András Nagy-Sándor Facing Forward, 2022 Pen, Ink and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Andras Nagy-Sandor (1993) is a Hungarian artist and curator based in London, UK. The main focus of Andras' practice is unpicking the aspirations and ambivalences within his masculinity through the symbolism of armours as a link between painterly, emotional and conceptual dichotomies. The aesthetic of Andras' armours are narrative, in some cases pseudo-folkloric, however they do not need to be read as armours as they are the results of an intuitive design process, an embodied sensemaking approach that is based on Andras' imagination and memories. They are gestures, edges, shapes, colours, patterns, paint, materials with a conscience enveloping figurative moments, interactions between body parts, characters, groups, anthropomorphic multiheaded beings that float between cultures and identities, folklore and sci-fi. Andras has recently had his first solo exhibition at Fest; Tisztit Gallery in Budapest, Hungary and is the co-runner of ongoing initiative "project hu", which created a collaborative residency, artist talks and a touring exhibition over the past four years. Education 2019-2022, MFA Fine Art Painting, Slade School of Fine Art, UK 2015-2018, BA (Hons) Fine Art, Newcastle University, UK Select Exhibitions/Awards Solo Exhibitions Feb. 2022, Bizz bennem/Trust me, Fest; Tisztit Gallery, Budapest, HU Sept. 2020, Narrow Boat Exhibition, Narrow Gallery, London Mar. 2018, Studies, Culture Lab, Newcastle Selected Group Exhibitions Apr. 2022 Emergence, The Room, London Feb. 2022, Dream Baby Dream, The Fitzrovia Gallery, London Feb. 2022, I'll Be Your Mirror, Boisdale of Bishopgate, London Jan. 2022, Why Don't You Dance, ASC Gallery, London Jan. 2022, Assemble, VO Curations, London Dec. 2021, Paint Talk presentsWith Love II, online Aug. 2021, Flirting with the Border Guards, Terrace Gallery, London Nov. 2020, Paint Talk presents With Love, online Nov. 2020, ING Discerning Eye Exhibition, online due to COVID-19 Aug. 2020, Material Figures, with Grace Mattingly and Lindsey Jean McLean, VO Curations, London Jan. 2020, Slade Runner, ASC Gallery, London Feb. 2019, hu, Hungarian Traveling Exhibition, White Conduit Projects, London Jan. 2019, hu, Hungarian Traveling Exhibition, Abject Gallery, Newcastle Nov. 2018, hu, Hungarian Traveling Exhibition, GENERATORporjects, Dundee Nov. 2018, Young Contemporary Talent 2018, Ingram Collection, The Cello Factory, London Sep. 2018, Art & Liberation, The Holy Biscuit, Newcastle Aug. 2018, Newcastle University Printmakers, R.K. Burts Gallery, London Jun., Jul. 2018 Newcastle University Degree Show, Newcastle University and Unit 8 at Copeland Park, London Mar. 2018, Newcastle University Printmakers, Long Gallery, Newcastle University, Newcastle Mar. 2018, Your Space, Jane Doe Gallery, Newcastle University, Newcastle (group) June 2017, Page 1, Marjorie Robinson Library, Newcastle Apr. 2017, Something Black, Cultivate Gallery and Organ Thing, Online Mar. 2017, Fancy a Cuppa?, Vane Gallery, Newcastle Dec. 2016, The Parade, Newcastle University, Newcastle May 2016 Narrative, Newbridge Project, Newcastle May 2016, Testing Grounds, Hoults Yard, Newcastle Statement about AOAP Submitted Artwork "Facing forward" is an abstract shape. It is part of an ongoing series that anthropomorphize elements of car designs, while remaining non-figurative, results of an intuitive process. "Stick together" is a more narrative piece, on the verge of figuration. It deals with questions around companionship and identity. "Keep the band back together" is a painting about losing parts of ourselves and fetishizing them. "Don't get stuck, but go deep" is a drawing that deals with wanting to become something bigger than ourselves. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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Hunter Potter Sunshine Daydream, 2022 Oil Stick, Spray and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About b. 1990 Syracuse, NY Lives and works in Brooklyn, NY Education 2013 University of Vermont - Burlington, VT BA with Honors, Studio Art Presidential Scholarship recipient Select Exhibitions/Awards 2022 Godspeed - Primary Projects; Miami, FL 2021 Gimme Shelter - Ross+Kramer Gallery; East Hampton, NY I'll Wake Up Older - Richard Heller Gallery; Los Angeles, CA 2020 I Ain't Half The Man I Wanted To Be - Public Gallery; London, UK 2019 Happy To Be Here - Deli Grocery New York; Brooklyn, NY It's a New Life For Me - ChaShaMa Port Authority; New York, NY You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Ben Crawford Tell My Sister, 2022 Oil, Acrylic, Oil Stick, Charcoal on Gesso Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ben Crawford is a figurative painter. He mostly paints about his life, exploring the story telling possibilities of distorted memories and dreams. Surreal elements transform the landscapes he paints into somewhat mystical realms, bursting with colour and charged with mystery. Figures, architecture and landmarks drawn from his life imbue Ben's paintings with a sense of narrative, anchoring his work tentatively to reality. Education Born in Cork, Ireland, Ben studied painting at The Crawford College of Art & Design and graduated with a first class honours degree in fine art in 2007. Select Exhibitions/Awards The Unwritten Places Solo show with Boom Gallery Geelong AUS. February 2022 Darlings Group show with Curatorial and Co, Sydney AUS. December 2021. Natura Morta Group show with Boom Gallery Geelong AUS. December 2021 Art for Charity Collective Online art auction. November 2021 Big Boom Selection of works alongside other Boom artists, Boom Gallery Geelong AUS. October 2021. An Outlaw for My Love Solo show with Curatorial and Co, Sydney AUS. August 2021. Top 100 Group show with The Auction Collective, London UK. June 2021. Bucolia Group show with Blue Shop Cottage, London UK. June 2021. A Space Between, Online art auction with Art For Charity Collective, UK. March 2021. Darlings Group Show with Curatorial and Co, Sydney AUS. December 2020. Eighty Eight Miles Per Hour Solo show with Boom Gallery, Victoria AUS. November 2020 Art For Charity Online Art Auction, Instagram September 2020 Gallery Representation Boom Gallery Australia. Curatorial and co. Australia. Statement about AOAP Submitted Artwork These paintings are little vignettes from my life: 'Tell my sister' is about my mother and aunt, but by extension it's also about my two daughters and that special bond siblings have. 'History repeating itself'. The house in this painting is referencing a lot of the houses I grew up in. My parents enjoyed renovating, and as a kid these old crumbling structures had a warm association with the idea of home. These buildings were homes to many generations before us and will be for a long time to come, so that idea of layers of history in a place really intrigues me. 'Starting line' is based on a photo from my primary school. It's sports day and the kids are lining up to start a race. The 'starting line' refers to this event, but also to this time in our lives when we're so young and impressionable. 'Short cut' is about walking back to a friend's house after school. It always seemed to take ages and there would always be elaborate 'short cuts' through fields and convents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Ben Crawford Short Cut, 2022 Oil, Acrylic, Oil Stick, Charcoal on Gesso Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ben Crawford is a figurative painter. He mostly paints about his life, exploring the story telling possibilities of distorted memories and dreams. Surreal elements transform the landscapes he paints into somewhat mystical realms, bursting with colour and charged with mystery. Figures, architecture and landmarks drawn from his life imbue Ben's paintings with a sense of narrative, anchoring his work tentatively to reality. Education Born in Cork, Ireland, Ben studied painting at The Crawford College of Art & Design and graduated with a first class honours degree in fine art in 2007. Select Exhibitions/Awards The Unwritten Places Solo show with Boom Gallery Geelong AUS. February 2022 Darlings Group show with Curatorial and Co, Sydney AUS. December 2021. Natura Morta Group show with Boom Gallery Geelong AUS. December 2021 Art for Charity Collective Online art auction. November 2021 Big Boom Selection of works alongside other Boom artists, Boom Gallery Geelong AUS. October 2021. An Outlaw for My Love Solo show with Curatorial and Co, Sydney AUS. August 2021. Top 100 Group show with The Auction Collective, London UK. June 2021. Bucolia Group show with Blue Shop Cottage, London UK. June 2021. A Space Between, Online art auction with Art For Charity Collective, UK. March 2021. Darlings Group Show with Curatorial and Co, Sydney AUS. December 2020. Eighty Eight Miles Per Hour Solo show with Boom Gallery, Victoria AUS. November 2020 Art For Charity Online Art Auction, Instagram September 2020 Gallery Representation Boom Gallery Australia. Curatorial and co. Australia. Statement about AOAP Submitted Artwork These paintings are little vignettes from my life: 'Tell my sister' is about my mother and aunt, but by extension it's also about my two daughters and that special bond siblings have. 'History repeating itself'. The house in this painting is referencing a lot of the houses I grew up in. My parents enjoyed renovating, and as a kid these old crumbling structures had a warm association with the idea of home. These buildings were homes to many generations before us and will be for a long time to come, so that idea of layers of history in a place really intrigues me. 'Starting line' is based on a photo from my primary school. It's sports day and the kids are lining up to start a race. The 'starting line' refers to this event, but also to this time in our lives when we're so young and impressionable. 'Short cut' is about walking back to a friend's house after school. It always seemed to take ages and there would always be elaborate 'short cuts' through fields and convents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Ben Crawford Starting Line, 2022 Oil, Acrylic, Oil Stick, Charcoal on Gesso Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ben Crawford is a figurative painter. He mostly paints about his life, exploring the story telling possibilities of distorted memories and dreams. Surreal elements transform the landscapes he paints into somewhat mystical realms, bursting with colour and charged with mystery. Figures, architecture and landmarks drawn from his life imbue Ben's paintings with a sense of narrative, anchoring his work tentatively to reality. Education Born in Cork, Ireland, Ben studied painting at The Crawford College of Art & Design and graduated with a first class honours degree in fine art in 2007. Select Exhibitions/Awards The Unwritten Places Solo show with Boom Gallery Geelong AUS. February 2022 Darlings Group show with Curatorial and Co, Sydney AUS. December 2021. Natura Morta Group show with Boom Gallery Geelong AUS. December 2021 Art for Charity Collective Online art auction. November 2021 Big Boom Selection of works alongside other Boom artists, Boom Gallery Geelong AUS. October 2021. An Outlaw for My Love Solo show with Curatorial and Co, Sydney AUS. August 2021. Top 100 Group show with The Auction Collective, London UK. June 2021. Bucolia Group show with Blue Shop Cottage, London UK. June 2021. A Space Between, Online art auction with Art For Charity Collective, UK. March 2021. Darlings Group Show with Curatorial and Co, Sydney AUS. December 2020. Eighty Eight Miles Per Hour Solo show with Boom Gallery, Victoria AUS. November 2020 Art For Charity Online Art Auction, Instagram September 2020 Gallery Representation Boom Gallery Australia. Curatorial and co. Australia. Statement about AOAP Submitted Artwork These paintings are little vignettes from my life: 'Tell my sister' is about my mother and aunt, but by extension it's also about my two daughters and that special bond siblings have. 'History repeating itself'. The house in this painting is referencing a lot of the houses I grew up in. My parents enjoyed renovating, and as a kid these old crumbling structures had a warm association with the idea of home. These buildings were homes to many generations before us and will be for a long time to come, so that idea of layers of history in a place really intrigues me. 'Starting line' is based on a photo from my primary school. It's sports day and the kids are lining up to start a race. The 'starting line' refers to this event, but also to this time in our lives when we're so young and impressionable. 'Short cut' is about walking back to a friend's house after school. It always seemed to take ages and there would always be elaborate 'short cuts' through fields and convents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Ben Crawford History Repeating Itself, 2022 Oil, Acrylic, Oil Stick, Charcoal on Gesso Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ben Crawford is a figurative painter. He mostly paints about his life, exploring the story telling possibilities of distorted memories and dreams. Surreal elements transform the landscapes he paints into somewhat mystical realms, bursting with colour and charged with mystery. Figures, architecture and landmarks drawn from his life imbue Ben's paintings with a sense of narrative, anchoring his work tentatively to reality. Education Born in Cork, Ireland, Ben studied painting at The Crawford College of Art & Design and graduated with a first class honours degree in fine art in 2007. Select Exhibitions/Awards The Unwritten Places Solo show with Boom Gallery Geelong AUS. February 2022 Darlings Group show with Curatorial and Co, Sydney AUS. December 2021. Natura Morta Group show with Boom Gallery Geelong AUS. December 2021 Art for Charity Collective Online art auction. November 2021 Big Boom Selection of works alongside other Boom artists, Boom Gallery Geelong AUS. October 2021. An Outlaw for My Love Solo show with Curatorial and Co, Sydney AUS. August 2021. Top 100 Group show with The Auction Collective, London UK. June 2021. Bucolia Group show with Blue Shop Cottage, London UK. June 2021. A Space Between, Online art auction with Art For Charity Collective, UK. March 2021. Darlings Group Show with Curatorial and Co, Sydney AUS. December 2020. Eighty Eight Miles Per Hour Solo show with Boom Gallery, Victoria AUS. November 2020 Art For Charity Online Art Auction, Instagram September 2020 Gallery Representation Boom Gallery Australia. Curatorial and co. Australia. Statement about AOAP Submitted Artwork These paintings are little vignettes from my life: 'Tell my sister' is about my mother and aunt, but by extension it's also about my two daughters and that special bond siblings have. 'History repeating itself'. The house in this painting is referencing a lot of the houses I grew up in. My parents enjoyed renovating, and as a kid these old crumbling structures had a warm association with the idea of home. These buildings were homes to many generations before us and will be for a long time to come, so that idea of layers of history in a place really intrigues me. 'Starting line' is based on a photo from my primary school. It's sports day and the kids are lining up to start a race. The 'starting line' refers to this event, but also to this time in our lives when we're so young and impressionable. 'Short cut' is about walking back to a friend's house after school. It always seemed to take ages and there would always be elaborate 'short cuts' through fields and convents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
A collection of silver and silver plate, to include a silver toast rack by William Neale & Son Ltd, Birmingham, 1937; silver shell butter dish by Lee & Wigfull, Sheffield, 1899; Continental silver urn dish; silver lid with penquin finial (a/f); Continental silver spoon with scallop shell bowl, 800; pair of silver sugar tongs; swizzle stick; miniature spoon, together with a Continental silver mounted magnifying glass, brush and silver plated dishes etc, weighable silver 14.6 tr.oz. (quantity) * Varying conditions, mostly good.
A Japanese Imari cylindrical stick stand, probably late 19th century, typically decorated in traditional pallet, depicting pheasants amidst flowering prunus between broad floral decorated blue ground borders, 24 5/8in. (62.5cm.) high. * No chips or cracks found, some rubbing to foot area, overall good.
A collection of antique walking sticks and canes, comprising a Victorian bamboo sword stick, a bamboo cane with horn handle and silver collar (very damaged), a wooden walking stick with shagreen handle, a walking cane with removable measuring stick and silver handle, two further walking canes, one with a silver engraved handle and a handle carved in the form of a dog, all AF (8)
A silver cigarette case, W H Haseler Ltd, Birmingham 1919, engraved scroll design and initials, 8cm x 6cm; a silver visiting card case, in a leather holder; a silver vesta; a small silver stamp box; a silver-plated teaspoon; a whistle; a 1/3 oz weight; and a piece of engraved silver-plate from a walking stick; total weighable approx. 5.5oz.
A SILVER BEAKER, POSY VASE, AND OTHER ITEMS, embossed floral and foliate beaker with a wavy rim, hallmarked 'William Hutton & Sons Ltd' London 1956, a single posy vase, tapered polished stem on a round weighted base, hallmarked 'A T Cannon Ltd' Sheffield 1977, a large circular swirl brooch hallmarked Sheffield, two white metal filigree brooches both unmarked, a white metal and abalone shell dragonfly brooch stamped 'Alpaca Mexico', a small silver bow brooch hallmarked Birmingham, a Tudor rose enamel stick pin stamped 'Mizpah' to the reverse, a boxed pair of oval cufflinks stamped '9ct & silver', approximate gross weight of weighable silver 95.1 grams
TWO YELLOW METAL CHARMS AND A STICK PIN, to include a puffy Maltese cross charm fitted with an oval link, stamped 750, a spinning sphere within a textured surround, fitted with a bail, stamped 750, approximate gross weight 3.4 grams, together with a stick pin designed with a cross to the terminal and a collet mounted circular cut synthetic ruby, together with a base metal safety cap approximate gross weight without the cap 1.7 grams
FIVE BOXES AND LOOSE CERAMICS, GLASSWARES AND SUNDRY ITEMS, to include a fifteen piece German gold lustre coffee set, a KLM delft house shaped decanter, a Willow Tree Angel of Wishes, a Chinese reverse painted glass sphere with stand, figurines including Royal Grafton Tracy, ceramic kitchen wares with relief moulded painted fruit, a Portuguese stick stand with sticks and umbrellas, a Country Artists resin 'Toby' West Highland Terrier seated figure no 2041, height 34.5cm (5 boxes + loose) (sd)
AN ASSORTMENT OF SILVER, COSTUME JEWELLERY AND FURTHER ITEMS, to include a silver paste thistle pendant AF, hallmarked Edinburgh 1957, length 22mms, a silver 'Roy King' wristwatch, hallmarked London 1980, inner diameter 60mms, together with two hardstone pendant necklaces, a rose quartz and pyrite plinth holding a yellow metal mouse, cufflinks, stick pin, brooches and many further items, approximate gross weight of weighable silver 24.2 grams (condition report: silver thistle brooch pin vacant can be used as a pendant, the watch is not currently working at the time of cataloguing, not tested)
A VICTORIAN COROMANDEL AND MOTHER OF PEARL INLAID WRITING SLOPE, A BRASS CHAMBERSTICK AND BRASS SNUFFERS, the writing slope with engraved initials to the cartouche, flush fitting side handles, the interior in need of restoration, width 43cm x height 17cm x depth 27.5cm, the chamber stick complete with snuffer (3)
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133746 item(s)/page