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Sheila Charles (b. 1919), 'Arabella and Lavinia', a stylized study of two elegant women, oil on canvas, signed, labels verso, 20" x 24" (51 x 61cm...

Clive St. George, Circa 1910, a still life study of mixed flowers, oil on canvas, signed, 30.75" x 25.5" (78 x 65cm), unframed.

Mike Bernard (b. 1957), 'Archway, Rialto Bridge, Venice', mixed media, mostly oil and collage, signed, 11.25" x 13.5" (28.5 x 34cm).

Continental School, Circa 1904, a steam ship in grey seas, oil on canvas, signed with initials C. B., 10.5" x 18" (17 x 46cm).

Morton, Early 20th Century, a young girl with a powder puff at a dressing table, oil on board, 20" x 15" (51 x 38cm).

Sidney McKenzie Litten, shipping on a broad river, etching, signed in pencil, plate size 5" x 7" (12.5 x 17.5cm), a/f.

William Nicholson (1872-1949), 'March' and 'September', two lithographs from an Almanac of Sports, each 10.5" x 8" (26.5 x 20cm), (2).

After Antonio Reyna de Manescau, figures by a quay at dusk, oil on canvas, signed S. Malic, 24" x 36" (61 x 91.5cm).

Arne Lindaas, three native figures, wood engraving, signed in pencil and dated 48, image size 5.25" x 3.5" (13.5 x 9cm).

Attributed to Edmund Gill (1820-1894), a waterfall scene, oil on panel, indistinctly signed with initials, 10" x 8" (25.5 x 20cm).

R. Wilson, Circa 1887, a portrait of a man in a Tarboush hat, oil on canvas, signed and dated, 23" x 18.5" (58.5 x 47cm), with E.S.K. blindstamp.

English School, Circa 1868, a pencil study of figures on a barge at Firepool Lock, Taunton, inscribed and dated, 10.5" x 13" (27 x 33cm), unframed.

John Langton (b. 1932), 'Hofgarten Lake, Evening', signed, inscribed and dated 1987 verso, 72" x 32" (183 x 81.5cm).

John Dawson Watson, Circa 1871, fisherman and his wife carrying a child to the beach, watercolour, signed with initials, 10" x 13.75" (25 x 35cm).

E. G. Friederich, Circa 1851, a portrait of a young boy in a bow tie, oil on canvas, signed and dated, 20.75" x 16.5" (53 x 42cm).

Beryl Cook, figures at a jumble sale, colour print, signed in pencil, with Fine Art Trade Guild stamp, 14.25" x 14.25" (36 x 36cm).

Late 19th Century English School, a half length portrait of young lady amongst flowers, oil on canvas, indistinctly signed, 24" x 20" (61 x 51cm).

Simeon Stafford (b. 1956), a view of the Vatican, Rome, oil on panel, signed, 31.5" x 31.5" (80 x 80cm), unframed.

19th Century English School, a paddle steamer approaching port in heavy seas, oil on canvas, 24" x 42" (61 x 107cm).

Attributed to Bartholomeus-Johannes van Hove (1850-1914), an ink and wash drawing of a fishermen by town buildings, 4.75" x 7.25" (12 x 18.5cm).

Mervyn Goode, 'Evening Skies and Long Shadows, November', oil on canvas, signed, inscribed verso, 24" x 36" (61 x 91.5cm).

Mervyn Goode, a country track with an extensive landscape beyond, oil on canvas, signed, inscribed verso, 24" x 36" (61 x 91.5cm).

Second Half of the 20th Century, surreal study of fruit, acrylic on canvas with embellishment, signed with initials, 24" x 30" (61 x 76cm).

J.B.Z., Circa 1968, figures in a town courtyard, oil on board, signed with initials and dated 68, 25" x 30" (64 x 76cm).

William Lionel Wyllie (1851-1931), London Bridge, etching, signed in pencil, plate size 5" x 12.75" (13 x 32.5cm).

Stephen Parrish, a river landscape, etching, signed in pencil and inscribed 'Ten Proofs Only', remnants of label verso, 3.25" x 5.5" (8.5 x 14cm).

William Lionel Wyllie (1851-1931), boats moored along the Thames, etching, signed in pencil, plate size 6.25" x 14.75" (16 x 37.5cm).

D. Bignami, Late 19th Century Italian School, a portrait of a seated female figure holding a fan, watercolour, signed, 10.5" x 8.25" (26.5 x 21cm...

Alexandr Gusarevich (1908-1970), mature trees in a landscape, oil on board, signed and dated 50, 11" x 16" (28 x 40cm).

English Contemporary School, study of sunflowers, watercolour, indistinctly signed and dated 2007, 20.5" x 16" (52 x 40cm).

Morres (20th Century), study of a waterfall, along with a collection of mostly 20th Century drawings and watercolours, (q).

Edith Hudson, Late 19th Century, a seated boy holding a pond yacht, oil on canvas, signed, 25" x 22" (63.5 x 56cm), in an arched top slip.

Snaffles, 'Great Banks There Was Below in the Fields', colour print, signed in pencil, 11.75" x 17" (30 x 43cm).

J. Buchanan, 19th Century, a portrait of two young boys, watercolour heightened in white, signed and dated 1859, 14.5" x 15.25" (37 x 39cm).

Richard Sams, 'Grange Village, Cumbria', watrcolour, signed, inscribed on artist label verso, 13" x 18" (33 x 46cm).

Early 20th Century, possibly Cornish School, fishermen preparing their boat, watercolour, signed with monogram, 8.25" x 12" (21 x 30.5cm).

K. Mayer, study of a terrier, watercolour heightened with white, signed and dated 1910, 10.25" (26cm) diameter.

Niemann, Late 19th Century, a view of an arched bridge along a tree lined valley, oil on canvas, signed, 14" x 24" (36 x 61cm).

Jochem Roman Schneider (b. 1951), 'Partnership' colour etching, signed and inscribed in pencil, image size 18.5" x 23.25" (47 x 59cm).

Peter Iden, Bakers Arms Hill, Arundel, watercolour, signed and dated 1970, inscribed verso, 10.5" x 6" (16.5 x 15cm).

Teesdale, Circa 1920, 'Borderland', figure in a woodland clearing, oil on canvas, signed, 20" x 16" (51 x 40cm).

Frederick Davenport Bates (1867-1930), 'A Woman of Siloam, Jerusalem', oil on canvas, signed, inscribed verso, 14" x 10" (36 x 25.5cm).

Michael Blaker, 'The Old Bridge, Shoreham', etching, signed in pencil, inscribed and numbered 1/30, plate size 11" x 14" (28 x 36cm).

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