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Italian school, 17th century."Adoration of the Shepherds,Ink and white lead on paper.Signed with
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Description
Italian school, 17th century.
"Adoration of the Shepherds,
Ink and white lead on paper.
Signed with anagram JVM.
It presents breakage in the glass.
Measurements: 15,5 x 13,5 cm; 32,5 x 29 cm (frame).
In the present drawing done in ink and white lead paint, the painter is interested in approaching the theme of adoration in a naturalistic way, emphasising the humble environment that welcomes the birth of the Child Jesus in its bosom. For this reason he places all the figures in the foreground, emphasising only the central position of the Virgin and Child. The shepherds, devoid of any eloquent or ornate gestures, kneel or lean silently around the infant, whose small naked body rests on the lap of his mother, who holds him tightly. In this canvas we see a theme that has been repeated many times throughout the history of art, and which experienced a notable boom during the Andalusian Baroque period. The humanity that pervades the scene made the faithful identify with it, an intention that would characterise Spanish religious art from the Counter-Reformation onwards.
The work is intended as a preparation for a finished piece, or as visual notes. Studies are often used to understand the problems involved in depicting subject matter and to plan the elements to be used in finished works, such as light, colour, form, perspective and composition. Studies can have more impact than more elaborately planned work, because of the new insights the artist gains as he or she explores the subject. Such details help reveal the thought processes and techniques of many artists. Studies date back as far as the early Italian Renaissance.
"Adoration of the Shepherds,
Ink and white lead on paper.
Signed with anagram JVM.
It presents breakage in the glass.
Measurements: 15,5 x 13,5 cm; 32,5 x 29 cm (frame).
In the present drawing done in ink and white lead paint, the painter is interested in approaching the theme of adoration in a naturalistic way, emphasising the humble environment that welcomes the birth of the Child Jesus in its bosom. For this reason he places all the figures in the foreground, emphasising only the central position of the Virgin and Child. The shepherds, devoid of any eloquent or ornate gestures, kneel or lean silently around the infant, whose small naked body rests on the lap of his mother, who holds him tightly. In this canvas we see a theme that has been repeated many times throughout the history of art, and which experienced a notable boom during the Andalusian Baroque period. The humanity that pervades the scene made the faithful identify with it, an intention that would characterise Spanish religious art from the Counter-Reformation onwards.
The work is intended as a preparation for a finished piece, or as visual notes. Studies are often used to understand the problems involved in depicting subject matter and to plan the elements to be used in finished works, such as light, colour, form, perspective and composition. Studies can have more impact than more elaborately planned work, because of the new insights the artist gains as he or she explores the subject. Such details help reveal the thought processes and techniques of many artists. Studies date back as far as the early Italian Renaissance.
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Italian school, 17th century.
"Adoration of the Shepherds,
Ink and white lead on paper.
Signed with anagram JVM.
It presents breakage in the glass.
Measurements: 15,5 x 13,5 cm; 32,5 x 29 cm (frame).
In the present drawing done in ink and white lead paint, the painter is interested in approaching the theme of adoration in a naturalistic way, emphasising the humble environment that welcomes the birth of the Child Jesus in its bosom. For this reason he places all the figures in the foreground, emphasising only the central position of the Virgin and Child. The shepherds, devoid of any eloquent or ornate gestures, kneel or lean silently around the infant, whose small naked body rests on the lap of his mother, who holds him tightly. In this canvas we see a theme that has been repeated many times throughout the history of art, and which experienced a notable boom during the Andalusian Baroque period. The humanity that pervades the scene made the faithful identify with it, an intention that would characterise Spanish religious art from the Counter-Reformation onwards.
The work is intended as a preparation for a finished piece, or as visual notes. Studies are often used to understand the problems involved in depicting subject matter and to plan the elements to be used in finished works, such as light, colour, form, perspective and composition. Studies can have more impact than more elaborately planned work, because of the new insights the artist gains as he or she explores the subject. Such details help reveal the thought processes and techniques of many artists. Studies date back as far as the early Italian Renaissance.
"Adoration of the Shepherds,
Ink and white lead on paper.
Signed with anagram JVM.
It presents breakage in the glass.
Measurements: 15,5 x 13,5 cm; 32,5 x 29 cm (frame).
In the present drawing done in ink and white lead paint, the painter is interested in approaching the theme of adoration in a naturalistic way, emphasising the humble environment that welcomes the birth of the Child Jesus in its bosom. For this reason he places all the figures in the foreground, emphasising only the central position of the Virgin and Child. The shepherds, devoid of any eloquent or ornate gestures, kneel or lean silently around the infant, whose small naked body rests on the lap of his mother, who holds him tightly. In this canvas we see a theme that has been repeated many times throughout the history of art, and which experienced a notable boom during the Andalusian Baroque period. The humanity that pervades the scene made the faithful identify with it, an intention that would characterise Spanish religious art from the Counter-Reformation onwards.
The work is intended as a preparation for a finished piece, or as visual notes. Studies are often used to understand the problems involved in depicting subject matter and to plan the elements to be used in finished works, such as light, colour, form, perspective and composition. Studies can have more impact than more elaborately planned work, because of the new insights the artist gains as he or she explores the subject. Such details help reveal the thought processes and techniques of many artists. Studies date back as far as the early Italian Renaissance.
9th March - Old Masters
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