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A large Limoges [Henri Ardant & Co.] porcelain vase of amphora form with lion mask ring handles and putti supports, painted with a panel in the manner of Watteau on a lavender ground, green pad mark, circa 1880, 59cm [repair to two handles, some wear to gilt].

Late 19th century pair of Royal Worcester blush ivory figures of Middle Eastern water carriers, printed green factory marks, shape no. 1250, each modelled standing in long robes carrying and amphora, on rocky ground, enriched in gilding, 24.5cm high (2)Condition ReportOverall good condition. The female figure water vessel with some small chips to the rim and wear to gilt. General wear and tear.

Austrian cold painted bronze model of a pheasant by Franz Bergman, amphora mark to base, 16cm long 

A pair of large contemporary ceramic amphora-shaped table lamps, each incised with foliate strapwork and enriched in gilding, within pierced cagework bases and stepped plinths, with conical shades, 62cm high exc. fittings and shades

A Pair of Royal Dux Porcelain Figural Vases, modelled in the Classical style as a pair of ionic columns with figures at the base decorating amphora vases, raised over moulded paw feet, applied triangle marks, 40cm high (2)Some minor edge flakes, no large chips, no cracks, no restoration.

A Japanese ovoid two handled vase, moulded with cherry blossom, picked out in gilt, Nippon printed mark, 30cm; a Japanese Noritake globular two handled vase, 11cm; a Noritake tapering cylindrical vase, cobalt blue ground, 26cm; a Noritake ewer, painted with pink flowers; a pair of late 19th century Staffordshire two handled amphora vases, printed in blue and white with orchids, picked out in gilt, 33cm; etc, all c.1900 (8)

A silver and crystal glass 'Curve' claret jug, by Martyn J Pugh, Birmingham 2003, in the style of Charles Robert Ahsbee, with a sinuous handle enclosing an amphora form glass body, the collar with a presentation inscription,34cm highCondition ReportSome very light surface scratches to the silver. Inscription to the silver.

A late 19thC continental milk glass table lamp, of baluster form, decorated with a reserve of Venus with cupids, raised on a painted wooden base, 61cm high, a pair of bronze painted candlestick table lamps, 68cm high, brown glazed vase, 61cm high, and a blue pottery amphora, 53cm high. (5)

Ewen Henderson (1934-2000) - A large 20th century studio art pottery stoneware vase of baluster amphora form. Textured surface with green glaze finish and iron staining. Measures approx. 47.5cm tall x 35cm in diameter. 

A collection of late 19th /early 20th century Royal Worcester "Stained Ivory, Blush Ivory and Vellum" ground porcelain including a "Baroque" circular fruit bowl shape number1336 with bold chimaera supports and pastel scrolls, and a tied garland rim, 22 cm diameter, together with a pair of amphora vases with satyr handles, two flat back jugs and tusk jug and Bacchic mask jug. (7)Chip and repair to the spout of the Bacchic mask jug, otherwise no further apparent issues. All items are in little dirty and would benefit from a careful clean.

A mixed lot to include a Ewenny green glazed jug, Amphora vase, Chinese famille jaune vase, mixed glassware, Sitzendorf lamp and other itemsLocation:

AFTER THE ANTIQUE 'SOSIBIOS VASE'- A LARGE LATE GEORGE III LEAD CLASSICAL URN EARLY 19TH CENTURY Of Apulian volute krater form in the manner of The Sosibios Vase, scrolling swan head mounted handles above relief depicting Artemis and Hermes standing by an altar and presiding over a Bacchic procession of maenads 71.5cm high, 44cm wide across the handles Excavated in the late 17th century the Sosibios vase was held in the French Royal collection until 1797 when it was transferred into the Louvre Museum- where it is still held today. This form of swan-handled Neo-Attic Amphora vase was popularised in England with the publication in 1814 of Henry Moses, A collection of antique vases, altars, paterae, tripos, candelabra. Sarcophagi &c. London: Taylor. John Keats traced an engraving of the Sosibios and it is thought that his 1819 poem Ode on a Grecian Urn was partially inspired by it. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Weathered and with the surface marks, bruising and deformation of age and clumsy handling. Signs of holes to surface and remedial old repairs to main body and foot. Best carried by two people as the weight is probably 30-50kg Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

A Rosenthal porcelain model of a seated hound, on oval gilt base, 14.5cm high; a Royal Worcester “Connoisseur Collection” apple; a Parian amphora vase with three swan supports, 16cm; a Midwinter standing figure of The Madonna, 26.8cm & a blanc-de-chine standing figure of Putai, 19cm. 

Of amphora form with incised decoration and twin handles.43cm highQty: 2In generally good condition. With light weathering throughout. Minor losses and chipping to the extremities.

Amphora-Dose und 3 Teile Wedgwood. Keramik/Jasper-/Basaltware. Knauf der Jugendstil-Dose rep. Prägemarken Amphora, Austria und Wedgwood, England, nach 1900. D. 6 bis 15 cm.

Kleines Gefäß. Keramik. umlaufend reliefierter und in bunten Emailfarben bemalter Blumenfries. Amphora, 20er/30er Jahre. H. 9,5 cm.

The Athens Athena Owl Tetradrachm is one of the most iconic and widely recognized ancient Greek coins. It was minted in Athens during the Classical period and is renowned for its artistic and historical significance.Here are some key features and information about the Athens Athena Owl Tetradrachm:1. **Denomination:** The coin is a Tetradrachm, which was a large silver coin in ancient Greece. The term "tetra" means four, indicating that the coin was equivalent to four drachms.2. **Obverse Design:** The obverse side typically features the head of the goddess Athena, the patron goddess of Athens, wearing a crested helmet. The design may also include an olive sprig or a crescent.3. **Reverse Design:** The reverse side depicts an owl, the symbol of Athena, standing on an amphora or an olive branch. The owl is often accompanied by an olive sprig or a crescent moon. The design is highly detailed and finely crafted.4. **Inscriptions:** The inscriptions on the coin are in Greek and may include references to Athens, Athena, or other symbols relevant to the city-state.5. **Date:** While individual coins do not bear a specific date, the general period of minting is the Classical era, ranging from approximately 510 to 38 B.C.6. **Symbolism:** The owl, associated with Athena, symbolizes wisdom, and the olive branch represents peace. These symbols reflect the values and attributes associated with the city of Athens.7. **Historical Context:** The Athens Owl Tetradrachm was widely used in trade and became a dominant currency in the ancient Mediterranean world. It is a testament to the economic and cultural influence of Athens during the Classical period.8. **Collector's Item:** Due to its historical significance, beautiful design, and widespread recognition, the Athens Owl Tetradrachm is highly sought after by collectors and enthusiasts of ancient numismatics.These coins were minted for several centuries and have variations in design and style over time. If you have a specific Athens Athena Owl Tetradrachm and would like more detailed information or an appraisal, it is recommended to consult numismatic references, catalogs, or experts specializing in ancient Greek coinage.22mm.Made after.Silver plated, lead free, finished patina.

AFTER FRANZ BERGMAN (Austrian, 1861-1936)A Cold Painted Bronze Study of a Horse, modelled in a standing pose with saddle and bridle, stamped 'B' within amphora vase and numbered 3125, 19cm high.

VICTORIA MEADOWS (born 1974); 'Shadows', a tall earthenware amphora, saggar barrel fired with terra sigillata surface, impressed VM mark, height 31cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

VICTORIA MEADOWS (born 1974); 'Morning Light', a small earthenware amphora, saggar barrel fired with terra sigillata surface, impressed VM mark, height 19cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

A GOUDA ZUID HOLLAND VASE of twin handled amphora form, decorated with lilies in line and dot style, painted marks to the base 32cm high Condition Report:All over crazing and restoration to the handles and rim

Jugendstilvase Keramik. Weiß-braun gesprenkelter Fond. Blütenfries in bunten Emailfarben. Kobaltblaues Lippenprofil. Durch gekerbte vertikale Linien mit Verdickungen gegliederte Balusterform. Pressmarke Krone, Austria und Modellnr. 15072. (Glasurriss). H. 20 cm. Amphora-Werke, Turn, Böhmen. (52319)

Rogier VANDEWEGHE (1923-2020) 'Pair of Vases' glazed ceramics for Amphora. Not signed. Literature: - Amphora, Roger Vandewege, ceramics 1957-1975, Marc Heiremans, p. 178Condition report: Chips and missing pieces, mostly near the top.Dimensions: (W:27 x H:73,5 cm)

Rogier VANDEWEGHE (1923-2020) 'Umbrella stand' for AmphoraCondition report: One of the handles with a tension hairline crack on the top. Dimensions: (H:39,5 x D:21 cm)

Elie VAN DAMME (1928) for Amphora, a wall mounted vase.Dimensions: (L:12 x W:24 x H:23 cm)

Elisabeth VANDEWEGHE (1946) / Rogier VANDEWEGHE (1923-2020) 'Blue and Orange vase' For Perignem and Amphora. 16 x 10 cm. 14 x 12 cm. Dimensions: (H:16 cm)

Amphora of Keramar, a large green vase, glazed ceramics.Dimensions: (H:53 x D:14 cm)

An Austrian cold-painted bronze figural group, by Franz Bergman, 1861-1936, early 20th century, depicting an Arab trader holding an antelope head while standing on a tiger skin, with a rifle and jars at his feet, impressed B within amphora mark to underside, 15cm high, 16.2cm wide, 11cm deep 

Y&nbspA PAIR OF VICTORIAN AND LATER CARVED CORAL EAR PENDANTS The carved white coral rams head pediments with shepherds hook fittings, each suspending a polished coral amphora shaped drop, with gold coloured collars and belcher link chain connectors Size/dimensions: 7.5cm long Gross weight: 13.7 grams Condition Report: The hook fittings are replacements. One of the coral amphoras has yellowed glue around the collar, it may be that the coral has broken and glued back together, there is a slight fracture which appears to come from the drill hole, or that the collar has been glued back on it is not possible to see. Condition Report Disclaimer

A Royal Crown Derby Imari 1128 pattern coffee cup and saucer, year cypher for 1930; other Royal Crown Derby Imari palette pieces, a 2451 pattern two handled basket, year cypher for, c.1911; a 6299 pattern amphora vase, 1914; a 6299 pattern miniature scuttle, 1916; two pairs of 2451 pattern cups and saucers, milk jug, three plates/saucers, all early 20th century; qty

Mid 20th century reconstituted stone statue Amphora, standing 4'4".

A Campanian red-figure bail amphora, c.350-320 BC, Italian, attributed to the Painter of BM F63, decorated with a seated female and standing male to either side of the body, with large palmettes in between and to the neck,11cm wide17cm highProvenance: The collection of the late Sir Clinton Charles Donald Cory, 5th Baronet of Coryton;acquired by the above from Bonhams, 30 April 1996.

A group of eight small Cypriot antiquities, comprising:two terracotta heads, c.6th-5th century BC,4.5 and 5cm high,a limestone head, c.6th century BC,9cm high,a terracotta votive figurine, c.1000-600 BC, of 'snowman' type,10.5cm high,an archaic amphora, c.700-600 BC,10.5cm high,a Cypro-Geometric III dish, c.850-700 BC,11.5cm wide,an alabastron, c.850 BC,9cm high, anda Cypro-Geometric III dropper flask, c.850-700 BC,13cm high (8)Provenance: The collection of the late Sir Clinton Charles Donald Cory, 5th Baronet of Coryton;the terracotta heads acquired from Charles Ede Ltd., 25 February 1985, limestone head from Phillips, 19 December 1984, votive figure from Agora Ancient Art, Vienna, 5 March 1985, archaic amphora from Agora Ancient Art, 26 November 1984, dish from Agora Ancient Art, Vienna, 2 March 1985, alabastron from Annie Trotter and Ian Parsons, 22 August 1989, and flask from Agora Ancient Art, 2 March 1985.Condition ReportLimestone head re-mounted 10 Feb 1987.

A garden statue of robed woman carrying an amphora on plinth - total height 123cm

An Amphora pottery vase

Large terracotta olive pot, ovoid belly amphora shape with twin carrying handles, on wrought metal base with scrolled supportsDimensions: Height: 108cm  Depth/Diameter: 60cm

Vase - Kopie der sogn. Portland VaseWedgwood nach 1898. Blaue Jasperware (feinkörniges, unglasiertes Steinzeug). Reliefauflage in weißem Steinzeug. Eingepresst: MADE IN ENGLAND und AW. H. 15 cm. Die Portlandvase ist eine in Überfangtechnik (Kameoglas) hergestellte römische Glas-Amphora aus frühaugusteischer Zeit. - Auf der einen Seite (B) der Portlandvase ist Atia zu sehen, die unter einem Feigenbaum lagert. Apollon nähert sich ihr, während Artemis Zeugin der Szene ist. -- Die andere Seite (A) zeigt die Vereinigung der Atia mit der Apollonschlange, gleichzeitig ist aber der Gott auch in anthropomorpher Gestalt zu sehen. Über der Szene schwebt Eros. Quirinus-Romulus beobachtet die Zeugung des Augustus. (Wikipedia)

Amphora - A late 19th Century table centre vase or planter modelled as a stylised turkey with relief moulded abstract designs and simulated jewels picked out in tonal blue and red enamels to the buff grey to brown ground, printed mark and pattern number 1509, length 30cm.

Amphora - A late 19th Century Art Nouveau jewelled vase of compressed double gourd form with a split rim, decorted with applied coloured cabachons over a relief textured ground with soft gold finish, impressed mark, number 1674, height 16cm.

Amphora - A large late 19th Century Art Nouveau vase of shouldered ovoid form with a roll collar rim, heavily relief decorated with large stylised flowers with cabachon stone centres picked out in burnished gold over a textured copper ground, below a decorative rim with triangular cabachons set to a relief moulded abstract border, impressed marks, height 32cm.

A Cypriot silver amphora on a silver wire stand, H14cm, approx. weight: 90g, 20th century. (2)

A Cypriot - Lapithos ceramic amphora pitcher, 'aleifta' the upper part glazed in green, the interior with clear glazing, used for storing olives or halloumia, measuring H36cm, W26cm, together with an enameled tin ladle, early 20th century. (2)Κυπριακή / Λαπηθιώτικη αλοιφτή στάμνα / κουρελλός / βάζος / κούζος.

A large glazed terracotta amphora after the antique, with three loop handles and reeded decoration,76cm highCondition ReportChips and losses to the glaze throughout.

An Austrian Amphora pottery centrepiece, c.1905, moulded with flowers, with a mottled purple and gold ground, impressed marks and numbered, 21cm diameterCondition ReportSome rubbing to the details and colours. Otherwise good. Photograph of the mark added - remnants of sellotape to the top of photo.

An unglazed terracotta twin handle 'Amphora' storage jar. Wheel thrown body with applied handles. H40cm

An Edwardian silver spill vase, of amphora shape, on circular weighted base, Birmingham 1908, h.27cmStands well.Repairs to both handles.Small dents to body.Engraved monogram to base.

Two bottles of Blandy's 15 year old Madeira, Special and Malmsey, 50cl, 19%, in presentation box, two bottles of D'oliveiras 10 & 15 year old Madeira, 750ml, 19% vol and one bottle of Metaxa Amphora, 70cl, 40% vol, four with original boxes (4)

A collection of ceramics - to include a 20th century Dresden pear shaped sugar caster having hand painted panels of cockerels in a landscape, surrounded by gilt and blue diaper motifs, blue factory marks to base, 4 7/8in. (22.5cm.) high; set of six Limoges pip dishes, of shaped square form, decorated with 'forget me nots'; triple connected amphora bud vase; Serves style cup & saucer. (10) * Triple vase with chip to rim; pip dishes with little nibbles to rims etc; cup & saucer with gilt rubbing to rims; caster good.

Lagriffoul, Henri (French, 1907-1981); b. Paris ALGERIA, Electricité et Gaz d’Algérie, 1950, a silver-gilt award medal by H. Lagriffoul, female representing Electricity brandishing lightning and pouring liquid from an amphora, male representing Gas activating a hearth which heats a retort, rev. tablet, named (André Lescure, 1960), edge impressed 1 argent and cornucopia, 59mm, 103.28g (Ruedas 102; Escande 193; cf. Elsen 108, 1744; cf. DNW 141, 1756). Some gilding wearing off, otherwise very fine £40-£60 --- Provenance: bt Würz, April 2002 Electricité et Gaz d’Algérie, an amalgamation of the 16 electricity companies operating in the country at the time, was incorporated on 5 June 1947. It was dissolved on 28 July 1969 when Sonelgaz took over its assets.

GROSSE JUGENDSTIL-VASE 'CAMPINA' Böhmen, Turn Teplitz, Amphora-Werke Riessner, Stellmacher & Kessel, 1. Hälfte 20. Jh. Keramik, heller Scherben, bunt glasiert. H. 49 cm. Im Boden Prägemarke, Modellnr. (undeutlich gestempelt). Zylindrische Form mit leicht eingezogenem Hals. Wandung dekoriert mit zwei reliefierten und polychrom glasierten Blumenfriesen, einem breiten oben und einem schmalen unten. Min. Gebrauchsspuren.

2nd-1st century B.C. Hollow-formed on a rectangular base, nude female supporting an amphora; with possibly later enigmatic inscription to base '?EA HOMBRIOS'. 478 grams, 16.1 cm (6 3/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [No Reserve]

Circa 1st millennium B.C. Including fragments of oinochoe, guttus, amphora and other types. 1.28 kg total, 3-14.1 cm (1 1/8 - 5 1/2 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [22, No Reserve]

Circa 1st millennium B.C. Mixed group including amphora, lekythos, bowl and other fragments. 1.06 kg total, 3.4-12.4 cm (1 3/8 - 4 7/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [18, No Reserve]

Circa 1st millennium B.C. Including skyphos, chalice, amphora and other fragments. 1.1 kg total, 3-15 cm (1 1/8 - 5 7/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [22, No Reserve]

Circa 1st millennium B.C. Including fragments of amphora, lekythos, kylix and other types. 1 kg total, 3.6-15.5 cm (1 3/8 - 6 1/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [18, No Reserve]

2nd century A.D.. One tinned with central boss; one bell-shaped with glass inlay; another shaped as an amphora with remains of enamelling. 12 grams total, 22-38 mm (7/8 - 1 1/2 in.). Ex property of an Austrian private collector since the 1970s. [3, No Reserve]

Circa 1st-2nd century A.D.. Eros modelled in the round, advancing, carrying an amphora on his left shoulder, wings spread to the rear, right hand open to accept a bow(?); mounted on a custom-made stand with brass nameplate. Cf. Durham, E., Metal Figurines in Roman Britain, vol. 2, Reading, 2010, pl.44, for type. 160 grams total, 12.5 cm including stnad (2 in.). Ex Phillips UK in 1998.From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [No Reserve]

Circa 1st millennium B.C. Including chalice, amphora and other fragments. 1.5 kg total, 4-20.5 cm (1 5/8 - 8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [20, No Reserve]

Iron Age, Cypro-Archaic I, 750-600 B.C. The body with encircling red and black bands, the shoulder and neck with concentric circles, two strap handles; repaired. Cf. Morris, D., The Art of ancient Cyprus, Oxford, 1985, fig. p.42, pl.34, for the type of pottery; see a similar amphora in the RISD (Rhode Island) Museum, classified as a storage jar from Cyprus of 7th century B.C., Museum Appropriation Fund 39.124.1. 4.05 kg, 37.5 cm high (14 3/4 in.). From a collection acquired on the French art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent.Accompanied by an original French cultural export licence no.129945. [No Reserve]

Circa 4th-5th century A.D.. Squat piriform profile with hatched shoulders, raised amphora motif to the discus, stub nozzle, flange handle; 'V' maker's mark to underside; waxed and polished. Cf. similar item in the Metropolitan Museum of Art, New York, under accession no.27.94.21, for type. 152 grams, 11.1 cm (4 3/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [No Reserve]