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Lot 43
A rare Tunbridge ware specimen woods sample box attributed to Edmund Nye, the rectangular mahogany box with an inset circle of stick ware to the lid, the interior with forty five numbered specimen tablets, together with a photocopy ‘Specimens of English and Foreign Wood, Used In The Manufacture of Tunbridge-ware, Turnery, Cabinet-Work, Dyeing and Machinery – Prepared by Edmund Nye …’, the tablets, 2.4 x 1.8 x 0.8cms, the box 14 x 7 x 3.8cms.
Lot 446
Knitting, a Tyrolean carved wood knitting needle case, 23cms, another in carved ebony, 18.5cms, an umbrella form example lacking point, 26cms, a spindle turned knitting stick, 18cms, a copper spool knave with circular frame, 10cms, a cardboard semi-circular knitting needle case with blued spiral gilt needles, 20cms, and a card knitting needle case ‘Germania Sticknalden’, 19.5cms. (7) From a European Collection
Lot 60
A good rosewood Tunbridge ware dressing case by Fenner and Co Ltd., of rectangular form the lid with a panel of cube work within borders of stick ware the sides with three bands of stick ware, one end fitted with a three division silk and leather lined drawer, the interior with a velvet lined panel and letter compartment bearing the printed label ‘Fenner and Co Inlaid and Mosaic Wood Manufacturers To Her Majesty And The Royal Family – Mount Ephraim, Tunbridge Wells – Established 1720’, with a view of the works. The lower section with five silver mounted glass jars, one damaged to screw neck, before a lift out tray with four silver top jars and boxes, two damaged to glass, a pin cushion and a tool lid with five various mother of pearl handled tools and a few other accessories, the silver hall marked for London 1835 by William Neal, box 33 x 25 x 16.5cms.
Lot 62
A Tunbridge ware inkwell, letter knife and ruler, the inkwell on angled square base raised on bun feet with a band of floral mosaic with a pyramid form glass inkwell (chips) above two turned rosewood bosses as a pen rest, 12cm sq., the rosewood ruler with nine stick ware panels, the letter knife of arrow head pattern inlay. (3) From the Hamlin Collection of Tunbridge ware
Lot 68
A good dome top Tunbridge ware rosewood stationery box, the lid with a mosaic panel of Hever Castle, within a satinwood panel and a border of geometric mosaic, the concave sides with a broad band of floral mosaic and a narrow band of geometric mosaic, circular stick ware escutcheon, compartmentalised interior in clover leaf pattern paper, 25.5 x 16 x 15cms. From the Hamlin Collection of Tunbridge ware
Lot 677
Royal Marines Interest ? a wooden rectangular travelling campaign box with brass plaque inscribed W.LEACH. R.M.A., the contents relating to gunman William Leach (born 16th November 1877) and his family, various paper documents and possessions, comprising R.-111. parchement cerficate, R.-111a character certificate on demobilisation, two R-138. certificate of service, form 685 seaman?s identification card (U.S. department of labour immigration service), a Jerusalem souvenir olive wood coin purse, a Jerusalem souvenir olive wood single candlestick, a Jerusalem souvenir olive wood bound book of flowers and views of the Holy Land, a gilt metal and red enamel stick pin dated 1895 possibly to commemorative the commissioning of the Alert class sloop of the Royal Navy HMS Torch, various real photographic postcards (some military related), various pocket watch keys, other paper documents including death certificates etc
Lot 89
Tunbridge ware – four pieces, comprising a circular rosewood box, the lid in mixed geometric mosaic and stick ware, 6cms, a cylinder box with stick ware lid and containing a stick ware counter, 3cms, a turned rosewood box with domed stick ware cover, 4cms, and a rosewood go to bed the octagonal body in geometric mosaic below a similar top, 6.5cms. (4) From the Hamlin Collection of Tunbridge ware
Lot 98
Sale Item: TAILORS MEASURING STICK Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 181
EUSEBIUS AUS DEM 'RUSSISCHEN BALLETT'. EUSEBIUS AUS DEM 'RUSSISCHEN BALLETT'. Meissen. Meister/Entwerfer: Modelle P. Scheurich. Technik: Porzellan, farbig staffiert. Beschreibung: Eusebius aus dem Ballett 'Karneval' auf ovalem Sockel mit rechteckiger Stütze, um die ein Tuch drapiert ist. Der Tänzer macht einen tiefen Ausfallschritt, fasst sich mit seiner Linken an die Brust und hebt die rechte Hand hinter sich zum Schwur. Er trägt einen blauen Gehrock mit Rose am Revers, eine himmelblaue Fliege und eine karierte Hose. Auf dem stark geschminkten Gesicht liegt ein theatralischer Ausdruck. Zu seinen Füßen ein Zylinder, eine Maske, ein Spazierstock und ein Hut. Maße: Höhe 21,5cm. Marke: Schwertermarke, D284, Bossierernr. 121, Malernr. 27. Literatur: - Jedding, Hermann. Meißener Porzellan des 19. und 20. Jahrhunderts 1800-1933, München 1981, vgl. S.128-129. - Just, Johannes: Meissener Jugendstil Porzellan, Gütersloh 1983, vgl. Abb. 77. - Bröhan, Karl H. (Hrsg.): Porzellan. Kunst und Design 1889 bis 1939. Vom Jugendstil zum Funktionalismus, Berlin 1996, vgl. S.125ff.; zu Paul Scheurich siehe S.123ff. - Hakenjos, Bernd / Grolman, Dorothea: Um 1900. Porzellan aus Berlin, Meissen und Nymphenburg, Düsseldorf 1999, Modelle vgl. Kat. Nr.122-127. Paul Scheurich, 1883 als Sohn eines berliner Photographen in New York geboren, gehörte zu den bedeutendsten Porzellanplastikern des Jugendstils. Ursprünglich als Graphiker und Illustrator tätig, wurde sein Talent für den Werkstoff von Max Adolf Pfeiffer entdeckt und gefördert. Zwischen 1913 und 1938 entwarf Scheurich über 100 Modelle für die Meissner Porzellanmanufaktur und trug maßgeblich zu ihren Erfolgen bei. So stammten bei der Pariser Weltausstellung 1937, bei der die Manufaktur mit dem 'Grand Prix' ausgezeichnet wurde, sechs von sieben preisgekrönten Entwürfen von ihm. Auch mit dem 'Russischen Ballett', dem ersten von Meissen produzierten Entwurf Scheurichs, feierte er einen grandiosen Triumph. Erstmals im Jahr 1914 auf der deutschen Werkbundausstellung in Köln präsentiert, wurden die Modelle nach dem 1. Weltkrieg zum Verkaufsschlager. Die grazilen Tänzer, mit kokettem, theatralischen Mienenspiel, illustrieren auf gekonnte Weise das 'Russische Ballett' der kaiserlichen Theater in Moskau und Sankt Petersburg, das in den Jahren vor dem 1. Weltkrieg in den Metropolen Europas für Furore sorgte. Die von dem berühmten Impresario Sergej Djagilews gegründete Ballettkompanie, gastierte in London, Paris und auch Berlin, wo der junge Scheurich bei einer Aufführung des Stückes 'Karneval' im Publikum saß. Bereits 1912 erschien eine Folge von sechs Radierungen mit dem Titel 'Pierrot' im Verlag der angesehenen Berliner Kunsthandlung Gurlitt, in der Scheurich sich auf die Inszenierung bezieht. Die Ballettpantomime zu einer Orchesterfassung von Robert Schumanns Klavierzyklus ' Le Carnaval' erfreute sich beim Publikum großer Beliebtheit und wurde in Berlin insgesamt 14 mal aufgeführt. Die Hauptrollen waren dabei mit Startänzern wie Tamara Karsawina und Waslaw Nijinski besetzt, die Scheurich auch in seinen Figuren porträtiert haben soll. Erläuterungen zum Katalog Meissen Deutschland Jugendstil / Art Déco 20. Jahrhundert Tänzer Scheurich, Paul EUSEBIUS AUS DEM 'RUSSISCHEN BALLETT'. PORCELAIN FIGURINE OF EUSEBIUS FROM THE 'RUSSIAN BALLET'. Meissen. Maker/Designer: Model P. Scheurich. Technique: Porcelain, enriched in colours. Description: Eusebius from the ballet 'Carnival' on an oval base with rectangular support covered partially by a draped cloth. The dancer makes a deep lunge, grabs his chest with his left and raises his right hand behind him, swearing an oath. He wears a blue frock coat with a rose on the revers, a sky-blue bow tie and checked trousers. On his face with heavy make up lies a theatrical expression. At his feet a tophat, a mask and a walking stick. Measurement: Height 21,5cm. Mark: Swordsmark, D284, porcelain former no. 121, painter no. 27. Literature: -Jedding, Hermann. Meißener Porzellan des 19. und 20. Jahrhunderts 1800-1933, Munich 1981, comp. p.128-129. -Just, Johannes: Meissener Jugendstil Porzellan, Gütersloh 1983, comp. fig. 77. -Bröhan, Karl H. (ed.): Porzellan. Kunst und Design 1889 bis 1939. Vom Jugendstil zum Funktionalismus, Berlin 1996, comp. p.125ff.; regarding Paul Scheurich see p.123ff. -Hakenjos, Bernd / Grolman, Dorothea: Um 1900. Porzellan aus Berlin, Meissen und Nymphenburg, Düsseldorf 1999, Models comp. cat. no.122-127. Paul Scheurich, born in New York in 1883 as the son of a photographer from Berlin, was one of the most important porcelain sculptors of the art nouveau. Originally working as a graphic artist and illustrator, his talent for the material was discovered and encouraged by Max Adolf Pfeiffer. Between 1913 and 1938 Scheurich designed more than 100 models for the Meissen Porcelain Manufactory and contributed significantly to its success. At the 1937 World Exhibition in Paris, where the manufactory was awarded the 'Grand Prix', six of the seven prize-winning objects were designed by him. The 'Russian Ballet', Scheurich's first design produced by Meissen, also was his first great success. First presented in 1914 at the German Werkbund Exhibition in Cologne, the models became a bestseller after World War 1. The graceful dancers, with their coquettish, theatrical facial expressions, skilfully illustrate the 'Russian Ballet' of the imperial theatres in Moscow and St. Petersburg. In the years before the first World War the corps de ballet, founded by the famous impresario Sergei Djagilev, caused sensation all over Europe. The dancers gave guest performances in London, Paris and also Berlin, where the young Scheurich sat in the audience during a performance of the play 'Carnival'. As early as 1912 a series of six etchings entitled 'Pierrot' was published by the renowned Berlin art dealer Gurlitt, in which Scheurich takes reference to the production. The ballet pantomime to an orchestral version of Robert Schumann's piano cycle ' Le Carnaval' enjoyed great popularity with the audience and was performed a total of 14 times in Berlin. The leading roles were played by star dancers such as Tamara Karsawina and Waslaw Nijinski, whom Scheurich is said to have portrayed in his figurines. Explanations to the Catalogue Meissen Germany Art Nouveau 20th century dancer Scheurich, Paul
Lot 50
Three diamond set stick pins,to include a diamond and seed pearl naval crown and anchor, with a rose cut diamond set anchor, overlaid with a crown, both grain set with graduated rose cut diamonds and seed pearls, 2.45ga ruby and diamond pennant stick pin with a row of calibré cut rubies, milligrain set above a row of rose cut diamonds, 1.61g,together with a two stone synthetic ruby and old European cut diamond stick pin, 1.16g (3)Condition report: 1 and 2 tested as approximately 18ct gold.3 tested as approximately 18ct gold and pin 9ct gold.Possible repair to pennant example as the pin joins the head.3 open bubbles visible under 10x magnification to the synthetic ruby.Tarnished.
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