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▲ Peter Lloyd-Jones (b.1956) 'Interior with Chair and Red Cushion' signed with initials l.l., with a further portrait study verso, oil on canvas109 x 76cmProvenance: With Jonleigh Gallery, Guildford;Mr and Mrs David McCleave.Condition ReportFramed: 119 x 86cmA little very light surface dirt. There is a faint horizontal line crossing the centre of the work which appears to be the surface of the canvas. Further very faint lines cross the top and bottom thirds of the painting, however in our opinion the work presents well overall when viewed on the wall. Not examined under UV light, for a full report please contact the department.

1910 SIGNED DINNER MENU CARD TO COMMEMORATE THE BRITISH ANTARCTIC EXPEDITION & THE DEPARTURE OF THE TERRA NOVA the cover printed with 'Complimentary Dinner, Capt. Scott CVO RN and officers of the 'Terra Nova'. To be held at the Royal Hotel on Monday 13th June, 1910 at 6.30pm sharp, given by members of the commercial community of Cardiff, Chairman: Trevor S Jones, President of the Cardiff Chamber of Commerce'. The front then signed by Capt. Scott and fellow expedition crew members including Teddy Evans, Edgar Evans, Herbert Ponting, Robert Forde etc. The interior with the banqueting details and verso with toasts.Two days after this dinner a large, excited crowd cheered the Terra Nova as she departed Roath Basin in Cardiff's 'Tiger Bay' with the doomed British Antarctic Expedition starting its race for the South Pole. TheTerra Novahad arrived in Cardiff five days earlier to finish preparations for the voyage and to take on fuel. 300 tons of Crown Patent Fuel, 100 tons of steam coal and 500 gallons of engine and lamp oil were donated by Welsh coal companies. All the cooking utensils were given by the Welsh Tin Plate Company of Llanelli and even Scott's sleeping bag was bought with funds raised by the County School in Cardigan. In addition to support in kind, a further £2,500 was raised in Cardiff, more than from any other city.The dinner at the Royal Hotel in St Mary's Street, Cardiff, will have been as much a thank you to the business people of the city as it was a commemoration for the imminent departure. The Cardiff business community played a crucial role in fund-raising and raising sponsorship and in the provision of dock facilities. In recognition of the Welsh support for the expedition, Cardiff was designated the Terra Nova's home port, and it was to Bute Dock that she returned at the end of the expedition on 14 June 1913. In June 1909 William Davies, editor of theWestern Mail, met with the young naval officer Lieutenant E.R.G.R. Evans, who was planning his own Antarctic expedition. Davies was very keen on supporting what he initially saw as a Welsh National Antarctic Expedition — Evans's grandfather was probably from Cardiff — and thought that there would be support for such a project from Cardiff businesses.Soon afterwards, Evans learned of Scott's planned expedition and joined him as second-in-command, bringing with him the support of the editor of theWestern Mailand the prospect of Welsh sponsorship. Davies was instrumental not only in rallying business and public support in Wales for Scott's expedition, but in persuading his compatriot, the Chancellor of the Exchequer, David Lloyd George, to provide a government grant of £20,000. Arguably, without the influence of Davies, the support of theWestern Mailand the Welsh shipowners, Scott's expedition would not have left in time to reach the Pole in 1912. There was another Evans in theTerra Nova's crew, Petty Officer Edgar Evans from Rhossili, Gower. He had been to Antarctica with Scott on hisDiscoveryexpedition of 1901-4 and was chosen by Scott to be a member of his polar party on the 1910-12 expedition. Evans was the first to die on the return march from the South Pole. Captain Scott's links with Cardiff are commemorated by the lighthouse erected in 1915 in Roath Park Lake and the bronze plaque of 1916 on the staircase in City Hall. In June 2003 a commemorative sculpture was unveiled in Cardiff Bay.The farewell dinner was hosted within the ‘Alexandra Room’ of the Royal Hotel in Cardiff, and a memorial dinner for Captain Scott was held at the hotel three years later. The room is now named the ‘Captain Scott Room’ in his honour and an annual dinner of commemoration is held by the Captain Scott Society on the anniversary of his farewell meal.Provenance: obtained by Colonel Joseph Edward Crawshay Partridge who will have been in attendance, bears his signature, by descent  

ASSORTED LIMITED EDITION GWASG GREGYNOG BOOKS: comprising Gruffydd (W.J.) Caniadau, 1932, no. 168 of 400 copies, printed in red & black, 4 wood-engravings by Blair Hughes-Stanton, uncut, original buckram-backed boards with gilt title to spine; and two copies of Penillion Omar Khayyam, 1928, no. 283 and 134 of 310 copies, translated from Persian to Welsh by John Morris-Jones with wood-engravings by Robert Maynard, uncut, bound in yellow buckram over cream cloth, with gilt title to spine, slim 4to; Gwynn Jones (T.) Detholiad Ganiadau. 1926, no. 421 of 500 copies, with nine wood engravings, blue Buckram boards (toning, spine faded); Llyfr y Pregethwr [The Book of Ecclesiastes], 1927, no. 205 of 223 copies, printed in red and black, wood-engraved title vignette and full-page illustration by David Jones, later ink presentation inscription to front free endpaper, additional loose note in Welsh, uncut, original limp blue buckram with gilt-titled upper cover (spine faded, slightly marked, hardly toned), slim 4to; two memorial volumes of Elphin Lloyd Jones and John Davies, c. late 1920s, blue printed blue paper covers, slim 4to; Caneuon Ceiriog Detholiad, 1925, no. 179 of 400 copies, original patterned paper boards, fore and bottom edges uncut, woodcut frontispiece and pictorial head and tailpieces, initials printed in red, spine-label 4to (8)Provenance: private collection Sheffield.

GWASG GREGYNOG: ‘Inwards where all the battle is; A selection of Alan Lewis’s writings from India’ by Jeremy Hooker, drawings by David Gentleman, 1997, limited edition (146/300), with slipcase, 'Places - Y Man a'r Lle', incomplete box set, sixteen-page booklets on Welsh places, written by different literary figures, each illustrated by different Welsh artists, comprising 1. Robin Llywelyn / Jonah Jones 2. Nigel Jenkins / Mary Lloyd Jones 3. William Owen Roberts / Siarlys Evans 4. Christopher Meredith / Sara Philpott 5. John Barnie / Rhiain M Davies 6. Ruth Bidgood / Bernice Carlill, 8. Gillian Clarke / Margaret Merritt 9. Myrddin ap Dafydd / David Woodford 10. Menna Elfyn / Ozi Rhys Osmond 11. Christine Evans / Kim Atkinson 12. Twm Morys/Anthony Evans, (no. 7 missing) together with a quantity of pamphlets, sample pages, poems, booklets, etc.Provenance: private collection GwyneddComments: immaculate edition from an immaculate collection, unused and still in retail wrapping

† DAVID LLOYD JONES (1928-1994); a stoneware plate covered in tenmoku breaking to kaki glaze with white spot decoration, diameter 29cm, and a slightly larger twin handled dish with ammonite decoration to the well by Mike Braisher (2). Condition Report: Appears good with no obvious signs of faults, damage or restoration.

DAVID LLOYD JONES (1928-1994) A LARGE TWIN HANDLED STONEWARE JAR AND COVER with mottled green, brown and blue glaze,, impressed mark, 35cm high Condition Report:Available upon request

DAVID LLOYD JONES (1928-1994) A LARGE STUDIO POTTERY BOWL glazed in blue with ribbed detail, upon three feet, stamped LJ to side, 27cm diameter x 24cm high Condition Report:There are a couple of chips to the feet. The piece has a crack and seems on closer inspection to have been restored.

David Lloyd Jones (1928-1994); large studio pottery stoneware bowl, in speckled grey glaze with irregular iron rim, impressed mark to base, D32cm

David Lloyd Jones (1928-1994): large studio pottery charger, the 'Eboracum' script in brown against a light green ground with brown speckles, impressed mark to base, D47cm

Geoffrey Whiting (1919-1988)Unomistoneware footed form, covered in a running rust over tenmoku glaze, another larger, a porcelain bowl and a vase by David Lloyd Jones, a plate by Barbara Cass potteryimpressed seal mark9.5cm. high (5) ProvenanceThe collection of Rosslyn Hill.

Henry Hammond (1914-1989)footed bowlstoneware, painted to the exterior with simple grasses in rust, a stoneware vase by Paul Barron, a bowl by David Lloyd Jones, a bowl by Charles Hare and a small collection of studio potteryimpressed seal mark, 19cm. diam. (a lot) ProvenanceThe collection of Rosslyn Hill.

MICHAEL UPTON (BRITISH 1938-2002) ⊕ MICHAEL UPTON (BRITISH 1938-2002)INTERIOR WITH CHAIRS (I); INTERIOR WITH LADDERS (II)each oil on card16 x 24cm; 6 1/4 x 9 1/2in (i) 13 x 16.5cm; 5 x 6 1/2in (ii) both unframed (2)MICHAEL UPTON (lots 108-123)IntroductionTiny, intimist interiors and exteriors exquisitely coloured like some latter day Vuillard John Russell TaylorIntroductionUpton grew up in Birmingham where he attended the College of Art before joining the Royal Academy Schools in 1958. In London he became close friends with David Hockney and Patrick Proctor, shared a flat with nascent pop artist Peter Phillips, and was awarded an RA Leverhulme Scholarship. His work was featured in the influential annual ‘Young Contemporaries’ exhibitions that Phillips masterminded over four years (1959-63). The reviewer of the 1962 show in The Times commented: 'The exhibition fairly bubbles with bright ideas and visual excitement... its weird mixture of impudence, whimsicality and beautifully tender painting is well exemplified by Derek Boshier [and] Michael Upton...' A year later, however, after completing six identical canvases, Upton abandoned painting entirely, turning instead to conceptual art. He spent 1967-68 in New York, the recipient of a grant from the Cassandra Foundation. Others who received grants from the Foundation included John Cage, Bruce Nauman, Christo, Eduardo Paolozzi and Richard Hamilton. Increasingly Upton's interests lay in performance, and in the 1970s he founded London Calling with Peter Lloyd Jones which became an influential part of London's performance art scene. One of his works included burying a number of his paintings on a Dorset hillside. But at the end of the 1970s Upton returned again to painting, taking up a teaching role at the RA Schools. In this later period Upton's preference was for small scale works. He often used photocopy or newspaper print as the support and he regularly produced series of images, similar to stills from a reel of film. Upton considered them 'conceptual paintings', and gained a new fan for his work in John Russell Taylor the influential art critic of The Times. In a review of 1979 Russell Taylor enthusiastically described Upton's paintings as 'tiny, intimist interiors and exteriors exquisitely coloured like some latter day Vuillard', and in his review of the British Council touring exhibition Picturing People, British Figurative Art since 1945, he singled out Upton as one of a handful of 'highly sophisticated stylists'. Also won over to Upton was the critic Mel Gooding who commented on Upton's 'subtle allusiveness (hints of Piero, Vermeer, Sickert)...another way of deepening the game, of adumbrating the mystery. An art of intimations'. As his work evolved so Upton also gave it more loaded political messaging, inspired in part by both his earlier pop art years and current events. But following retirement and his retreat to Mousehole, Cornwall in 1996 his artistic focus shifted to the innate beauty of the local landscape and coastal views became his primary focus.

David Lloyd Jones (1928-1994): set of four studio pottery goblets, with foliate decoration on a mottled brown ground, together with two small stoneware bowls by the same artist, with stylised bird border on an orange brown ground, all with impressed marks beneath, goblets H15.5cm

A large studio pottery charger, 20th century, by David Lloyd Jones, circular form with blue glaze and repeated stylised decoration, 42cm diameterProvenance: The property of the late Baron John Mauger Langin Condition Report10cm crack from rim to the base of the dish, with some losses to the glaze.

David Lloyd Jones (1928-1994): set of four studio pottery goblets, with foliate decoration on a mottled brown ground, together with two small stoneware bowls by the same artist, with stylised bird border on an orange brown ground, all with impressed marks beneath, goblets H15.5cm

λ DAVID LLOYD-JONES (ENGLISH 1928-1994) - A LARGE DISC-RIM VASE 20TH CENTURY Stoneware, with terracotta coloured glaze Impressed artist's seal. 35cm high 

Three David Lloyd Jones Studio Pottery goblets with painted decoration - sold with a Japanese Kutani porcelain bottle vase

David Hockney R.A. (British, born 1937) and Allen Jones R.A. (British, born 1937)'An Erotic Etching' and 'Navajo Jacket', from the publication The Erotic Arts by Peter Webb (Scottish Arts Council 172; Lloyd 68) One etching and one screenprint in colours, 1975 and 1974, on wove papers, each signed and numbered 29/100 in pencil, Navajo Jacket additionally dated in pencil, published by Secker and Warburg, London, An Erotic Etching with the artist's copyright stamp, the full sheets; each affixed to the book The Erotic Arts by Peter Webb (as issued), with a hand-written dedication and the author's signature, numbered 29 in black ink on the justification page, from the deluxe edition of 100 (there were also 26 copies lettered A to Z reserved for collaborators), housed within the original green leather-bound slip-caseEach sheet 217 x 153mm (8 1/2 x 6in)(and similar)(2)Overall 263 x 195 x 50mm (10 3/8 x 7 5/8 x 2in)Footnotes:ProvenancePrivate collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Lloyd Jones (1928-1994): a mallet shaped stoneware vase with flattened rim, dark speckled glaze, impressed seal37cm highAnother bowl, on conical foot and with oatmeal glaze21.5cm diameterA Further Smaller Bowl, blue speckled glaze, impressed seal14.5cm diameter (3)

A large studio pottery charger 20th century, by David Lloyd Jones, circular form with blue glaze and repeated stylised decoration, 42cm diameterProvenance: The property of the late Baron John Mauger Langin

An Only Fools and Horses book with many signatures including John Sullivan, Kenneth McDonald x2, Roger Lloyd-Pack, Nicholas Lyndhurst, Tessa Peak Jones, John Challis, Gwyneth Strong, David Jason, Ray Galton, Alan Simpson, etc.

⊕ Michael Upton (lots 146-157)Tiny, intimist interiors and exteriors exquisitely coloured like some latter day Vuillard John Russell Taylor, IntroductionUpton grew up in Birmingham where he attended the College of Art before joining the Royal Academy Schools in 1958. In London he became close friends with David Hockney and Patrick Proctor, shared a flat with nascent pop artist Peter Phillips, and was awarded an RA Leverhulme Scholarship. His work was featured in the influential annual ‘Young Contemporaries’ exhibitions that Phillips masterminded over four years (1959-63). The reviewer of the 1962 show in The Times commented: 'The exhibition fairly bubbles with bright ideas and visual excitement... its weird mixture of impudence, whimsicality and beautifully tender painting is well exemplified by Derek Boshier [and] Michael Upton...' A year later, however, after completing six identical canvases, Upton abandoned painting entirely, turning instead to conceptual art. He spent 1967-68 in New York, the recipient of a grant from the Cassandra Foundation. Others who received grants from the Foundation included John Cage, Bruce Nauman, Christo, Eduardo Paolozzi and Richard Hamilton. Increasingly Upton's interests lay in performance, and in the 1970s he founded London Calling with Peter Lloyd Jones which became an influential part of London's performance art scene. One of his works included burying a number of his paintings on a Dorset hillside. But at the end of 1970s Upton returned again to painting, taking up a teaching role at the RA Schools. In this later period Upton's preference was for small scale works. He often used photocopy or newspaper print as the support and he regularly produced series of images, similar to stills from a reel of film. Upton considered them 'conceptual paintings', and gained a new fan for his work in John Russell Taylor the influential art critic of The Times. In a review of 1979 Russell Taylor enthusiastically described Upton's paintings as 'tiny, intimist interiors and exteriors exquisitely coloured like some latter day Vuillard', and in his review of the British Council touring exhibition Picturing People, British Figurative Art since 1945, he singled out Upton as one of a handful of 'highly sophisticated stylists'. Also won over to Upton was the critic Mel Gooding who commented on Upton's 'subtle allusiveness (hints of Piero, Vermeer, Sickert)...another way of deepening the game, of adumbrating the mystery. An art of intimations'. As his work evolved so Upton also gave it more loaded political messaging, inspired in part by both his earlier pop art years and current events. But following retirement and his retreat to Mousehole, Cornwall in 1996 his artistic focus shifted to the innate beauty of the local landscape and coastal views became his primary focus (lots 154-157).WINDOW 1,2,3each oil on boardeach 14 x 14cm; 5 1/2 x 5 1/2in31 x 65.5cm; 12 1/4 x 25 3/4in (framed as one)Painted in 1979.with the artist's estate number MU0608 on the reverseProvenancewith Contemporary Art Society, LondonExhibitedNew York, Anthony Ralph Gallery, Michael Upton, 1987Held behind glass. Unexamined out of frame. Each stuck to the backboard. No retouching apparent under UV. Possible light time staining, otherwise good condition.

ONLY FOOLS & HORSES; two displays featuring colour and black and white photo cards of the actors, including David Jason, Nicholas Lyndhurst, Buster Merryfield, 'Lovely Jubbly David Jason', 'Dear Mike with best wishes Tessa Peake-Jones', a card of thanks from Tessa, also Kenneth MacDonald, Gwyneth Strong, Roger Lloyd Pack, John Challis and Sue Holderness, both mounted on white card, each 42 x 30cm. Provenance: The Mike Ormerod Autograph Collection.

Autographs, a folder containing approximately one hundred signed publicity cards, photographs and letters relating to stars of British comedy television series actors, including Only Fools & Horses (David Jason, Roger Lloyd-Pack, Nick Lyndhurst, Buster Merryfield, Tessa Peake-Jones and Gwyneth Strong), Monty Python (Eric Idle, Michael Palin), Red Dwarf (Chris Barrie, Craig Charles, Tony Hawks, Hattie Hayridge Danny John-Jules, Norman Lovett), Blackadder, The Fast Show, Last of The Summer Wine, The Royle Family, Open All Hours, Absolutely Fabulous, Men Behaving Badly, Bread, The Russ Abbott Show, a small Palace Theatre, Manchester leaflet for a stage production of 'Allo 'Allo, signed by the cast, Are You Being Served, Bread, Fawlty Towers, and a small number of Carry On actors (Bernard Bresslaw, Joan Simms), etc, many are signed to the vendor of the collection, letters have had personal information Tippexed out, a very small number are auto pen or printed signatures (1 folder)

David LLOYD JONES (1928-1994) Wax Resist Bottle Vase Stoneware, impressed seal to base, height 39cm. Purchased 1989, Collection GalleryOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. No condition issues.

David Lloyd Jones teapot

FIFTEEN SIGNED PICTURES mainly portraits, the subjects including Terry Jones; Richard Wilson; David Jason; John Challis; Roger Lloyd-Pack; and Norman Wisdom, various sizes, each framed. Standard advisory note: Given the evolution of personal writing styles and variations in the nature of signatures over time based upon the context of writing, Greenslade Taylor Hunt offers no guarantee or warranty in respect of the authenticity of these signatures.

Only Fools and Horses - a collection of cast member autographs including David Jason, Nicholas Lyndhurst, Buster Merryfield (Uncle Albert) on single loose autograph album sheets, with a Studio Limited Edition photographic artwork, numbered 144/2500, mounted, unframed; John Challis and Sue Holderness signed 10x8" photograph; Roger Lloyd Pack, Sue Holderness, Paul Barber, Patrick Murray, Tessa Peake-Jones, Roy Heather, all on individually signed publicity photographs.

An early 20th century 9ct yellow gold hollow bangle, the bracelet bearing personalised inscription: 'Presented to Miss Edna Jones,  by the Bontnewydd Ex-Service Men, on the Occasion of her Marriage, Jun 14, 21.' Internal diameter, 6.6 cm. Provenance: Estate of the late William Lloyd George, 3rd Viscount Tenby (1927-2023), he was the son of Gwilym Lloyd George, 1st Viscount Tenby (1894-1967) and the grandson of David Lloyd George, 1st Earl of Dwyfor (1863-1945) the British Prime Minister from 1916 to 1922 during WWI. Condition Report: 18.2 grams

David Lloyd Jones large studio pottery teapot, no cracks or chips, H: 28 cm. UK P&P Group 3 (£30+VAT for the first lot and £8+VAT for subsequent lots)

Vinyl - 64 Synth / Cool Pop 12” singles, to include: Propoganda, The Men, The Human League x 5 (including The Dignity Of Labour with flexi disc), Heaven 17, Blancmange, Friends Again, The Bluebells x 3, Big Audio Dynamite x 2, David Bowie, Coati Mundi, Bananarama x 8 (including green vinyl), Eurythmics, Frankie Goes To Hollywood, Fruits Of Passion, Grace Jones x 2, Gun, Hipsway x 4 (including double packs), Lloyd Cole & The Commotions, Spandau Ballet x 3, Slide x 2 (including promo), The Style Council, Texas x 7 (including limited edition numbered), Wham, The Adventures x 4, Animal Nightlife x 4, Waltzer, EMF (US sealed), U2, Yazoo, Book Of Love x 2, Sun city. Condition EX overall

Only Fools & Horses (BBC Sitcom) - a display featuring four autographed VHS & DVD covers, each signed by different members of the cast. Comprising: 'The Very Best Of..Yuppy Love' VHS cover signed by Sir David Jason, Nicholas Lyndhurst, Tessa Peake Jones, Sue Holderness, Patrick Murray, John Challis, Paul Barber and Gwyneth Strong. Series One VHS Cover signed by Sir David Jason, Roger Lloyd Pack and John Challis, 'The Very Best Of... Tea For Three' VHS cover signed by Sir David Jason, Nicholas Lyndhurst and Roger Lloyd Pack, and 'DVD Collection 20' cover signed by Tessa Peake Jones, Sue Holderness, John Challis, Gwyneth Strong, Ron Aldridge and Patrick Murray. All professionally framed and glazed alongside vintage beer mats and images. Certificates of authenticity from the Only Fools & Horses Appreciation Society are present for some of the covers. Total size: 58cm x 68cm. 

David Lloyd Jones (1928-1994): A Large Stoneware Bowl, tenmoku glaze with wax-resist decoration, impressed LJ potters mark,55cm diameterDavid Lloyd Jones was born in Wimbledon in 1928. He trained at Guildford School of Art doing some pottery 1951-52 but is largely self-taught. Jones produced a range of domestic ware, in short runs and individual pieces in thrown stoneware and porcelain. Jones used a number of glazes and processes, including salt-glaze and wax resist.

Paul Michael Green (b.1949): Two Stoneware Bowls, tenmoku glaze, impressed PG seal mark,16cm diameterDavid Lloyd Jones (1928-1994): A Stoneware Octagonal Bowl, tenmoku glaze with iron brushwork, impressed seal mark, labelled PETER DINGLEY GALLERY STRATFORD-ON-AVON,30cm diameter, 13.5cm highCoxwold Pottery: Peter Bruce Dick (1936-2012): A Stoneware Jar and Cover, ash glaze, impressed Coxwold Pottery mark,16cm highAndrew McGarva (b.1956): Two Stoneware Cereal Bowls, painted with a pig and an owl, painted monogram,17cm diameter (6)

David Lloyd-Jones (1928-1994)Octagonal vasesalt-glaze and incised patternimpressed potter's seal19cm high; and three further David Lloyd Jones pieces (4).

David Lloyd-Jones (1928-1994)Large vasetenmokuimpressed potter's seal52cm high.

David Lloyd-Jones (1928-1994)Three footed bowltwo with oatmeal glaze, the other with white glazeeach with impressed potter's sealthe largest 12cm high, 17cm diameter (3).

David Lloyd-Jones (1928-1994)Large footed bowlstoneware, with oatmeal glaze and blue lined pattern to the interiorimpressed potter's seal20cm high, 37cm diameter.

Nic Collins (b.1958)Large pitcherstoneware, wood-firedsigned45cm high; and a pot and cover by David Lloyd Jones (2).

David Eeles (1933-2015)Teapotincised initials18cm high; together with a David Lloyd-Jones teapot; a Arabia Pottery teapot; and a Lowerdown jug (4).

David Lloyd-Jones (1928-1994)Large floor-standing vaseoatmeal glazeimpressed potter's seal65cm high.

* Sporting autographs. A collection of approximately 250 autographs, mainly boxing, football, motor racing and horse racing, signed to publicity photographs, blank cards, letters, press cuttings, etc., boxing autographs include Max Schmeling, Jake LaMotta, Henry Cooper, Frank Bruno, Riddick Bowe, Henry Wharton, Colin Jones, Duke Mackenzie, Herbie Hide, George Foreman, Colin McMillan, Dave 'Boy' McAuley, Charlie Magri, Brian London, Billy Conn, Terry Marsh, Maurice Hope, Richard Dunn, Barry McGuigan, Howard Winstone, Lloyd Honeyghan, Johnny Armour, Gary Mason, Jim Watt, Terry Downes, Dave 'Boy' Green, Jeff Harding, Neville Brown, Chris Pyatt, Billy Schwer, Floyd Patterson, Larry Holmes, Michael Spinks, Joe Frazier, Karl Mildenburger, Axel Shulz, Ricky Hatton, Carman Basilio, Lennox Lewis; football autographs include Ted Drake, Brian Robson, Matt Busby, Kenny Dalglish, Kevin Keegan, Ryan Giggs, Eric Cantona, Terry Vanables, Ian Wright, Ruud Gullit, Glenn Hoddle, David Ginola, Alex Ferguson, Arsene Wenger, Michael Owen, Alan Shearer, George Cohen, Tom Finney, George Graham, Brian Clough, Stanley Mathews, Craig Bellamy, Matt Le Tissier, Mark Hughes, Gordon Strachan, Jimmy Armfield, David O' Leary, Joe Cole, Bobby Charlton, Emile Heskey, Peter Schmeichel, Peter Taylor, Nigel Martin, Paul Robinson, Robert Pires; motor racing signatures include Nigel Mansell, Keke Rosberg, Patrick Tambay, Rene Arnoux, Eddie Cheaver, Andrea De Cesaris, Carlos Reutemann, Riccardo Patrese, Jackie Stewart, John Watson, Nelson Piquet, Emerson Fittipaldi, Graham Hill; horse racing signatures include Norman Williamson, Adrian Maguire, Michael Roberts, A. P. McCoy, Jimmy Fortune, Walter Swinburn, Rodney Farrant, John Valquez, Richard Hills, Michael Hills, Lester Piggott, Theirry Douman, Pat Eddery, Richard Hughes, Gary Stevens, Martin Pipe, Tony McCoy, Richard Johnson, Peter Scudamore, Frankie Dettori, Richard Dunwoody, Hiroki Goto; other sporting autographs include Geoffrey Boycott, Nick Faldo, Ellery Hanley, Elizabeth McColgan, Ronnie O'Sullivan, John Parrot, Colin McCrae, Ari Vatanan, Sir Malcolm Campbell, Devon Malcolm, Brian Lara, Dickie Bird, Paul Foster, Alec Stewart, Graham Thorpe, Paula Radcliffe, Jason Gardener; other non-sports include artists Ronald Searle, Peter Blake, Gerald Scarfe, Michael Heath, plus Rev. Wilbert Awdry, George Melly, Trevor Baylis, Eric Morecambe, Hulk Hogan, Michael Bond, all contained in plastic sleeves in cloth-bound ring binders, 4to, plus The Martin Pipe Collection, 1990sQTY: (3)NOTE:Provenance: Len Read, Bury St Edmunds, Suffolk, autograph collector.

Royal Variety Performance. A group of 9 multi-signed Royal Performance programmes, at Victoria Palace, The Palladium and the Theatre Royal, Drury Lane, London, 1982-90, photo illustrations and adverts throughout, the 1982 programme containing a total of 55 autographs, including: Christopher Timothy, John Inman, Ruth Madoc, Gloria Hunniford, Dennis Waterman, Esther Rantzen, Bonnie Langford, Tim Curry, Sylvester McCoy, Angela Rippon, etc., together with a ticket; the 1983 programme containing a total of 25 autographs, including: Twiggy, Les Dawson, Wayne Sleep, Sarah Kennedy, Michael Barrymore, Gene Kelly, etc., the 1984 programme containing a total of 29 autographs, including: Emma Thompson, Barry Humphries, Eric Sykes, Robert Lindsay, Peter Sallis, Terry Wogan, Ronnie Corbett, Simon Callow, Matthew Kelly, Denis Norden, etc., together with a ticket; the 1985 programme containing a total of 35 autographs, including: Maureen Lipman, Jose Carreras, Joan Collins, Su Pollard, Sarah Brightman, Norman Wisdom, Roy Castle, Rula Lenska, etc.; the 1986 programme containing a total of 33 autographs, including: Bob Monkhouse, Val Doonican, Petula Clark, Peter Ustinov, Victoria Wood, etc., together with a ticket; the 1987 programme containing a 28 autographs, including: Eartha Kitt, Tommy Cannon, Bobby Ball, Stephen Fry, James Galway, Hugh Laurie, Tom Jones, etc., together with a ticket; the 1988 programme containing 36 autographs (18 inserted on separate piece of card), including: Kylie Minogue, Mickey Rooney, Cliff Richard, Brian Conley, Bruce Forsyth, Julio Iglesias, Russ Abbot, Bella Emberg, etc.; the 1989 programme containing 13 autographs, including: David Essex, Andrew Lloyd Webber, Rosemarie Ford, Michael Ball, Julian Lloyd Webber, Chris De Burgh, etc.; the 1990 programme containing 33 autographs, including: Sir John Gielgud, Patricia Hodge, Michael Caine, Roger Moore, Dame Kiri Te Kanawa, Warren Mitchell, Darcey Bussell, Elaine Paige, Placido Domingo, etc., signatures in all programmes mostly in blue ball-point pen and adjacent to their publicity photographs with some pages multi-signed, all original printed wrappers, 1982 programme central leaf detached, 1987 programme a few leaves detached, slim folioQTY: (13)NOTE:Provenance: The Autograph Collection of Peter Bland (1928-2003).

David Lloyd Jones (1928-1994) large stoneware bowl with patterned interior. Impressed LJ mark to base. 38.5cm d x 17cm h.

David Lloyd Jones (1928-1994): Three pieces of studio pottery to include a teapot, jug and speckle glazed mug, H23cm max (3)

David Lloyd Jones (1928-1994) - A 20th century studio art pottery stoneware drip glaze handled jug / ewer. The vase decorated in chrome metallic abstract motifs on dark ground. Stamped LJ to base. Measures approx. 33cm x 21cm x 18cm.

David Lloyd-Jones (1928-1994) large vase and cover with small twin handled, impressed mark to the footrim, 41cm high overall Overall light display wear and use. Slightly dusty, minimal glaze/firing faults. Otherwise seems ok.

David Lloyd-Jones (1928-1994) studio pottery footed bowl, with abstract brushwork and painted decoration of brown glazed ground, impressed mark to the footrim, 12cm high x 19cm wide Overall wear, marks and scratches. Minimal glaze and firing faults, otherwise seems ok.

David Lloyd-Jones (1928-1994) studio pottery yunomi, with incised decoration, impressed mark to the footrim, 10cm high, a mug with blue glaze by the same potter, impressed mark to the footrim, 12cm high overall, a pedestal footed bowl with speckled brown glaze, impressed mark near base of the bowl, 12cm high and a small pot and cover by the same potter, impressed mark to the footrim, 8cm high (4) Kiln marks to the foot of the yunomi. Small firing cracks to the mug, which do not affect the functionality of the piece. Minimal production and firing flaws as expected. Otherwise seems ok.

† DAVID LLOYD JONES (1928-1994); a square stoneware bottle covered in tenmoku breaking to kaki glaze, impressed LJ mark, height 19cm.Provenance: Nancy and Andrew Ramage collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† DAVID LLOYD JONES (1928-1994); a stoneware cut sided jar covered in oatmeal glaze with iron spots and incised decoration, impressed LJ mark, height 15.5cm.Provenance: Ruth Karnac collection.Condition Report: Blow to one side and chip to shoulder, otherwise appears good with no further signs of faults, damage or restorations.

• MICHAEL UPTON (BRITISH 1938-2002) Michael Upton (lots 123-138)Tiny, intimist interiors and exteriors exquisitely coloured like some latter day Vuillard John Russell Taylor, IntroductionUpton grew up in Birmingham where he attended the College of Art before joining the Royal Academy Schools in 1958. In London he became close friends with David Hockney and Patrick Proctor, shared a flat with nascent pop artist Peter Phillips, and was awarded an RA Leverhulme Scholarship. His work was featured in the influential annual ‘Young Contemporaries’ exhibitions that Phillips masterminded over four years (1959-63). The reviewer of the 1962 show in The Times commented: 'The exhibition fairly bubbles with bright ideas and visual excitement... its weird mixture of impudence, whimsicality and beautifully tender painting is well exemplified by Derek Boshier [and] Michael Upton...' A year later, however, after completing six identical canvases, Upton abandoned painting entirely, turning instead to conceptual art. He spent 1967-68 in New York, the recipient of a grant from the Cassandra Foundation. Others who received grants from the Foundation included John Cage, Bruce Nauman, Christo, Eduardo Paolozzi and Richard Hamilton. Increasingly Upton's interests lay in performance, and in the 1970s he founded London Calling with Peter Lloyd Jones which became an influential part of London's performance art scene. One of his works included burying a number of his paintings on a Dorset hillside. But at the end of 1970s Upton returned again to painting, taking up a teaching role at the RA Schools. In this later period Upton's preference was for small scale works. He often used photocopy or newspaper print as the support and he regularly produced series of images, similar to stills from a reel of film (lots 123-126). Upton considered them 'conceptual paintings', and gained a new fan for his work in John Russell Taylor the influential art critic of The Times. In a review of 1979 Russell Taylor enthusiastically described Upton's paintings as 'tiny, intimist interiors and exteriors exquisitely coloured like some latter day Vuillard', and in his review of the British Council touring exhibition Picturing People, British Figurative Art since 1945, he singled out Upton as one of a handful of 'highly sophisticated stylists'. Also won over to Upton was the critic Mel Gooding who commented on Upton's 'subtle allusiveness (hints of Piero, Vermeer, Sickert)...another way of deepening the game, of adumbrating the mystery. An art of intimations'. As his work evolved so Upton also gave it more loaded political messaging, inspired in part by both his earlier pop art years and current events (lots 129 & 130). But following retirement and his retreat to Mousehole, Cornwall in 1996 his artistic focus shifted. He put aside subversive messaging, urban subject matter and his customarily muted palette. Instead the innate beauty of the local landscape and coastal views became his primary focus (lots 135-138). 123MICHAEL UPTON (BRITISH 1938-2002)THE STUDIO: BED - A PAIRthinned oil on boardeach: 18 x 13cm; 7 x 5in46 x 56cm; 18 x 22in (two framed as one) (2)ExhibitedLondon, Anne Berthoud Gallery (1980s)

DAVID LLOYD-JONES (1928-1994) A large studio pottery bowl with yellow glaze and a blue crossed line border to interior. Impressed potters seal. 10cm high x 36.5cm diameter

* Lloyd-Jones (David, 1928-1994). A large stoneware charger, covered in a speckled grey glaze with blue rim and repeated wax-resist decoration, similar decoration to the underside, impressed seal to base, 46.5 cm diameter, together with a smaller stoneware footed bowl by the same potter, with a speckled grey glaze and blue interior with wax-resist pattern, 18.5 cm diameter QTY: (2)

* Studio Pottery. A mixed collection, including a faceted cut sided vase by Nick Rees (1949 -) at Muchelney Pottery, covered in a dark blue glaze, impressed personal and pottery marks to base, 13.5 cm high, plus a stoneware coffee pot by Hassan Lapai for Abuja Pottery, blue brushwork decoration over a speckled grey glaze, impressed personal seal to base, 22 cm high, together with a small stoneware honey pot by Sid Tustin at Winchcombe Pottery, plus pieces by David Lloyd-Jones, Chris Keenan, Amanda Brier and Louise Darby, and some further unsigned workQTY: (11)

A pair of studio pottery salt-glaze mugs by Jane Hamlyn, of waisted cylinder form with twisted loop handle, decorated with incised diagonal line decoration over a mottled blue, green and brown ground, impressed initials to the body, height 9cm, together with four stoneware cups and saucers, possibly David Lloyd Jones, all in a brown glaze. (10)

Poetry, English – Coleridge (Samuel Taylor), The Poetical Works of Samuel Taylor Coleridge, The Lansdowne Poets, London, Frederick Warne, n. d., xxi + 680pp, engr. frontis. loose, gilt edges, black and gilt embossed red boards, gilt titles to spine; Wordsworth (William), The Poetical Works of William Wordsworth, with Life, Edinburgh, Gall & Inglis, n. d. (c. 1885), 12mo, xx + 522pp, steel engravings, gilt edges, black, red and gilt embossed boards, gilt spine titles; Longfellow (Henry Wadsworth), The Complete Poetical Works of Henry Wadsworth Longfellow, London, George Routledge, 1877, 8vo, xiv + 623pp, 178 illus. after John Gilbert, gilt edges, binder’s label Leighton, Son & Hodge, inside rear board, bound gilt and colour embossed red boards, spine frayed top and bottom; Hallsworth (Georgina Dorothy), The Poetical Works of Georgina Dorothy Hallsworth. Blackbrook and Belper, privately printed, June 2003, reproduced as the original MS, small 8vo, 116pp, marbled endpapers, bound blue boards, title titles to front board; Vaughan (Henry), Sacred Poems and Pius Ejaculations with a Memoir by Revd. H. F. Lyte, London, George Bell 1891, small 12mo, xliii + 276pp, red boards, gilt titles to (faded) spine; Keats (John, 1795-1821), The Poems of John Keats, London, J. M. Dent, Everyman, n. d. (!906), small 12mo, xxii + 383pp, green boards, gilt titles; Keats (John), Poems Published in 1820, small 12mo, ed. & intro. M. Robertson, Oxford, Clarendon Press, 1962, 256pp., green boards, black titles; Hood (Thomas), Poems of Thomas Hood, Again Illustrated by Birket Foster, London, E. Moxon 1872, small 4to, vii + 180pp, frontis and 12 engr. illus., gilt edges, bookplate Ioan David Lloyd Jones, bound bevelled and embossed gilt green boards and gilt titles; Various, The Months, Illustrated by Pen and Pencil, London, Religious Tract Society, n. d. 8vo, poems by Keats, Wordsworth, Tennyson and H. Coleridge, xvi + 224, numerous vignette illus. after various well-known artists, plain boards (9)

† DAVID LLOYD JONES (1928-1994); a large stoneware twin handled jar and cover with iron rich decoration on tenmoku glaze, impressed LJ mark, height 41.5cm. Provenance: Purchased from The Gibbs Gallery, Canterbury, 1992.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† DAVID LLOYD JONES (1928-1994); a pair of stoneware bowls covered in speckled grey glaze with iron decoration, impressed LJ marks, diameter 13.5cm (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† DAVID LLOYD JONES (1928-1994); a very large bulbous stoneware bottle covered in olive green glaze, impressed mark, height 60.5cm, and a reproduction Chinese style hardwood stand, height 25.5cm (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.