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Lot 1

each plaque depicting the process - (1) Wedging (2) Throwing (3) Turning (4) Making Handles (5) Handling (6) Texturing (7) Packing 1 Kiln (8) Painting (9) Making Glaze (10) Pacing 2 Kiln (12) On Sale, clip hanging points to back, each signed 'EA', approximately 5¼ x 4½in. (13.3 x 11.5cm.). (12)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Mostly very good, needs dusting, some with loose elements, one figure with missing arm.

Lot 11

of varying forms, in different glazes, signed 'EA', the largest 5in. (12.8cm.) high. (45)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All appear to be in good condition, natural firing flaws only.

Lot 12

comprising circular, square and rectangular, of varying designs, glazes and styles, to include pierced designs, rough textured cubist style designs, floral and patterned designs, mostly scratched signed 'EA' and measuring 4in. (10.2cm.) square. (45)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All appear to be in good condition, some firing faults only.

Lot 14

modelled similarly to the Rocking Chair yoga pose, raised on an oval base, signed 'EA', 10in. (25.5cm.) at longest.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, no chips or cracks found, firing faults only.

Lot 16

modelled in various sizes and glazes, signed 'EA', the largest 8in. (20.2cm.) diameter. (14)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All appear to be in good order, some natural firing faults, good.

Lot 17

in various glazes, sizes and patterns, signed 'EA', the largest standing 5 1/8in. (13cm.) high. (20)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, one mug with hairline, possible firing faults.

Lot 18

comprising two pianists, two organist, three violinist, nine bass or cello players, flute player, guitarist, singers and a group of musicians with conductor, signed 'EA', the largest plaque measuring 6 5/8 x 6in. (17 x 15.3cm.). (20)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Overall very good, some small elements possibly missing (bows etc, if they were ever made), some firing faults etc.

Lot 19

in varying styles, sizes and colourways, to include four teapots, four large milk jugs and sixteen cups / mugs. (24)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Mostly very good, one teapot with chip / nibble to cover, some firing faults.

Lot 2

modelled in seated position, rising from oval base, signed 'EA' to underside, 7¾in. (19.7cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* No chips and cracks found, natural firing flaws only, good.

Lot 20

modelled in a seated position, raised on an oval base, signed 'EA', 7in. (17.8cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, no chips or cracks, possible firing faults.

Lot 21

in green, blue and brown glazes, modelled sitting on a chair with scroll back and having a music stand, raised on oval base, signed 'EA', 6in. (15.3cm.) at widest.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Very good condition, no chips or cracks.

Lot 22

modelled sitting on a chair with scroll back and music stand, raised on circular base, signed 'EA', 5in. (12.8cm.) diameter.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* No cracks found, tiny flea-bites to rim of base, overall good.

Lot 24

of varying styles, designs and glazes, to include textured examples, each having elongated fluted stems and bulbous bodies, signed 'EA', the tallest 5¾in. (14.7cm.) high. (12)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, light wear only, some firing faults.

Lot 25

of varying styles, designs and glazes, to include textured examples, each having elongated fluted stems and bulbous bodies, signed 'EA', the tallest 6¾in. (17.2cm.) high. (12)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All appear to be good, some firing faults.

Lot 26

modelled sitting, wearing a large sun hat with floral design, raised on oval base, signed 'EA', 7¼in. (18.5cm.) at widest.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, some firing blemishes.

Lot 28

Penguin - King; Swan - Queen; Horses - Knights; Elephants - Rooks; Owls - Bishops and ducks the Pawns, each set housed in glazed dishes of varying forms. (quantity).* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* some pieces with a little damage (example, crown tips etc.) overall good.

Lot 29

of varying forms, glazes, and styles, the largest of textured form depicting musical notes and standing 6in. (15.3cm.) high. (18)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* good condition, some firing faults.

Lot 3

modelled similarly to the 'Boat Pose' in Yoga, raised on blue / brown striped tear drop base, signed 'EA', 7¾in. (19.8cm.) at widest.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* No chips or cracks, firing faults only, good.

Lot 30

modelled in a seated position, raised on oval base, signed 'EA', 8in. (20.3cm.) high. a/f* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* restoration - head, right arm and top cello re-attached (done in manufacturing / firing)

Lot 31

modelled in a seated position, raised on oval bases, signed 'AE', largest 4½in. (11.5cm.) high. (2)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.*Both pieces good, natural firing blemishes only.

Lot 32

in various glazes, to include bowls, organic sculptures, spoons, dishes troughs etc. (approximately 80 pcs).* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* overall very good, some firing faults etc.

Lot 34

in various colourways, glazes and sizes, to include cats, swans, owls, pigs, imps, elves, dancers, dragon, dogs, fish, etc, housed in trays. (large quantity)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Overall very good condition, some firing faults.

Lot 38

intricately hand made, many different glazes, shapes and sizes, mostly signed 'EA', the largest 2 5/8in. (6.7cm.).* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Some pieces may have minute nibbles and or firing faults, good condition.

Lot 4

in blue green / turquoise glaze, modelled in various poses, the largest 2 3/8in. (6cm.) high, each signed 'EA', housed in crescent dish. (50).* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, a couple with breaks to beaks.

Lot 40

to include two featuring a woman, one with a baby, the other flowers, each within a wreath, the largest 10¾in. (27.4cm.) diameter, together with three modernist slabs / plaques. (5)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Each piece good with no chips or cracks, some minor firing blemishes etc.

Lot 41

the first modelled doing excise, the other holding aloft their foot (possibly after injury), signed 'EA', the tallest 6½in. (16.5cm.) high. (2)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* No chips or cracks, good.

Lot 42

modelled sitting and looking behind with bow down to the side, signed 'EA', raised on oval base, 6½in. (16.5cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* No chips, some firing faults, good.

Lot 43

with pull-off cover, 12¼in. (31.3cm.) high, together with a hand bell, miniature pasty wall pockets, lamp base, various dishes etc, signed 'EA'. (20)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All pieces appear to be in good order, some firing blemishes.

Lot 44

modelled in a seated position on a scroll back chair, with music stand, raised on oval base, signed 'EA', 6¼in. (15.8cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, some firing blemishes.

Lot 46

of varying styles, sizes and glazes, mostly signed 'EA'. (quantity)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* good condition, some firing blemishes etc.

Lot 47

in various sizes, styles and glazes, the largest 7¼in. (18.5cm.) diameter, mostly signed 'EA'. (38)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Two bowls with flea-bite nibble, mostly very good, some firing blemishes.

Lot 49

to include two cubes with lids, having textured and floral designs, opening for storage 4in. (10.2cm.) square; hedgehog and pig money boxes; various lidded boxes, and jars with covers. (16)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, some warping to lids etc.

Lot 50

of varying forms, glazes and sizes, the largest unglazed and measuring 8¾in. (22.3cm.) high, mostly signed 'EA'. (30)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, some with firing faults and shrinkage.

Lot 51

of varying sizes, glazes and types, mostly signed 'EA', the largest 7¾in. (19.8cm.) diameter. (50)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, some firing blemishes etc.

Lot 53

modelled in seated position, raised on circular bases, signed 'EA', the largest 4½in. (11.5cm.) high. (3)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* All in good condition, some natural blemishes.

Lot 55

modelled doing stretches, raised on oval base, signed 'EA', 7½in. (19cm.) long.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, firing blemishes only.

Lot 56

modelled doing stretches, raised on oval base, signed 'EA', 7in. (17.8cm.) long.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, firing crack to waist (doesn't detract).

Lot 59

the larger in a turquoise glaze, raised on circular base, 4½in. (11.5cm.) high, together with a miniature. (2)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Both pieces good.

Lot 61

modelled seated, raised on oval base, signed 'EA', 7in. (17.8cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Good condition, firing blemishes only.

Lot 62

modelled seated, raised on oval base, signed 'EA', 6½in. (16.7cm.) high.* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Firing crack to waist area, otherwise good.

Lot 7

of varying forms, colours and sizes, each signed 'EA', the tallest 10in. (25.5cm.) high. (10)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* One vase with tiny flea-bite nibble to rim, overall good.

Lot 8

in various glazes and sizes, raised on naturalistic flat bases, each signed 'AE', the largest measuring 7½in. (19cm.) long. (8)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Natural firing flaws only, some shrinkage, overall good.

Lot 9

to include fifteen modelled flat, facing left & right in different colourways and textures, the largest measuring 6¼in. (15.8cm.) long, together with an elephant modelled as a jigsaw and various miniature elephant figures, housed in rectangular shaped trough. (35)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* Very good condition, natural firing flaws only.

Lot 3062

Studio Pottery - a conical stoneware vase with plateau, 21cm, indistinct incised mark; a Briglin Pottery cylindrical vase, 20cm; a stylised bull model; a conical bowl glazed in monochrome; a lustre glazed vase; etc (8)

Lot 112

4 Briglin pottery animal money boxes 

Lot 113

Briglin Pottery 2 vases, mug and milk jug

Lot 1406

Two Briglin Pottery hedgehogs together with an owl, tallest 11 cm

Lot 873

A Staffordshire tureen, and mug, together with a Royal Doulton dinner service, Briglin pottery and other china

Lot 129

Briglin - eight mid century studio pottery vases in brown, cream blue and green colour ways: 2 x tall cylindrical vases (25cm); 2 x tall waisted vases (24cm); 1 x medium waisted vase (19cm); 2 x small cylinder vases 14cm; and 1 x short waisted vase (12cm). Six bearing Briglin impressed marks. (8) Part of the Bowles Collection. (L)

Lot 82

Briglin pottery - a collection of animal figurines and "piggy banks" including hedgehogs, shaggy dogs, owls elephants, rabbits and robins. (33) Part of the Bowles collection. (M)

Lot 130

Briglin - a collection of six mid 20th Century pottery vases of cylindrical form all circa 25cm in height in brown, cream an d blue colour ways. All bearing impressed Briglin mark. (6) Part of the Bowles Collection. (L)

Lot 1475

SUSAN PARKINSON FOR BRIGLIN POTTERY, RARE COMPLETE SET OF FIVE THEATRICAL FIGURES, CIRCA 1959 comprising Paul Robeson as Othello, model No.6, Sir John Gielgud as Hamlet, No.41, Sir Laurence Olivier as Henry V, No.84, Dame Margot Fonteyn as Ondine, No.74 and Vivien Leigh as Cleopatra, No.25, each figure painted in blue-black, with incised marks and a hand painted description inside each base, all designed and made for Briglin pottery by Susan ParkinsonFor Paul Robeson as Othello figure: Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, private press, page 72 for a comparable example. It is believed only about 6 of these figures were actually produced, of which model no.6 is offered within this very desirable and highly sought after set.Reference V&A Website: Set of five figures issued by Briglin Pottery, makers of decorative domestic earthenware, in 1959, a year after they decided to revive the Staffordshire tradition of pottery figures of performers. The actor Herbert Lom, the partner of Briglin's founder Brigitte Goldsmith, contacted Sir Laurence Olivier, Vivien Leigh, Sir John Gielgud, Dame Margot Fonteyn, Paul Robeson, Maria Callas and Alec Guinness, who all agreed to feature. Lom wrote a leaflet advertising the proposed edition of 100 figures of seven personalities, which featured quotes from the subjects who all expressed delight at their inclusion. Since Briglin's earthenware proved unsuitable, Lom commissioned Richard Parkinson to design and make the figures at his pottery, using continental-type porcelain, fired at high temperatures and decorated in green and black. The slip-cast figures proved tricky; the moulds had to be made in several pieces and most of them, except Paul Robeson and Vivien Leigh, had to be tall and thin, very different in style to the rest of Parkinson's pottery. After Robeson, the fifth model, the Parkinsons realised their charge of £2 a figure was unrealistic. Since Lom refused to raise the price, the project was terminated and only about six figures of Robeson were made. In 1959, however, the set featured in London's Design Centre where Briglin sold them for 10 guineas each, and 40 guineas a set. The Duke of Edinburgh and Charlton Heston each bought a set. Paul Robeson as Othello, 33.5cm high, Sir Laurence Olivier as Henry V, 31cm high,Vivien Leigh as Cleopatra, 31cm high, Sir John Gielgud as Hamlet, 32.5cm high, Dame Margot Fonteyn as Ondine, 30cm high Qty: 5 As per the vendor, the five figurines of Sir Laurence Olivier, Sir John Gielgud, Dame Margot Fonteyn, Vivien Leigh and Paul Robeson were bought directly from Susan Parkinson in 1959 by their uncle, Norman Melburn, and have remained in the family since. The vendor's uncle was a friend and supporter of the Briglin Pottery founder, Brigitte Goldsmith and her partner, Herbert Lom, who wanted to revive the Staffordshire tradition of making pottery figures of outstanding theatrical personalities of the day. Briglin planned a limited edition of one hundred of seven personalities after being commissioned by Lom. The figures were devised by Richard Parkinson, cast in porcelain, fired at a very high temperature and decorated by Susan Parkinson in green and black. After making the fifth model, the Parkinsons realised that they could not continue and ceased production. Only six of the Paul Robeson figures were produced, resulting in the fact that only six complete sets are possible, of which model No.6 of Paul Robeson is included within the set.

Lot 138

Three studio pottery earthenware cylindrical vases with paper/wax-resist decoration (two marked Briglin, largest h- 24.5cm, w- 10cm)

Lot 1516

Briglin Pottery, set of six cups and saucers, circa 1980, brown with swirl design, one cup interior hairline crack.

Lot 176

Briglin Pottery, a mid-century coffee set and large mug, many pieces impressed Briglin to base

Lot 111

A Briglin Pottery figure of Sir John Gielgud as Hamlet, designed by Susan Parkinson, No. 186, signed to base.

Lot 112

A Briglin Pottery figure of Vivien Leigh as Cleopatra. Designed by Susan Parkinson, No.11, signed to base.

Lot 520

20th Century studio pottery to include: a mead set comprising stoneware decanter with stopper (32cm) and four goblets decorated with sculpted forms of bees, dragon flies and leaves using wax resist and sgraffito techniques with cream glaze and tan highlights, attributed to Bernard Rooke; and a tall cylindrical lidded jug with geometric pattern formed using painted glaze and wax resist techniques attributed to the Briglin studio (30.5cm).  Part of the Bowles collection. (6).

Lot 542

A selection of four 20th Century pottery from the Briglin Studio including a mallet shaped vase brush glazed with a sunflower pattern using wax resist technique, bearing Briglin stamp (22.5cm); a bottle shaped vase with brushed glazing in pale blue and oxidised copper shades, marked Briglin to the base (24.5cm); a mallet shaped case, sgraffito decorated with seed heads, bearing Briglin stamp (26cm); and a mallet shaped vase with brushed blue glaze and wax resist sunflower decoration, bearing the Briglin stamp (22cm).  Part of the Bowles collection. (4)

Lot 543

A collection of four 20th Century pottery cylinder vases from the Briglin studio, variously decorated with flowers and leaves using dip and brush glazing, sgraffito and wax resist techniques in white, blue and brown hues. Three bearing the Briglin stamp.  Part of the Bowles collection. (4)

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