.
3th-4th century AD. A grey stucco head of a bodhisattva with traces of pink pigment, elaborate curled hairstyle with circlet to the brow and lateral scrolled plaques; mounted on a custom-made stand. The Remains of Happiness, The Dr. & Mrs Kurokawa Collection, vol.2, 2001, p.71, no.241. 8.2 kg total, 48cm including stand (19"). From an old Tokyo collection; previously the property of a Japanese gentleman since the late 1990s; accompanied by copies of the relevant pages as published in The Remains of Happiness, The Dr. & Mrs Kurokawa Collection, vol.2, 2001, p.71, no.241. The head probably comes from a statue on the perimeter of a Buddhist temple or shrine, where its large size and imposing features would have inspired reverence among worshippers. By the fourth century AD monumental imagery became increasingly common in Gandhara, almost exclusively restricted to images of the Buddha himself but here the presence of the turban and some decorative features imply that this may indeed be a rare representation of Shakyamuni prior to his enlightenment. Alternatively, the head may have formed part of a triad of such figures. [No Reserve] Fine condition. Rare.
3rd century AD. A carved schist stele depicting Buddha seated on a lotus-leaf dais, nimbus to the rear and six small nimbate figures flanking him; mounted on a custom-made stand. 24.8 kg total, 61cm including stand (24"). From an old Tokyo collection; previously the property of a Japanese gentleman since the late 2000s. The statue records an incident from the life of Buddha which marked a turning point in the dissemination of Buddhist teaching. Challenged to a contest of miracle performance by the six leaders of other philosophical schools, Buddha moved from city to city always accepting the trial but delaying the time of the contest. Finally, at Shravasti, Buddha agreed to demonstrate his power and performed a series of miraculous feats (creating a marvellous tree, mountains and lakes made from jewels, radiating light from his skin and teaching the doctrine of dharma to enlighten all who heard it) and used the vajra lightning weapon to destroy the seats of his detractors. The followers of the other leaders then all recognised the purity of Buddha's power and accepted his teachings. [No Reserve] Fine condition.
Ca.200 AD Extremely rare Gandhara schist figure of a starving prince Siddharatha . "The young prince Siddharatha left his palace in search of enlightenment and practised for six years such severe austerities and intense mental concentration that his beautiful body withered away to skin and bones. Ultimately he attained enlightenment at the age of thirty five and became known as the Buddha - "The enlightened one". This resolve was illustrated for the first time in Gandhara art. This so called statue of Fasting Siddharatha ranks not only as the finest specimen of Gandhara Art, but also as one of the rarest antiquities of the earliest world." Fine Condition, on custom stand; Size: 22cm x21cm x14cm (8.66x8.26x5.51 in); 1555gr; Provenance: Private collection of an Oxford professional, formed in the 1970s-1990s on the UK art market, All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.
2nd-4th century AD. A finely executed statue of Buddha in schist, standing upright in formal pose on a dais in a loosely draped sanghati robe extending to below the knees with the bare feet resting on the rectangular plinth, beaded swags to the neck and hair carefully carved with a chignon above the ushnisha, serene facial features and heavy-lidded almond eyes, nimbus to the rear of the head, left hand holding a gathered fold of the cloth garment; tiered plinth with frieze of standing four figures flanking a vessel, columns to the corners; mounted on a custom-made stand. 32.7 kg, 89cm (35"). Property of a London gentleman; previously with central London gallery; imported from the USA in the early 1970s; formerly with Mahboubian Gallery, New York since the late 1960s; accompanied by copies of an early 1970s black and white photograph. The Gandharan tradition of portraying Buddha as a youthful male developed during the 1st century AD and lasted until at least the 7th century. It drew on the local artistic conventions of the Swat valley, but was heavily influenced by classical Graeco-Roman ideas. During the reign of the Indian emperor Ashoka (3rd century BC), Gandhara was the source of intensive Buddhist missionary activity. Alongside some influential depictions of Buddhist legends and scenes from the life of Buddha, the Gandharan school of art incorporated a range motifs and techniques from Roman art, including vine scrolls, cherubs bearing garlands, tritons, and centaurs. The art flourished during the Kushan dynasty's rule (1st-4th century AD"). The dynasty relied on trade with the Mediterranean world for its wealth, and its coins and other artistic output depict a unique mix of Asian and European themes. Very fine condition.
2nd-4th century AD. A schist statue of Buddha sitting cross-legged in relaxed and meditative pose on a tapering base with nimbus to the rear of the head, wavy hair dressed in a top-knot over the ushnisha, serene expression to the youthful face with heavy lidded eyes and small pursed mouth, urna to the brow, loosely draped robe and sanghati mantle, the hands folded palm-upwards in the lap; mounted on a custom-made stand. 44.5 kg, 82cm including stand (32 1/4"). Property of a London gentleman; previously with central London gallery; imported from the USA in the early 1970s; formerly with Mahboubian Gallery, New York since the late 1960s; accompanied by original early 1970s black and white photograph. The figure is carved in a relaxed pose with the hands placed palm-upwards, eyes closed in contemplation of the infinite. Buddha 'the enlightened one' indulges in various forms of meditation in order to pursue equanimity and mindfulness (sati) using moral restraint and a wholesome frame of mind as means. This system was developed by Buddha as an alternative to the very painful regime of self-denial and asceticism which was prevalent in the east of India during his lifetime, but maintaining distance from the passing rewards of sensual pleasure through food, sex and other indulgences. The so-called 'Middle Way' proved a more rewarding and balanced approach to gaining spiritual awakening. Very fine condition.
2nd-4th century AD. A carved schist statue fragment of Buddha standing a ledge with robe to the waist and sandals to the feet, swags of beads to the chest, copious locks of hair and lotus-flower nimbus; arcade beneath the ledge; mounted on a custom-made stand. 8.6 kg, 48cm including stand (19"). Property of a London gentleman; previously acquired on the UK art market in the 1990s. Fine condition.
A green marble Buddhist Stele depicting four seated figures of Buddha, Northern Qi dynasty, the four buddhas carved on a Mandorla, with remnant of polychrome, 19cm wide; and stand (2) In addition to the buyer's premium of 27% (22.5% + VAT) payable on the Hammer Price, this lot is also subject to import VAT at the reduced rate of 5%, payable on the Hammer Price. This indicates that the lot has been imported from outside the European Union. Stone Buddha image system in the state. Restoration at the left side , remnant of polychromie, 19cm wide; and stand (2) Other Notes: Like most of these sculptures, the shoulders are wide and the face is round. The style is similar to works from the Shandong area. The central carving has a main Buddha figure. According to Buddhist traditional canon the main statue of Buddha is usually in the centre, with disciples symmetrically distributed; the right side of the Mandorla is missing, the left side Buddha without hair accessories, wide forehead, micro-closed eyes, the right hand of the main Buddha is positioned on the chest and the left hand is placed on the leg. Restoration on the left side, remnant of polychrome.
A rare white marble head of a buddhist donor, Tang dynasty, wearing a hoe and with calm and serene smiling expression, whilst looking ahead, 31cm high In addition to the buyer's premium of 27% (22.5% + VAT) payable on the Hammer Price, this lot is also subject to import VAT at the reduced rate of 5%, payable on the Hammer Price. This indicates that the lot has been imported from outside the European Union. The donor was a person who gave money for a temple or a statue. In Buddhism, it is believed that it is a meritorious deed, and it is the "Futian" that ordinary people do. There will be good results after death. Donors of the statues, in order to cherish the faith of the Buddha, always provide support, merits and dedication, but also for the sake of their name.
Chinese Quing Dynasty Gilded Abhaya Mudra Buddha, ca. 1800 AD; Large Sino-Tibet (Quing Dynasty) Buddha statue in Abhaya Mudra, the taking away of any worry (or do not fear) hand positioning.. Gilt bronze Buddha seated on cushions, wearing elaborate robes and jewelled necklaces, hair arranged in tight curls rising to a crown150mm; Property of a professional collector of Asian antiquities; acquired on European and Asian Art Markets in the 1970s- 1990s.
Chinese Quing Dynasty Gilded Bronze Buddha , ca. 1800 AD; Large Sino-Tibet (Quing Dynasty) Buddha statue. Gilt bronze Buddha seated on cushions holding lotus in his hands, wearing elaborate robes and jewelled necklaces, hair arranged in tight curls rising to a crown; 230mm; Property of a professional collector of Asian antiquities; acquired on European and Asian Art Markets in the 1970s- 1990s.
2nd-4th century AD. A carved schist statue of Buddha standing facing in loose garment, right arm extended forward, left hand clutching the hem, of the robe, nimbus behind the head, lotus-flower base; mounted on a custom-made stand. 19.6 kg, 68cm including stand (27"). Property of a London Gandharan art collector, acquired in the late 1990s; formerly with various UK sources acquired by them since the 1960s. Fine condition.
1st-4th century AD. A carved limestone statue of Buddha standing in draped robes with collar and swags to the neck, abundant locks of hair, holding a bell(?) in the left hand; mounted on a custom-made stand. 97 kg, 109cm high including stand (42 7/8"). From a private UK collection, acquired on the London art market 1990-2000. Fine condition.
Gandhara Buddha in Discussion Statue, 2nd-3rd century AD A schist statue of Buddha, hair pulled up into a ushnisha top-knot, elongated ears, eyes half closed in meditation. Robes falling to the lap in a series of folds, both hands held up, palm out in the Vitarka mudra (discussion of the teachings). The legs crossed in meditation, seated on a large lotus throne. Mounted on a custom made stand.36cm including stand. Provenance: Ex. London Collection, acquired between 1970's - 2000. Declaration of provenance: All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.
Gandhara Buddha as Begging Mendicant Statue, 2nd-3rd century AD A schist statue of the Buddha, hair pulled up into the ushnisha top knot, elongated ears, large nimbus to the back of the head. Long lose robes falling to the feet in a series of folds. The left hand holding a begging bowl. Mounted on a custom made stand.34cm, including stand. Provenance: Ex. London Collection, acquired between 1970's - 2000. Declaration of provenance: All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.
A 19th Century Tibetan Bronze Statue of Bodhisatva Avalokiteshvara. His hair adorned with a miniature Buddha, two hand gestures on the right, Vitarka Mudra (gesture of transmission of Buddhist principles), to the left hand, the Bhumisparsha Mudra (earth touching gesture). The mandoria is ornamented with lotus and mythical dragons, the architectural plinth throne base shows evidence of gilding, approx 88 cms high. Vendor's Provenance: formerly in the collection of a friend Dr. P.B. (studied Oxford Buddhist iconography, Tibetan and Chinese languages a published National Geographic Society author and is a professor of Tibetan Studies in the U.S.A.
2nd-4th century AD. A large schist statue of Maitreya, seated cross-legged in meditation; hair pulled up into a top-knot with fillet decorated with rosettes, large nimbus to the back of the head; elongated ears with earrings, eyes half closed in meditation, recess to brow for separate urna, finely engraved moustache; sash over shoulders, bands of necklaces to chest with amulet cases; armlets and bracelets to both arms; robes hanging over edge of rectangular seat; panel to front of seat decorated with Buddha seated in meditation, two devotees to either side; mounted on a custom-made stand. 69 kg total, 76cm including stand (30"). Property of an English collector; previously the property of an Anglo-Indian gentleman; acquired from the Julian Sherrier collection in 1978, supplied with geologic report No. TL004877, by geologic consultant Dr R. L. Bonewitz. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition. A superb display piece.

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1023 item(s)/page