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Lot 291
A group of jewellery, comprising: an early 20th century gold cat's eye quartz and rose cut diamond bar brooch; a reproduction ancient coin in pendant mount with brilliant cut diamond surmount (suspension loop lacking); a brooch in the form of a witch and broomstick; a half pearl set butterfly brooch (one half pearl lacking); a cultured pearl and rose cut diamond wreath brooch; a 19th century rose cut diamond and enamel brooch, mounted in silver and gold; a glass intaglio and diamond set pendant with later diamond and emerald bale; and a jade plaque brooch (8) (VAT charged on hammer price)
Lot 301
A group of jewellery, comprising: an Edwardian 18ct gold citrine and diamond bar brooch, stamped 18c, length 6.3cm; a 9ct gold sapphire, diamond and cultured pearl spray brooch, London hallmarks, 1986; a single row slightly graduated jadeite jade bead necklace, beads approximately 6.5 - 8.5mm diameter; a pair of silver mounted jade earclips; and a silver mounted clarified amber pendant, suspended on a 9ct gold trace link chain (5) Please note that the jade has not been tested for natural colour originCondition Report: Citrine brooch 5.28 grams. 9ct brooch and chain gross weight 15.16 grams.
Lot 253
A group of early 20th century jewellery, comprising: an Art Nouveau peacock feather and glass cabochon buckle on beaded belt band; an Art Deco beaded choker or upper arm band; and a French Art Deco paste and imitation jade buckle on elastic belt, stamped Made in France (some paste lacking) (3)
Lot 248
A group of jewellery, comprising: four carved coral plaques of floral design; eleven unmounted coral cabochons; a piece of dyed coral; a coral and gilt bead necklace; an Italian coral bead safety pin style brooch, stamped 750; a four row coral bracelet with half pearl clasp; a silver gilt snake form pendant; a gold mounted carved jadeite jade brooch, of foliate form; a Chinese clip brooch; a Chinese gilt mounted foiled quartz brooch; a fluorite bead necklace; and three agate toggle beads (27)
Lot 283
A group of jadeite jade jewellery, comprising: an oval orange jade pendant with central pierced Chinese character, stamped 14k; a similar green jade pendant; a heart shaped lavender jade pendant; and a pair of lavender jade pippin drop earrings, stamped 14k (4)Please note that the jade has not been tested for natural colour origin
Lot 98
A collection of signed costume jewellery, comprising a red bead necklace by Miriam Haskell, length 38cm; an orange and white paste spiral brooch and earrings suite by Schiaparelli; an Usner brooch; a pair of Avon earrings; and a quantity of Trifari costume jewellery, comprising a pair of imitation jade drop earrings (one paste lacking); an imitation pearl and bead necklace, bracelet and earrings suite; a brooch and earclips suite; a paste set brooch and earclips suite; a black bead necklace and earclips suite; an oval hinged bangle; an imitation turquiose set flora brooch and earclips; a green and brown paste brooch and earclips suite; a paste set crescent brooch and earclips suite; a white and green paste brooch and earclips suite; a paste cluster brooch and earclips suite; an imitation pearl brooch and earclips suite; a paste set floral brooch (two paste lacking); two pairs of imitation pearl earclips; a pair of gilt metal earclips; an imitation pearl bracelet (one imitation pearl loose); a paste set bracelet; and an imitation pearl brooch (one pearl loose) and earclips suite; all signed (a lot)
Lot 34
A jade horse on a wooden stand, two ginger jars, a Japanese satsuma vase etc.Small crack and some wear to wooden stand.Blue and white ginger jar has cover glued from two sections, the jar has a small star crack to side.Satsuma vase has big chip to neck, some chips with vase. Jade horse front legs broken off and glued, not tidily.Pair small bowls each have rim chip.
Lot 40
Four Chinese celadon jade carvings, 20th Century, comprising a crouching oxen set on a wooden plinth, 9.5cm long, an elephant group on a wooden plinth, 19cm long, a pair of jade carved cups, 5.7cm high and a Tibetan style pipe of white metal and resin, 16.3cm longOn jade beaker has hair crack to rim. Elephant carving has repair to leg where adult elephant joins young elephant.
Lot 207
Three necklaces including a malachite bead single-row necklace. On a Chinese-style gilt-metal filigree clasp stamped 'Silver', 40cm long; a baroque-shaped cultured-freshwater-pearl single-row continuous necklace, approx. 116cm long overall; and a graduated round green-glass bead necklace imitating-jade, 40cm long
Lot 338
A collection of costume and other jewellery to include a gold-mounted twin-flowerhead brooch. Other items include an inlaid tortoiseshell button; a late Victorian silver small heart-shaped Mizpah pendant, Birmingham 1899; a small shell cameo oval brooch/pendant; two green-glass imitation-jade slave bangles; a branch coral necklace and other items
Lot 199
Five gem-set silver and white metal rings. Comprising an oval carnelian cabochon single stone ring, size P; a paste bombe cluster ring, size L/M; a marquise garnet three stone ring, size P/Q; an oval green stone cabochon ring imitating jade, size L; and a cubic zirconia three stone cross-over ring, size L; each either hallmarked or stamped 'Sil', '925' etc
Lot 266
A burgundy jewel case with lift out tray with a quantity of antique and later jewellery including a pale jade and enamel white metal set brooch, an oval pale jadeite brooch white metal set, five various Edwardian bar brooches set various gemstones and pearls, two oval yellow metal lockets, lava cameo, Italian mosaic brooches, various medallions/St Christophers etc, gilt metal pig brooch, East Yorkshire part swagger stick etc
Lot 383
A box of miscellaneous Asian collectables including a gilt metal Shakyamuni Buddha on lotus throne, 22 cm high; a Chinese white ground vase with dragon and phoenix in polychrome enamels c/w hardwood stand, 20 cm high; a carved bowenite (new jade) peach tree and ruyi ornament on hardwood stand, 22 cm o/a; Indian bronze figure of Hindu god Shiva Nataraja, 20 cm high; a large carved green soapstone figure of the elephant headed Hindu go Ganesha, 36 cm high and a soapstone reticulated elephant worked with a smaller elephant inside, 16.5 cm high (box)
Lot 54
TWO PENDANT NECKLACES, the first set with a pear cut aquamarine, measuring approximately length 11.6mm x width 8.0mm, claw set with single cut diamond accents, fitted with a bail, hallmarked 9ct Birmingham, length 20mm, suspended from a fine curb link chain with spring clasp stamped 375, length 450mm, the second pendant set with an oval jade cabochon, collet setting, fitted with a tapered bail set with a single cut diamond accent, stamped 375 Dia, length 23mm, suspended from a fine Prince of Wales chain fitted with a spring clasp stamped 375, length 470mm, approximate gross weight 4.4 grams (condition report: overall condition good, clasps in working order)
Lot 104
ASSORTED WHITE METAL PENDANTS AND CHAINS, various styles of pendants, some set with semi-precious gemstones, such as smoky quartz, lapis lazuli, jade, amethyst, topaz, rose quartz etc, some pieces stamped 925, with various styles of chains, loose pendants, chains, etc (condition report: general light wear, would benefit from a gentle clean and polish, some pieces may require attention)
Lot 117
Jennifer Joan DICKSON (1936) Three limited edition lithographs, all artist proofs The Secret Garden Artist proof Signed, together with embossed stamp Jade Wood, Rousham Artist proof 2/7 Signed and embossed stamp Bluebell Haze, Stourhead Artist proof 2/7 Signed and blindstamped Largest 43cm x 62cm Postage is available on this lot from £32.50 to a UK address. Jennifer Dickson CM RA, a South African-born British photographer, was born in Piet Retief, South Africa, on September 17, 1936. She studied at Goldsmiths College in England from 1954 to 1959 and later apprenticed under Stanley William Hayter at Atelier 17 in Paris, France, from 1960 to 1965. In 1962, she held her first solo exhibition in London. Afterward, she taught at the Brighton College of Art, where she established a graduate program in printmaking and photography. In 1968, she became a visiting fellow at the University of the West Indies in Jamaica, and in 1969, she emigrated to Canada. In Montreal, Quebec, she became the director of the graphics program at the Saidye Bronfman Centre. She became a Royal Academician in 1976 and currently resides in Ottawa, Ontario, Canada and her work is featured in the collections of the Musée national des beaux-arts du Québec and the National Gallery of Canada. Additionally, she was honoured as a Member of the Order of Canada in 1995.
Lot 49
~ A Chinese Archaistic Celadon Jade Ewer and Cover, Qing Dynasty, probably late 18th/19th century, of oval section, the domed cover with dragon finial, on semi-ovoid base carved with taotie10.5cm high, on hardwood standProvenance: With Kunstzaal Kleykamp, 19 June 1953This vessel is modelled after an archaic bronze guang, which were often cast with animal-shaped handlesSome minor flakes to the rims of the cover and the main body. Small chips to the edges of the handle. Naturally occuring internal cracks to the main body.The cover has a slightly different colour tone to the main body and the fit rocks very slightly.The upper handle terminal is quite short and has notched carvings either side (see images) Sold with photocopy of original receipt.
Lot 10
~ A Chinese Pale Celadon Jade Figure of Buddha, Qing Dynasty, 18th/19th century, in meditation with legs in dhyanasana and hands in dhyanamudra before a scroll-carved and pierced screen 17.5cm highPlease note that there will be no internet bidding on this lot. All bidders on lots 1-10 will be required to provide identification and a deposit of £1,000. Registration for commission and telephone bidding on these lots will close on Wednesday 13th March at 12 noon. To register please email enquiry@tennants-ltd.co.uk Provenance: Spink & Son, 28 February 1955 Encouraged by the devotion of the Qing Emperors Kangxi, Yongzheng and Qianlong, Buddhism flourished in the 18th and 19th century. Its popularity led to the production of a great many Buddhist statues and ritual objects in a wide variety of materials; white and pale celadon jade being amongst the sought-after.Please note that there will be no internet bidding on this lot. All bidders on lots 1-10 will be required to provide identification and a deposit of £1,000. Registration for commission and telephone bidding on these lots will close on Wednesday 13th March at 12 noon. To register please email enquiry@tennants-ltd.co.uk Some minute edge flakes. Naturally occuring internal cracks. Jade 17.5cm by 12cm by 6.75cm. Stand 13.5cm by 8cm by 2.5cm A photocopy of the original receipt is available to the purchaser.
Lot 5
~ A Chinese Celadon Jade Inscribed “Luohan” Boulder, Qianlong, carved with Ańgaja in a grotto, seated cross-legged in loose flowing robes, his left hand holding a sutra and walking stick, the right counting prayer beads, flanked by the Imperial eulogy and seal marks 20cm highWith original receipt from Trollope & Sons (London) Ltd, West Halkin Street, London dated 25 November 1955 for £85, as well as a transcription of the eulogy The inscription can be translated as “Wearing a hundred-patch robe and leaning on a proper bamboo staff, his Vedic ritual texts in a bookcase, he stares at his akshamalika straight across his chest. What he has remembered is not nothing, although there are no words for it.”The iconography of this depiction of Ańgaja is derived from the portrait series of the sixteen Luohans painted in 891 by the Tang dynasty painter-poet-monk, Guanxiu for the Shengyinsi or 'Temple of Sage Reason'; the temple was later destroyed during the Taiping Rebellion. In this series the artist depicted the enlightened disciples with grotesque bodies, hunched backs, bushy eyebrows, and pronounced foreheads, as they had allegedly appeared to him in a dream.In 1757, the Qianlong Emperor visited the Shengyin Temple during his Southern inspection tour to study these images of the Luohan as an act of religious devotion. He recorded that, having seen the masterpieces, he was inspired to personally write a eulogy comprising two colophons for each painting. The Emperor believed the paintings to be the same set that had been recorded in the Xuanhe Huapu [The Xuande catalogue of paintings], the inventory of the Song dynasty emperor Huizong.Subsequently, Qianlong commanded the palace painting master, Ding Guanpeng (act.1708-ca.1771) to copy the paintings and to include new inscriptions of the eulogies. Ding’s copies are now in the collection of the National Palace Museum, Taipei and were widely copied in various media.In 1764, the abbot at Shengyin Temple, Master Mingshui, instructed local stone engravers to copy Guanxiu’s paintings and the Emperor’s colophons and seals. The sixteen engraved stone panels were installed on the sixteen sides of the Miaoxiang Pagoda in Hangzhou. Almost immediately rubbings of the panels were being produced. Knowing the Emperor’s fondness for them, in 1778, the military governor of Shandong province, Guotai (d.ca.1782), presented the Qianlong Emperor with a magnificent zitan folding screen set with black lacquer panels inlaid with white jade in imitation of the rubbings.A similar jade boulder, depicting the second Luohan, Kanakavasta, was recorded in the collection of the Wou Lien-Pai Museum as published in Rose Kerr et al., Chinese Antiquities from the Wou Kiuan Collection, Surrey, 2011, pl. 177 (fig. 2).Another example depicting Kanaka is in the Metropolitan Museum of Art, New York, accession number 02.18.640 and a further example as Cudapanthaka is in the National Palace Museum, Taipei.A sixteen-fold screen with inlaid jade plaques portraying the sixteen luohans, including a depiction of Angaja derived from the same source as the present jade, dated to the forty-second year of the Qianlong reign (1777) is in the Palace Museum, Beijing, exhibited at the Hong Kong Museum of Art (22 June 2012 - 14 October 2012), and illustrated in A Lofty Retreat from the Red Dust: The Secret Garden of Emperor Qianlong, Hong Kong, 2012, pp.216-233, no.53.A Qianlong Imperial jade screen with the same image of Ańgaja and inscribed with the same script and seals as the present examples was offered by Bonhams Hong Kong, 24 November 2012, lot 307 and Christie’s Hong Kong, 29 November 2022, lot 3049.Please note that there will be no internet bidding on this lot. All bidders on lots 1-10 will be required to provide identification and a deposit of £1,000. Registration for commission and telephone bidding on these lots will close on Wednesday 13th March at 12 noon. To register please email enquiry@tennants-ltd.co.uk A natural internal small crack towards the top section of the staff. Sutra with tiny corner flakes. Other minimal small imperfections to the stone, none detrimental. Slight wear to the gilt inscrpitions.
Lot 6
~ A Set of Four Chinese Pale Celadon Jade Bowls, Qing Dynasty, probably Qianlong, of circular form with slightly everted rims 12.5cm diameter on carved and pierced hardwood stands, the circular plateau over alternating lappet-shaped panels inlaid with stained and carved ivory bats and Shou characters on a domed footWith Non-Transferable Standard Ivory Exemption Declaration Number 3ATLYHJ3 Provenance: John Sparks, 3 March 1955 For a similar pair of bowls on contemporary hardwood stands see British Museum, accession no. 2222.30 34.229Two similar examples are in the Victoria & Albert Museum, accession nos. FE.308-1,2-2005 and FE.309-1,2-2005Please note that there will be no internet bidding on this lot. All bidders on lots 1-10 will be required to provide identification and a deposit of £1,000. Registration for commission and telephone bidding on these lots will close on Wednesday 13th March at 12 noon. To register please email enquiry@tennants-ltd.co.uk Bowls with some natural inclusions. All four ring when tapped. No cracks. Some very minor flakes to the rims. Stands in overall good condition. Some minor edge chips and minor re glueing to some very small extremities. Sold with photocopy of original receipt.
Lot 54
A Chinese Jade Figure of a Boy, carrying a fruiting branch on his shoulders6cm highA Similar Circular Miniature Koro and Cover6.5cm highA Buckle Mount5cm wide (3)Boy - some minute edge flakesKoro - one loop handle lacking. Internal crack in the overhanging rim. Minute flakes to the rim of the coverBuckle mount - good oncdition
Lot 50
~ A Chinese Two Colour Mottled Grey Jade Vase and Cover, Qing Dynasty, probably late 18th/19th century, of flattened baluster form with mythical beast knop and ring and mask handles, carved with a horse below a pine tree17.5cm high, on hardwood standProvenance: Kunstzaal Kleykamp, 19 June 1953Numerous small edge chips to the rim of the cover and vase. Natural internal flawsSold with photocopy of original receipt.
Lot 7
~ A Chinese Pale Celadon and Russet Jade Vase, Qing Dynasty, 18th century, as a trumpet-shaped flowerhead carved with bats and with pierced branches and lingzhi 15cm high, with hardwood standPlease note that there will be no internet bidding on this lot. All bidders on lots 1-10 will be required to provide identification and a deposit of £1,000. Registration for commission and telephone bidding on these lots will close on Wednesday 13th March at 12 noon. To register please email enquiry@tennants-ltd.co.uk Provenance: John Sparks, 28 March 1955 For a similar example with the addition of two cranes and described as being Kangxi period, see the Metropolitan Museum, New York, accession no. 02.18.457Please note that there will be no internet bidding on this lot. All bidders on lots 1-10 will be required to provide identification and a deposit of £1,000. Registration for commission and telephone bidding on these lots will close on Wednesday 13th March at 12 noon. To register please email enquiry@tennants-ltd.co.uk Two small chips to the rim. Crack under one ruyi head and to an adjacent tendrils and body behind (stable). Other smaller cracks that appear to be naturally included. Another abrasion to one of the roots below. Sold with photocopy of original receipt.
Lot 52
~ A Chinese White Jade Brush Washer, Qing Dynasty, late 18th/19th century, carved as a lotus leaf flanked by a smaller leaf and flowering tendrils13.5cm wide, on a carved hardwood standProvenance: With Kunstzaal Kleykamp, 19 June 1953One tendril broken and re stuck. Numerous small edge chips and minor flakes. Sold with photocopy of original receipt.
Lot 8
~ A Chinese Pale Celadon and Russet Jade Group, Qing Dynasty, late 18th/19th century, as two opposed recumbent cranes, their heads turned towards each other, with pierced peach branches and lingzhi 15cm wide, on hardwood stand Provenance: John Sparks, 28 March 1955 Please note that there will be no internet bidding on this lot. All bidders on lots 1-10 will be required to provide identification and a deposit of £1,000. Registration for commission and telephone bidding on these lots will close on Wednesday 13th March at 12 noon. To register please email enquiry@tennants-ltd.co.uk One leaf on the top of the group with a small chip to the tip. Other minute edge flakes. No cracks. Sold with photocopy of original receipt.
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64936 item(s)/page