Anthony GROSS (1905-1984) Watery Landscape, 1964 Oil on canvas, signed and dated '64, titled to verso, 90 x 132cm, framed 103 x 145cm
Paintings & Mixed Media
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Hayden Reynolds MACKAY (1883-1979) The Horse-Drawn Barge Linocut, signed, 33 x 46cm, 46 x 61cm framed.
Christopher OSBORNE (1947) Across The Fields Oil on board, signed and titled verso, 15cm x 21cm, 34cm x 39.5cm framed.
George Walter WILLIAMS (1834-1906) Haymaking, The End of The Day Oil on canvas, signed, 20 x 24cm, 31 x 36.5cm framed.
Yoshijiro URUSHIBARA (1888-1953) Pines at Bournemouth Colour woodcut, signed, 36 x 24.5cm, 50 x 34.5cm framed.
Min WARDMAN (1951-2024) Flowers and Fruit Still Life Acrylic on canvas, studio stamp verso, 50.5cm x 76cm Min Wardman (1951-2024) Artist - Fe...
Sir Henry MOORE (1898-1986) A rare signed poster Shelter and Coal Mining Drawings Drawings from the years 1939 to 1942 4 April 1984 to 30 O...
Michael J PRAED (1941) Orange + Blue Bows - Harbour Cottages Receding (Ebb) Tide Oil on board, signed, further signed and inscribed to verso, 4...
Chris LEVINE (1960) Lightness of Being (Freedom Edition) (2021) Print-Multiple Print in colors (giclée)/aluminium composite panel, published ...
David HOCKNEY (1937) The Diver
David HOCKNEY (1937) The Diver OLYMPISCHE SPIELE MUNCHEN, 1972 (BAGGOTT 34) Lithograph, printed by Matthieu, Zurich, published by Edition Olym...
Wilhelmina Barns-Graham Movement and Light Imag(in)ing Time Tate St Ives, 2005
William Ayerst INGRAM (1855-1913) The Roaring Forties Oil on canvas, signed, 76 x 207cm
Trevor BELL (1930-2017) Black Belt, circa 1959 Graphite on paper, signed and inscribed to verso, 6.5 x 5cm
Tim TREAGUST (1958) Levant Mine
Tim TREAGUST (1958) Levant Mine Acrylic on board, signed and titled verso, 68cm x 98cm.
ANTHONY BLISS In the harbour, watercolour, signed, 27cm x 36.5cm
Rowland Hilder, 'Barn at High Halstead' colour etching, signed and numbered in pencil, 63/195,
Rowland Hilder, 'Barn at High Halstead' colour etching, signed and numbered in pencil, 63/195, 27x57cm
Dora HOLZHANDLER (1928-2015) Tending to the Plants (1977) Oil on canvas, signed and dated 1977, 50 x 45cm.
Bryan PEARCE Godrevy Lighthouse
Bryan PEARCE Godrevy Lighthouse Postcard, signed, 10.5cm x 15cm.
John HARVEY (1935, St Ives Society Of Artists) Bathers Oil on canvas, studio stamp verso, 45cm x 75.5cm
Michael FINN (1921-2002) Untitled, 2001
Michael FINN (1921-2002) Untitled, 2001 Acrylic on canvas, signed and dated 2001 to verso, 50 x 35.5cm
Alixe Jean Shearer ARMSTRONG (1894-1984) June Flowers Oil on canvas, signed, dated 1930, inscribed to verso, 51cm x 41cm
Francis HEWLETT (1930-2012) Life Studies
Francis HEWLETT (1930-2012) Life Studies Graphite on paper, together measures 38 x 27cm, 52 x 40cm framed.
Alixe Jean Shearer ARMSTRONG(1894-1984) Rock Form Oil on board, artist's label to verso, 62.5cm x 45.5cm
Alan FURNEAUX (1953) Up The Hill, Newlyn
Alan FURNEAUX (1953) Up The Hill, Newlyn Oil on canvas, signed, titled to verso, 45 x 61cm
SPINELLI Low tide, watercolour, signed and dated '98, 33cm x 51cm
Trevor BELL (1930-2017) Duena, 1998
Trevor BELL (1930-2017) Duena, 1998 Acrylic on canvas, signed, titled and dated to reverse, 60 x 60 cm
Early 20th century oil on canvas, portrait of a bearded gentleman, 44x34cm
Michael FINN (1921-2002) White VIII, 1993 Oil and charcoal on canvas, signed titled and dated to verso, 61 x 77cm
Day & Haghe after G. Hawkins, 'Entrance to the House of Lords', 19th century lithograph, 40x48cm
Day & Haghe after G. Hawkins, 'Entrance to the House of Lords', 19th century lithograph, 40x48cm
MEREL BEKKING - PRINT OF CRUSHED IRN BRU CAN 42cm x 30cm
Maurice SUMRAY (1920-2004) Head and Shoulders Portrait Ink on paper, signed and dated 1940, 21 x 14.5cm.
Alan FURNEAUX (1953) Interpretation of Newlyn Oil on canvas, signed, titled to verso, 61 x 76cm
John HARVEY (1935, St Ives Society Of Artists) Figures On a Beach Oil on canvas, studio stamp verso, 45cm x 65cm
Min WARDMAN (1951-2024) Coverack to Goonhilly Acrylic on linen, signed, titled and dated '22 to the verso, studio stamp, 61cm x 61cm
Dora HOLZHANDLER (1928-2015) Blossom Trees (1977) Oil on canvas, signed and dated '77, 51 x 40.5cm.
Naomi FREARS (1963) Lido Kiss
Naomi FREARS (1963) Lido Kiss Acrylic on board, signed and inscribed to verso, 20 x 24cm.
Patricia SANDERSON (1927) When Speed Freak Takes Over (2002) Oil on canvas, signed, inscribed and dated to verso, 46 x 55cm.
Peter WEBSTER (1951) Below
Peter WEBSTER (1951) Below Mixed media on board, 24 x 20cm.
Simon Wilson Beardsley
Simon Wilson Beardsley Phaidon Colour Library, 1983
John MILLER (1931-2002) Untitled landscape Gouache on card, 9 x 7.5cm, 28 x 22cm framed. A gift to vendor from Michael Truscott
CHILDREN'S BOOKS. 'Childrens Colour Book of Lands and Peoples' in six vols. Very nice on the
CHILDREN'S BOOKS. 'Childrens Colour Book of Lands and Peoples' in six vols. Very nice on the whole. Fleetwood. Spotting to e/papers but otherwise ...
'Cricket at Lord's in 1822', colour engraving c.1894, 35x41cm; together with Jules David after
'Cricket at Lord's in 1822', colour engraving c.1894, 35x41cm; together with Jules David after Pingret, 'Retour Du Roi A La Station De Gosport', 3...
After Anton Maron (1733-1808), hand-coloured print of duck and duckling, 18x12.5cm; together with
After Anton Maron (1733-1808), hand-coloured print of duck and duckling, 18x12.5cm; together with a hand-coloured print; E. Hacker 'Bolivar', Publ...
EADIE GUTHRIE & CO Edwardian lady, overpainted photograph, 36.5cm x 29cm Note; Eadie Guthrie & Co,
EADIE GUTHRIE & CO Edwardian lady, overpainted photograph, 36.5cm x 29cm Note; Eadie Guthrie & Co, were photographic artists located at 17 Argyle...
BOOKS, WATERCOLOUR PAINTING. A small group, mainly modern instructional. The oldest and most
BOOKS, WATERCOLOUR PAINTING. A small group, mainly modern instructional. The oldest and most interesting is BRADSHAW, Percy V., 'I WIsh I Could Dr...
VARIOUS SILVER MOUNTED PICTURE FRAMES To include; one 17.5 x 12cm with heavily embossed frame,
VARIOUS SILVER MOUNTED PICTURE FRAMES To include; one 17.5 x 12cm with heavily embossed frame, hallmarked Birmingham 1996, a similar smaller fram...
20th century watercolour of terraced houses, monogrammed VS, 25.5x35cm; together with Joan Beaumont,
20th century watercolour of terraced houses, monogrammed VS, 25.5x35cm; together with Joan Beaumont, watercolour of a wintery lane; watercolour of...
JAMES A MITCHELL The Sea Eagle, print, 73.5cm x 103.5cm
20th century watercolour of a village amongst hills, initialled MTW, 26x36.5cm
MAUREEN BINNIE Summer house, Piazza Donatello, charcoal, signed and dated '91 with label to verso,
MAUREEN BINNIE Summer house, Piazza Donatello, charcoal, signed and dated '91 with label to verso, 96.5cm x 60cm
Château Terrier des Cailloux, Maison Schroder & Schyler, 2018, 6x75cl
Dorothy Bruce, two coloured engravings, Saltcoats harbour, and 'Arran from Seamill', each approx.
Dorothy Bruce, two coloured engravings, Saltcoats harbour, and 'Arran from Seamill', each approx. 26.5x31.5cm
20th century oil on canvas of sunflowers, signed Geri '87, 33x43cm
* * THORNTON Pair of harbour scenes, watercolours, signed, 46cm x 20.5cm (2)
After Robert Hills, an engraving of deer, 'originally published London May 1st 1803', plate size
After Robert Hills, an engraving of deer, 'originally published London May 1st 1803', plate size 39x29cm
Four Stan Rosenthal limited edition prints to include 'King Arthur's Hill', 'Castle Hill' 26x18.5cm;
Four Stan Rosenthal limited edition prints to include 'King Arthur's Hill', 'Castle Hill' 26x18.5cm; all signed to mount, three with COA to verso
Jemma Phipps (b.1977), oil on canvas study of a miniature pinscher, signed and dated 2002, 30.5x25.
Jemma Phipps (b.1977), oil on canvas study of a miniature pinscher, signed and dated 2002, 30.5x25.5cm
Angela Conner (British, b.1935 ), resin and glass centrepiece, 'Monnington Ball', 40cmH
Neville Jason and Lisa Thompson-Pharoah, 'The Sculpture of Frank Dobson'
Georges Braque (1882-1963), Deux oiseaux, Museum of Modern Art Ceret exhibition poster, 1983,
Georges Braque (1882-1963), Deux oiseaux, Museum of Modern Art Ceret exhibition poster, 1983, 60x89cm