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A collection of Tartanware including snuff boxes, boxes and a miniature cauldronMarkings and scratchings to the exterior throughout. The purse has discolouring to the inside with clasp not fully working. The pin cushion has wear to the material commnesurate with age and use. The match stick holder has a broken button on the top. The mianiature pen knife has rusting to the knife. The box with the hat has the the material slightly coming away. The miniature cauldron has sllight chipping to the base of the lid.
A collection of 9ct gold jewellery including a pair of emerald and 9ct gold studs, along with 9ct gold stick pins, including diamond set versions, a paste set version and a riding crop and horse shoe pin, together with ring set with turquoise, size M1/2, a 9ct gold signet ring, size S, a 9ct gold bangle, combined total gross weight approx 22gms along with an 18ct gold sapphire and diamond ring (stone missing) total gross weight approx 22.6gms along with a gilt bracelet made from pocket watch grills and a silver and jasper pendant and silver signet ring (etc)
In the manner of Piero Fornasetti (1913-1988) Umbrella/stick stand, decorated with scene of London, drip tray to the interior, with old 'Lady Clare' label to the base, 53.5cm high overallOverall signs of wear and use. Old label residue to the interior. Some marks and scuffs, consistent with age and use. Label to the base worn.
A MID 18TH CENTURY CHAMBER STICK EDWARD LOTHIAN, EDINBURGH 1745, ASSAY MASTER HUGH GORDON the central sconce set to a simple dished base with C scroll handle with plain thumbpiece, raised on three ball feet, the underside engraved with foliate initialsDimensions:base 12cm diameter, 6ozProvenance:Provenance:Jacobite, Stuart, and Scottish Applied Arts, Lyon & Turnbull, 13th May 2015, Lot 97 Note: Note: Although the nation was in turmoil and rarely had Scotland or the United Kingdom been such an uncertain place, it is interesting to see the fashion of commissioning silver still active in 1745. Life must go on and perhaps the commissioner's intent was not only to have another piece of fine silver plate for his home but also to have his wealth in an easily portable form should the uprising and rebellion go the wrong way.
AN EARLY 18TH CENTURY GLASS CANDLESTICK simple bucket sconce above a tapered square section stem, on a domed foot with reeded rim, with accompanying letter of provenanceDimensions:19.5cm high, base 11cm diameterProvenance:Provenance: MacDonald family collectionStuart of Appin family collection to Miss J E Oliphantgifted to Miss Threipland of FingaskThreipland family collectionBy direct descentFingask Castle, 26th – 28th April 1993, Christies, Lot 1321Jacobite, Stuart, and Scottish Applied Arts, Lyon & Turnbull, 13th May 2015, Lot 6 Note: Note:Rather than lose the item's history or remove it from its native land this lot was gifted from one important Jacobite family to another, and a 'protector' of the cause. It is sold with an accompanying label stating 'Candle stick used by Prince Charles when in the MacDonald house, see Miss Oliphant letter indicating (?) the tale' and with a handwritten letter detailing provenance and gift which reads"Perth 72 George Str15 Apr 1814My Dear Miss ThreiplandI am quiting my own beloved land. I take the liberty of sending you a candlestick which in itself has no value. But it was the one that was used by our beloved but ill used Prince while he took refuge under the roof of one of the noble family of the McDonalds who fought manfuly for him it has never been used since it was last used by Prince Charlie in his Bedroom.Do not think my thoughts for my Dear Prince is lessened by parting with this, since that descended through my forefather the Stuart of Appin I felt certain that while a branch of the noble family of Fingask is left this, we think was an admirer at some of Prince Charles' campaign he can fully find pardon me and say a feeling of pride rises in my chest that I have the privilege of this giving. My sincere thanks to your care and I assure you of feel happily, yes happy for hoping that can ****, should I see this country fall into the hands of those that loved not, nor would not fight for my ill used Prince.I close this with Miss Elphinstone and great fine feelings and remain, dear Miss ThreiplandSincerelyJune E. Oliphant. "
Charles Arthur Salvador, 'Charlie' (British, b.1952). Born Michael Gordon Peterson, also known as Charles Bronson. 'Silent Scream'. Charcoal and ink on card. Signed and dated 2012. With inscription and stick man drawing verso 'THE BRONSON SAUSAGE LIFTING CHAMPIONSHIPS'. Paper size A4 (29.5 x 21cm). Provenance: Consigned for sale by the author Richard Booth. Gifted to Richard by the artist. Richard has co written books with Bronson, including 'Hell on Earth' and 'Words from the Soul'. Charles Arthur Salvador, 'Charlie', (born Michael Gordon Peterson also known as Charles Bronson), was born 6 December 1952. He is an English criminal who is often referred to in the British press as the "most violent prisoner in Britain" and "Britain's most notorious prisoner". Charlie is one of the highest-profile criminals in Britain and has been featured in books, interviews, and studies in prison reform and treatment. He was the subject of the 2008 film Bronson starring Tom Hardy, a biopic based loosely around his life. Bronson has written many books about his experiences and famous prisoners he has met throughout his incarceration. A self-declared fitness fanatic who has spent many years in segregation, Bronson dedicated a book to exercising in confined spaces. He has also cultivated a reputation as an outsider artist, with his paintings and illustrations of prison and psychiatric hospital life being publicly exhibited and winning him multiple awards. Charlie has 11 Koestler Trust awards for his art and poetry. Some people say the artwork shows the dark corners of a disturbed mind, but supporters say the scenes reflect the events he has witnessed and lived. It is art that has come straight from his soul. It was in 1994 at HMP Wakefield that prison officer Mick O'Hagan encouraged him to take up art, and his lifelong love of art has been his saviour ever since. Charles, who changed his surname as a mark of respect to one of his favourite artists Salvador Dali, is said to have drawn "the madness he has come in contact with." "Nobody condones criminality, but I do believe that offenders can be helped to break the cycle of reoffending. Charlie himself has used his art to help rehabilitate himself. Helping young offenders has become increasingly important to Charles he wants to use his experience to prevent others following the same path" - Richard Booth.
A Mary Gregory cranberry glass vase decorated with hoop and stick, height 23cm (very minor rim chips); 2 similar jugs, heights 20 & 14cm. Large jug has a crack in the body extending to the top of the handle; small jug has chip to rim by the handle; vase has chips around rim, otherwise no further obvious sign of damage, repair or restoration.

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