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MANUEL MATEO CUENCA (La peraleja, Cuenca ,1951).Untitled, 1998.Set of three reliefs with cardboard.
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Descrizione
MANUEL MATEO CUENCA (La peraleja, Cuenca ,1951).
Untitled, 1998.
Set of three reliefs with cardboard.
Attached certificate issued by the author.
They have aluminium frames.
Signed and dated.
Measurements: 28 x 19 cm (x3); 34,5 x 24,5 cm (frame, x3).
Set of three pieces that represent a series in which the author experiments with form and material. To achieve the composition, the artist has made an assemblage that goes beyond arrangement, but seeks the volumetric interest of a two-dimensional material. Manuel Mateo's work is characterised by an approach to geometric constructivism that is never confused with rigid schematism. Even in his most voluptuous volumes, the line, the light or the shadow, and sometimes the hollow, mark a geometric counterpoint that orders and gathers the composition and enriches his points of view. Through an expressive and successful play of volumes and lines, of tones and textures, of supports and challenges to gravity, Manuel Mateo's sculpture transmits an artistic serenity that is instantly transmitted to the spectator. Within a stylistic schematism that inevitably recalls the avant-garde of the last century.
Manuel Mateo Cuenca began his artistic training and worked with artists such as Antonio Galán del Amo, José Carrilero, Venancio Blanco, Joaquín García Donaire, José Castro Llamas, Cristino Mallo, Otero Besteiro, Jesús Valverde, Pablo Palazuelo. He began to exhibit in 1973 when he held a group exhibition at the Banco Americano (Ameribank) in Madrid. He also exhibited at the Tolmo Gallery in Toledo, and that same year he was awarded the National Salcillo Prize in Murcia. Regarding his first individual exhibition in 2000, in the Ra del Rey gallery in Madrid, it is worth mentioning that the artist already had a long career in exhibitions. Both nationally and internationally, with his participation in exhibitions such as Avant Premiere. Capa Esculturas, Brussels in 2015, Affordable Art Fair London Spring Edition, London in 2008 or Estampa, the International Exhibition of Contemporary Art Printmaking and Publishing. Capa Sculptures. Madrid in 2004 among others. These exhibitions, which have confirmed his artistic recognition, have been followed by various awards, such as the II Prize for Sculpture at the II International Biennial El Baloncesto en las Bellas Artes in 2000, the XXVII Special Mention for Sculpture, the Plastic Arts Competition in Getafe, (Madrid) in 1979, the gold medal at the XVIII National Sculpture Exhibition and the Julio Antonio Prize, Tarragona in 1974, among many others. Nowadays his works are divided in different private collections such as the Ros Urigüen collections (Madrid), and many artistic centres of great cultural relevance among which the Diputación de Cuenca, the Pedro Ferrándiz Foundation in Madrid, the Eduardo Capa Foundation in Alicante, the Ministry of Culture in Madrid, the Reina Sofía Museum and the Museum of Cuenca stand out.
Untitled, 1998.
Set of three reliefs with cardboard.
Attached certificate issued by the author.
They have aluminium frames.
Signed and dated.
Measurements: 28 x 19 cm (x3); 34,5 x 24,5 cm (frame, x3).
Set of three pieces that represent a series in which the author experiments with form and material. To achieve the composition, the artist has made an assemblage that goes beyond arrangement, but seeks the volumetric interest of a two-dimensional material. Manuel Mateo's work is characterised by an approach to geometric constructivism that is never confused with rigid schematism. Even in his most voluptuous volumes, the line, the light or the shadow, and sometimes the hollow, mark a geometric counterpoint that orders and gathers the composition and enriches his points of view. Through an expressive and successful play of volumes and lines, of tones and textures, of supports and challenges to gravity, Manuel Mateo's sculpture transmits an artistic serenity that is instantly transmitted to the spectator. Within a stylistic schematism that inevitably recalls the avant-garde of the last century.
Manuel Mateo Cuenca began his artistic training and worked with artists such as Antonio Galán del Amo, José Carrilero, Venancio Blanco, Joaquín García Donaire, José Castro Llamas, Cristino Mallo, Otero Besteiro, Jesús Valverde, Pablo Palazuelo. He began to exhibit in 1973 when he held a group exhibition at the Banco Americano (Ameribank) in Madrid. He also exhibited at the Tolmo Gallery in Toledo, and that same year he was awarded the National Salcillo Prize in Murcia. Regarding his first individual exhibition in 2000, in the Ra del Rey gallery in Madrid, it is worth mentioning that the artist already had a long career in exhibitions. Both nationally and internationally, with his participation in exhibitions such as Avant Premiere. Capa Esculturas, Brussels in 2015, Affordable Art Fair London Spring Edition, London in 2008 or Estampa, the International Exhibition of Contemporary Art Printmaking and Publishing. Capa Sculptures. Madrid in 2004 among others. These exhibitions, which have confirmed his artistic recognition, have been followed by various awards, such as the II Prize for Sculpture at the II International Biennial El Baloncesto en las Bellas Artes in 2000, the XXVII Special Mention for Sculpture, the Plastic Arts Competition in Getafe, (Madrid) in 1979, the gold medal at the XVIII National Sculpture Exhibition and the Julio Antonio Prize, Tarragona in 1974, among many others. Nowadays his works are divided in different private collections such as the Ros Urigüen collections (Madrid), and many artistic centres of great cultural relevance among which the Diputación de Cuenca, the Pedro Ferrándiz Foundation in Madrid, the Eduardo Capa Foundation in Alicante, the Ministry of Culture in Madrid, the Reina Sofía Museum and the Museum of Cuenca stand out.
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MANUEL MATEO CUENCA (La peraleja, Cuenca ,1951).
Untitled, 1998.
Set of three reliefs with cardboard.
Attached certificate issued by the author.
They have aluminium frames.
Signed and dated.
Measurements: 28 x 19 cm (x3); 34,5 x 24,5 cm (frame, x3).
Set of three pieces that represent a series in which the author experiments with form and material. To achieve the composition, the artist has made an assemblage that goes beyond arrangement, but seeks the volumetric interest of a two-dimensional material. Manuel Mateo's work is characterised by an approach to geometric constructivism that is never confused with rigid schematism. Even in his most voluptuous volumes, the line, the light or the shadow, and sometimes the hollow, mark a geometric counterpoint that orders and gathers the composition and enriches his points of view. Through an expressive and successful play of volumes and lines, of tones and textures, of supports and challenges to gravity, Manuel Mateo's sculpture transmits an artistic serenity that is instantly transmitted to the spectator. Within a stylistic schematism that inevitably recalls the avant-garde of the last century.
Manuel Mateo Cuenca began his artistic training and worked with artists such as Antonio Galán del Amo, José Carrilero, Venancio Blanco, Joaquín García Donaire, José Castro Llamas, Cristino Mallo, Otero Besteiro, Jesús Valverde, Pablo Palazuelo. He began to exhibit in 1973 when he held a group exhibition at the Banco Americano (Ameribank) in Madrid. He also exhibited at the Tolmo Gallery in Toledo, and that same year he was awarded the National Salcillo Prize in Murcia. Regarding his first individual exhibition in 2000, in the Ra del Rey gallery in Madrid, it is worth mentioning that the artist already had a long career in exhibitions. Both nationally and internationally, with his participation in exhibitions such as Avant Premiere. Capa Esculturas, Brussels in 2015, Affordable Art Fair London Spring Edition, London in 2008 or Estampa, the International Exhibition of Contemporary Art Printmaking and Publishing. Capa Sculptures. Madrid in 2004 among others. These exhibitions, which have confirmed his artistic recognition, have been followed by various awards, such as the II Prize for Sculpture at the II International Biennial El Baloncesto en las Bellas Artes in 2000, the XXVII Special Mention for Sculpture, the Plastic Arts Competition in Getafe, (Madrid) in 1979, the gold medal at the XVIII National Sculpture Exhibition and the Julio Antonio Prize, Tarragona in 1974, among many others. Nowadays his works are divided in different private collections such as the Ros Urigüen collections (Madrid), and many artistic centres of great cultural relevance among which the Diputación de Cuenca, the Pedro Ferrándiz Foundation in Madrid, the Eduardo Capa Foundation in Alicante, the Ministry of Culture in Madrid, the Reina Sofía Museum and the Museum of Cuenca stand out.
Untitled, 1998.
Set of three reliefs with cardboard.
Attached certificate issued by the author.
They have aluminium frames.
Signed and dated.
Measurements: 28 x 19 cm (x3); 34,5 x 24,5 cm (frame, x3).
Set of three pieces that represent a series in which the author experiments with form and material. To achieve the composition, the artist has made an assemblage that goes beyond arrangement, but seeks the volumetric interest of a two-dimensional material. Manuel Mateo's work is characterised by an approach to geometric constructivism that is never confused with rigid schematism. Even in his most voluptuous volumes, the line, the light or the shadow, and sometimes the hollow, mark a geometric counterpoint that orders and gathers the composition and enriches his points of view. Through an expressive and successful play of volumes and lines, of tones and textures, of supports and challenges to gravity, Manuel Mateo's sculpture transmits an artistic serenity that is instantly transmitted to the spectator. Within a stylistic schematism that inevitably recalls the avant-garde of the last century.
Manuel Mateo Cuenca began his artistic training and worked with artists such as Antonio Galán del Amo, José Carrilero, Venancio Blanco, Joaquín García Donaire, José Castro Llamas, Cristino Mallo, Otero Besteiro, Jesús Valverde, Pablo Palazuelo. He began to exhibit in 1973 when he held a group exhibition at the Banco Americano (Ameribank) in Madrid. He also exhibited at the Tolmo Gallery in Toledo, and that same year he was awarded the National Salcillo Prize in Murcia. Regarding his first individual exhibition in 2000, in the Ra del Rey gallery in Madrid, it is worth mentioning that the artist already had a long career in exhibitions. Both nationally and internationally, with his participation in exhibitions such as Avant Premiere. Capa Esculturas, Brussels in 2015, Affordable Art Fair London Spring Edition, London in 2008 or Estampa, the International Exhibition of Contemporary Art Printmaking and Publishing. Capa Sculptures. Madrid in 2004 among others. These exhibitions, which have confirmed his artistic recognition, have been followed by various awards, such as the II Prize for Sculpture at the II International Biennial El Baloncesto en las Bellas Artes in 2000, the XXVII Special Mention for Sculpture, the Plastic Arts Competition in Getafe, (Madrid) in 1979, the gold medal at the XVIII National Sculpture Exhibition and the Julio Antonio Prize, Tarragona in 1974, among many others. Nowadays his works are divided in different private collections such as the Ros Urigüen collections (Madrid), and many artistic centres of great cultural relevance among which the Diputación de Cuenca, the Pedro Ferrándiz Foundation in Madrid, the Eduardo Capa Foundation in Alicante, the Ministry of Culture in Madrid, the Reina Sofía Museum and the Museum of Cuenca stand out.
21st June - Contemporary & Actual Art
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