Arthur Hacker RA (1858-1919) "The Little Mother" Signed, oil on canvas, 74.5cm by 53.5cmProvenance: The Fine Art Society Ltd, London Private Collection, West Yorkshire Dirt and debris behind bottom stretcher. Lined, with secondary loose lining canvas at reverse. Good tension, all keys present. Lining is a little stiff and there is a little moating around the impasto from the lining process. Brittle age craquelure throughout, not elevated and all stable. Suppressed in places by retouching, including to the face and to the upper body - retouching now discoloured/chalky slightly. Further patches of drying cracks, some suppressed by retouching. A few tiny/minor old unrestored losses, and further scattered retouched minor losses. There has been some abrasion of the upper paint layers, partly suppressed by retouching in places. There are also some small patches of micro-pitting, again, some suppressed by patches of retouching. Further overpaint to top of scarf on head, hair and face (see UV images). Fairly matt, even varnish. Light surface dirt.
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Royal Doulton porcelain figurine titled Lunchtime HN2485, designed by Mary Nicholl and issued in 1973. This charming hand-painted figurine depicts an elderly man seated on a bench, dressed in a beige trench coat and green scarf, feeding squirrels. The finely detailed sculpture captures a heartwarming moment, showcasing Royal Doulton's renowned craftsmanship. The base bears the Royal Doulton backstamp.Artist: Mary NicollIssued: 1973 - 1981Dimensions: 8.5"HCountry of Origin: EnglandCondition: Age related wear.
This retired Swarovski crystal snowman (#250229) was part of the Cheerful Times theme within the When We Were Young collection. Designed by Edith Mair, it features a faceted clear crystal body with frosted details on the face, scarf, and hat, complemented by black crystal buttons and an orange nose. Introduced in 2000 and retired in 2009, this charming winter-themed figurine stands 2.25 inches (55mm) tall and includes the original box. A delightful piece for collectors of Swarovski holiday designs.Artist: Edith MairIssued: 2000-2009Dimensions: 2.25"HCountry of Origin: AustriaCondition: Age related wear.
Brown hat; green coat; yellow and red scarf. Paddy, a colloquial term for an Irishman, is derived from St. Patrick, the country's patron saint. This gent is dressed in traditional green for St. Patrick's Day.Artist: Harry FentonIssued: 1937 - 1960Dimensions: 3.25"HCountry of Origin: EnglandCondition: Good
GREENSTREET SYDNEY: (1879-1954) English actor, an Academy Award nominee for Best Supporting Actor in 1941 for his role as Kasper Gutman in The Maltese Falcon. A good vintage signed and inscribed sepia 8 x 10 photograph of Greenstreet in a half-length pose wearing a hat, overcoat and scarf, and holding a cigar in one hand, in costume as Dr. Lorenz, a professor of sociology and enemy spy, from the American espionage film Across the Pacific (1942) which also starred Humphrey Bogart and Mary Astor. Signed by Greenstreet in blue fountain pen ink across a darker area of the image, although with a good inscription to Phyllis Thaxter, ´To Phyllis, Here´s looking at you "Across the Pacific", Dr. Lorenz, love Sydney´. An excellent signed image and with a good association. Two light, minor stains to the upper area of the image and with a couple of minor creases, about VGPhyllis Thaxter (1919-2012) American actress who portrayed Ellen Lawson in Thirty Seconds Over Tokyo (1944) and Martha ´Ma´ Kent in Superman (1978).
A Quantity of 1960s Vintage Action Man, including dolls, uniforms & accessories, four painted head dolls, two dolls have some cracks to joints, complete Astronauts uniform, German stormtrooper, with medal, missing Schmeiser and field pack, Deep sea diver, Navy frogman, missing rubber suit, part Red Devil, accessories from combat soldier, Ski patrol missing helmet, mine detection set, MP tunic, armband, truncheon, red scarf, Medic parts, bazooka, 81mm Mortar, Landing signal officer, Breeches boy, pulley broken, parts from scramble pilot, Australian jungle fighter, missing boots, plus other accessories, including a small quantity of Tommy Gun, in fair to good used condition. (A.Lot)
KEVIN APPEL (AMERICAN B. 1967) LITTLE FLOWER Oil, acrylic and enamel on canvas laid to panel Signed, titled and dated 2006 (verso) 203.5 x 211cm (80 x 83 in.) UnframedProvenance: Wilkinson Gallery, London Sale, Christie's, New York, 90s to Now, 20 February 2014, lot 99 Acquired from the above by the present owner Condition Report: Unframed. Some light surface dirt to the extreme edges where the work has previously been handled. There is one small horizontal scarf mark to the upper left quadrant, visible to the trunk. There are number of very minor of scattered surface scarfs, but these are hardy noticeable. Overall, the work appears to be in good condition. Condition Report Disclaimer
A collection of costume jewellery including garnet necklace and bracelet, silver and shell necklace set with amethyst and peridot, freshwater pearls by Honora collection, Bibi scarf, fresh water pearl necklace and bracelet with silver clasp, Lola Rose agate jewellery, pearl earrings, matching Butler & Wilson necklace and bracelet and another Butler and Wilson necklace, Swarovski bracelet, single silver earrings, etc
Circle of William Hoare of Bath, RA, British 1702-1792- Portrait of Mrs Catherine Charles, bust-length, wearing a white muslin dress with a mauve scarf; coloured pastels on paper, bears old label inscribed 'By Francis Cotes. R.A. / Born 1725. Died 1770. / Eminent for his Portraits / in Crayons' attached to the backing board, 58.7 x 43.8 cm. Provenance: Anon. sale, Christies, London, 16 April, 1919, lot 40 (as F. Cotes, RA’) [sold for 50 guineas and 8 shillings]; where bought by 'Thistlethwayte'. Private Collection, UK. Note: William Hoare was the first fashionable portraitist to settle in Bath, and he was the leading portraitist there until the arrival of Thomas Gainsborough (1727-1788) in 1759. His portraits in both pastel and oil were universally admired - as early as 1740 George Vertue praised his 'manner of colouring and his disposition of heads'. The present work is very much evocative of his output in pastels and the as yet anonymous artist has conceived his sitter carefully and skilfully, presenting her as a prosperous and attractive lady.
[PRIVATE ENGLISH COLLECTION, ENGLAND] CHINESE WHITE JADE CARVING OF AN APSARA QING DYNASTY 清 白玉雕飛天吊墜carved in round with a flying deity apsara dressing in a long robe with wind-swiped scarf floating horizontally, her head half raised with jewelled high chignon, both arms extending forwards holding a lotus in front of her mouth, a band of swirling clouds supporting her underneath, the stone of even white colour 6.8cm wide Private English collection, England英格蘭私人收藏 Please note this lot will be offered with no reserve. 本拍品不設底價
This heartwarming piece features a young girl cradling two kittens in her scarf while a curious cat looks up at her lovingly. Crafted in fine glazed porcelain, this figurine showcases Lladro's exceptional artistry and ability to capture tender moments. Lladro backstampArtist: Juan HuertaDimensions: 5.75"HCountry of Origin: SpainCondition: Age related wear.
A graceful Lladro porcelain figurine titled "Wind of Peace" (model number 01006251), handcrafted in Spain. This exquisite piece features a poised woman in a flowing pink dress, elegantly holding a delicate scarf that swirls around her. The figurine captures a sense of motion and elegance, highlighted by soft pastel colors and intricate detailing. This piece is marked with the Lladro backstamp and Premiere Issue 1996, indicating its limited release.Artist: Joan CoderchDimensions: 14.5"HCountry of Origin: SpainCondition: Age related wear.
An elegant Lladro porcelain figurine titled Couplet Lady (model number 01005174), handcrafted in Spain. This sophisticated piece features a poised woman dressed in a flowing lavender gown with intricate detailing, standing gracefully beside a small dog perched on a pedestal. The figure is adorned with a soft blue hat and matching scarf, adding to the refined Art Deco aesthetic. Marked with the Lladro backstamp on the base.Artist: Vincente MartinezDimensions: 13.5"HCountry of Origin: SpainCondition: Age related wear.
A particularly fine example of Alexander Davison’s Medal for Trafalgar 1805 Alexander Davison’s Medal for Trafalgar 1805, pewter with copper rim and integral suspension rings as issued, nearly extremely fine and rare thus £2,000-£3,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- It has long been stated that the Davison’s Trafalgar medal was given exclusively to the surviving crew of H.M.S. Victory, which would suggest a possible striking and issuance of some 600-700 medals. Such a high number is in stark contrast to the seemingly low survival rate for these medals which might indicate a lower number of medals having been struck. Recent and ongoing research by Arthur Satterley and Sim Comfort has resulted in an article in press for future publication. Amongst other things they have sourced the letter of John Brown, preserved at The Caird Library, National Maritime Museum, London, written on board “Victory, Chatham, December 18th, 1805”. In it Brown writes: “There is three hundred of us Pickt out to go to Lord Nelson Funral. We are to wear blue Jackets white Trowsers and a black scarf round our arms and hats besides gold medal (sic) for the battle of Trafalgar Valued £7 1s. round our necks. That I shall take care of until I take it home to Shew it to you.” This might suggest that approximately 300 medals were struck and given to the 300 ‘Pickt’ men of H.M.S. Victory who took part in the funeral proceedings on 9th January 1806. It is also becoming increasingly apparent that the medal was both designed and struck by Thomas Halliday at his own expense, rather than Davison. Halliday, whose initials appear on the medal [H.F - Halliday Fecit], is recorded as being a quiet fellow who didn't trumpet, kept himself to himself, but nevertheless had a successful long term business in Birmingham from c.1803 into the 1830s.
A mid 19th century Rhöner carved wooden group of two children dancing, the boy with fur trimmed hat, flowing hair and yellow scarf, skipping along with his arms around a girl in red cap, scarf and apron, some clothing papier-mâché and painted oval wooden base —4 ¾in. (12cm.) high (some flaking and wear, one hand missing and the other damaged)
A mid 19th century Rhöner carved wooden Rhönwackler (nodder) woman grape picker, the wooden nodding head with hinged jaw, hair wrapped in scarf, hands held to the front, pleated skirt and apron, grape hopper on back, walking along on naturalistically carved base —8 ¼in. (21cm.) high (hole in back of skirt, some slight damage and ageing)
A late 19th century Thüringen gentleman in top hat, composition standing looking up with crumpled top hat, a red scarf wrapped around his neck to his chin, holding his collar with one hand, his other in pocket and integral base —5 ¾in. (15cm.) high (slight flaking and crazing) - possibly a Dickens’s character
A pair of mid 19th century Rhöner carved wooden and papier-mâché Rhönwackler man and woman nodders, the woman in traditional dress with red headdress with black scarf and long black ribbon, articulated jaw, blue scarf, fingerless mittens, holding prayer book and rosary —6 ¼in. (16cm.) high (missing base) and a similar gentleman in 18th century dress with tricorne hat, blue coat, holding a glass bottle and pink handkerchief in pocket (missing foot, a few fingers and base)

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22442 item(s)/page