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Lot 652
* Brock (Henry Matthew, 1875-1960). Original cover illustration for 'Strand Magazine', circa 1910, watercolour on artist's board, showing a snowy scene with a postman delivering mail to a young mother and 3 eager children at the front door of a house, with lettering above and below 'The Sunday Strand' and 'December "Christmas Greetings"', signed lower left, sheet size 37.2 x 26.4cm (14.5 x 10.5ins), together with: Drawing of Joan Brock as a Child, pen and ink on card, depicting a young girl with pigtails crouching down on a beach poking a crab with a stick, some pencil marks, two old pin holes and faint crease to upper edge, titled in pencil on verso, sheet size 11.2 x 10.6cm (4.5 x 4.25ins), plus a 3pp. manuscript letter signed from Joan Brock to Victor Chinnery, dated 4th July 1977, both items loosely contained in a copy of An Introduction to Old English Furniture by W.E. Mallett, illustrated by H.M. Brock, [1906], some foxing, free endpapers browned, front free endpaper inscribed to Victor Chinnery by the artist's daughter 'For Vic with gratitude & best wishes from Joan P. Brock August 1977', with Victor's oval ink stamp below, original cloth-backed printed boards, some minor marks and slight wear to edges in places, 4toQty: (4)Footnote: Academic Victor Chinnery was the author of the seminal work Oak Furniture: The British Tradition, published in 1979. Joan Brock was the second of artist Henry Brock's three children.
Lot 241
A late 19th-century French bamboo sword stick, with a triangular and engraved blade, 90 cm (full length), together with a silver-mounted marine ivory cane and a red leather shell carrier.Qty: 3Condition report: The sword-stick is in good order and has a pleasing patina. The bamboo shows signs of natural cracks and blemishes of age.The marine ivory cane has longitudinal cracks The bottom portion of the can appears to be actual bamboo rather than ivory carved to resemble bamboo.The shell carrier has a repaired crack running the length of the body.
Lot 429
A collection Victorian jewellery and pocket watchComprising of a diamond-set and blue enamel stick pin, approximately 0.10ct total, a 9ct yellow gold brooch decorated with seed pearl and pink sapphire, stamped with UK hallmark, an Etruscan revival granulated brooch, stamped 15ct and maker's mark AWJ & Co, an agate brooch and a silver pocket watch deocrated with blue guilloche enamel overlaid with white and gold foliate enamel, 64.62 grams (5)Condition report: enamel deficient to bow of pocket watch and stick pin
Lot 256
An Anglo-Indian sabre and scabbard with nickel-plated pierced guard and wire lashed hide grip. The fullered blade with floral tooling. Together with an Indian sword stick with ebonized shaft and lion pommel and folk art "Sailor's shark vertebrae walking cane with a worked buffalo horn handle. 98 cm overall length of the sword and scabbard.
Lot 175
Two Indian Dilruba, 20th century, each with animal hide resonator, and turned tuning pegs, the finger boards terminating in recessed pointed arches and scroll terminals, the larger example with a HMV Sound Box, and with carved bone bridge, nut and embellishments and with bow, 97.5cm & 90cmCondition report: Larger Dilruba: Blemishes on bow stick, slight pitting on bone caps. Dilruba's sympathetic strings loose, age marks on metal frets and HMV sound box. Wear consistant with use.Smaller Dilruba: Discoloured animal hide resonator and bone veneer on anchor. Crack on main body from neck joint downards and small cracks on neck by upper bridge. Wood showing age wear ad blemishes.
Lot 747
A set of four sterling silver table candlesticks with simple girdled bodies and concave square loaded bases. Each marked Stirling to the underside. 20.5 cm high x 7.9 cm wide the bases. Weight is not applicable as the bases are loadedCondition report: All marked Sterling 925Stick1quite deep pin dents to the underside of the base corners and edges OKStick 2A couple of shallow pin dents to the barrel of the stick, corners and edges OKStick 3A slightly domed in base, and shallow pin dents to the lower barrel, corners and edges OKStick 4 Slightly domed in base and shallow pin dents to the lower barrel of the stick
Lot 1268
A George III mahogany stick barometer, the silvered brass dial with vernier and mercury thermometer and signed 'Lione & Co No. 81 Holborn London', the case with broken arch pediment and glazed door, the trunk with visible tube within chequer line inlaid borders above a turned dome cistern cover, height 98.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1285
A Victorian rosewood cased stick barometer, the arched ivorine dial with vernier scale and inscribed 'G. Guarnerio Scarborough', the arched case with mercury thermometer to trunk and turned brass cylindrical cistern cover, height 94.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 74
A collection of vintage stick pins to include a sapphire and pearl set 15ct gold stick pin, along with another 15ct gold pin set with pearl terminal, combined total gross weight approx. 3.5gms, along with a 9ct gold and diamond set pin, set with an old cut diamond weighing approx 0.20ct, total gross weight approx. 1.1gms, two gilt metal pins including one with pearl set horse shoe terminal the other with Omega symbol and a rolled gold riding crop (1 bag)
Lot 728
A pollard oak and oak cricket table, of primitive form, 18th century, with thick circular one piece top and raised on three splayed stick legs, 36 cm dia. x 61 cm hThere are several coffee mug rings although they are quite faded; a couple of thin splits/shakes. Legs are probably later although this would have been a long time ago. Table is solid.
Lot 1618
ERTÉ (ROMAIN DE TIRTOFF) (1892-1990); a limited edition bronze sculpture 'Twilight', impressed signature and stamped Art Acquisitions, numbered 103/375, dated 1986, height 52cm. (D)Additional InformationLosses to the silvered decoration especially on her headdress, numerous chips to the decoration on her headdress. The base with scuffs, knocks and losses to the black patina, minor chips to the base. The stick of her fan is slightly bent and has chips to the bronze coloured panel. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 208
Five bottles of vintage 1958 Constantino's Port, four retaining paper wrappers and two with straw protectors, in an opened case (5).Additional InformationOne bottle which does not have paper wrapper has chips and cracks to the wax at the top and the main label is slightly loose. One bottle has seeped at the top and this has come down the side of the bottle. (not inspected out of wrapper) One bottle also with seeping at the cork, loss to wax and cork is visible. Discolouration and wear to the label here. The paper is stick to the wax seal. (Not inspected out of the wrapper) Two bottles with some cracks to the wax and the wax has a two tone colour, one of these bottles with degrading and some loss to the paper over the wax.
Lot 2603
An 18ct yellow gold crown wind open faced pocket watch, the circular enamelled dial set with Roman numerals, the back plate engraved with initials TCM?, diameter of face 50mm, approx. 134g.Additional InformationAs stated, the back plate is engraved. When wound, the winding crown does appear to stick, it is difficult to release the winding crown so we are unable to move the fingers, there are dents and knocks to the case.
Lot 88
VALENTIN DE ZUBIAURRE AGUIRREZÁBAL (Madrid, 1879 - 1963)."Basque types".Oil on canvas.Signed in the lower left corner.With label on the back of the XXemeExpositionBiennaleInternationale des Beaux-Arts, Venice, 1936.Measurements: 101 x 101 cm; 123 x 123 cm (frame).Valentín de Zubiaurre demonstrates in this painting his superb gifts as a portraitist, reflecting with naturalism and closeness to the three main characters, perfectly individualized in their attitudes and features. Zubiaurre, who knew like no one else how to represent the people of his time, especially Basques and Castilians, takes pleasure in the attitudes of the figures, with serious and measured gestures. The young girl, dressed in popular Basque clothing, is presented in strict profile, holding a basket of fruit in her right hand. Her gaze is directed to the old man in front of her, whose reflective face alludes to hard work and life in the countryside. In his right hand he holds a walking stick, revealing his advanced age, while in his left he holds a jar. Like him, the villager behind him, with an imperturbable gesture, wears popular clothes and a txapela. Special mention should be made of this last character, who looks directly at the viewer, an aspect that departs from what is usual in contemporary Spanish genre painting, where the characters usually ignore the painter's presence (as, in this composition, the other two villagers do). Behind this monumental group portrait, we see a group of houses of the village unfold. The white walls and gabled roofs tell us that we are in a small village in the Basque Country, full of life according to the locals who invade its streets.The son of the musical composer of the same name, Valentín de Zubiaurre was born deaf and dumb, as was his younger brother Ramón, also a painter. He began his training with the painter Daniel Perea, also deaf and mute, before entering the San Fernando Royal Academy of Fine Arts in 1894. There he was a disciple of Carlos de Haes, Muñoz Degrain, Ferrant and Moreno Carbonero, and at the same time he completed his solid training by visiting the Prado Museum. In 1898 the two Zubiaurre brothers embarked on a study trip that would take them to France, Italy and the Netherlands. On their return to Spain they obtained a scholarship from the Diputación de Vizcaya in 1902, which allowed them to settle in Paris. There they attended classes at the Académie Julian, became acquainted with the modern trends that were then developing in the French capital and became interested in Impressionism. However, the Zubiaurre brothers were not permeable to its influence, mainly due to the weight of their academic training and their admiration for the Flemish and Italian primitives as well as for contemporary Spanish painters such as Dario de Regoyos and, especially, Ignacio Zuloaga. Valentín de Zubiaurre regularly sent his works to the National Exhibitions of Fine Arts, being awarded on several occasions; in 1908 he obtained the second medal, and in 1917 he was awarded the first medal. He was also distinguished with awards from foreign institutions, and won prizes in outstanding international competitions held in the first decade of the 20th century, among them those of Munich, Buenos Aires, Brussels, San Francisco, San Diego and the University of Panama. From the 1920s until the Civil War, the Zubiaurre brothers experienced their period of greatest success and recognition, both in Spain and internationally. After the war Valentín de Zubiaurre resumed his career in Spain, and his recognition became official with his appointment as a full member of the Royal Academy of Fine Arts of San Fernando in 1945, culminating with the medal of honor awarded to him at the National Exhibition of Fine Arts in 1957, six years before his death. He is currently represented in the Fine Arts Museums of Chicago, Buenos Aires, Paris, Luxembourg, Munich, Berlin, Tokyo, Pittsburg and San Diego, as well as in the main art galleries of the Basque Country, the Castagnino Museum in Argentina, the Reina Sofía National Art Center, the BBVA collection and the Museum of Modern Art in Rome, among others, both public and private.
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