7970 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Violin, unlabelled, 60cm, in a wooden shaped 'Maidstone' case, with two bows; and a Mandolin, labelled Alfredo Albertini, Catania.Qty: 2Condition report:Please see additional uploaded images of the violin.

An old mandolin with an overlaid butterfly and mother of pearl inlay (as found)

Cased British made Mandolin.

Attrib. Luigi Bianchi (Italian 1827-1914): Gentleman Tuning a Mandolin, watercolour signed and indistinctly dated 39cm x 26.5cm

SUNRAY; an early 20th century rosewood and brass bound banjo mandolin, with pink enamelled back, cased.

Collection of musical instruments, incl. two early 20th century violins, a Suzuki mandolin, harmonicas, etc.

Mandolin by Ozark of Romania, A-style, flat back, 8 string Mandolin, paper label dated 23 October 2015. An Ozark teardrop mandolin, inlaid detail, eight string, chrome decoration, good condition.

ITALIAN BOWL BACK MANDOLIN, in case

A Vintage 1960s electro acoustic mandolin, possibly German, with decorative inlaid mother-of-pearl decoration, no identifiable labels or serial numbers

COLUMBUS - a Vintage 1960s Columbus electro acoustic arch-top mandolin, no identifiable labels or serial number

A group of various jewellery, including a Baltic amber necklace, a 19th century tortoiseshell and gold pique brooch, a micro-mosaic mandolin design brooch, silver pendants, earrings, etc

Mini Mandolin-banjo in case, no makers marks W 51.5cm

Five Lladro figures including Number 4537 Black Angel 'Lolita' Valencian girl number 5372, 'Close to my heart 5603, 5695 Concertina and one other number 5696 Mandolin Serenade

A Mandolin Harp.

An Italian bowl back mandolin.

A bowl back mandolin.

An Italian bowl back mandolin.

ASSORTMENT OF VINTAGE AND ANTIQUE COLLECTIBLES AND TREEN WAREincluding Pelican wooden book ends, 19th century fruitwood thimble and thread holder in the form of a tower, Swedish wood carvings of an elderly couple, vintage brass ashtray of lady sunbathing with sombrero, wind up musical mandolin, pair of brass cannons, nutcracker soldier, pair of wooden deer sculptures, Ronson Mother of Pearl lighter with another Ronson lighter, wooden bowl and salad servers

Tafelaufsatz mit Kinderpaar. Potschappel. Marke ab 1901. Polychrom bemalt, goldstaffiert. H 37 cm. Reich blütenbelegte, vierpassige Durchbruchschale, auf blütenbelegtem Baumstammschaft mit zwei am Schaft stehenden, musizierenden Kindern, sechspassiger Fuß. Montierung erneuert, Restaurierung am Schalenrand, Blüten partiell minimal bestoßen bzw. restauriert, Mandolinenkopf, linke Hand und Flöte des Knaben restauriert, Gold teils berieben. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 16:22 Uhr (CET)Centerpiece with pair of children. Potschappel. Mark from 1901. Polychrome painted, gilt. H 37 cm. Richly flower-covered, four-pass pierced bowl, on a flower-covered tree trunk shaft with two children playing music standing on the shaft, six-pass foot. Mounting renewed, restoration to the bowl rim, flowers partially minimally bumped or restored, mandolin head, left hand and flute of the boy restored, gold partly rubbed. Call time 25 | Oct. 2024 | probably 16:22 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Bajazzo. Rosenthal. Marke Kunstabteilung Stammwerk Selb, 1940. Bezeichnet. Modell-Nr.: K 449. Entwurf: 1917. HIMMELSTOß, Karl (1872 Breslau - 1967 München) Polychrom bemalt. H 33,5 cm. Harlekin mit Maske und Mandoline. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 17:19 Uhr (CET)Bajazzo. Rosenthal. Marked by the art department of the Selb factory, 1940. Model no.: K 449. design: 1917. HIMMELSTOß, Karl (1872 Breslau - 1967 Munich) Painted polychrome. H 33.5 cm. Harlequin with mask and mandolin. Aufrufzeit 25. | Oct. 2024 | voraussichtlich 17:19 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A NAO FIGURINE OF A CLOWN WITH A MANDOLIN

A 19th Century Sorrento ware book box, the lid decorated with mandolin

Exquisitely designed stoneware depicting a grotesque figure playing a mandolin. Limited edition 24 of 65. Highly detailed; modelled in high relief; removable head. Rich glazes of greens, browns, orange and blue. Andrew Hull Pottery backstamp. #family #familyphoto #familyphotograph Weight: 13 ozIssued: 2000sDimensions: 6.5"HManufacturer: Andrew Hull PotteryCountry of Origin: England

Style One, mandolin handle. Black and gold coloration. Royal Doulton backstamp. Artist: Michael AbberleyIssued: 1979 - 1990Dimensions: 7.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Boston 'A' style teardrop mandolin, together with a similar Gear 4 Music example and two Ultralite by Tanglewood stands

Windsor resonator 8-string Zither Mandolin or Banjolin, manufactured in Newhall street Birmingham, c1930. in a velvet lined hard case.

A vintage mandolin.

Rory Gallagher: An Eccleshall Mandola,1972,Serial no. 0048 on label inside, also dated 1972 and signed by the luthier, bound body with natural finish top, Ibanez contact pickup at bridge, mini jack input, Brazilian rosewood back and sides, bound mahogany neck, ebony fingerboard with diamond markers, bound headstock with four-a-side tuners, also impressed CJE 0 4872 to back, in soft vinyl case, with letter,CITES 24GBA10PPD3HN,mandola 29 1/2in (75cm) longFootnotes:'Chris Eccleshall made me an acoustic mandola and I used to play that with a pick-up. I've been thinking of using that again recently. I had the top string tuned to A for a while and then to B but then we used to do some numbers a bit deeper and it used to sound like a cross between a 12-string and a mandolin.'- Rory Gallagher, International Musician magazine, April 1977.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

Rory Gallagher: A Martin Mandolin,1942,Serial no. A-17296 stamped inside, Style A, sunburst finish, mahogany back and sides, spruce top, oval soundhole with pickguard either side, Ibanez pickup mounted at bridge, ebony fingerboard with dot markers, solid guitar-style headstock with logo and four-a-side ivorine tuners, in flight case with Rory Gallagher Band stencils,24 1/2in (62cm) longFootnotes:This is Rory's Martin Mandolin which he would famously play for live performances of the song 'Going To My Hometown'.'It's a small folk-size mandolin but it joins at the 14th fret. It's got a mahogany finish and I have an Ibanez pick-up underneath the strings between the soundhole and the bridge. It works best there for me. It's got an extra pickguard on top because I was wearing it away too quickly. I was putting Gaffa (sic) tape on and it was getting a bit rough and ready looking. I just use standard mandolin strings.'- Rory Gallagher, International Musician, 1977.Live PerformanceRory Gallagher, 'Going To My Hometown', from 'Irish Tour', January 1974, Track 5. www.youtube.com/watch?v=Yjj05_PDFjgLiteratureEamonn Percival, 'Rory Gallagher', International Musician, April 1977.Martin:Martin mandolins are highly regarded for their craftsmanship and historical significance in the world of stringed instruments. While Martin is primarily known for its guitars, the company's mandolins, made predominantly between the late 19th and mid-20th centuries, hold a special place among collectors and musicians. These mandolins are celebrated for their meticulous construction, featuring fine tonewoods and elegant detailing. Martin's mandolins, particularly the flat-backed models, offer a warm, balanced tone that appeals to players of folk, bluegrass and classical music.Bonhams would like to thank Martin Guitars for their assistance in the research for this lot.For further information on this lot please visit Bonhams.com

Rory Gallagher: An Eccleshall Custom-Made Electric Guitar,1970s, Serial no. A198 on four-screw neckplate, natural finish, bound top, two pickups with two controls, selector and switch, six-saddle bridge, extended black/white pickguard, solid mahogany back and sides, scarf joint, bound neck with Indian rosewood fingerboard, snowflake markers, bound headstock with black veneer, logo and six-in-line Kluson Deluxe tuners, in shaped, plush-lined hardshell case with a Rory Gallagher Leeds Univents Backstage Pass for 4th October (1980),guitar 39 1/2in (100cm) longFootnotes:Luthier Chris Eccleshall (1948-2020) was Rory's favoured guitar technician throughout the 1970s and 80s. With a career spanning over three decades, Eccleshall established himself as a master of his craft, by combining traditional luthiery techniques with innovative design approaches. Eccleshall's deep understanding of tone and acoustics allowed him to produce guitars that stood out in both studio recordings and live performances, so it was no surprise that Rory trusted him to take care of his beloved and battered trademark Fender Stratocaster (See lot 62). Over the years, Eccleshall worked on the famous Strat at least 15 times to help maintain and enhance its performance. This included a re-fret and a neck change, as well as modifications such as disabling the Strat's vibrato mechanism using a wooden block, (a modification he later also applied to Eric Clapton's 'Blackie')Aside from his work on Rory's 1961 Strat, Eccleshall also created some custom guitars for Rory that complimented his musical style and sound, see lots 57-61.His innovative designs, coupled with his reputation for quality, made Eccleshall a sought-after figure in the guitar-making world and his clientele outside of Rory included Pete Townshend, David Bowie, Peter Hook, and Mark Knopfler among many others.'Somewhere in the very early '70s, Rory and Chris connected... It meant so much to my brother that another craftsman could appreciate his guitar-craft and comprehend the fine detail Rory required. Key to Rory's search was the 'true' amplification of his acoustic instruments, in particular, when endeavouring to have his Italian mandolin playing 'Goin' To My Hometown' (See lot 2). At first played through a microphone, the mandolin was competing with the hand-clapping and foot-stomping fans tattooing out the underlying rhythm of the ballad leading to the maxed-out microphone squealing with feedback. So Chris produced a solid, electric mandolin for Rory – a first of its kind, this allowed my brother to be more ambitious in both his stage and studio use of the instrument. The standardised limitation of 1970s guitar electronics and woodcraft saw Rory commission Chris to construct further instruments incorporating my brother's ideals, a fan of the Telecaster body many were moulded into that fashion.'- Dónal Gallagher.For further information on this lot please visit Bonhams.com

Rory Gallagher: An Antique Italian Mandolin,Indistinct serial number 924?, labelled inside Nicola Naccia, Napoli, spruce top with black and white stringing, oval soundhole with rosette, tortoiseshell-like plate, Brazilian rosewood fingerboard with dot markers, brass plates, mahogany headstock with four-a-side bone tuners, bone nut, in modern wooden case,CITES 24GBA10UX9MBZ,24in (61cm) longFootnotes:Rory purchased this mandolin at a shop in Victoria, London in 1971 and was used for live performances.'...it's a very unusual-looking mandolin. It had an intricate design around the soundhole - like a kind of cover which I took off and it's like a cross between a round body and a Martin, and I had that done up and used it for a while.' - Rory Gallagher.www.roryon.com/collectionThis lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

Antoria, Model No. MGM133 8 string Mandolin, with Tribal Plant guitar carry bag

A mandolin, with mahogany case

TWELVE-STRING SCRATCH BUILT MANDOLIN, CONTEMPORARY the headstock mounted with plaque bearing the letter S, the pierced body inscribed JACKSONIA89cm high

Unique styled music box with wind up on back. Mandolin plays Eine Kleine Nachtmusik. Leather case included. Issued: 20th centuryDimensions: 9"L x 4"W x 2.5"HCondition: Age related wear. Strings and fret loose.

ARTHUR CROFT MITCHELL (BRITISH, 1872-1956)The Mandolin Player with inscribed label (to back of stretcher) and inscribed 'No. 1' (verso) oil on canvas 61 x 51cm (unframed) Provenance The artist, thence by descent to the present owner; Private collection, UKFootnoteArthur Croft Mitchell was born in 1872 in Birmingham. His maternal grandfather was the church architect John Croft, and his maternal uncle the successful landscape painter Arthur Croft. The latter strongly encouraged Arthur’s aptitude for drawing, and liberated him from other obligations by undertaking the support of his widowed mother and sisters, allowing him to take up the full-time study of art.In 1898, Arthur enrolled at the Slade School, where he studied under Frederic Brown, Henry Tonks and Philip Wilson Steer. Fellow students included Harold Gilman, William Orpen, and the portrait photographer Charles Beresford; Augustus John had graduated the year before but was also a regular visitor. On graduating from the Slade, Arthur spent two years at the Adacemie de la Grande Chaumiere in Paris, where he came under the direct influence of the Impressionists, and where he exhibited in the Paris Salon. Once he had returned from Paris, Arthur based himself in Chelsea and satisfied his romantic nature painting large canvases on themes such as Arthurian myth. Inspired by his love of Vermeer, he also specialised in interior scenes, and he exhibited at the New English Art Club, the Royal Academy Summer Exhibition and the Paris Salon.In 1913, he built a house with a studio at 32 Mallord Street, Chelsea, only to be overtaken by the outbreak of WW1. When Arthur returned to full-time painting in 1920, the war had devastated the art market, and his war work had weakened his eyesight so that he could no longer produce interiors. He turned instead to landscape painting and flower compositions and travelled to Europe on painting trips with friends from his art school days, while continuing to exhibit regularly.At the age of 52, Arthur met his future wife Molly, at the Chelsea Arts Ball. She quickly became his muse, and he painted her portrait many times. They married in 1926 and continued life at 32 Mallord Street, now next door to Augustus John’s home and Studio, although the two men had little in common besides their profession. Arthur found contentment with his new domesticity; the marriage produced two sons, which put an end to trips abroad, but Arthur was content to paint his wife, flower compositions, and the changing seasons in Wimbledon Common, a place he came to love. He lived in Mallord Street until his death in 1956.Condition reportCraquelure.Small spot of paint loss lower centre.Dirt.Areas of retouching to old small patches of paint loss visible to the naked eye but this looks like it could be the hand of the artist (it doesn't fluoresce). For example just above the head of the lady in purple, to left of figure on mantelpiece.Uneven varnish.Lower stretcher mark visible.Small abrasions to edges.

Mandolin in fitted case, together with a Continental zither

19th Century walnut mother of pearl and ebony inlaid mandolin, together with a small ebonised and wooden zither

20th Century violin with two piece 13.25in back, bearing label for ' The Maidstone ', with bow in fitted case, another child's violin with one piece 11.25in back, bearing label for ' M.A. Mundgen ', in fitted case (at fault), together with a mandolin (for restoration)

DEMETRE CHIPARUS (ROMANIAN 1886-1947): A FRENCH ART DECO PATINATED BRONZE FIGURE OF ‘PIERROT’Circa 1925 Depicting a figure in costume with gilt ruffled neck collar playing a mandolin, signed ‘D H Chiparus’ to the base, 67cm high Provenance: Bonhams 15 November 2005, lot 240. Literature: A variant of this model illustrated in ‘Chiparus: Master of Art Deco’, Alberto Shayo, ACC Art Books, 2016, p.203, figure 134.Condition: Would benefit from cleaning, In good attractive condition with good patina. Some slight movement in ivory arms.Footnotes:Thislot contains ivory and has been registered in accordance with the Ivory Act(section10). Reference No. L62265HDProspective buyers should be aware that somecountries have limitations on importing items made from endangered species,including materials such as coral, ivory, and tortoiseshell. Therefore, it isadvisable for potential buyers to familiarize themselves with relevant customsregulations before placing bids, particularly if they intend to import this lotinto another country. 

A Russian doll, brass crucifix, foot warmer, a pair of cold painted spelter figures, four decorative boxes and a model mandolin

Pair of resin and bronze sculptures, to include, a depiction of a female warrior, H-43cm, inclusive of the base, and a depiction of a mandolin player, H-40cm, inclusive of the base.

An unmarked silver novelty mandolin with locket back9cm, 25gm

A pair of Royal Worcester hand-painted, numbered and limited edition porcelain figures, to include, The Fairest Rose, 5688/12,500 with a certificate of authenticity, sculpted by N Stevens and Fruit Picking from the Pastoral Collection, 739/5000, sculpted by Maureen Halson, together with three Dresden lace porcelain ballerina figurines, and another German lace porcelain figurine depicting a mandolin player. (6)

Very large bronze figure by Paul Dubois 1829 - 1905 and Ferdinand Barbedienne, with casting stamp. Florentine mandolin player. Dimensions: H 76 cm. In very good condition.

A rosewood mandolin and case.

Albert Carrier Belleuse (French, 1824-1887). A pair of bronze figures, 'Danseurs Napolitains', each dancing, one with a tambourine, the other a mandolin, signed in the bronze, 17.5cm high Both with a slightly matted mid brown patination and slightly rubbed at the raised extremities, string on the mandolin is broken, this may be intentional, bells of the tambourine are cleverly cast loose from the main body, overall fair to good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Cartes De Visites and Cabinets, music - cartes de visite - two ladies at piano, J Moody, Penzance, circa 1870 (1), girl beside piano, French stereoscope on table beside her, Wilson, Cupar, circa 1870 (2), girl with accordion (1), others including Bechstein piano, violins and harmonium (5) and cabinets - mandolin, cello, violin and others (5), F-VG (13)

A 19th Century bowl back mandolin musical instrument, with tortoiseshell scratch plate and mother of pearl inlay to fingerboard and along the outside of the body and around sound hole. Label inside ripped and illegible. Held within carry case.

Lladro 8219 Utopia harlequin playing mandolin figure with box & co

Staffordshire pottery: a bocage group, 25.5cm, 'Huntsman' 40.5cm, figure with child groom 40.5cm, figure of girl beside a column 30cm, George and Eliza Harris, 36cm, 'Dundas' beside a cannon, 40.5cm, gentleman and lady holding a mandolin, 40.5cm. Condition - poor to fair

Giovanni De Meglio e Figlio, Napoli, mandolin model 1 (A) No 4580, dated 1896, complete with original box.

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Collection S. Guggenheim New York ["Mandolin and Guitar"] [Musee des Arts Decoratifs]". Medium: Color lithograph. Date: Composed 1958. Dimensions: Overall size: 25 3/8 x 20 3/4 in. (645 x 527 mm).Pricing:   Starting Price: $1,600  Reserve Price: N.A.  Auction Sale Price Estimate: $2,200/2,500Lot Note(s): Signed in red crayon, lower right. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Czwiklitzer 126 (1970 ed.); Czwiklitzer 141 (1981 ed.); Rodrigo 75. Comment(s): According to 'Gordon's Art Reference' the auction record of a signed impression is a sale for DM15,525 ($7,046) at Ketterer Kunst, Munich - 12/02/2000 - lot #234. Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Printed by Mourlot, Paris. Image copyright © Artists Rights Society (ARS), New York. [26991-5-1600-NA]

A cased mandolin with label inside

MANDOLIN, ALONG WITH SHEET MUSIC the mandolin with soft case65cm long

Deborah Brown (1927 - 2023)Rider in Woodland with Mandolin and Figures Etched linoboard, 22 x 29cmSigned lower right

A late 19th century Italian mandolin, labelled within 'Francesco Perretti & Figli, Napoli', in carry case.

TWO CHERUB WALL PLAQUES, depicting cherubs playing a flute and a mandolin, with ornate oval frames, size 48cm x 40cm, together with two small wall mirrors (4) (Condition Report: no obvious damage)

Mandolin Banjo Paragon By Clifford Essex & Son 10" head, 8 strings, 15 frets, 24 lugs, dowel stick stamped '1178' with two plaques 'Clifford Essex & Son Ltd 90 Shaftsbury Avenue Piccadilly Circus W1' and 'The Paragon', headstock with floral mother of pearl inlay and lozenge shaped 'Paragon' mark, in hard caseSomw wear to frets, mainly first fret on upper pair of strings, neck appears to be free from damage and repair

Violin 14 1/4" two piece back, ebony fingerboard and tailpiece, labelled 'Antonius Stradivarius Deutsche Arbeit 1886' cased with bow'; together with a Banjo-Mandolin