We found 22395 price guide item(s) matching your search

Vintage Indian heavily beaded short sleeved dress with trousers and scarf. Bust 84cm. In good condition.

A Welch Margetson & Co Ltd horse racing commemorative scarf dating from 1780 to 1959. Epsom Derby winners with Parthia winning in 1959. Approximately 87cm x 87cm

Wellwood Weavers & Crafts golden mohair 'Barbour' teddy bear, complete with scarf, dungarees and green waxed jacket, 43cm high

An Art Deco bronze of a female dancer on an onyx base. Modelled dancing with a gilt bronze scarf, height 46cm.The figure is loose on the base. The gilding and patination have a few signs of wear.The base has a rectangular glued repair on a small section and a few chips around the top edge, please see additional images.The figure is apparently unsigned.

A Hermes Muffler Carre 90 Confidents des Coeurs/Friend of the Heart Bear silk scarf, designed by Loic Dubigeon, decorated with teddy bears in brown and blue over a pink ground, complete with original box and carrier bag, 89cm x 87cm.

A 1990s Atelier Versace silk scarf, decorated with a central ornate cartouche depicting a figure on horseback in elaborate purple and gold costume, all over a blue leopard print ground and purple abstract boarder, maker's label to the top left edge, 88cm x 86cm, together with a Moschino silk scarf with a central yin-yang motif surround by cyclist motifs all over an alternating pink and black ground with a royal blue border, 83cm x 84cm. (2)

A collection of five Liberty silk scarves, to include the Golden Jubilee of HM Queen Elizabeth II in blue, 87cm x 87cm, an Art Nouveau example in tones of blue, green and red, 89cm x 86cm, two Tree of Life examples the first in tones of pink, green and white, the second in tones of blue, pink and green, both 88cm x 88cm, and an example with pink and blue floral motifs over a cream ground, 66cm x 66cm, together with a Valentino silk scarf with stylised floral jewels over a pink patterned ground, 86cm x 84cm, in Liberty packaging, also a large Liberty paisley scarf and a Begg x Co light pink cashmere scarf with embroidered initials, complete with box. (8)

A Hermes Chasse En Inde silk scarf, designed in 1986 by Michel Duchene, decorated with a repeat pattern of stylised horses, tigers, elephants, gazelles, birds and figures over a maroon ground with gold decorative borders, complete with original box, 89cm x 87cm.

A 1980s Salvatore Ferragamo silk scarf, decorated with a central stylised elephant draped with ornate robes, surrounded by stylised lion, tiger and leopards over an ochre ground with decorative gold and pink borders, 86cm x 84cm, together with a further four 1980s Salvatore Ferragamo silk scarves of varying designs including tigers, floral and insect motifs in multiple colourways, all lacking original packaging. (5)

A Cartier silk scarf from the Must de Cartier collection, decorated in the multicoloured jewellery print with diamonds, ruby and sapphires modelled as a necklace border all over a royal blue ground, complete with original box, 84cm x 75cm.

A Hermes Plumes silk scarf, a 1999 issue from the original design in 1953 by Henri de Linarès, decorated with multiple stylised floating feathers over a white ground with a deep blue border, complete with original box, 89cm x 87cm.

A Hermes Carre 90 Le Sacre du Printemps/Spring Festival silk scarf, designed by Henri d'Origny, decorated with stylised flower crown and ribbon motifs in pink and yellow all over a white and green ground, complete with original box and carrier bag, 89cm x 87cm.

A Hermes Le Mors A La Conetable silk scarf, designed in 1970 by Henri d'Origny, decorated with a repeated scroll and floral pattern in gold over a black ground, complete with original box, 89cm x 88cm.

A Gucci silk scarf in the Teacup pattern, decorated with rows of patterned teacups over a turquoise ground with a border containing classical motifs, complete with original paper label, and card box, 86cm x 85cm, together with a further two Gucci silk scarves, the first in the Floral 90 pattern with large stylised floral motifs and logos over a blue ground and the second with floral patterning and stylised robins over a white ground with classic red and green stripe border, both in original packaging. (3)

LADIES FUR COAT, AND A SCARF the fur coat bearing makers name 'Arnold Seftoc, Edinburgh' to insideQty: 2

Loge de Theatre is a marvelous framed scarf of three women dressed in extravagantly ornate evening wear. Art Deco artist and designer Erte used a palette of pinks, reds, blue, grey and gold that are highlighted by the ultra blacks in the composition and the border. Housed in a thick gilded frame with an ecru linen mat. Sight size: 33.50"L x 33.50"H. Frame size: 43"L x 43"H x 1"W. This item can be shipped with or without the frame for ease of transport. Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: c. 1980Country of Origin: United StatesCondition: Age related wear.

Framed silk scarf depicting a cubist-style woman in primary and secondary colors. Picasso's signature printed to top right. Black veneer wood frame with double black and gold matte border. Sight size: 33""W x 38.25""H; frame: 35.5""W x 40.5""H x 1""D. Artist: Pablo PicassoCondition: Age related wear. Frame damaged on right side. Stain/discoloration to right side of scarf.

Autumn is a splendid framed scarf that depicts a beautiful anthropomorphic creature, part female, part feline, set amongst curvilinear branches that are losing their leaves. Art Deco artist and designer Erte created this design with oranges, golden tones and soft yellows that he placed on top of a blue-grey, cobalt and black background with a border that follows the central motifs. Housed in a thick gilded frame with an ecru linen mat. Sight size: 34.50"L x 34"H. Frame size: 43"L x 43"H x 1"W. This item can be shipped with or without the frame for ease of transport. Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: c. 1980Country of Origin: United StatesCondition: Age related wear. Minor discoloration on the lower right

Andre Derain (French, 1880-1954) for Ascher, United Kingdom. Screenprinted silk scarf titled "The Lovers - Boy and Girl," produced in 1947. Designed by Derain, it depicts two naive figures, a boy and a girl, along with a dog. Signed in the print by Derain and Ascher along the lower right corners of the image and the scarf. From a limited edition of 500.Sight; height: 31 1/4 in x width: 32 1/2 in. Framed; height: 32 1/4 in x width: 33 1/4 in. />Condition: There are no visible rips, tears, losses, stains, or restorations. The colors appear to by slightly muted and have possibly faded with age, though it may original to the artistic production. There are a few horizontal creases throughout the work, most visible under a raking light. There is a partially visible pencil inscription along the lower right corner, covered mostly by the frame. Wear to the frame; framed under plexiglass; scratches and some accretions throughout the plexiglass; not inspected out of frame.

Barton S. Hays (American, 1826-1914). Group of two oil on canvas portrait paintings. One depicts a youth wearing a red scarf with a white top. This is Ida Mae, B.S. Hays' granddaughter, who died at age 11. The other depicts a figure wearing a black dress decorated with white lace. This is B.S. Hays' second wife, Amy Woodmansee Elliot.Provenance: From the private collection of B.S. Hays, passed down through his family.Although Hays initially gained popularity for his portraiture - such as his painting of then-governor of Indiana, William Henry Harrison - his focus shifted to still life paintings after his move to Minneapolis and it was these realistic paintings that were his most popular. He also created panorama paintings such as his painting depicting scenes from Harriet Beecher Stowe's iconic novel "Uncle Tom's Cabin."Youth; height: 22 in x width: 18 in. Woman; sight; height: 19 in x width: 15 in. Framed; height: 23 in x width: 19 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Figural jewellery stands, stockings, scarf and bag, all new and sealed in bags

A 'Les Armes De Paris' silk scarf by Hermès, designed by Hugo Grygkar, accompanied by maker's box, 90cm square, a 'Les Voitures a Transformation' silk scarf by Hermès, designed by Francoise de la Perriere, accompanied by maker's box, 88cm square, and a grey feather and ribbon trimmed hat, designed by Sylvia Fletcher for James Lock & Co., in maker's box (3)

Gucci- A late 20th Century silk scarf having a tan ground with images of horse leathers, belts and stirrup in a brown, orange and navy colour-way, having hand-rolled edges, 87cm x 87cm together with a branded 1980's/90's scarf box, wrapping and information card. Location:R1.3Condition: good, no signs of wear.

A large collection of vintage enamel speedway badges, including examples for the Glasgow Tigers, Coatbridge Tigers, Hackney Speedway, Ipswich Speedway, Kings Lynn Stars, Poole Pirates, Wolverhampton Speedway, Yarmouth Speedway, Canterbury Speedway, Coventry Speedway and many others, contained over a book of fabric samples and a handknitted "Lions" striped scarf Condition Report:Available upon request

3 x British Army Capsconsisting Officer's khaki service dress cap.  Brown leather chinstrap secured by RA buttons.  Badge absent ... Khaki, OR's field service cap.  Bi-metal Cambridgeshire Reg badge ... Knitted woollen scarf cap comforter.  3 items. PAYMENT BY BANK TRANSFER ONLY

19th or early 20th century men's traditional Greek costume comprising: long shirt with pleated front; pantaloons; two pairs of woollen leggings; two woollen waistcoats; a jacket; scarf; pair of woollen socks; two red tasselled hats and a woven silk checked sash.

Micromosaic scarf pin in gold, and various other pins and brooches some gold.

AN IMPORTANT GILDED COPPER GEM-INSET FIGURE OF MAHASRI TARAC.12TH CENTURY BIHAR, EASTERN INDIAThe finely cast and gilded-copper figure wears a diaphanous floral-patterned lower garment, sumptuous jewellery including a necklace, broad bangles, armbands, a belt clasp and anklets all inset with semiprecious stones, a jewelled diadem, a topknot and large hoop earrings. Her hair is worn in a large bun at the right shoulder, with her hands in the teaching gesture (dharmacakra-mudra), the left holding the end of a scarf draped over her forearm and falling to the lotus seat by her left knee. She has two gem-set lotus stems at her side and is seated in the posture of royal ease (rājalīlāsana) on a lotus emerging from scrolling vine and gem-set lotus buds, all supported on a tiered platform with large pearl border. The pedestal is held by serpent kings (nāgarāja) at either side, and an attendant cradling Tara’s pendent right foot with her outstretched hands, with an elephant, lion, and a human figure among scrolling vine at the rear, and a tenon projecting from her back to affix a backplate, (now lost), into two slots cast in the back of the pedestal. The statue is cast in five parts, the figure of Tara together with the upper tier of the lotus pedestal, the lower tier of the lotus pedestal together with the plinth, the attendant figure supporting Tara’s foot, and the two nāgarāja, 1.3kg, 16.5 cm.Provenance: from the collection of Norman Blount (1875-1930). Norman Blount was a jute broker, as well as the joint secretary (with the artist Abanindranath Tagore) of the Indian Society of Oriental Art, which was founded in 1907 in Calcutta, with Lord Kitchener the Society’s President.十二世紀 鎏金度母坐像來源：諾曼·布朗特（1875-1930）收藏。諾曼布朗特曾是一個黃麻經銷商，與藝術家泰戈爾一起擔任了印度東方藝術協會的聯合秘書（1907年於加爾各答成立），而霍雷肖•赫伯特•基奇納元帥(1850-1916)為協會主席。Mahāśrī TārāThe immensely popular goddess of compassion (karuṇā) and transcendental wisdom (prajñā), Tārā is known to intercede in the lives of her faithful and protect them from all manner of harm.Since her first appearance in India around the 7th century, she has assumed many iconographic forms. In this c.12th century sculpture from eastern India, she appears as the exalted (Mahāśrī) Tārā. Both teacher (her right hand assumes the teaching gesture, dharmacakra mudrā) and divine mother, she turns her compassionate gaze downwards to meet that of her devotees. She extends forward her gently cradled right foot, as if preparing to rise from her regal seat (rājalīlāsana) and enter the world. The goddess is closely aligned with nature. Her lotus seat, supported by two serpent kings (nāgarāja), arises within a natural setting. Two verdant lotuses enclose her, their flowers turning inward towards Tārā as if to acknowledge her luminosity. Indeed, the c. 7th century Sanskrit text Mañjuśrīmūlakalpa includes poetic tributes of her in just such terms, “trees, studded with flowers on every branch, abounding with open flowers…their bending boughs…turned towards the goddess Tārā.”Beneath the throne, tendrils arise from the stem of her lotus seat and fill the space with gem-encrusted foliate roundels, enclosing animals (lion and elephant), and human alike. Her seat rises above a stepped platform, finished by a row of large pearl beads. The sculpture was once completed by a (now missing) backplate, secured on a tenon at the back and further secured into two slots below it. Richly gilded and crowned and bejewelled, her lavish adornments include a substantial necklace, upper armlets, bracelets, belt, and anklets, all skilfully inset with multi-coluored gems. Large hoop earrings and a silk skirt with incised hem and floral ornaments also reflect her elevated status and enhance her beauty.This elegant sculpture is remarkable for its refinement, its balanced composition and Tārā’s beautiful countenance, which may be compared with that of the celebrated and contemporaneous Avalokiteśvara from Kurkihār. Gilded sculptures from eastern India are rare. Other outstanding examples include the c.12th century Avalokiteśvara from Kurkihār (25.5 cm.); a c.12th century Tārā in the collection of the Potala, Lhasa (41.5 cm.); and a c.9th century seated bodhisattva in a private collection (20 cm.). The circular tendrils enclosing figures along the base is a motif seen in other eastern Indian medieval sculptures including two 10th-11th century bronze sculptures from Faridpur, Gaya district. The large pearls along the base are also found in a copper alloy sculpture of a c.12th century seated Maitreya in the Ford Collection. Similar seated posture and inset gems can be found in a c.11th-12th century copper alloy sculpture of Padmapāṇi in the Bertie Aschmann Foundation of Tibetan Art at the Rietberg Museum. Tārā’s hair, drawn into a bun just behind her right shoulder, can be seen in other eastern Indian medieval sculptures, including a Tārā in the Potala Collection in Lhasa.The eastern Indian medieval school of art flourished between the eighth and the end of the twelfth centuries. A significant number of eastern Indian medieval sculptures bear inscriptions that include regnal dates of the local Pāla and Sena kings, making it possible to construct a fairly accurate chronology for this regional school. Encompassing the modern Indian states of Bihar, West Bengal and the country of Bangladesh, eastern India was the Buddhist homeland, the region where Śākyamuni Buddha (c.480 – c.400 BCE) became enlightened, expounded his spiritual teachings, and died. Countless devotees from within India and across Asia travelled here to seek authentic Buddhist teachings for over a millennium, until the final Muslim invasions of north India around the turn of the 13th century. Pilgrims studied at the great monastic universities (mahāvihāra) of Nālandā, Odantapurī, and Vikramaśīla, and offered homage at the region’s many temples and shrines. Indeed, works of art were a crucial element in the Buddhist pilgrim’s education in eastern India. A consecrated image was thought to embody the timeless presence of powerful gods. Particular statues were sometimes the destination of pilgrimage. Famous icons were said to speak, walk, give their jewellery to the poor, and above all, to answer the prayers of their devotees. Tibetan pilgrim Dharmasvamin described the main image in the Mahābodhi temple at Bodhgayā as insatiable to behold, such that when “even people with little faith [saw the image, they] felt it impossible not to shed tears.”Jane CaseyAugust 2023Dr Jane Casey is an art historian specializing in Himalayan art. She curated exhibitions at the Metropolitan Museum of Art in New York and at Casa Asia in Barcelona. Her publications include books and articles on Himalayan painting and sculpture. She is a Research Fellow in Tibetan Art at the Palace Museum, Beijing.

A Hermes Ladies silk Scarf, 'L'Arriere-Main,' depicting horses and groomsmen, with Hermes label. (1)

Siege of Mafeking, 1900, a white metal medal by Spink & Son, 45mm (BHM 3677); End of the First South African War, 1900, National Commemorative Medal, ‘The Absent-Minded Beggar’, a gilt-bronze medal by Spink & Son, 45mm (BHM 3680); sold with a printed scarf bearing music by Arthur Sullivan and a map of South Africa [Lot]. Medals extremely fine, scarf very fine £100-£150

A Herbert Johnson fur hat, another by Wigéns and a small fur scarf (3).

Collection of tins, some with contents, including Chocolate Table Biscuits, J&F Bell "Three Nuts" Tobacco, Rolls Razor, Guy St Honore scarf, ceramic jug and cake stand and glassware

Gresley Rovers: A collection of assorted Gresley Rovers memorabilia to include: 1991 FA Vase Final flag and scarf, other scarves and various programmes; together with a collection of assorted pin badges of local non-league football clubs, mostly attached to a Gresley Rovers baseball cap. Together with a signed Gresley Rovers v. Manchester United Select XI programme. Please assess photographs. (one box)

HARRY WINSTON SCARF, JEWELLERY WRAPS & JEWELLERY LOUPE - ALL BOXED

LIBERTY VINTAGE SILK SCARF

ORANGE PATTERN PATEK PHILLIPE SCARF - BOXED

Two vintage adjustable hat stands, together with an adjustable scarf stand. (3)

Two vintage adjustable hat stands, together with an adjustable scarf stand. (3)

Two vintage adjustable hat stands, together with an adjustable scarf stand. (3)

Two vintage adjustable hat stands, together with an adjustable scarf stand. (3)

Two vintage adjustable hat stands, together with an adjustable scarf stand. (3)

A vintage adjustable hat stand, together with two adjustable scarf stands and a wire female mannequin bust (3)

A 1920's ladies cocktail/evening dress, with gold lame V-shaped bodice section and arms, with black dress below, together with a foliate decorated bolero and gold lame scarf.

TWO UNBOXED MODERN STEIFF TEDDY BEARS, 'Winter Bear' No.654459, cream plush mohair wearing tartan scarf and tam o'shanter, height approx 34cm and 'Sailor' from the 'MS Margarete', No.028519, golden plush mohair wearing sailors uniform and cap, height approx. 36cm, both complete and in very good condition, with working growler, button and tag to left ear and swing tags,

ASSORTED JEWELLERY, to include a white metal oval monogram locket, fitted with a tapered bail, opens to reveal two photo compartments, length including bail 60mm, a white metal fancy link book style chain, unmarked, missing clasp, length 450mm, a white metal scarf clip, unmarked, a pair of white metal filigree drop earrings, a white metal marcasite dress ring, stamped silver, ring size P, and a silver enamel fob, depicting Greenwich Observatory, hallmarked Birmingham (condition report: locket and chain require a gentle clean and polish)

A Scotts Guards forget-me-not early 20th century embroidered silk scarf. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)

Small porcelain figure of a white duck in a mauve shawl, light blue bonnet, and yellow scarf clip. Beswick Beatrix Potter's backstamp, Artist: Arthur GredingtonIssued: c. 1948-2002Dimensions: 2.5"L x 2"W x 4"HManufacturer: BeswickCountry of Origin: EnglandCondition: Age related wear.

WOLVERHAMPTON WANDERERS SILK SCARF & FLAGS Ref L

HERMÈS Tuch-Accessoires-Konvolut "MEDOR". Sechs Teile, vier kleine Ausführungen und zwei große. Drei Teile mit Palladium-Auflage und drei vergoldet. Staubbeutel anbei. Tragespuren vorhanden, kleine Kratzer. 1,5 x 15 cm und 1,8 x 1,8 cm.| HERMÈS scarf accessories set "MEDOR". Six pieces, four small versions and two large. Three pieces with palladium overlay and three gilt. Dust bag enclosed. Traces of wear present, small scratches. 1.5 x 15 cm and 1.8 x 1.8 cm.

HERMÈS Tuch "PANI LA SHAR PAWNEE", by Kermit Oliver, Entwurf erstmals erschienen 1984. 100% Seide. Kariertes Modell mit Indianermotiv. Handrollierte Säume. 140 x 65 cm. Handrollierte Säume. Goldfarbene Anhänger an den Ecken. Guter Erhalt. | HERMÈS scarf "PANI LA SHAR PAWNEE", by Kermit Oliver, design first published 1984. 100% silk. Checked model with Indian motif. Hand-rolled hems. 140 x 65 cm. Hand-rolled hems. Gold-coloured pendants at the corners. Good condition.

LOUIS VUITTON Kurzschal "ECHARPE LV STAMP TIPPET MUFFLER". 100% Biberfell in Rosa gefärbt mit Innenfutter aus Seide. 90x12cm. Staubbeutel anbei. Sehr guter Erhalt.| LOUIS VUITTON short scarf "ECHARPE LV STAMP TIPPET MUFFLER". 100% beaver fur dyed in pink with silk lining. 90x12cm. Dust bag attached. Very good condition.

HERMÈS Seidencarré "KACHINAS", by Olivier Kermit, Entwurf erstmals erschienen 1992. Akt. NP.: 460,-€. 100% Seide. Kachinas sind rituelle Puppen für die Kinder der Hopi, des westlichsten Volkes der Pueblo-Indianer, die im Südwesten der USA leben. 90 x 90 cm. Handrollierte Säume. Sehr guter Zustand.| HERMÈS silk scarf "KACHINAS", by Olivier Kermit, design first published 1992. Retail price: 460,-€. 100% silk. Kachinas are ritual dolls for the children of the Hopi, the westernmost people of the Pueblo Indians who live in the southwest of the USA. 90 x 90 cm. Hand-rolled hems. Very good condition.

LOUIS VUITTON Schal "REYKJAVIK". Akt. NP.: 730,-€. 100% Kaschmir in Schwarz/Grau mit Monogrammuster und Fransenabschluss. Box und Rechnung anbei. Sehr guter Erhalt. | LOUIS VUITTON scarf "REYKJAVIK". NP.: 730,-€. 100% cashmere in black/grey with monogram pattern and fringed trim. Box and invoice enclosed. Very good condition.

HERMÈS Foulard "TOHU BOHU", by Claudia Stuhlhofer-Mayr, Entwurf erstmals erschienen 2004. Akt. NP.: 1.110,-€. 65% Kaschmir, 35% Seide. Farbenfrohes Motiv dominierend in Lila mit Kreismotiven und Logo-Details. Handrollierte Säume. 140 x 140 cm. Tragespuren dezent vorhanden.| HERMÈS scarf "TOHU BOHU", by Claudia Stuhlhofer-Mayr, design first published 2004. Retail price: 1.110,-€. 65% cashmere, 35% silk. Colourful motif dominating in purple with circle motifs and logo details. Handrolled hems. 140 x 140 cm. Discreet traces of wear.

HERMÈS Seidencarré "KACHINAS", by Olivier Kermit, Entwurf erstmals erschienen 1992. Akt. NP.: 460,-€. 100% Seide. Kachinas sind rituelle Puppen für die Kinder der Hopi, des westlichsten Volkes der Pueblo-Indianer, die im Südwesten der USA leben. 90 x 90 cm. Handrollierte Säume. Gebrauchsspuren vorhanden.| HERMÈS silk scarf "KACHINAS", by Olivier Kermit, design first published 1992. Retail price: 460,-€. 100% silk. Kachinas are ritual dolls for the children of the Hopi, the westernmost people of the Pueblo Indians who live in the southwest of the USA. 90 x 90 cm. Hand-rolled hems. Signs of wear present.

LOUIS VUITTON Tuch "MONOGRAM SHINE", Koll.: 2018, akt. NP.: 550,-€. Seide- und Wollegemisch. Monogram Motive in Goldfarben mit schimmernden Garnen und Fransenabschluss. 142 x 142 cm. Gebrauchsspuren deutlich vorhanden, Pilling, Flecken und gezogene Fäden vorhande| LOUIS VUITTON scarf "MONOGRAM SHINE", coll.: 2018, retail price: 550,-€. Silk and wool blend. Monogram motifs in gold colours with shimmering yarns and fringed finish. 142 x 142 cm. Signs of wear clearly present, pilling and pulled threads present.

HERMÈS Konvolut Handschuhklammer "FILOU" und Tuchring. Plattiertes Metall zum Befestigen an der Handtasche. Vier Ringe mit Palladium-Auflage, verbunden mit schwarzem Leder. Gebrauchsspuren vorhanden.| HERMÈS convolute gloves clasp "FILOU" and scarf ring. Plated metal to attach to the handbag. Four rings with palladium overlay, connected with black leather. Signs of wear present.

HERMÈS Seidencarré "EMBLÉMES DE L´EUROPE", by Caty Latham, Entwurf erstmlas erschienen 1993. Akt. NP.: 460,-€. 100% Seide. Mittig Pferdewagen umgeben von Wappen von Belgien, Frankreich, Großbritannien und Deutschland. Handrollierte Säume. 90 x 90 cm. Gebrauchsspuren vorhanden.| HERMÈS silk scarf "EMBLÉMES DE L´EUROPE", by Caty Latham, design first published 1993. Retail price: 460,-€. 100% silk. Horse-drawn carriage in the centre surrounded by coats of arms of Belgium, France, Great Britain and Germany. Hand-rolled hems. 90 x 90 cm. Signs of wear present.

HERMÈS Seidencarré Konvolut "ECURIES & L´INSTRUCTION DU ROY", by Philippe Ledoux und Henri d'Origny. 100% Seide. 42 x 42 cm. Handrollierte Säume. Tragespuren vorhanden. | HERMÈS silk scarf convolute "ECURIES & L´INSTRUCTION DU ROY", by Philippe Ledoux and Henri d'Origny. 100% silk. 42 x 42 cm. Hand-rolled hems. Traces of wear present.

Original vintage advertising poster by Vogue for New Country Colours Autumn Winter 1984 featuring an image of a person in a zigzag pattern suit, brown coat and scarf set over a light background. Founded in 1892, Vogue is an American monthly fashion and lifestyle magazine, first international version was the British Vogue, published in 1916. Very good condition, minor creasing, minor staining. Country of issue: UK, designer: Unknown, size (cm): 72x51, year of printing: 1984.