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V. LEE (20th century). A fishing village with beached vessels. Signed lower left, oil on paper: 9” x
V. LEE (20th century). A fishing village with beached vessels. Signed lower left, oil on paper: 9” x 13¾”, in glazed frame. (16½” x 21½” over-al...
KENNETH DENTON, R.S.M.A. (b. 1932). “Early Morning, Thurne”, signed lower left, oil on board: 14”
KENNETH DENTON, R.S.M.A. (b. 1932). “Early Morning, Thurne”, signed lower left, oil on board: 14” x 22”, in painted wooden frame. (20¼” x 28¼” ove...
ROBERT O. LENKIEWICZ (1941-2002). Portrait of an elderly gentleman, head & shoulder length,
ROBERT O. LENKIEWICZ (1941-2002). Portrait of an elderly gentleman, head & shoulder length, unsigned; oil on board, 18¾” x 11¾” in painted frame. ...
ROBERT O. LENKIEWICZ (1941-2002). Portrait of a mother & child, signed “Lenkiewicz lower right;
ROBERT O. LENKIEWICZ (1941-2002). Portrait of a mother & child, signed “Lenkiewicz lower right; oil on board; 18” x 14¼; inscribed label verso dat...
ELWYN AUGUST LYNN (Australian, 1917-1997). “Shield”, signed, inscribed & dated ’80 verso, mixed
ELWYN AUGUST LYNN (Australian, 1917-1997). “Shield”, signed, inscribed & dated ’80 verso, mixed media on canvas; 40” x 40”; in narrow wooden fram...
COLIN GARLAND (Australian, 1935-2007). Abstract study of a male nude. Signed & dated 9/61 lower
COLIN GARLAND (Australian, 1935-2007). Abstract study of a male nude. Signed & dated 9/61 lower left; oil on board; 35¾” x 23¾”; in narrow wooden...
KEVIN CHARLES (Pro) HART (Australian, 1928-2006). A rural landscape with buildings to the fore.
KEVIN CHARLES (Pro) HART (Australian, 1928-2006). A rural landscape with buildings to the fore. Signed “Pro Hart” lower left; oil on board: 23¼” ...
CHARLES LÉGER (?). Bushfire in a wooded landscape. Signed & dated ’66, oil on canvas: 32” x 28”,
CHARLES LÉGER (?). Bushfire in a wooded landscape. Signed & dated ’66, oil on canvas: 32” x 28”, in narrow wooden frame. (32¾” x 28¾” over-all)....
ROBERT DRIESSEN (Contemporary), in the style of Picasso. A large abstract figure study, signed &
ROBERT DRIESSEN (Contemporary), in the style of Picasso. A large abstract figure study, signed & inscribed, Oil on canvas: “ x “, in composition...
ROBERT DRIESSEN (Contemporary), in the style of Banksy. Child with a heart-shaped balloon. Inscribed
ROBERT DRIESSEN (Contemporary), in the style of Banksy. Child with a heart-shaped balloon. Inscribed verso, Oil on loose canvas sheet, “ x “.
ROBERT DRIESSEN (Contemporary), in the style of Banksy. Girl with a heart-shaped balloon. Inscribed lower border, Oil on loose canvas sheet, “ x ...
ROBERT DRIESSEN (Contemporary), in the style of Marc Rothko. Block colour abstract study. Inscribed verso, Oil on loose canvas sheet, “ x “.
ROBERT DRIESSEN (Contemporary), in the style of Diebenkorn. Abstract still life study, inscribed
ROBERT DRIESSEN (Contemporary), in the style of Diebenkorn. Abstract still life study, inscribed lower right, Oil on loose canvas sheet, “ x “.
*AMENDED DESCRIPTION* JOHN HOYLAND (b. 1957). A river landscape with moored pleasure boats, labelled
*AMENDED DESCRIPTION* JOHN HOYLAND (b. 1957). A river landscape with moored pleasure boats, labelled verso: “44. Bouziès-Boats, John Hoyland”. Sig...
ARTHUR WILDE PARSONS R.W.A. (1854-1931). A fishing boat off the Cornish coast. Signed & dated 1911
ARTHUR WILDE PARSONS R.W.A. (1854-1931). A fishing boat off the Cornish coast. Signed & dated 1911 lower left; oil on canvas: 12” x 18”. ...[mo...
A small French oil painting on panel of figures on a beach, signed “Lamoir”, 6¾” x 9”; another
A small French oil painting on panel of figures on a beach, signed “Lamoir”, 6¾” x 9”; another similar oil painting in glazed frame, 7” x 10”; & a...
FRENCH SCHOOL, 19th century. A head & shoulders portrait of a lady, her hair with strings of pearls.
FRENCH SCHOOL, 19th century. A head & shoulders portrait of a lady, her hair with strings of pearls. Pastels on canvas: 17” x 12¾”, in glazed fram...
FRENCH SCHOOL, 19th century. Portrait of a boy holding a pet guinea pig, standing three-quarter
FRENCH SCHOOL, 19th century. Portrait of a boy holding a pet guinea pig, standing three-quarter length. Oil on canvas: 20” x 16”, in giltwood & g...
CONTINENTAL SCHOOL. A pair of still life studies of game, fish, etc., in a pantry; oil on canvas,
CONTINENTAL SCHOOL. A pair of still life studies of game, fish, etc., in a pantry; oil on canvas, each 12” x 10”, in matching ebonised frames. (1...
ANDREW DOUGLAS, R.S.A. (1871-1935). Figures & cattle on a country path. Signed with monogram & dated
ANDREW DOUGLAS, R.S.A. (1871-1935). Figures & cattle on a country path. Signed with monogram & dated 1903, & with personal inscription verso; oi...
ENGLISH SCHOOL, 19th century. A mountainous landscape with figures on a path to the fore, a lake
ENGLISH SCHOOL, 19th century. A mountainous landscape with figures on a path to the fore, a lake beyond. Oil on canvas: , in gilt gesso frame (ov...
J.W. PHILIPS (fl. 1857-1865). A wooded landscape with figure crossing a footbridge, & the companion picture of cattle grazing, each 18” x 12¼”, i...
ENGLISH SCHOOL (19th century). A river landscape at sunset. Oil on canvas: 14” x 21”, in gilt
ENGLISH SCHOOL (19th century). A river landscape at sunset. Oil on canvas: 14” x 21”, in gilt gesso frame. *18¼” x 25¼” over-all).
CHRIS WOODHOUSE (contemporary). The Naval destroyer H. M. S. Aine (022) in rough seas. Signed
CHRIS WOODHOUSE (contemporary). The Naval destroyer H. M. S. Aine (022) in rough seas. Signed lower right; oil on canvas: 20” x 30”, in silver-p...
ENGLISH SCHOOL, 19th century. A view of Rochester Castle. Oil on canvas: 16” x 12”, in giltwood &
ENGLISH SCHOOL, 19th century. A view of Rochester Castle. Oil on canvas: 16” x 12”, in giltwood & gesso frame. (24” x 20¼” over-all). ...[more]
RICHARD EWEN (1928-2009). A tree-lined river landscape, Signed & dated “Ewen 1978”; oil on canvas:
RICHARD EWEN (1928-2009). A tree-lined river landscape, Signed & dated “Ewen 1978”; oil on canvas: 24” x 30”, in carved & pierced frame. (30¼” x 3...
J. BOON (19th century). A rural landscape with thatched cottage. Signed lower left, oil on copper
J. BOON (19th century). A rural landscape with thatched cottage. Signed lower left, oil on copper panel: 20” x 28¼”, in painted frame. (22” x 30¾...
VINCENT WAAGREZ (19th century). “The Haunt of the Moorhen”, signed & inscribed verso, dated
VINCENT WAAGREZ (19th century). “The Haunt of the Moorhen”, signed & inscribed verso, dated 1897 (?); oil on canvas: 38” x 28”, in gilt gesso fra...
GEORGE VAN MILLETT (American, 1864-1953). Boaters on the lake from a tree-lined bank, buildings in
GEORGE VAN MILLETT (American, 1864-1953). Boaters on the lake from a tree-lined bank, buildings in the distance. Signed “G. V. Millett” lower rig...
GEORGE HENRY BOGERT (American, 1864-1944). A moonlit Venetian canal scene, the Santa Maria della
GEORGE HENRY BOGERT (American, 1864-1944). A moonlit Venetian canal scene, the Santa Maria della Salute in the distance. Signed “George H. Boger...
BENJAMIN WILLIAMS LEADER, R.A. (1831-1923). A mountainous river landscape with anglers to the
BENJAMIN WILLIAMS LEADER, R.A. (1831-1923). A mountainous river landscape with anglers to the fore. Signed “b. W. LEADER” lower left; oil on pan...
WALTER HEATH WILLIAMS (1835-1906) A pair of rural landscapes: a shepherd & his flock beside a
WALTER HEATH WILLIAMS (1835-1906) A pair of rural landscapes: a shepherd & his flock beside a pond; & harvesters stooking with a girl on a path to...
Manner of JOHN CROME (1768-1821). A river landscape with windmill & figures. Oil on panel: 8” x
Manner of JOHN CROME (1768-1821). A river landscape with windmill & figures. Oil on panel: 8” x 10¼”, in gilt gesso frame. (13” x 15” over-all)....
Attributed to JEAN-BAPTISTE-CAMILLE COROT (1796-1875). A rural wooded landscape with ruins.
Attributed to JEAN-BAPTISTE-CAMILLE COROT (1796-1875). A rural wooded landscape with ruins. Signed “Corot” lower left; oil on panel: 10½” x 14”, ...
ROBERT EDMONSTONE OF Kelso (1795-1834). “Italian Boys Playing at Cards”. Exhibited at the Royal
ROBERT EDMONSTONE OF Kelso (1795-1834). “Italian Boys Playing at Cards”. Exhibited at the Royal Academy in 1830 (No. 113); oil on mahogany panel...
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