EMBROIDERED FAN WITH FINE IVORY CARVING. China. Qing dynasty. Ca. 1900. Bone: Outside carved in deep relief, the fan sticks in paper-thin openwork. Fan from embroidered satin silk. Box in Kanton lacquer, inside painted silk. L.29.5cm, w.55.5cm. Condition A/B. Silk with some foxing, tassels tangled. Supplement: Joss stick holder with lotus and crabs. Openwork carved bamboo. China. 19th c. H.21,5cm. Condition B. Provenance: Private collection Southern Germany. Estimated Shippingcost for this lot: Germany: 37,82 Euro plus 7,18 Euro VAT EU: 58,82 Euro plus 11,18 Euro VAT Worldwide: 117,65 Euro plus 22,35 Euro VAT additional shipping insuranceSpecial Conditions Art & Interior ART & INTERIOR Explanations to the Catalogue Asian Art - Chinese Applied Arts 1900s Fan Crafts China Estimated Shippingcost for this lot: Germany: 26,89 Euro plus 5,11 Euro VAT EU: 46,22 Euro plus 8,78 Euro VAT Worldwide: 92,44 Euro plus 17,56 Euro VAT additional shipping insurance
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A smashing selection of around 32 LPs and 12 7" singles. Artists/ titles include Kraftwerk inc Computer World (XHS 3549), The Man Machine (SW-11728). Yellow Magic Orchestra - Xoo Multiplies, Penetration - Danger Signs (VS 25712), Tangerine Dream inc Rubycon, Roxy Music inc S/T, Flesh + Blood, Musique, For Your Pleasure, Siren, Manifesto, Avalon, Viva. Various - The Roxy London, Payolas - No Stranger To Danger, Bryan Ferry inc Bete Noire, Let's Stick Together. The Human League - Dare. Various - Hope & Anchor Front Row Festival, Landscape, Duran Duran, Spandau Ballet, PIL, Tears For Fears, Prefab Sprout, Philip Jap. Condition is generally VG to Ex.
A super collection of around 52 7" singles. Artists/ titles include Adam Ant inc Good Two Shoes, Kings Of The Wild Frontier. Blondie inc I'm On E, Rapture, Will Anything Happen, Dreaming. Giorgio Moroder inc Call Me. Buzzcocks inc What Do I Get? (UP36348), You Say You Don't Love Me, Harmony In My Head. Ian Dury inc Hit Me With Your Rhythm Stick, Sex & Drugs & Rock & Roll. Rods, The Jam inc Going Underground, When You're Young, The Eton Rifles, Funeral Pyre, Live EP (SNAPL45), Malcolm McLaren, Madness inc Embarrassment. The Members, OMD, Pretenders, Public Image, Sex Pistols inc The Great Rock n Roll Swindle. Stepping Stone. Sham 69, The Stranglers, Talking Heads, The Tourists, U2, The Undertones. Condition is generally VG+ to Ex+, some may vary.
Here we have a larger collection of around 300 7" rock and pop singles, too include a number of demos. Artists/ titles include The Sheep inc Hide And Seek (SS 493, demo), Bryan Ferry inc Let's Stick Together, 1910 Fruitfum Company, Rick Nelson, Bonnie Tyler, Kenny Lynch, Johnny Cash, The Equals, Shag Connors, Mungo Jerry, Chaparral Brothers, Donna Fargo, Rolling Stones (x30) inc Five By Five (DFE 8590), Got Live If You Want It! (DFE 8620), 19th Nervous Breakdown, Come On, Not Fade Away, The Singer Not The Song. Teresa Duffy (202298, demo), Peters World (CBS 7562, demo), Jody Miller (SEPC 5117, demo), The Karlins (R5366, demo), GAry & Jan (7N 15985, demo), X Certificate (SRL 1096, demo), B Bumble And The Stingers (SS 192, demo), Nina And Frederik (45-DB 4632, demo), Trifle, Eric Clapton, Jan Gray, The Fortunes, Hall & Oates, Stevie Wonder, Dire Straits, Emile Ford (signed), Roy Orbison. Condition is generally VG to Ex, some earlier pressings may vary.
GLAM - LPs. Glamtastic collection of around 85 x LPs. Note there are duplicates in this collection often in various condition. Artists/titles/numbers of copies include T. Rex inc. - Electric Warrior (7 stock UK copies, HIFLY 6, no posters), Prophet, Seers & Sages..., Dandy In The Underworld, Queen - The Works, Greatest Hits, News Of The World and S/T, Slade - Alive Vol 2, Old New Borrowed And Blue (x2), Slade On Stage, The Amazing Kamikaze Syndrome, In Flame (x6), Slayed? (x5), Alive! (x2), Sladest (x5) and Nobody's Fools, Roxy Music - Stranded (x4, all UK pink rim), For Your Pleasure, Flesh + Blood, Siren, Viva!, Manifesto and Greatest Hits (x2), Bryan Ferry - The Ultimate Collection (x3), Let's Stick Together, These Foolish Thing and Another Time Another Place, Cockney Rebel/Steve Harley (x6), Hello People, Sparks, Mott The Hoople, Sensational Alex Harvey Band, Thriller, The Sweet and Be Bop Deluxe. Condition can vary though titles still generally grade between VG and Ex
Of Aboriginal interest: Two snake carved wood walking sticks, probably early 20th centuryone carved with two intertwined snakes and with stylised pommel, the other carved with a single snake and curved handle, together with two contemporary photographs, one depicting the single snake walking stick in the process of being carved and in use 99.5cm high, 94cm high (4)For further information on this lot please visit Bonhams.com
A late 19th century / early 20th century Empire revival mahogany and gilt brass hat standthe central shaft with stylised beast mask head finial, above an engine turned girdle with three applied elaborate pierced and foliate scrolling twin hooks with anthemion backplates and a plain circular umbrella or stick guard, the corresponding base with three inset fan-shaped brass drip trays, on bun feet, 198cm high approximatelyThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Quantity of walking sticks/canes/shooting sticks, including modern HT metal anti shock adjustable walking stick, 2 canes with brass knobbed top, one of which unscrews to reveal a hidden glass tube interior; and a cane with hound head top, and silver collar marked E C Straker, Abergavenny, GH stamp (see images for wear etc)
A.R. Penck and Lucke TPT (German 1939 - 2017) LUCKE NR 1 ENERGETIKlabel bearing artist's name, artist's collective, date, title, medium and dimensions on the reverseoil on canvas151 by 130cmPROVENANCEGalerie Fränk Hanel In 1971 A.R Penck put together the artist’s collective Die Lücke TPT along with fellow artists Harald Gallasch, and Wolfganf Opitz, as a socialist act. During their time together, the group focussed on the process and production of their collaborative based art, rather than the aesthetics of the work produced. The group’s name translates to ‘the gap’, as Penck was referencing the lack of teamwork in the sterile East German art world. Die Lücke unfortunately dissolved in 1976 due to constant harassment by the Stasi. Lücke Nr 1 Energetik was painted during Penck’s time with Lücke_TPT. While other collaborative works produced by the collective leaned more formally to neo-expressionism, lot 476 is more restrained, containing a number of pictorial signs, more akin to Penck’s standart or stick figure motifs. This may indicate Penck’s level of involvement with the production of this particular work. This work is typical of the neo-expressionism practiced by certain artist’s in Germany at the time, such as Markus Lupert, Jorg Immendorff, Georg Baselitz, Anselm Kiefer and Sigmar Polke. Lot 476 incorporates bright colours and a more spontaneous use of mark making, and format which was larger than Penck had used in the past. Neo-expressionism encouraged bright colours in order to achieve subjective means. Neo-expressionism was a direct reaction against the preceding art movements of Minimalism and Conceptualism, which distanced the artist’s hand from the artwork. Artists found a redemptive quality of art when working in Neo Expressioninsm. Just as Penck’s works have been gaining value significantly on the auction market since the artist’s death in 2017, so have the works produced by Lücke-TPT. Stephan Welz & Co sold a work by the artist on our October 2020 Auction for R 350 000 on the hammer. https://www.artforum.com/passages/hannah-klemm-on-a-r-penck-1939-2017-68826 https://www.theartstory.org/movement/neo-expressionism/
A.R. Penck (German 1939 - 2017) STANDART SCULPTUREmarblediameter: 27cmPROVENANCEGalerie Frank Hänel; Private Collection, Cape Town While mostly known for his prints, paintings and drawings, German expressionist A.R. Penck produced a number of sculptures, usually using bronze or stainless steel, and occasionally using terracotta or wood. During our premier auction in October 2020 we sold Holzplstik (1972) a small wooden sculpture for R 50 000 as well as Holzplastik (1992) one of an edition of five of the same sculpture cast in bronze twenty years later, which sold for R 150 000. It is quite rare to find a marble sculpture produced by A.R. Penck, especially one that is so finished in its application, as opposed to the spontaneity of his prints and paintings. It appears that the artist used a dremmel with specific attachments to carve his typical standart figures and other signs and symbols so uniformly and delicately, just a millimetre or two into the surface of the marble. The outermost layer of the marble sculpture has been left rough and unpolished, while the indentation of the figures and signs is polished, revealing the subtle veins that characterises this marble. The two stick figures carved into the marble sculpture are a recurring motif in Penck’s work. The artist named this figurative theme ‘standart’ when these archaic figures began to populate his work in 1961. From these simplified figures, dots and lines Penck began to construct a pictographic alphabet, consisting of personal mythologies, and therefore not necessarily decipherable, rather they are the artist’s visual logic. In 2019, two years after the artist’s death, the Ashmolean Museum of Art and Archeology exhibited a retrospective of the artist’s work A.R. Penck: I Think in Pictures, focusing on the ‘standart’ motif. Standart was a conflation of the English word “standard” and the German “standarte”, meaning “banner”. For the artist, these works operated like flags, emblematic of human universality. Suzanne Duncan Fritsch, L. A.R. Penck: I Think in Pictures. Oxford: Ashmolean Museum, 2019
A pair of Edwardian silver 'Sabbath Day' candlesticks, by Rosenzweig & Taitelbaum, London, 1909, 37.5cm, 34oz.CONDITION: One has a very mishapen base, causing it to wobble on a flat surface. The top rim is also dented, as is the sconce. Other stick in generally good order, although there is a small knock to the sconce.Hallmarks clear.
Eight assorted Chinese yellow metal amulets, four in the form of brooches, three pendants and a stick pin, 21.5 grams.CONDITION: Provenance - Alfred Theodore Arber-Cooke (c.1910-1993); thence by family descent. Arber-Cooke lived in Carmarthenshire, Wales and was an avid collector of Asian works of art and an author of the History of Llandovery. He was collecting from the 1940s to the 1980s.
A Chinese famille verte stick stand, early 20th century, height 44cmCONDITION: Provenance - Alfred Theodore Arber-Cooke (c.1910-1993); thence by family descent. Arber-Cooke lived in Carmarthenshire, Wales and was an avid collector of European & Asian works of art and an author of the History of Llandovery. He was collecting from the 1940s to the 1980s.
TWO BOXES OF COSTUME JEWELLERY, FLATWARE AND ITEMS, to include a box of mostly costume jewellery such as a green Wedgwood brooch and pendant, a white metal marcasite floral brooch, a white metal marcasite cameo brooch, various other pieces of yellow and white metal necklaces, brooches, bracelets, rings, etc, together with a box of collectable white metal motif teaspoons, a silver plated dwarf candle stick, a silver plated posy vase, a silver plate on copper goblet, a brown jewellery box with costume jewellery contents, etc
AN UNBOXED TRI-ANG BIG BIG O GAUGE CLASS 35 HYMER BLUE FIJER LOCOMOTIVE, some damage to wheels and missing buffer from one end, quantity of rolling stock and track, a boxed IMCO plastic battery operated 6 function stick shaft control bulldozer, No 3190, not tested but appears complete and in fairly good condition, box damaged, a boxed Milano Classics, selected for Sherratt & Simpson wooden vintage car model, appears complete and in fairly good condition, minor damage to box and a quantity of assorted Scalextric cars and track, cars include Subota Impresz WRC and Ford Tourier
Tom McNeely (Canadian, B. 1935) "Sequoyah" Original Watercolor painting. Signed lower right. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 19c Sequoyah stamp issued December 27, 1980. Born and raised a Cherokee, Sequoyah never spoke English, yet he watched in awe and wonderment as the white man looked at "talking leaves" and the leaves spoke to him. To be able to glance at a sheet full of another person's thoughts was like "catching a wild animal and taming it," he reasoned. He yearned to document his tribe's speech so that the leaves could speak to his people too. Sequoyah felt certain that this was the key to freedom from the white man. In 1809, Sequoyah tried representing tribal words with small animal figures and symbols, but the list grew hopelessly long. Next, he broke the words into syllables and designated symbols for each one. For twelve years he tirelessly labored toward his dream, often using a charred stick on a piece of bark as his writing tools. In 1821, he was ready to put his syllabary to the test. Men whispered a message to Sequoyah's child and the child wrote the message. Then, without faltering, Sequoyah read the message aloud. The skeptics were forever silenced. Soon, thousands of Indians mastered the eighty-six characters and could read and write. Sadly, despite this written language and Sequoyah's dream of freedom, white men still considered Cherokees as savages, to be relocated at their whim. Fortunately, today the Indian civilization is more highly regarded. In fact, the great Sequoyah is namesake to California's Sequoia National Park. Image Size: 17.5 x 15.25 in. Overall Size: 28.25 x 22 in. Unframed. (B06872)
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