Oil painting on canvas possibly representing one of the founders of the United States, Statesman and Virginia planter, George Mason IV (1725-1792). This painting embodies 18th century American Colonial portraiture with the depiction of the stately sitter (possibly George Mason) looking straight at the viewer in a close-up view. The artist conveyed the importance of the sitter by placing him above the viewer who must look up to see the features emphasized by the whiteness of the carefully knotted white scarf around his neck. His hair falls on on his brown overcoat with gold buttons and richly elaborate vest. The light focuses on his forehead and eyes to emphasize a man of thought. Canvas glued to cardboard and white board. Minimal paint loss throughout. Artwork dimensions: 21.25"L x 26.75" H.  Condition: Age related wear.
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Tall handmade art glass vase modeled as a head with neck scarf and flowers around top. Multiple glass techniques demonstrated, featuring pink, yellow, brown, and white colors. Artist's work recently featured in Netflix' movie Glass Onion. Signed and dated by the artist. Artist: Jiri PacinekIssued: 2007Dimensions: 9.5"L x 7"W x 20"HCountry of Origin: CzechiaCondition: Age related wear.
Rembrandt Harmensz van Rijn (Dutch, 1606-1669)Self-Portrait in a Cap and Scarf with the Face dark: Bust (Bartsch 17; New Hollstein 120) Etching, 1633, on laid paper, with watermark RVE, a good but later impression of New Hollstein's fourth state (of five), with small marginsPlate 132 x 103mm (5 1/8 x 4 1/8in)Sheet 141 x 106mm (5 1/2 x 4 1/4in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Harry Potter and the Chamber of Secrets promotional wooden trunk, given out at VIP and press premiers of the movie in 2002, includes Slytherin scarf, Tom Riddle diary, Good Plus, incomplete (missing quill and ink), 12"/31cm x 7"/18cm x 10"/25cm. Harry Potter and Chamber of Secrets Quill and Ink set, unused, ink is sealed inside but dried has dried, Good to Good Plus, within Good Plus opened packaging. NB: This is not the quill and ink set missing from the trunk. Harry Potter Noble Collection Slytherin locket necklace, Missing display, Good Plus. (3)
Harry Potter and The Chamber of Secrets UK BAFTA Awards consideration promotional box set, contains VHS screener of full movie with "For Your Consideration" art work, printed letter to BAFTA members, Hogwarts padlock with 2 keys, Good Plus to Excellent, Incomplete (missing quill), 10.5"/26cm x 3"/8cm x 6.5". Harry Potter Quidditch World Cup scarf, promotional item for the release of the Quidditch World Cup video game in 2003, has the Quidditch World Cup logo and "The Game Launches 31 OCT 2003", Good to Good Plus. Set of four Harry Potter Quidditch World Cup promotional enamel pin badges of the house crests, Good Plus to Excellent. Harry Potter The Noble Collection Philosophers Stone, Missing display, Excellent, 2.75"/6.5cm x 2"/5cm. Harry Potter plastic chocolate frog, from gift bags given at the premier of Half Blood Prince, Good. (8)
A French Art Deco bronzed spelter and marble figure of a bathing beauty, kneeling with a seashell held to her ear, on stepped marble plinth, 58cm wide, 15cm deep, 53cm high***CONDITION REPORT***Honest untouched condition, a greenish patination to most of the figure with the decorated black swim suit and scarf, all of which is slightly dull and oxidised with some slight rubbing from polishing over the years, plinth with some minor fritting around the edges.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
TWO ART DECO GOLDSCHEIDER WALL MASKS INCLUDING ONE BY RUDOLF KNORLEIN (2)The first depicting a woman in hair scarf and blue/green curly hair, with Rudolf Knorlein sticker to the back, a stamp and incised 1101, 22.5cm high, with Christie’s lot sticker, the second depicting a woman with ginger curled fringe, signed LW 88 to the reverse and incised 1122One large chip to one of the ginger curls, and crazing to the face, the other has two cracks to reverse from the firing and one very small chip to the back to the bottom tip of the scarf and crazing again to the head and scarf please see Additional images
FOUR FIGURINES, comprising Coalport Ladies of Fashion 'Romany Dance' and 'Daphne' height 20.5cm, Coalport 'Debutante: Kim', and a Galos 'Elena figurine with gilt highlights, model no 9551 (4) (Condition Report: good overall condition, Elena has a small chip to the scarf in her hands, and glue residue underneath the base, all others appear ok, all would benefit from a clean)
TWO UNBOXED STEIFF FOR DANBURY MINT MOHAIR TEDDY BEARS, Four Seasons Bears series 'Dylan' (Spring) (659466) and 'Hamish' (Winter) (659459) both with Certificate of Authenticity and complete with button and tag to left ear and swing tag to left foot, both appear complete (Dylan with bunch of Daffodils and Pilla the Chick, Hamish with hat and scarf) and in very good condition, Dylan with working growler, height approx.35cm
A GROUP OF THREE LLADRO FIGURES, comprising Don't Look down , No.5698, depicting a boy and girl in a propeller plane, 16.5 x 23cm; Over the Clouds , No.5697, depicting a boy in a propeller plane with flight helmet and goggles; and a dog with flight helmet and goggles in a paper airplane, No.6665 (3) (Condition Report: one propeller on each plane is broken, the end of '5697' scarf is broken off, the tip of the dart on '6665' is broken, propellers and end of scarf are in a bag)
A large wooden sewing box with Delft style blue and white tile decoration to the exterior and removable interior shelf with buttons and sewing accoutrements (h- 21cm, w- 33cm, d- 21 cm), together with three items of needlework including an arts and crafts style scarf, a sequined cloth and an arts and crafts style running stitch cloth (w- 94cm, l- 94cm) (4)
Two late 1920s straw hats, one in pale grey (discoloured round the brim) with a flower detail round the crown and one coffee-coloured straw hat with a brown cord trim and flower (bought from original milliners Bill & Deve in Tamworth in 1960s, which had been running since 1920s); also a flower pot design straw hat with a coffee-coloured trim round the crown by Siggi of London, mid 1960s; and a large Scottish scarf commemorating Robbie Burns, large size in original box. (4)
Brown hat and coat; red and yellow scarf.Arriet's husband 'Arry is also a costermonger, plying his trade in London. He is a variation of the Pearly Boy character jug. The original design featured the word " Blimey" across the back, but it was never produced. Royal Doulton backstamp. Artist: Harry FentonIssued: 1947 - 1960Dimensions: 2.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Black cap and jacket with silver buttons; yellow scarf with red polka dots.The Pearly King is the head spokesman for the street-market costers of London. Over a hundred years ago, his chief mandate was as a go-between for the costers and the London police. Today the Pearlies have turned their energy to raising money for charity. Series: The London Collection. Royal Doulton backstamp. Artist: Stanley J. TaylorIssued: 1987 - 1991Dimensions: 3.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Green hat; red scarf.The detailing on the barrel of the small-size jug is often less distinguishable than that on the large jug. Royal Doulton backstamp. Artist: David B. BiggsIssued: 1968 - 1981Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Brown hat; green coat; yellow scarf.Coming to England in the 17th century by way of Italy and France, the Punch and Judy puppet show features Punch, the hunchbacked boastful husband, who beats his shrew-like wife Judy. The colors on Punch's bat are occasionally reversed with no effect on the market value.Royal Doulton backstamp. Artist: David B. BiggsIssued: 1964 - 1969Dimensions: 2.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Green hat, red scarf.The detailing on the barrel of the small-size jug is often less distinguishable than that on the large jug. Royal Doulton backstamp. Artist: David B. BiggsIssued: 1968 - 1981Dimensions: 7.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Green cap; white scarf with red polka-dots.Jarge, the colloquial version of George, is a typical country bumpkin, with his polka-dot scarf and the piece of straw in his teeth.Royal Doulton backstamp. Artist: Harry FentonIssued: 1950 - 1960Dimensions: 3.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Green hat, brown coat, yellow scarf.Arriet is a coster of costermonger, a cockney woman who sold fruits and vegetable from a barrow in the streets of London. She is a variation of the Pearly Girl character jug.Royal Doulton backstamp. Artist: Harry FentonIssued: 1947 - 1960Dimensions: 6.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related Wear.
Brown hat, green coat, yellow, and red scarf.Paddy, a colloquial term for an Irishman, is derived from St. Patrick, the country's patron saint. This gent is dressed in traditional green for St. Patrick's Day.Royal Doulton backstamp. Artist: Harry FentonIssued: 1937 - 1960Dimensions: 6"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Green hat; brown coat; blue scarf with white spots.A " thirsty old soul" in an 18th-century drinking song, Toby is thought by some to be the source of the traditional British Toby jug, in which a character sits astride a barrel of ale. Popular opinion suggests his name is a derivation of the French tope, to toast.Royal Doulton backstamp. Artist: Charles J. NokeIssued: 1939 - 1951Dimensions: 2.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Blue shirt; white scarf.Another wonderful Dickens character, Joe, the Fat Boy, was the lazy glutton who worked as a servant to Mr. Wardle in the " The Pickwick Papers." Royal Doulton backstamp. Artist: Leslie Harradine and Harry FentonIssued: 1940 - 1960Dimensions: 2.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Green hat, brown coat, blue scarf with white spots. Royal Doulton backstamp.A " thirsty old soul" in an 18th century drinking song, Toby is thought by some to be the source of the traditional British toby jug, in which a character sits astride a barrel of ale. Popular opinion suggests his name is a derivation of the French topé, to toast.Royal Doulton backstamp. Artist: Charles J. NokeIssued: 1937 - 1969Dimensions: 6.25″HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Brown hat and coat; red and yellow scarf.Arriet's husband 'Arry is also a costermonger, plying his trade in London. He is a variation of the Pearly Boy character jug. The original design featured the word " Blimey" across the back, but it was never produced. Series: Tinies. Royal Doulton backstamp. Artist: Harry FentonIssued: 1947 - 1960Dimensions: 1.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Brown hat and coat; red and yellow scarf.Arriet's husband 'Arry is also a costermonger, plying his trade in London. He is a variation of the Pearly Boy character jug. The original design featured the word " Blimey" across the back, but it was never produced.Royal Doulton backstamp. Artist: Harry FentonIssued: 1947 - 1960Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
John Craxton R.A. (British, 1922-2009)Summer Triptych (Boy on Wall, Girl on the Seashore, Goat and Tree) tempera on board142 x 60.5 cm. (55 7/8 x 23 5/8 in.); 142.3 x 59.7 cm. (56 x 23 1/2 in.); 142.8 x 60.4 cm. (56 1/4 x 23 3/4 in.)Painted circa 1958Footnotes:ProvenanceThe Artist, from whom acquired directly by the present ownerPrivate Collection, GreeceIn 1958 John Craxton painted panoramic Summer and Winter cartoons in tempera for a mural competition at London's Morley College. They featured motifs obsessing him over more than a decade of Greek explorations – boy on a wall, girl with a scarf and stretching goat perhaps the most compelling.He narrowly lost the contest; but, wasting nothing in art and life, he worked the three keynote images into several stand-alone paintings, and united them in this triptych. The two cartoons are now reunited at Nuffield College Oxford.From Craxton's arrival in Athens in Spring 1946 when he was 23, until his death at the age of 87, almost all of his lightening and brightening pictures derived from Aegean themes. Evoked in wanderings around Greece and the wider Hellenic world of the Eastern Mediterranean, his work was a modernist response to mythology, archaeology and historic art (Byzantine mosaics, El Greco, Ottoman architecture). Rejecting all frontiers in art and life – 'all I care about is cross-pollination' - he called himself 'a kind of Arcadian'.After dark war-time introspection which made him a poster-boy for the Neo-Romantic movement (a label he especially hated), he became a portraitist of other people in Greece. The boy on a seawall was seen on Poros – the artist's first Greek island, where Lucian Freud joined him for five fertile months.The girl with the scarf was Maria Mastropetros - part of the family Craxton lodged with for years on Poros. She was sketched dressing on the beach after a swim. The image was in the artist's mind when he returned to London to design Frederick Ashton's 1951 Daphnis and Chloë Ballet for Covent Garden. He took with him studies of dancing sailors, whose taverna steps were worked into the choreography. Maria with her scarf inspired a solo for the star of the ballet – Margot Fonteyn.For all his love of people, the first living thing Craxton painted on Poros was a goat nibbling a foreground tree in Hotel by the Sea (Tate Collection, London). He loved the link to Pan, and the tension lent to a scene – goats enduring harsh terrain while eating it into desert.John Craxton became a consummate portraitist of goats. Before a 1948 trip to Crete, the island where he would settle from 1960, he sent a postcard back to an England which, even then, was no longer home. With no care for punctuation or spelling, he expressed the joy of his life and art:'Im off again in a day to an island where lemons grow & oranges melt in the mouth & goats snatch the last fig leaves off small trees the corn is yellow and russles & the sea is harplike on volcanic shores saw the marx brothers in an open air cinema & the walls were made of honeysuckle.'John Craxton's centenary touring exhibition is at Mesher Istanbul until 23 July and then at Pallant House in Chichester from 28 October.John Craxton: A Life of Gifts by Ian Collins is now a Yale paperback.We are grateful to Ian Collins for compiling this catalogue entry.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Porzellankopfpuppe mit schwarzem SamtmantelSimon & Halbig / Franz Schmidt. S & C Simon & Halbig 13 gemarkt.Biskuitporzellan, Masse. L 60 cm. Kurbelkopf, blaue Schlafaugen, Ohrlöcher, lange gelockte Mohairperücke. 15-teiliger Gliederkörper. Altes, stark zerschlissenes Seidenkleid, Mantel, weiße Fellmütze, passender Muff und Schal, weiße Lederschuhe Kopf durchleuchtet: ohne Defekte. Mehrere Finger geklebt.Porcelain head doll with black velvet coatSimon & Halbig / Franz Schmidt. S & C Simon & Halbig 13 marked.Biscuit porcelain, mass. L 60 cm.Crank head, blue sleeping eyes, pierced ears, long curly mohair wig. 15-piece limb body. Old, badly torn silk dress, coat, white fur hat, matching muff and scarf, white leather shoes Head x-rayed: without defects. Several fingers glued.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BOAC Interest-Two late 1950's/early 1960's BOAC 'All around the World' advertising souvenir paper fans, an early 1960's Sally Bosley BOAC stewardess gilt brevet wing badge by Manhattan Windsor and a late 1950's/early 1960's BOAC Comet 4 Jetliner print souvenir silk scarf, 67cmx67cm, adverting new long-haul routes to Australia, New Zealand, India, Japan, China and Africa featuring iconic tourist monuments from theses countries together with a vintage Hermes scarf slip case. Location:BWROf Interest: The Comet 4 Jetliner was the first Jet engine powered trans-Atlantic flight in 1958.Condition: All items good, scarf never worn hence no stains or pulls.
David Storrier A collection of gifts from the Duke and Duchess of Windsor, Edward & Wallis Ladle. With Queen Victoria's monogram to the handle and 'John Tate[']s', from Balmoral by repute;Silver Cigarette Case. By Albert Cohen & Charles Soloman, hallmarked Chester, early-mid 20th century, engraved decoration and monogram of David Storrier;Hairbrushes. Two ovoid stiff-bristled hairbrushes with engraved white metal backs in original leather case;Colibri Ambassadeur safety razor set. In original box, with card wrapper, lacking one razor head;G.B.S. Safety Razor. Model de luxe, in original boxes with D.S. initials; and another razor (Schick repeating), and a razor sharpening strap;Cigarette Lighter Cases. 7 lighter cases, including one of engraved silver marked Birmingham, and another with the D.S. initials;Grand National Silk Scarf. Commemorating winners from 1837-1927, with a small horseshoe tie-pin;and several other items, comprising a cork screw topped with a used golf ball, golf tees, a pocket watch, a seal, three small leather cases and a leather document walletProvenance:Provenance: From the collection of David Storrier, Close Protection Officer to the Duke and Duchess of Windsor
A group of cufflinks and dress studs, including: two diamond and onyx dress studs; two imitation pearl dress studs; a pearl and mother-of-pearl dress stud; a pair of rose quartz cabochon cufflinks (cracks to one cabochon); a pair of closed-back foiled amethyst cufflinks; a pair of bezel set amethyst cufflinks; a pair of purple paste cufflinks; a pair of 9ct gold cornelian cufflinks, Birmingham hallmarks; a 15ct gold diamond set scarf clip, Birmingham hallmarks; a set of three orange garnet dress studs; a set of three lapis lazuli dress studs; a stickpin with twisted wire finial; and a small quantity of silver and gilt metal cufflinks (a lot)Provenance: The Barry Lock collection
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22394 item(s)/page