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Janniot, Alfred-Auguste (French, 1889-1969); b. Paris FRANCE, Le pain et le vin [Bread and Wine], 1951, a bronze medal by A.-A. Janniot for the Société Française des Amis de la Médaille, male harvester carousing with a female farmworker, Cupid at right and sheaves of wheat in background, rev. hand indicating legend on an amphora, text from Rabelias on open book behind, edge impressed 42 and with foundry mark of the SFAM, 98mm, 496.40g (cf. Maier Sale, 1489; cf. iNumis Dec. 2019, 322). Extremely fine, scarce; in red card box of issue £150-£200 --- Provenance: iNumis Auction (Paris), 8 December 2015, lot 145

A pair of modern Amphora style aluminum and glass vase shaped Table Lamps, with mask handles on square bases with cream shades, 31" (79cms). (2)

Three boxed bottles to include a Martell Medallion Old Fine Cognac 1 litre, Metaxa Amphora brandy 70cl and a Remy Martin Fine Champagne Cognac 1 litreIf there is no condition report shown, please request

5th-6th century A.D. Fish-shaped lead plaque with low-relief stamped panel, menorah and legend; impression from a wine amphora stamp, rectangular with a raised rim in the name of Jakob the Scribe: ΕΙΑ - ΚΟY / ΛΙΛ - ΕΒΑ (retrograde); seven-branched menorah between a shofar (right) and lulav (palm frond) and an etrog (yellow citron). For a bronze stamp from Sardis with the Menorah between a bunch of grapes and a palm branch, now in the British Museum under inventory no.1888, 0511. 3.; cf. similar stamp with similar design in Nomos AG Auction 20 (10th July 2020) lot 396. 94 grams, 74 mm (3 in.). [No Reserve] From the collection of a London antiquarian, formed since the 1980s.The first word is the name Iacobus' (Jakob) and the second word (Λιλεβα) is likely derived from the Latin Libellarius (scribe or notary), which was borrowed by Hebrew as 'Liblar'.

6th-5th century B.C. A section of scale armour coat composed of 162 overlapping tongue-shaped scales mounted onto a cloth panel, each with three holes to the top and some with one or two holes to the right for fastening onto the original leather backing. Cf. similar scales from Egypt, dated circa 590 B.C., in the Metropolitan Museum, discovered in the palace of Apries, accession no. 09.183.7a–v; Cernenko, E.V., The Scythians 700-300 BC, Hong Kong, 1998, pp.7ff., pl.D & E; for identical scales see Полин, С.В. & Колтухов, С.Г., ‘A Scythian Burial in a mound near the S.Nadezhda in Crimea’ and Лихачёва, О.С., ‘Elements of Scythian tradition in the complex of armament of the Altai forest-steppes population, in the 6th-3rd centuries B.C.’, in Russian Academy of science, The war and the military in the Scythian-Sarmatian world, Proceedings of International Scientific Conference in tribute to the memory of A.I. Melyukova (Kagal’nik, 26–29 April 2014), pp.119-126, and pp.162-171, pl.3, p.126, fig.2, p.165. 165 grams, 16 x 12 cm (6 1/4 x 4 3/4 in.). From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12469-231236.The favourite armour of the Scythian noblemen was composed of scales, usually protecting the torso, sometimes the entire body (kataphraktoi). The Scythians found that the most efficient method was to arrange the overlapping ‘fish-scales’ as a corselet made of a number of bronze and iron plates, which then protected the wearer against sword and spear thrusts. Our scales correspond well to bronze scales found in May 1961 in an accidentally destroyed burial in a barrow, near the village of Nadezhda Sovetsky district. They were discovered together with iron scales, a Greek Corinthian helmet, fragments of an amphora, five arrowheads and fragments of an iron sword. Most of these bronze scales were oblong in shape, with a sub-rectangular upper end and a rounded lower end, but slightly bigger than our scales.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.87gr, 15mm, 6h. Good Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.48gr, 16mm, 6h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.25gr, 15mm, 5h. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 3 (68/9 CE). Jerusalem mint. 'Year three' in Paleo-Hebrew, amphora with broad, two handles and a lid / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 204; Sofaer 31-35; Hendin GBC 6, 6392; Hendin GBC 5, 1363. 1.67gr, 15mm, 5h. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 1.81gr, 16mm, 6h. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2,79gr, 17mm, 6h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 1.90gr, 15mm, 5h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. Dated Year 2 (67/8 CE). Jerusalem mint. 'Year two' in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 2.56gr, 16mm, 6h. Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. 66-70 CE. Jerusalem mint. Dated year 3 (68/9 CE). 'Year three' in Paleo-Hebrew, amphora with broad rim, two handles and a lid / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 204; Sofaer 31-35; Hendin GBC 6, 6392; Hendin GBC 5, 1363. 2.26gr, 16mm, 5h. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea. First Jewish War AE Prutah.. 66-70 CE. Jerusalem mint. Dated year 2 (67/8 CE). 'Year two' (retrograde) in Paleo-Hebrew, amphora with broad rim and two handles / 'The freedom of Zion' in Paleo-Hebrew; vine leaf on small branch with tendril. TJC 196a; Sofaer 11-4; Hendin GBC 6, 6389; Hendin GBC 5, 1360. 3.02gr, 18mm, 5h. Near Very Fine. Very rare with retrograde inscription.From the collection of a gentleman, acquired on the London art market in the 1990s.

Judaea, Caesarea Maritima AE 'Minim'.. Mid-late 1st-2nd centuries CE. Pseudo-autonomous issue. Local issue imitating a First Jewish War prutah or a Procuratorial prutah of Valerius Gratus. Illegible legend, amphora / Illegible legend, palm frond. See Meshorer 371 and p. 183-4; cf. Sofaer 1-5. 1.35gr, 13mm. Near Very Fine.From the collection of a gentleman, acquired on the London art market in the 1990s.

1st century A.D. and later. Including Spartan Basalt, mined in Greece, cut and polished on one side; one marble fragment marked in pencil: 'VILLA / HADRIAN', another: 'OSTIA / ANTICA'; a large amphora handle; seven pottery fragments; a carved decorative edge stone; a marble core fragment; a later floor tile fragment; with an old handwritten slip with: 'VILLA HADRIAN, AUSTRIA ATICA, Nr. ROME, ITALY.' and on the inside: 'AUSTRIA ATICA / (/ VILLA HADRIAN / (outside Rome, in nowadays Tivoli)'. 1.57 kg total, 5-18.5 cm (2 - 7 1/4 in.). [14, No Reserve] Acquired on the UK market, since 1970. From the historic mineral collection of Richard Valentine Cain, London, UK, thence by descent.

2nd-4th century A.D. With base and part of the body of a Roman vessel, perhaps a transport amphora, with encrustation to surface. 112 grams, 75 mm (3 in.). [No Reserve] (For this specific lot, 5% import VAT is applicable on the hammer price.) Private collection of an English gentleman, acquired between 1950-1975.

4th century A.D. Amphora-type with openwork heart to centre and scrolled handles; ferrous encrustation at attachment. Cf. for similar belt elements Miks, C., Studien zur Romischen Schwertbewaffnung in der Kaiserzeit, I-II Banden, Rahden, 2007, I, fig.62 (openwork plate with heart-shaped terminal). 6.89 grams, 48 mm (1 7/8 in.). [No Reserve] Found near Wetwang, North Yorkshire, UK, in the early 2000s. Acquired in the UK circa 2006. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985.

A pair of terracotta olive jars, 20th century, each of amphora shape with a glazed neck and handles, 56cm wide 79cm high (2) Condition ReportWeathered, but not repaired.These have been kept outside - so would appear to be frost hardy

A collection of stoneware ceramics, 19th/20th century, including two bottles impressed 'Hassall & Foulkes, Chester' and 'Thos Garnett...Northwich', amphora-shaped examples and a dairy bowl,dairy bowl 44cm diameter (10)Condition ReportTwo named bottles, good, dairy bowl, with lossesone jar poor, the remaining generally good

A vintage / antique bronze French lifeboat souvenir vase, of amphora form, having life ring to neck, two silvered maritime scenes to shaped reserves, applied all over with seaweed design, the base with anchor and rope, marble base, latter made candle sconce, 40cm. high.

A Victorian Archaeological Revival silver amphora vase, Ollivant & Botsford, London 1869, in the form of a Greek 2-handled amphora, with engraved Classical chariot racers scrolls and Greek Key, 15cm, 8oz No damage or repair, vase is heavy gauge, light wear to high points, hallmarks clear

"The Parrot Trainer" Cold-Painted Bronze Figure Group After Franz Bergman Modelled after the original design, bearing tamped B within amphora and Austria marks to base.17.3cm highSome rubbing to pain, a few minor knocks and general wear, no breaks or damages.

Tall Swedish Art Deco Engraved "Amphora Carrier" Vase Circa 1950s, possibly Strömberg, very pale 'ice' blue glass of oval form, unmarked, base likely 'mopped'.34cm highThe William "Bill" Davies Collection of Scandinavian Glass.Base likely 'mopped' as stated, otherwise some small and light scratches including to rim interior but otherwise free from chips or cracks.

AN ONYX AMPHORA LAMPearly 20th century, with twin gilt metal handles over three paw feet, 70cm high (to top of shade finial)

THREE AMPHORA BY MDINAof turquoise ground and with yellow inclusions, the tallest 14cm high; together with a Mdina bulbous yellow vessel with lime and brown veining, 13cm high; and a slim cased glass amphora of burgundy with polychrome inclusions, 15cm (5)

Roman blown glass amphora type jug. Circa 1st-2nd century CE. 18 cm. A Translucent purple vessel with applied clear glass handle; cylindrical neck with a clear glass band, flaring at its base to join the sloping shoulder; elongated piriform body, tapering to pointed base with rounded end. Intact; minor patches of soil encrustation; some dulling and iridescent weathering. Ex old English collection, property of a deceased estate.

4 Vasen mit Blumendekor. Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl. Polychrom bemalt, goldstaffiert. H max. 26 cm). 1,46 kg. 1 große Sockelvase in Amphorenform ("Rote Rose", H 26 cm), 2 kleinere Sockelvasen (H je 14,5 cm), 1 kleine Kratervase (H 13,5 cm). Aufrufzeit 28. | Feb. 2025 | voraussichtlich 13:56 Uhr (CET)4 vases with floral decoration. Meissen. Sword mark, 2nd half 20th century, 1st choice. Polychrome painted, gilt. H max. 26 cm). 1.46 kg. 1 large pedestal vase in amphora form ("Red Rose", H 26 cm), 2 smaller pedestal vases (H 14.5 cm each), 1 small krater vase (H 13.5 cm). Call time 28 | Feb. 2025 | probably 13:56 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Schwanenhenkel-Kaffeeservice "Rote Rose". Meissen. Knaufschwerter, ab 1850 - 1924, 1. Wahl. Polychrom bemalt, teils goldstaffiert. H max. 32,5 cm. 10,4 kg. 37 Teile. Form "Neuer Ausschnitt". Kaffeekanne (H 32,5 cm), Milchkanne (H 17,5 cm), Zuckerdose (H 12 cm), 12 Frühstücksteller, 7 Tassen, 11 Untertassen, 1 Amphorenvase (H 23 cm), 1 kleine Vase (H 7 cm), 1 Durchbruchschale (L 31,5 x B 22,5 cm), 1 Ascher. Einige Alters- und Gebrauchsspuren, Zuckerdose mit Reparaturspuren und Ausbruch, 1 Frühstücksteller mit Haarriss und Chip, 2 Tassen mit je 1 Randausbruch, 1 Untertasse mit Haarriss, 1 Untertasse mit minimalem Chip, Amphorenvase mit partiellem Goldabrieb und bestoßenen Ecken, kleine Glasurfehlstelle im Spiegel der Durchbruchschale. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 14:54 Uhr (CET)Swan handle coffee service "Red Rose". Meissen. Pommel swords, from 1850 - 1924, 1st choice. Polychrome painted, partly gilt. H max. 32.5 cm. 10.4 kg. 37 parts. "New cut-out" form. Coffee pot (H 32.5 cm), milk jug (H 17.5 cm), sugar bowl (H 12 cm), 12 breakfast plates, 7 cups, 11 saucers, 1 amphora vase (H 23 cm), 1 small vase (H 7 cm), 1 openwork bowl (L 31.5 x W 22.5 cm), 1 ashtray. Some signs of age and wear, sugar bowl with traces of repair and chip, 1 breakfast plate with hairline crack and chip, 2 cups each with 1 chip to rim, 1 saucer with hairline crack, 1 saucer with minimal chip, amphora vase with partial gold abrasion and bumped corners, small glaze flaw in mirror of pierced bowl. Call time 28 | Feb. 2025 | probably 14:54 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Dame mit Amphore. Passau. Krummstabmarke, ab 1907 - ca. 1922. Polychrom bemalt, goldstaffiert. H 18,5 cm, L 34 cm. An einer auf einem Kapitell liegenden, als Jardiniere gestalteten Amphore lagernde junge Frau. Partiell Blüten und Blätter bestoßen, Blüte in der linken Hand der Dame fehlt, 1 Finger bestoßen, 1 Blütenzweig restauriert. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 16:49 Uhr (CET)Lady with amphora. Passau. Crook mark, from 1907 - ca. 1922. Polychrome painted, gilt. H 18.5 cm, l 34 cm. A young woman reclining on an amphora designed as a jardiniere on a capital. Partial flowers and leaves chipped, flower in the lady's left hand missing, 1 finger chipped, 1 flower branch restored. Call time 28 | Feb. 2025 | probably 16:49 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

An Elizabeth II silver mounted Dartington crystal claret jug and a silver mounted decanter on standfirst London, 2000, millennium hallmark, J A Campbell, amphora form, plain silver mount with scroll handled, the decanter, Birmingham, 1992, J B Chatterley & Sons Ltd, in the shape of a rugby ball on a galleried mahogany base, (2)first height 31.5cm.Condition: Good condition

A Royal Worcester blush ivory figure of a Grecian female water carrier, her left arm raised up towards the water vessel which she carries upon her head, her right hand holding an amphora, printed lilac factory mark for 1895, height 50.5cm.

Worcester-style vase, amphora form supported by swan tripod pedestal, lobed base, unmarked, 16.5cm; a Staffordshire pottery bachelor's teaset; and a Limoges porcelain painted coffee pot, decorated with daffodils, factory marks, 24cm.Qty: 5

Royal Doulton: A pair of Royal Doulton Burslem Blue Iris amphora vases with gilded decoration, approx 14cm high. Circa 1900, good condition with no apparent chips/ repairs, minor wear to gilding. Together with a small two handled vase, also with blue flower and gilt decoration, height approx 9cm.

A large Roman style terracotta twin handled olive jar or amphora hand painted with geometric patterns on a round foot. H.62cm

Ca. 750 - 600 BC.A painted terracotta amphora standing on a disc foot. The rounded body is decorated with a broad band of umber pigment beneath a series of concentric lines leading to the wide neck, with a wave motif on the larger part of the body. The everted, folded rim and dual horizontal strap handles complete the form. For similar see: The Metropolitan Museum of Art, Accession Number 74.51.596.Size: 280mm x 235mm; Weight: 1.58kgProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 400 - 350 BC. A nice pottery amphora with a black glaze. Sitting upon a discoid foot, the vessel has a bulbous body with a narrow base, a broad, rounded shoulder, a concave neck, and a flared rim. A pair of arched handles gracefully connect neck to shoulder. The glaze is particularly glossy, almost iridescent, and is representative of a remarkable innovation of the ancient greeks. For similar see: Christie’s, Live Auction 10372, Antiquities, Lot 90. Size: 260mm x 170mm; Weight: 840g Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 400 - 200 BCAn Attic black glazed amphora with an apple-shaped body and a trumpet-shaped mouth. It also features two lateral strap handles and it is footed on an unvarnished discoid base. Size: 180mm x 110mm; Weight: 345gProvenance: Private London collection, acquired on the Dutch art market; previously acquired on the German art market; E. Hoppe, Frankfurt, 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 - 200.A wheel-thrown pottery amphora with a slender, pointed base, a globular body, a gently tapered neck, and a thick, collared rim surrounding the mouth. High arching handles project from the shoulders, facilitating easy transportation.Size: 160mm x 95mm; weight 350gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Ca. 400 - 300 BC.A bronze ring with a round hoop flat-section connected to an almond-shaped bezel engraved with a central image of a seated man holding an amphora with a high pedestal.Size: D:19.56mm / US: 9 3/4 / UK: T; Weight: 2.57gProvenance: Private London collection; formerly with A.R., acquired on the UK art market 1990s.

Ca. AD 1 - 300.A silver finger ring with a flat-section hoop transitioning into amphora-shaped shoulders. These shoulders support the bezel cell set with a hexagonal carnelian intaglio engraved with a kalathos, depicted as filled with ears of corn and poppy flowers, symbolising good luck and agricultural wealth.Size: D: 17.73mm; US: 7 1/2; UK: O 1/2; weight 5gProvenance: Private UK collection; acquired on the UK art market, pre-2000.

Fritz WILDHAGEN (1878-1956), 6 Gemälde, Landschaftsdarstellungen, alle signiert: große herbstliche Waldlandschaft, Öl/Lwd. 70 x 79 cm ; große Waldlandschaft mit Amphore, Öl/Lwd. 70 x 79 cm; Winterliche Landschaft, Öl/Lwd, 52 x 64; kleine flache Landschaft mit grünen Wiesen, Öl/Holz 40,5 x 45 cm; kleine Waldlandschaft, Öl/Karton, Altersspuren, 42 x 52 cm, Gartenweg durch üppige Pflanzen, Öl/Lwd. 69 x 79 cm. / Fritz WILDHAGEN (1878-1956), 6 paintings, landscapes, all signed: large autumnal forest landscape, oil on canvas. 70 x 79 cm; large forest landscape with amphora, oil on canvas. 70 x 79 cm; winter landscape, oil on canvas, 52 x 64; small flat landscape with green meadows, oil/wood 40.5 x 45 cm; small forest landscape, oil/cardboard, traces of age, 42 x 52 cm, garden path through lush plants, oil on canvas. 69 x 79 cm.

A WHITE GLAZED POTTERY LAMP OF AMPHORA SHAPE MODERN With scrolling handles 57cm high overallTogether with a white glazed pottery vase of amphora shape, late 20th century, 41cm high

A terracotta amphora-type urn simulating stitched leather, height 38cm, on a square form moulded terracotta base with lion heads and paws, 35 x 38cm (2).

Amphora figürliche Jugendstilschaleum 1900, Prägemarke mit Schriftzug Imperial Austria, Modellnummer 754 32 G, Majolika farbig bemalt und partiell vergoldet, zwei Nymphen und ein Fisch, von Wellen umwoben, Gebrauchsspuren, restauriert, L 44 cm.

A pair of vintage amphora porcelain twin handled table lamps, 35cm hLocation:If there is no condition report shown, please request

A Cypriot bichrome ware amphoracirca 750 - 475 BCpottery, with a piriform body having a pair of upturned handles and a slighlty flared neck, decorated lines, concentric circles and dashes,34cm high.ProvenanceFrom the estate of the late Eldred Trewvella "Bill" Bennette. London and Dorset. (1946 - 2024)

An early 20th century Royal Dux spill vase, after Diabrich, modelled as a maiden collecting water with an amphora from a stream, resting against a tree stump, 42cm high, pink triangle mark, model no.1451

A large Paris porcelain urn, c.1820, French, of amphora shape with parcel-gilt detail, on a later stand, 38cm wide 32cm deep 76cm high (2) Condition ReportThe base with some losses to each corner, and scratches. The gilding rubbed in areas and in need of touching up. An area underneath the socle of the vase glaze lacking (see images). The lions crudely set into the vase handles. Two pierced holds on the interior of the handles. Pitting to the porcelain finish present. However overall in reasonable condition for age and is ready for use.The vase is actually 76cm tall. The stand 40cm high 

A pair of Empire ormolu-mounted toleware table lamps, 19th century, French, each of amphora form, shades not included,15cm diameter50cm high (2)Condition Reportshades not included,PAT test - Passed

A bird bath, terracotta pot and a amphora vase

THREE SAMSON PORCELAIN FIGURES FROM A SET OF THE ELEMENTS (3)Late 19th century Each modelled as a standing maiden, Water as Venus with an upturned amphora, Air as Juno with a peacock and Earth as Ceres with a cornucopia of fruit, blue painted marks, each approx. 28cm highWater- restoration and a chip to her right hand. Some looses to the tops of the bulrushes.Air- some restoration to both hands. Minor chip to the end of one of the peacock's claws.Earth- restoration to right hand. Chip to forefinger of left hand. Chip to edge of cornucopia. Firing blemish to upper surface of base, approx. 1cm square

Seven Studio Glass Scent Bottles and Stoppers, comprising - a Belle Walker purple "Amphora" formed bottle and stopper, signed, 7ins high, a Sam Glass blue chambered bottle with gilt undercarriage, signed, 5.5ins high, a Moretti blue and gilt flecked square glass bottle and stopper, signed, 6.5ins high, and four others The blue/bronze spherical bottle - very slight chip to the tip of the stopper otherwise all the scent bottles in this lot appear to be in good condition with no obvious damage/loss/restoration. There is no 'locking' mechanism on these however the stoppers appear to be original and all fit snugly. Prospective buyer are advised to study all images carefully prior to bidding as these images form part of the condition report.

FRANZ BERGMAN, AUSTRIAN (1861-1936) A COLD PAINTED BRONZE MODEL OF AN ARAB AT PRAYER. kneeling on a prayer rug, his shoes and cane beside him, stamped to underside with Bergman amphora, 14cm high, 14cm wide including shoes. *Condition: possibly lacking some colour patination to details of the prayer rug, otherwise in good order. A decorative piece.

A PLASTER ADVERTISING HEN; 'NEW LAID EGGS'44cm high (repaired), with a decorative amphora on stand, a wooden beam candle holder and other items

A group of jewels, comprising: a late 19th century 'Mizpah' brooch, stamped 9CT; a 9ct gold ring, British hallmark; a ruby and diamond ring, partial British hallmarks; a diamond stick pin, stamped 15CT, an aquamarine stick pin, stamped 9CT; an early 19th century seed pearl ring engraved with initials; a lady's 9ct gold wristwatch with a gilt metal bracelet; a cross pendant, stamped 9ct, on a gilt metal chain; an Archaeological Revival amphora earring and pendant with a gilt metal chain; and an 18ct gold wedding band, British hallmarksCondition: fair to poor, metal untested, some components including but not limited to pins and safety chains of base metal, total gross weight 36 grams

A group of studio pottery. comprising a bowl, by Tony Gant, 25cm diameter, an amphora vase, in a mottled brown glaze, 27cm high, a jar and cover, in a white glaze, 25cm high, and another jug, 28cm high (4)Provenance: The Collection of David and Sandy FullerCondition ReportAll are signed with the artist's monogram. No chips. or cracks.

A Roman amphora vessel, probably 400BC, 22.5cm high, together with two letters, to and from the Department of Greek and Roman Antiquities, The British Museum, dated 22nd and 28th November 1968 (3)Provenance: The Collection of David and Sandy Fuller Condition ReportChip to rim, glaze crack. Please see the additional images of the letters.

Box with various porcelain and earthenware including Wedgwood, Herend, Royal Copenhagen, Amphora Holland, Tichelaar Makkumen Schoonhoven