Michele Martino (1889-1969), a view of a busy market at Constantinople, watercolour, signed, 12" x 18" (30 x 46cm), unframed.
George Weissbort (1928-2013), a still life of fruit and a pewter tankard amongst linen, oil on canvas laid down, 15" x 18" (38 x 46cm), unframed.
George Weissbort (1928-2013), a study of a traditional costume and boots, oil on canvas laid down, 32" x 24" (81.5 x 61cm).
Late 19th Century English School, a portrait of a woman in black, oil on canvas laid down, 20" x 16" (51 x 40cm).
George Weissbort (1928-2013), a still life of flowers in a glass vase, oil on canvas laid down, 16" x 13" (41 x 33cm), unframed.
George Weissbort (1928-2013), a still life study of fruit, grapes and a white jug, oil on canvas laid down, 18" x 24" (46 x 61cm), unfamed.
George Weissbort (1928-2013), a still life of onions, a white jug and other objects on a table, oil on canvas laid down, 18" x 22" (46 x 56cm)/
George Weissbort (1928-2013), still life study of a figurine and sheet music, oil on canvas laid down, 15" x 18" (38 x 46cm), unframed.
Schranz Brothers, 'Malta, A View of the Great Harbour from Ricasoli', hand coloured lithograph, 9.5" x 12" (24 x 30cm), a/f.
After Bouguereau, 'L'Amour et Psyche', oil on canvas laid down, 15.75" x 19.75" (40 50cm).
George Weissbort (1928-2013), a still life of a jar and jug with ribbons, oil on canvas laid down, signed, 11,75" x 15.75" (30 x 40cm), unframed.
J. R. Hutchinson, etchings of Peterhouse, Cambridge, a set of five, each signed in pencil, unframed, a/f.
20th Century Soviet Subject, Stalin gathered with other party officials, oil on canvas, 78" x 88" (199 x 224cm), unframed.
George Weissbort (1928-2013), a still life study of a basket of flowers, oil on canvas laid down, 18" x 24" (46 x 61cm), unframed.
After Ken Done, a colour print of fish, 16.5" x 25" (42 x 64cm).
Circle of Varley, a shepherd and his flock in a landscape with windmills in the distance, watercolour, 13" x 18" (33 x 46cm).
Attributed to George Van Haanen (1807-1876), figures in a forge, watercolour heightened with white, 6" x 5.25" (15 x 13cm).
Circle of George Chinnery, a lady seated in a wooded landscape, oil on canvas, 17" x 13" (43 x 33cm), unframed, a/f.
Circle of Donald Mcintyre, a view of boats on the shore, oil on board, inscribed verso, 8" x 10" (20 25cm).
19th Century Chinese School, a boy kneeling before a high ranking official, watercolour on rice paper, 9.25" x 6.25" (23 x 16cm).
Late 19th Century possibly North African School, figures in a narrow city street, oil on canvas laid down, 19.5" x 16" (50 x 40cm).
Late 19th Century, a gouache study of R.M.C. SS Moselle in open waters, inscribed, 18" x 25.5" (46 x 65cm).
George Weissbort (1928-2013), a still life with a horn and roses, oil on canvas laid down, signed, 13" x 21.75" (33 x 55cm), unframed.
J. R. Smith after W. Bigg, 'School Boys Giving Charity to Blind Men', hand coloured mezzotint, a/f.
John Emanuel (b. 1930), 'Cumbrian Fells', and extensive landscape, oil on board, signed and inscribed verso, 14.5" x 30" (37 x 76cm), unframed.
George Weissbort (1928-2013), a still life of a lobster and other objects on a tabletop, oil on canvas laid down, 18" x 21.5" (46 x 55cm).
George Weissbort (1928-2013), a still life of a glass of wine with a classical figurine, oil on canvas laid down, 18" x 21.5" (46 x 55cm), unframe...
Edward Tennyson Reed (1860-1933), 'The Milleniumsky Review', ink, signed with initials, 9" x 12" (23 x 30cm), unframed.
George Weissbort (1928-2013), a still life study of a cornet on a tabletop, oil on canvas laid down, 15" x 21.5" (38 x 55cm).
Circle of Dod Procter, still life of a green and white tea service, oil on canvas board, 12" x 16" (30 x 41cm).
Circle of Landseer, bulls clashing outside a country dwelling with a female figure looking on, pencil, 3.75" x 6.75" (9.5 x 17cm).
George Weissbort (1928-2013), a still life of apples and a glass vessel on a tabletop, oil on board, 29" x 36" (74 x 91.5cm), unframed.
Circle of J M W Turner, 'On the Swale below Richmond Castle', watercolour, 4" x 6" (10 x 15cm), painted and framed in a cartouche shape.
George Weissbort (1928-2013), a landscape view over fields, oil on board, 19.75" x 28.5" (50 x 72cm), unframed.
George Weissbort (1928-2013), a pair of unfamed oil on board studies of female nudes, each 13" x 9.5" (33 x 24cm), (2).
20th Century Soviet Subject, Lenin seated on a rocky outcrop with waves breaking beyond, oil on canvas,71" x 55" (180 x 140cm), unframed.
After Alessandro Rosi, 'Love of Virtue', oil on canvas, 32" x 27" (81.5 x 69cm) octagonal stretcher in a shaped frame.
20th Century, a native American weaving with a child alongside, oil on canvas laid down, indistinctly signed, 11" x 14.5" (28 x 37cm).
After David Roberts, a photolithograph of The Grand Portico of the Temple of Philae, Nubia, 19.75" x 28" (50 x 71cm).
R. Metcalf, an engraved and partially hand coloured folding plan and elevation of London Bridge by Mr. Dance, paper watermarked 1794, 100" x 26" (...
20th Century Soviet Subject, a portrait of Lenin holding a scroll and standing behind a flag with the hammer and sickle, oil on canvas, 115" x 67"...
A collection of twenty-seven cartoons from the 'St. Stephen's Review Presentation', various dates and subjects, each 12" x 18" (30 x 46cm), unfram...
Thomas Rowlandson (1756-1827), Colonel Topham Endeavoring with his Squirt, to Extinguish the Genius of Holmam, engraving, unframed, plate size 9.5...
Thomas Rowlandson (1756-1827), 'All for Love or a Scene at Weymouth', An Unexpected Meeting', hand coloured engraving, plate size 13.75" x 9.5" (3...
H. J. Johns, 'Breakwater and The Mew Stone from Mount Edgcumbe', watercolour, signed, 6.5" x 8" (16.5 x 20cm), along with a small marine oil and ...
Thomas Rowlandson (1756-1827), 'The Wooden Leg, or Careful Landlady', hand coloured engraving, plate size 9.75" x 14" (25 x 36cm), unframed.
G. B. Piranesi, 'Interior View of St. Peter's Rome', etching, unframed, 9" x 14" (23 x 35.5cm), a/f.
Thomas Rowlandson (1756-1827), 'The Magician !!', hand coloured engraving, plate size 9.5" x 13" (24 x 33cm).
Thomas Rowlandson (1756-1827), 'Westminster Races, A Political Heat run in Covent Garden', engraving, plate size 8.25" x 13.75" (21 x 35cm), unfra...
Thomas Rowlandson (1756-1827), 'The Hanoverian Horse and British Lion', etching, plate size, 10" x 13.75" (25.5 x 35cm), unframed.
George Weissbort (1928-2013), a still life of an Oriental figurine, oil on canvas laid down, 21.5" x 18" (55 x 46cm), unframed.
Thomas Rowlandson (1756-1827), 'Mrs Clarke's Farewell to Her Audience', hand coloured engraving, plate size 10" x 13.75" (25 x 35cm), unframed.
Thomas Rowlandson (1756-1827), 'A Peep into the Retreat at Tinnehinch', hand coloured engraving, plate size 8.75" x 11" (22 x 28cm), unframed.
A collection of antique engravings, portraits mainly of notable persons and figures from history, unframed, (18).
Circa 1720 A.D. Illustrating scenes from the Gospel of Luke and representing the nativity of Christ; the centre shows Virgin Mary sitting on a thr...
19th century A.D. A panel of twelve glazed pictorial tiles in vibrant colours depicting a battle scene from the epic poem 'Shahnameh', written dur...
Circa 1st-2nd century A.D. Modelled in the round with putto-like features, holding a nebris draped over his shoulders in the manner of Dionysus, w...
Mid 17th century A.D. Carved portable icon with integral loop, frontal and rear recesses each with a door hinged with thread; painted scenes withi...
17th century A.D. Rectangular vellum leaf with hand-coloured composite scene: top left, Mary in blue mantle holding infant Jesus on her knee, addr...
Italian, Lombardy, circa 1480 A.D. Rectangular panel with cartapesta relief of Virgin and Child carved in the half-round; Mary seated, nimbate wit...
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