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Gill, Eric, (1882 -1940). Gill Hebrew typeface. a printed, promotional, pamphlet, 'designed by the
Gill, Eric, (1882 -1940). Gill Hebrew typeface. a printed, promotional, pamphlet, 'designed by the distinguished British artist Eric Gill', Jerusa...
BOOKS: 'The Gallery of British Artists', with 100 + steel engravings. Half green calf.
BOOKS: WRIGHT, The Rev. G.N. (ed.), 'The Gallery of Engravings' in two vols. (VG). Impressively
BOOKS: WRIGHT, The Rev. G.N. (ed.), 'The Gallery of Engravings' in two vols. (VG). Impressively bound. Fisher (pub.). Tissue guards etc.
PRINTS: ANATOMICAL LITHOGRAPHS: two plates ('Offic. litho Artus') of the (male) anatomy of the
PRINTS: ANATOMICAL LITHOGRAPHS: two plates ('Offic. litho Artus') of the (male) anatomy of the neck and shoulders. French. 'Emile Beau ad naturam ...
After Giuliano DeLuca, a pair of lithographs of Neopolitan people, one inscribed to verso
After G Morland, lithograph, 'The door of the village inn', published 1786 by J. Dean, Bentinck
After G Morland, lithograph, 'The door of the village inn', published 1786 by J. Dean, Bentinck Street, Soho, 43x49cm
Local interest: After J. Nixon, an 18th century engraving, 'The view of the island of Portland
Local interest: After J. Nixon, an 18th century engraving, 'The view of the island of Portland from the lookout', (af), published 1790 by J Fittle...
Margaret Aulton (1871-1962), an early 20th century coloured engraving of a French alleyway, singed
Margaret Aulton (1871-1962), an early 20th century coloured engraving of a French alleyway, singed in pencil lower left, 32.5x19.5cm
After Louis Philippe Boitard, 18th century engraving, 'The Tythe Pig', circa 1770, published by
After Louis Philippe Boitard, 18th century engraving, 'The Tythe Pig', circa 1770, published by Robert Sayer and John Smith, 35x25cm
After F. Mackenzie, a pair of 19th century coloured engravings, 'Brasen-Nose College, Part of the
After F. Mackenzie, a pair of 19th century coloured engravings, 'Brasen-Nose College, Part of the Schools etc...' and 'Oriel College', c.1813, eac...
After George Morland, pair of colour mezzotints, 'The Warrener' and 'The Shepherds', each approx.
After George Morland, pair of colour mezzotints, 'The Warrener' and 'The Shepherds', each approx. 48x60cm (2)
James Rowley, limited edition print of a black labrador, numbered 639/850, 40x49cm
Mher Abeghyan (Armenian, 1909-1994), three mid 20th century linocut prints, signed lower left,
Mher Abeghyan (Armenian, 1909-1994), three mid 20th century linocut prints, signed lower left, each approx. 60x40cm (3)
After Pietro Annigoni, 'Cristina', colour print, 55.5x37cm
Otto Ferdinand Probst (1865-1923), a pair of coloured engravings, signed in pencil, dated 1910 &
Otto Ferdinand Probst (1865-1923), a pair of coloured engravings, signed in pencil, dated 1910 & 1912, each approx 37.5x30cm
Early 20th century colour engraving of shire horses beside a canal, signed lower right, bears studio
Early 20th century colour engraving of shire horses beside a canal, signed lower right, bears studio blind stamp, published 14 rue de richelieu, P...
Frank Harding, a pair of drypoint etchings, 'Old Tollbooth, Edinburgh', 34/75, and 'John Knox's
Frank Harding, a pair of drypoint etchings, 'Old Tollbooth, Edinburgh', 34/75, and 'John Knox's House, Edinburgh', 33/75, both signed and numbered...
Andre Renoux (1939-2002), 'Les petits commerces', lithograph, signed and numbered in pencil 78/
Andre Renoux (1939-2002), 'Les petits commerces', lithograph, signed and numbered in pencil 78/100, 35x60cm
A quantity of paintings and prints to include a reproduction 17th century map of Munich, a nude
A quantity of paintings and prints to include a reproduction 17th century map of Munich, a nude female sketch, various street scenes, etc
Isaac Maimon, a colour screenprint of three ladies, signed and numbered 103/300, 25.5x36cm
Isaac Maimon, a colour screenprint of three ladies, signed and numbered 103/300, 25.5x36cm
Four prints by Fleur Cowles, the largest 49.5x29.5cm
19th century hand coloured engraving 'Night', in a verre eglomise frame, 27.5x21.5cm
After Angelica Kauffman, early 19th century sepia engraving, 'The parting of Abelard and Eloisa',
After Angelica Kauffman, early 19th century sepia engraving, 'The parting of Abelard and Eloisa', 30.5cmD
After William Russell Flint, 5 prints, each approx. 27.5x38cm
After Francois N A Feyen-Perrin, 'A Sailor's Infancy', 19th century engraving, 21.5x13.5cm
After Francois N A Feyen-Perrin, 'A Sailor's Infancy', 19th century engraving, 21.5x13.5cm
Three 19th century prints after George Baxter, 'Gems of the Great Exhibition', 12x22cm and
Three 19th century prints after George Baxter, 'Gems of the Great Exhibition', 12x22cm and 13x24cm (3)
Bartolozzi after Kauffman, 'Cordelia', early 19th century engraving, 32x27cm
Levachez after Louis Leopold Boilly, Napoleon as First Consul, colour engraving, 43x29cm
Two 19th century prints from Dolby's Sketches of the Baltic, plates 12 and 18, published 1854,
Two 19th century prints from Dolby's Sketches of the Baltic, plates 12 and 18, published 1854, 36x54cm in burr maple frames (2)
After Nicolaus Heideloff, a pair of early 19th century fashion prints, each 23x17cm, bears Rowley
After Nicolaus Heideloff, a pair of early 19th century fashion prints, each 23x17cm, bears Rowley Gallery labels to verso
A pair of 19th century colour engravings, 'Postman' and 'Pieman', drawn and engraved by T. L
A pair of 19th century colour engravings, 'Postman' and 'Pieman', drawn and engraved by T. L Busby; together with a further pair of engravings, 'P...
20th coloured engraving of punt and man carrying timber, signed indistinctly, numbered 21/50,
20th coloured engraving of punt and man carrying timber, signed indistinctly, numbered 21/50, 38x37cm
Wagstaff after R.B Davis, 'John Musters Esq. and his hounds', published 1847, mezzotint, the plate
Wagstaff after R.B Davis, 'John Musters Esq. and his hounds', published 1847, mezzotint, the plate 53x69cm
19th century mezzotint, mother protecting her child, heightened in white, 58x40cm
J. Richardson Jackson after John Prescott Knight RA, full length portrait of Thomas William Giffard,
J. Richardson Jackson after John Prescott Knight RA, full length portrait of Thomas William Giffard, 19th century mezzotint, 71x48cm
Thomas Gainsborough RA, drawn by J. Jackson and engraved by H Meyer, the plate 38x33cm within the
Thomas Gainsborough RA, drawn by J. Jackson and engraved by H Meyer, the plate 38x33cm within the mount
19th century colour mezzotint, Uniforms of the Royal Artillery, 31x46cm
Inge Clayton (Austrian, 1942-2010), 'HELENE' 1990, signed, titled, dated and numbered 12/50,
Inge Clayton (Austrian, 1942-2010), 'HELENE' 1990, signed, titled, dated and numbered 12/50, colour etching, plate size 43x45cm
Rene Lorrain (French, 1873-1949), 'Toul, 1915', coloured etching, signed in pencil. 27x21cm.
Rene Lorrain (French, 1873-1949), 'Toul, 1915', coloured etching, signed in pencil. 27x21cm.
A quantity of 18th and 19th century engravings, to include 'The Hop Garden', 'Ragland Castle', study
A quantity of 18th and 19th century engravings, to include 'The Hop Garden', 'Ragland Castle', study of hares c.1832, Tintern Abbey and two maps o...
A cast iron fire back (af), with Fleur de lis cresting, 69x66cmH