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Lot 503
A large quantity of assorted vintage and modern costume jewellery to include a fly brooch set with pearl, jade and spinel in unmarked yellow metal, tests as 14ct gold; a 14ct gold and blue topaz ring, size Q, total gross weight approx 4.6 gms; a lapis lazuli and 9ct gold pendant; dyed pearl studs and a necklace; stone set silver earrings and pendants; silver and CZ set rings; a scarab brooch; silver faux pearl necklace; paste set earrings; Butler & Wilson crystal bead cuff; gilt metal bangles and chains; vintage glass bead necklace (1 bag)
Lot 529
A Seiko ladies' wristwatch, complete with case; a silver mounted agate brooch and a Mizpah brooch; a yellow-metal Victorian insect brooch, a Victorian agate brooch; Art Nouveau necklace; silver brooch and a Coronation brooch; a silver cased fob watch; two dark green bead necklaces one with approx 12 mm beads approx 18'' long, the other with approx 8 mm beads, approx 25'' long, both on silver clasps; a jade-like bangle together with another bangle (A/F)
Lot 187
Grouping of Three (3) Vintage Necklaces and Bracelet. Includes a jade, rose quarts, mother of pearl, and sterling sliver beaded necklace (21" L) and bracelet (7-1/2" L) suite along with a lapis, tiger eye, onyx, and bone beaded necklace (20-1/2" L). Condition: Split to mother of pearl Estimate: $100.00 - $150.00 Domestic Shipping: $32.00
Lot 101
CARVED SHADOW AGATE PENDANTLATE QING DYNASTY/REPUBLIC PERIOD carved utilising the natural dark brown inclusions of the stone with a cicada and a bat perched on a gnarled branch issuing a double-gourd and lingzhi; together with a SPINACH-GREEN JADE 'DRAGON' BELT BUCKLE, 20TH CENTURY (2)largest 9.2cm wide
Lot 103
THREE CARVED AND PIERCED JADE PENDANTSLATE QING DYNASTY/REPUBLIC PERIOD carved in the form of a butterfly, a pair of golden carps as one of the eight Buddhist emblems, and a happiness-character flanked by a pair of dragons, wooden display stands (3)largest 6.4cm highProvenance:Private Edinburgh collection.
Lot 106
WHITE JADE 'DRAGON' BELT HOOKQING DYNASTY, 18TH/19TH CENTURY meticulously worked with a horned dragon's head forming the hook, skilfully rendered with bulging eyes and a wide snout, the gently arched shaft carved in openwork with a pair of Buddhist lions playing with a brocade ball, the reverse of the shaft with a round knob, the stone with a very pale celadon tinge11.5cm longProvenance:Private Glasgow collection; collected in the 1960s and 1970s.
Lot 107
CELADON JADE 'GOURD' CARVINGQING DYNASTY, 18TH/19TH CENTURY carved as a large gourd hanging from gnarled leafy branches bearing one further small gourd, the stone of an even pale celadon tone mottled with russet patches at the base5.3cm highProvenance:Private Glasgow collection; collected in the 1960s and 1970s.
Lot 108
SMALL WHITE JADE CARVING OF A HORSEQING DYNASTY, 18TH/19TH CENTURY carved standing on a thin base of rippling waves, the head lowered to drink from the water, the tail hanging down, with intricately incised mane, the smoothly polished stone with very pale russet patches5.1cm wideProvenance:Private Glasgow collection; collected in the 1960s and 1970s.
Lot 113
CELADON JADE PLAQUE MOUNTED AS A TABLE SCREENLATE QING DYNASTY the jade plaque delicately carved and pierced with a stylised shou-character surrounded by the Eight Buddhist emblems, all amongst scrolling vines and enclosed within a simulated bamboo frame21cm high (overall)Provenance:Private Scottish collection.
Lot 118
CLOISONNÉ ENAMEL AND SPINACH-GREEN JADE 'ELEPHANT AND VASE' GROUPthe spinach green jade caparisoned elephant carved standing sturdily foursquare, supporting on its back a cloisonné enamel saddle beneath a vase of fanghu form, adorned with ornamental trappings set with hardstones, the caparison vibrantly decorated with dragons above rocks and crashing waves23.5cm long
Lot 119
WHITE JADE DOUBLE-GOURD-FORM AMULETcarved in low relief with bamboo on the one side and prunus on the other, below a Chinese character identifying the plant, the flattened double-gourd shaped plaque surmounted by archaistic scrolls and flanked by a pair of bats carved in openwork, the stone with a pale celadon tone10cm high
Lot 125
WHITE JADE VASEQIANLONG MARK BUT LATER of flattened baluster form surmounted by a ribbed stopper, the two wider sides finely incised with small flowerheads against a wave ground, the shoulder set with a pair of stylised dragon-head handles, the base incised with a four-character apocryphal Qianlong seal mark12.8cm high
Lot 127
WHITE JADE 'DEER' GROUPQING DYNASTY, 18TH/19TH CENTURY carved as a pair of recumbent deer, both grasping in their mouths a single ruyi spray, the stone of a finely polished attractive white tone with a slight grey tinge; together with a CELADON AND RUSSET JADE ARCHER'S RING, QING DYNASTY, 19TH CENTURY, carved with an equestrian figure of an immortal and an attendant under a pine tree (2)largest 5.2cm wideProvenance:Private Hungarian collection.
Lot 156
PEWTER-ENCASED YIXING STONEWARE TEAPOT AND COVERBY FAN LUZENG AND ZHI AN, LATE QING DYNASTY the teapot of archaistic form, the body rising from a flat base with scalloped edges, the spout, handle, and knob all mounted with jade, the pewter case engraved with orchid on one side and with a poem on the reverse, signed 'Engraved by Zhi An', the interior of the teapot signed 'Made by Fan Luzeng'18cm wideProvenance:Private Glasgow collection; collected in the 1960s and 1970s. Note:For a similar pewter-encased Yixing teapot, see Poly Auction's sale in their Beijing rooms on 08.12.2018, lot 5036.
Lot 274
INLAID IRON TEA KETTLE AND COVER, TETSUBINBY SEIGYOKUDO, MEIJI PERIOD of cylindrical form, the iron body finished in a rough stone-like texture and inlaid in gold nunome-zogan in typical Komai-style with famous landmarks of Kyoto including the Byodo-in Temple with a pair of phoenix stretching their wings upon the roof, and the Sanjo Ohashi bridge spanning the Kamo River, the cover inlaid with a mountainous landscape vignette, the overhead handle inlaid with three small birds flying towards a crescent moon, with an inlaid gold mark reading Seigyokudo (Hall of Clear Jade) within a lobed reserve to the side17.5cm wideProvenance:From a private Scottish collection of Chinese & Japanese works of art.Note:For a comparable example of a tetsubin, also featuring scenes of landmarks of Kyoto, see Bonhams' sale in their New York rooms on 18.03.2015, lot 3173.
Lot 48
CELADON JADE CIRCULAR BOX AND COVERQING DYNASTY, 19TH CENTURY possibly a seal paste box, raised on a short straight foot, the smoothly polished jade of a greyish celadon tone6.1cm diameterProvenance:From the collection of Sir Robert Stodart Lorimer, KBE (1864– 1929); thence by direct family descent & thence on loan to Kellie Castle.
Lot 93
GREY CELADON JADE SNUFF BOTTLELATE QING DYNASTY/REPUBLIC PERIOD of rectangular form with rounded main sides, carved with four flanges, raised on a short oval footring and surmounted by a short cylindrical neck, the smoothly polished stone of greyish celadon tone with russet inclusions7.1cm high (overall)Provenance:From a private Edinburgh collection of Chinese Snuff Bottles.
Lot 350
A Chinese mottled grey-green jade cong Shang Dynasty The pale grey-green stone with dark brown inclusions of near square section with rounded corners, the centre cylindrical with raised flat rings to the top and bottom, with later hardwood stand and cover. 5cm across FOOTNOTE: Although the exact nature of the cong as a ritual object is unknown, it is thought that the form represents the earth, as bi discs represent the heavens, and thus they are often found at burial sites. The shape recurs throughout Chinese applied arts and can be found in bronze, cloisonne enamel, pottery and porcelain. A near identical jade cong to the present lot can be found in the collection of the British Museum, London, ref.1914,0513.5
Lot 42
A JADEITE JADE AND GOLD BANGLEThe hinged green jadeite jade bangle accented by panels of engraved foliate and dragon design, mounted in gold, with safety chain, inner diameter 5.6cm** Please note that the green jadeite jade was verbally tested by GCS laboratory in London in April 2019 - no indications of impregnation were observed.
Lot 98
A ROCK CRYSTAL, ONYX AND DIAMOND 'TORCHON' NECKLACE, BY SEAMAN SCHEPPSComposed of fluted rock crystal links, interspersed by further rock crystal and onyx discs, accented by five round brilliant-cut diamond rondelles, mounted in 18K gold, maker's mark for Seaman Schepps, length 97.5cmPlease note that this necklace can also be worn separately as two necklaces, lengths 46cm & 52cm.Jewellery designer Seaman Schepps is the embodiment of the American Dream. Schepps was born into an immigrant family and grew up in tenements on the Lower East Side of New York. His marvellous jewellery designs took the American market by storm in the 1930s allowing Schepps to rise through the social strata.With his pioneering designs including chunky brooches, barberic bracelets and bubble earrings, Schepps defined a new style of the American woman and his jewellery featured on the covers of top fashion publications such as Vogue, Harper's Bazaar and Look. He counted Katherine Hepburn, Coco Chanel, Elsa Schiaparelli, the Duchess of Windsor and Andy Warhol, as well as members of the Du Pont, Mellon and Rockerfeller families, all among his clients. In the late 1930s and early 1940s, Schepps began to experiment with rock crystal. Carving and engraving the precious stone, he created pieces in which it complimented and counterbalanced other precious gem stones such as emerald or jade. He also produced exquisite examples which allowed the rock crystal to shine in its own light, similar in design to the present lot (albeit a contemporary piece inspired by the designs of the founder). Rock crystal enjoyed a resurgence in the 1960s when Schepps created further pieces of clean simplistic design such as the barrel ear clips and ring and the familiar shell ear clips composed solely of rock crystal paired with yellow gold. After Schepps’ death in 1972, Patricia Schepps Vaill continued to make jewellery in her father’s style, often using elements from pieces he had designed. Vaill developed a new look in jewellery aimed at appealing to a younger clientele. After twenty years at the helm of her father’s company, Vaill retired and passed the baton to Jay Bauer and Anthony Hopenhajm who have continued to produce jewellery in the unique Schepps style.Today’s designs continue to draw on the Schepps archives which contain over 5,000 detailed jewellery renderings, and 650 moulds. The pieces created in the workshop continue to be made with cutting-edge methods and inventive, unusual materials. Classic pieces are rendered in new materials and signature materials are used for bold new styles. The flagship store on Park Avenue at 58th Street continues to attract socialites, movie stars, royalty and trend-setters who are drawn to Schepps’ innovative use of exotic materials. Today, some 50 years after his death, he continues to inspire modern jewellers.
Lot 5277
A Russian silver and nephrite jade model, of a rearing Scottish terrier, turned plinth outlined with a silver beaded anthemion frieze, 13cm high, 84 zolotnik marks Condition Report: The item stands 12.5cms high it is in good condition with no damage or repairs please attached image as requested
Lot 178
9ct GOLD AND CELADON JADE PENDANT on fine chain; 9ct GOLD BRACELET; a PAIR OF WHITE AND YELLOW 9ct GOLD EARRINGS; a 9ct GOLD 'FLYING BIRD' PENDANT; a 9ct GOLD TEAR DROP SHAPE PENDANT, set with amethyst and seed pearl; a PAIR OF 9ct GOLD EAR STUDS, set with peridot; a 9ct GOLD FINE CHAIN NECKLACE suspending a white stone set PENDANT, 13.3gms gross all in (9)
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64936 item(s)/page