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TWO BOXES AND LOOSE PHOTOGRAPHIC AND CINE EQUIPMENT ETC, to include a Nikon Coolscan V, Zeiss Ikon Royal AF slide projector fitted with a Zeiss T* 90mm f2.5 Sonnar lens, boxed Eumig 610D cine projector, Bolex Type G 16mm cine projector, reel of processed 16mm cine film, Eumig Type P8 cine projector, Gnome slide projector for 6x6 and 35mm slides, Arrow lightbox, etc

A Bolex and a Nikon camera

Grundig TK20 reel-to-reel player, Philips Type EL 3538 tape recorder, Bolex Paillard player and a Columbia gramophone (4)

BOLEX; a H16 Reflex camera, together with a film cutter.Condition Report: Motor runs, scuffs and wear to the metal and leather casing, lens with dirt and minor scratches.

Two vintage cine cameras comprising a Bolex Paillard D8L 8mm cine camera and case, with instructions and a Canon Autozoom 1014 electronic Super 8 cine camera in case, also a Noris Norimat Deluxe projector in hard case (3).Condition Report: Not tested, no guarantee of working order.

A BOLEX H8 REFLEX CINE CAMERA with 35mm, 12.5mm 5.5mm lenses Condition very good motor turns, lenses swap with ease

Vintage Bolex Paillard Film Movie Camera and Ross Ensign Selfix Snapper 620 Folding Roll Film Camera.

A 1950s Bolex H16 Reflex camera, cased with accessories

Two Bolex 8mm Cine Projectors, a Bolex Sound 715, untested, some surface scratches & wear with Hi-Fi Nivar 14-30mm f/1.3 lens and a Bolex 18-5 Super, untested, G-VG, with Bolex Hi-Fi 14-25mm f/1.3 lens, elements G, in 18-5 carry case

A Tray of Various Cameras, a Voigtländer Vito B, Vito II, Vito BL, Vitoret R, Vitomatic II, aZeiss Ikon Contina, Nettar, a Kodak Retina II, an Agfa Silette and a Braun Paxette, lot includes a Bolex B8 cine camera, motor runs, all F-G

Cine Projectors and Speakers, a Specto type XC 8mm projector, G, with 1" f/1.6 lens, elements G, a Simplex Ampro Imperial, G, no lens, a Vitavox, an Axiom 150 MKII & a Bell & Howell speaker, all untested, with two Paillard Bolex 17-34mm f/1.1 cine projector lenses, elements G

Three 8mm Cine Cameras, a Bolex B 8L, motor runs, body G, with Kern Pailard 35mm f/2.8 & 13mm f/1.9 lenses, elements F-G, some fungus and two Kodak Eight Model 20, motors runs, one body G, other F, elements F-G

A Group of Cine Projectors, including a Bolex M8, two Dekko 8mm projectors, a Kodascope Eight 45, a Kodascope model B, a Eumig P8, a Baby Pathescope, a Spectro 9.5mm projector and two Bell & Howell speakers, all untested, all AF

A Bolex Paillard Cine camera, various accessories, instructions, in fitted leather case and assorted Photographic items

A Bolex H16 RX5 black, 1967, serial no.233120, with a Kern-Paillard Vario-Switar f/2.5 18-86mm EE zoom lens and Rexofader 40 device, spring motor runs, body P-F, corrosion to metal fittings, lens P-F, corrosion, no Octameter side finder, A/F

A Bolex H16 EL Body and Bell & Howell 70-DR Camera H16 EL camera, 1975-1980, serial no.310069, with 100ft spool, instructions and body cap, no battery or charger, body F, untested and 70-DR, 1954-1970s, serial no.97437, with a Kern-Paillard Switar f/1.4 25mm H16 Rx lens, a SOM Berthiot Cinor f/3.5 50mm lens and a P.Angenieux Type R41 f/1.3 15mm lens and a Taylor-Hobson f/2.5 0.7in lens, camera body F, lenses F-G, spring motor runs but viewfinder turret out of register with main turret/shutter interlock

A Good Bolex Paillard Camera Tripod, in G-VG condition, with maker's carry case,

A Bolex M8 Film Projector

2 boxes with various film cameras, projectors, etc. including the brands Nizo, Supra, Pentacon, Paillard Bolex, Admira, Bauer

Various Compact Cameras Canon Z115, Yashica 72E, Yashica ZoomTec 90 and Canon Ixus 400; Paillard Bolex B8L Cine Camera; Bushnell 10x42 Binoculars together with a collection of assorted camera accessories (qty)

A mixed lot, comprising collected pens to include Parker and Sheaffer's, a Yard-o-Led rolled gold propelling pencil, "Midget" patent folding opera glasses, an Argus colour slide viewer, a Bolex Trifilm Splicer, marbles and a Elizabeth II 2016 Jersey £5 coin Condition Report:Available upon request

Bolex Paillard B8L Compumatic camera in original leather case with accessories and papers

A BOLEX 551 XL SOUND MACROZOOM CAMERA WITH ITS CASE

Two Bolex Paillard 8L 8mm cine cameras. With 13mm and 36mm lenses together with two Bolex hand grips

A Vintage Bolex SM8 Film Projector

A selection of vintage cameras and accessories, including: Minolta SRT 100X camera; Bolex 155 Super cine camera, with original case; and other items including flash and lenses.

BOLEX; a Paillard, Bolex H16-H8, 8mm reflex camera, serial number 186523, fitted in original leather case.

Bolex Paillard D8L 8mm cine camera with 1:1.9 5.5mm, 1:1.8 13mm and 1:1.8 35mm lenses, in carry case

SIX BOXES AND LOOSE RECORD PLAYER, CINE FILM AND SLIDE PROJECTORS, REEL TO REEL TAPE RECORDERS, ETC, to include a blue cased Dansette Major portable record player, a boxed Boots Th Autofocus projector, a boxed Paillard-Bolex M8 cine projector, a blue Argus Special slide projector, a Popular 200 reel to reel recorder, a boxed Leitz Pradovit slide projector, a Philips reel to reel tape recorder, Prinz Lowline 300 slide projector, slides, etc (6 boxes + loose) (sd, untested)

Bolex paillard D8L double 8mm fine camera with two lenses together with bolex lite in case

A Mixed Selection of Cine Motion Picture Cameras,from makers including Bolex, Miller, Bell & Howell, & others,

A Good Paillard Bolex 8mm Standard Cine Camera Outfit,black, body G-VG, motor winds & runs smoothly, with a Bolex Ocatfinder, eye-level viewer, with a Switar f/1.8 5.5mm lens, optics VG, also with a Switar f/1.5 12.5mm lens, optics VG, also with a Switar f/1.8 36mm lens, optics G-VG, single small fungal bloom to edge of lens element, also with a Bolex pistol grip, in maker's carry case

A Good Selection of Camera Cable Releases,including a boxed Bolex example (a lot)

Two Paillard Bolex 8mm Cine Camerascomprising a D8 camera, 1959, serial no.817921, 3-lens turret model, with a Kern-Paillard Yvar AR f/1.9 13mm lens, a Kern-Paillard Pizar f/1.9 5.5mm lens and a Yvar f/2.8 36mm lens, spring motor runs, body VG, lenses VG, with caps and a C8 camera,1956, serial no.605793, with a Kern-Paillard Yvar AR f/2.5 12.5mm lens, spring motor runs, body VG, lens G, haze, with maker's leather case and a pistol grip

A Paillard Bolex H16 16mm Cine Camera1950, serial no. 57411, spring motor runs, with Kern-Paillard Yvar AR f/2.8 16mm and Switar AR f/1.4 25mm lenses, built-in frame counter, early-type eyelevel focusing finder and Octameter side finder, body G, lenses P-F, fungus

A Kern Vario-Switar f/1.9 16-100mm POE Zoom Lensblack, 1970-80, serial no. 1125228, Bolex H16RX bayonet mount, body G, some scratches, elements VG, untested Note: Lot imported under Temporary Admission. 5% UK import VAT will be charged on the ‘hammer’ and 20% UK VAT will be charged on the ‘buyer’s premium’ and invoiced on an inclusive basis under UK Margin Scheme rules.

8mm Cine Cameras and Projector, a Chinon Concord, G, a Bolex P1 Zoom Reflex, motor runs, with Pan Cinor 8-40mm f/1.9 lens, G, an Auto Carena, motor runs, G, a Kodak Brownie Turret, motor runs, G, with a BELL & Howell 200 16mm camera body, a Horipet 8mm & Lion 8mm battery operated projectors, untested, both in maker's boxes

Cameras & Related Items, including an Ihagee Exakta Varex IIa camera, a Bolex B8 cine camera, a Kodak Auto Colorsnap 35, a Patterson triple 35 tank, light meters and other items

A Group of Cine Projectors, including an Ampro Stylist Major 16mm projector, with 2'' f/ 1.5 lens, G, a Siemens 2000 16mm sound projector, no lens, with speaker, a Siemens 16mm projector, no lens, a Victor 16mm projector, no lens, in wooden case, a Bolex 18-5L Super 8mm projector, with Bolex 14-25mm f/1.3 lens, G, a Braun Paximatt slide projector and other items, all untested

A Tray of 8mm Cine Cameras, including a Bolex 160 Macrozoom, motor runs otherwise untested, G, a Petri 8, in makers box, a Carena sa, a Sanko Super CM and other examples, some AF, with a group of film splicers

A Bolex 480 Macrozoom Super 8 Cine Camera, with a Polaroid Supercolour 635 camera and a Minolta AF-SP compact, all AF

Cameras & Related Accessories, a Pentax Z-10, shutter working, flash working, with SMC FA 28-90mm lens, auto focus functions, missing switch on barrel, elements G. a FED 4, G, a Bolex C8 cine camera, G a Leitz CEYOO flash holder, no fan, a Gossen Luasix 3 light meter, out of date film stock and other items

A Bolex M8R and Other Cine Cameras, a Bolex M8R 8mm projector, a Spectro 750 type YA 16mm projector, a Eumig S709 dual format sound projector and a Noris Super 100 8mm projector, all untested, G

A Bolex Model G Projector and Others, a Model G projector, set up for 9.5mm film, with 16mm conversion kit, untested, some wear and scratches, with Som Beriot Master 25mm f/1.9 lens, G, a Cine Paillard type G transformer, a Eumig Mark 610 D 8mm projector, untested, G, a Leitz Prado slide projector, G, with 150mm f/2.5 Hektor lens, G and a JVC GR-AX60 compact VHS camera, in maker's box, with charger and other items

A Group of Photographic Items, including a Bolex 8SL cine camera, motor runs, body G, with Kern Pailard 13mm f/0.9, 36mm f/2.8 & 13mm f/1.9 lenses, G-VG, a pair of Solaross 12 x 40 binoculars, a View Master lighted stereo viewer, a Viewmaster projector, a Yashica model II 8mm editor and other items

Vintage Bolex Sound video camera, untested

Bolex Paillard Zoom Reflex P3 8mm Motion Picture Cine Camera, with Pan-Cinor f/1.9 40mm lens, lens cap, trigger handle, instruction manual, in leather carry case

Cameras to include a Paillard-Bolex D8L, a Taron Pr Taronar 45mm No 74216 in original Taron leather case with Taron Aux. lens wide angle no 360951 and telephoto No. 479793 and a Zenit-E No 71099169 with a Helios-44-2 2/58 lens.

Vintage Minolta mini 35 projector and screen along with a Paillard Bolex M8 cine projector in case and a quantity of 8mm castle films, Woody Woodpecker, Andy Panda, Walton Fireball xl5 etc, various places across the globe, Auto Splicer and spare bulb etc.

A Bolex Synchronizer together with an unusual handheld camera (?).

BOLEX; a H8 Reflex camera with Kern-Paillard 12.5mm lens

Bolex Paillard D8L double 8mm cine camera with two lenses- circa 1959

An 8mm Cine Camera, by Bolex, in conforming leather case, and a Kodak Compur Rapid 35mm Retina camera in conforming pigskin case

William Kentridge (Afrique du Sud, né en 1955)Sans titre (dessin du film Felix in Exile)1994signé et daté 'Kentridge 94' en bas à droitefusain et pastel sur papier signed and dated 'Kentridge 94' lower rightcharcoal and pastel on paper46 x 63 cm.18 1/8 x 24 13/16 in.Footnotes:ProvenanceAcquis directement auprès de l'artisteCollection privée, FranceBibliographieStaci Boris, The Process of Change: Landscape, Memory, Animation, and Felix in Exile, William Kentridge, (Chicago and New York: Museum of Contemporary Art, Chicago and the New Museum of Contemporary Art, New York, 2001), p. 32.Carolyn Christov-Bakargiev, William Kentridge, (Brussels: Societe des Expositions du Palais des Beaux-Arts de Bruxelles/Vereniging voor Tentoonstellingen van het Paleis voor Schone Kunsten Brussel, 1998), p. 61-64.Matthew Kentridge, The Soho Chronicles, 10 Films by William Kentridge, (London, New York & Calcutta: Seagull Books, 2015), p. 238-239 L'œuvre Sans titre est tirée de Felix in Exile, un film de Kentridge réalisé entre septembre 1993 et mars 1994. Le mois suivant l'achèvement du film, l'Afrique du Sud organise les premières élections démocratiques de l'histoire du pays. Si certains y voient une libération politique, la violence et les effusions de sang qui ébranlent la ville de Johannesburg pendant la période précédant ces élections sont inédites. Felix in Exile invoque le sacrifice, le chagrin et le souvenir de l'autodestruction du peuple, à la fois au regard des événements qui conduiront à l'élection et en référence à l'histoire personnelle de Kentridge.Nandi, protagoniste du film, est visible à l'écran dès le début du court métrage, observant la terre, reportant dans son dessin l'horrible champ de cadavres en sang qui se dissolvent dans le paysage. L'œuvre ici présentée est visible dans le film de 7:08 à 7:09 minutes, lorsque Nandi gît morte après avoir été tuée par un sniper. La ligne rouge bordant la figure, à la manière si caractéristique de Kentridge, fut ajoutée par la suite. Le processus artistique de William Kentridge, qui consiste à retravailler et à modifier un dessin unique à de nombreuses reprises afin d'illustrer les mouvements animés du film, abouti à cet unique dessin, capturant le tragique de l'entièreté de la scène. 'La technique que j'utilise consiste à avoir une feuille de papier collée au mur du studio et, à mi-chemin dans la pièce, mon appareil photo, généralement une vieille Bolex. Un dessin est gribouillé sur le papier, je me dirige vers la caméra, je tourne une ou deux images, je reviens vers le papier, je modifie le dessin (de façon marginale), je reviens vers la caméra, je reviens vers le papier, vers la caméra, et ainsi de suite. Ainsi, chaque séquence, par opposition à chaque image du film, est un dessin unique. En tout, il peut y avoir vingt dessins pour un film plutôt que les milliers auxquels on s'attend. Cela ressemble plus à la réalisation d'un dessin qu'à celle d'un film (bien qu'il s'agisse d'un dessin gris, abîmé et frotté)'.(Conférence, 1993, publiée dans Cycnos : Image et Langage, Problèmes, Approches, Méthodes, Nice, vol. 11 no.1, 1994, pp. 163-168. Republié dans C. Christov-Bakargiev, William Kentridge, William Kentridge, Société des Expositions du Palais de Beaux-Arts, Bruxelles 1998, pgs.61-64)Influencée par la photographie graphique de l'époque couverte par les médias et la photographie d'enquête policière, cette esquisse incarne la nature froide, presque médicale, de ces photographies. Le cadrage de la figure réduit Nandi à une enquête objectivée, à étudier avec recul, dépourvue d'émotion humaine et volontairement privée de la compassion du spectateur.This is a drawing from Felix in Exile, a film by Kentridge created between September 1993 and March 1994. The following month after this film was completed, South Africa held the first democratic election in the country's history. Whilst this would have been viewed by some as political liberation, the reality of the city of Johannesburg was riddled with violence and bloodshed in the journey up to this election. Felix in Exile examines the sacrifice, grief and memorial encapsulating the destruction of the people at the hands of others both in the events leading to the election and historically throughout Kentridge's life. Nandi, a protagonist of the film, can be seen from the beginning of the film observing the land, witnessing bleeding corpses dissolving into the landscape of which she is drawing. The present lot can be seen in the film from 7:08 to 7:09 when Nandi lays dead after being killed by a sniper. Not present in this scene of Nandi's dead body is the addition of the red line bordering the figure which we see here in the drawing today. Kentridge's process of re-working and altering a singular drawing numerous times to display animated movement in the film has resulted in this conclusive drawing. 'The technique I use is to have a sheet of paper stuck up on the studio wall and, half-way across the room, my camera, usually an old Bolex. A drawing is tarted on the paper, I walk across to the camera, shoot one or two frames, walk back to the paper, change the drawing (marginally), walk back to the camera, walk back to the paper, to the camera, and so on. So that each sequence as opposed to each frame of the film is a single drawing. In all there may be twenty drawings to a film rather than the thousands one expects. It is more like making a drawing than making a film (albeit a gray, battered and rubbed about drawing).'(Lecture, 1993, published in Cycnos: Image et Langage, Problemes, Approches, Méthodes, Nice, vol. 11 no.1, 1994, pp. 163-168. Republished in C. Christov-Bakargiev, William Kentridge, William Kentridge, Societe des Expositions du Palais de Beaux-Arts, Bruxelles 1998, pgs.61-64)For this piece, while the red line suggests that the piece has been re-worked since its inclusion in Felix in Exile, it's addition also summarises the themes that are explored within the wider film. Influenced by the graphic photography of the time covered by the media and police investigation photography, this sketch embodies the cold forensic nature of these photographs. Framing the figure in this way shifts the humanitarian view of the corpse, reducing Nandi to an objectified investigation to be studied, devoid of human emotion.For further information on this lot please visit Bonhams.com

A collection of six various vintage Cine Cameras, varying ages, to include Canon Reflex zoom 8-2; Canon 310XL;Cine-Kodak Eight model 20; Filmo Auto Master; Paillard-Bolex; Microflex 200. (6) We are not experts in this field please satisfy yourself before bidding, Various conditions, appear to be good, not tested, possibly pieces missing, sold as seen.

A quantity of various Vintage cameras and binoculars, including Bolex, Olympus etc

Bolex Zoom Reflex P1 cine camera, with accessories, original instruction manual and case.

A Paillard Bolex 155 Macro Zoom Super 8 cine camera: No . 114536, fitted 1:1,9 f=8,5 30mm lens, together with instructions and packing in original box.

A Pillard Bolex Shop Counter Advertising Display Stand,brass and enamel, with standard tripod thread

Bolex, Switzerland. H-16 Reflex 16mm camera with a traveling case. Serial number 233184.This set includes: a Weston exposure meter master III Model 737; ROWI traveling photo clip; five insert filters; nine Wratten Gelatin Filters, two open and seven new; a 10 mm field adapter; a viewfinder with 8 focal lengths; two Weston exposure meters guides; two extra viewfinders; two movie camera empty film reels; two light brown leather cases; three lens cap covers; one pro-optic cleaning set; a camera instruction manual; two ball bearings in a case.(Leather box) height: 6 1/2 in x width: 14 1/2 in x depth: 11 in. (Camera, lens attached) height: 9 in x width: 3 in x depth: 10 3/4 in.