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Lot 261
A GOOD QUALITY CHINESE CARVED CELADON JADE LIDDED URN / VASE, the vase with twin chilong style handles with rings, the body well carved to depict birds amongst flora, the handles with carved jade chain attached to a double chilong pendants, the jade signed with a six character mark to the neck. 20.5cm high x 7.5cm wide.
Lot 269
A group of Victorian and later jewellery to include a citrine set pendant necklace, a pair of jade set pendant earrings; a pearl, paste and turquoise enamel set pendant necklace; a jade set ring and various gem set brooches (9)Condition report: Surface marks and wear througout.Personal vieiwng is recommend.
Lot 304
A collection of gem set jewellery to include an aquamarine set ring, stamped 9ct; a cultured pearl and jade set pendant; an apatite bead necklace, two malachite set oval pendants; a silver fob seal; a pair of knot design earrings and three gem set rings (10)Condition report: Surface marks and wear throughout, personal viewing is recommended.
Lot 65
An Art Deco jadeite and diamond set ring claw set with an oval jadeite cabochon, each shoulder collet set with two graduated baguette cut diamonds and three further round cut diamonds, to a plain white metal shank, unmarked; with accompanying Gemmological Certification Services report, dated 29.04.19, numbered79207-93, stating that the cabochon is natural jadeite jade, showing no indications of impregnation (Dimensions: Ring size: L)(Ring size: L)Condition report: Jade a little loose in mount, All gemstones present and appear secure, Light surface to metalwork. Gross weight: 5.3g Please note that diamonds and gemstones can not be accurately graded and measured when mounted in jewellery.
Lot 268
A 9ct gold ruby and diamond set cluster ring claw set with a round cut ruby in a single border of eight-cut diamonds, to a plain 9ct gold shank; together with a jade and diamond set pendant, bale stamped 850, to a fancy link chain, stamped 916 (2) (Dimensions: Ring size: L)(Ring size: L)Condition report: Ring: Some light surface marks and wear. Gross weight: 1.9g Pendant: Generally in good condition. Chain: 40cm Pendant: 3cm Gross weight: 7.7g
Lot 339
A Chinese jade stone, quartz, mother of pearl, mounted flowering tree in a brass rectangular section footed jardiniere, enclosing panels of stone flowers and foliage, the jardiniere cast with scrolling flowers, 39cm high together with two brass vases, marbelised metal oviform vase and a white metal two handled vase cast with flowers and birds together with a Japanese metal censer, signed to one of the cartouche scenes (6)Condition ReportPlease find images of the jade stone etc mounted flowering tree, This is bought as seen
Lot 119
THREE LATE 19TH TO EARLY 20TH CENTURY BROOCHES, the first a line of five moonstones cabochons within collet settings, the second a domed rectangular panel of jade with applied 9ct gold panels and suspended swag chain and heart panel decoration, the third of elongated shape with floral detail, lengths 45mm to 50mm, approximate total weight 10.2 grams
Lot 453
Chinese School, pair of watercolours on silk, Study of birds and a squirrel on flowering branches, signed, 102 x 40cm Provenance - The owner and her family lived in Singapore in the late 1950s. The collection includes antique Chinese porcelain, jade and furniture her father bought from shops in Orchard Road, Singapore around 1955-59.
Lot 95
A Chinese rosewood two tier scholar's curio stand, 19th century height 11.5cm Provenance - The owner and her family lived in Singapore in the late 1950s. The collection includes antique Chinese porcelain, jade and furniture her father bought from shops in Orchard Road, Singapore around 1955-59. Mr Keel, purchased from China Art House, 155 Orchard Road, Singapore, Jan 29, 1957.
Lot 115
A pair of Chinese hongmu bedside lamps, late 19th/early 20th century, converted to electricity Provenance - The owner and her family lived in Singapore in the late 1950s. The collection includes antique Chinese porcelain, jade and furniture her father bought from shops in Orchard Road, Singapore around 1955-59.
Lot 160
PAIR OF JADE, ENAMEL AND DIAMOND EARRINGS, each with a carved jade panel 28mm high, suspended from a black enamel and diamond fan shaped section, in turn suspended from a diamond set bar and enamelled post set with a round brilliant cut diamond, the diamonds totalling approximately 0.15 carats to each earring, unmarked, 8.7g
Lot 110a
Art Deco camera style vanity case in black enamel with cigarette holder, money clip and lipstick holder decorated with marcasite with a black cord tassel, vintage Kigu gold tone compact with an Art Deco design, gold tone compact decorated with applied faux jade and pearl butterflies and crowns, vintage hand mirror in black enamel with a flip up double sided mirror, original pouch (4)
Lot 346
Full title: A Chinese famille verte 'Hong Men Yan' vase, Kangxi------- Description: H.: 46 cmÊ The narrative scene on the present lot is likely 'The Feast At Swan Goose Gate', a famous episode of the interregnum following the Qin Dynasty where Xiang Yu (232-202BC), a duke of the insurgent Chu forces attempts to assassinate Liu Bang (256-195BC), a rival rebel general.Ê After defeating the last of the Qin forces in 207BC, the two generals agree to meet at a banquet to discuss future military plans. Fan Zeng, Xiang Yu's advisor and pictured at the top table in a red robe, sees Liu Bang as a future threat and recommends assassinating him at the feast. Throughout the banquet Fan Zeng makes signals to Xiang Yu to kill Liu Bang but Xiang ignores him and enjoys the company of the gathered guests instead. Reputedly over eight chi tall, Xiang Yu was famous for his incredible strength - he is pictured at the front of the scene lifting an ancient bronze vessel with one arm. Undeterred, Fan Zeng summons Xiang Yu's cousin Xiang Zhuang instructing him to pretend to perform a sword dance to entertain the guests but kill Liu Bang. Xiang Zhuang, pictured with his sword sheathed at the top of the scene, starts dancing but Xiang Bo, a Chu general secretly under the influence of the rival rebel army, offers to join the performance and thwarts the plan.Ê Whilst this is happening Zhang Liang, Liu Bang's chief strategist, organises another general, Fan Kuai, to burst into the party, ingratiate himself and make a speech that implies Liu Bang will not challenge Xiang Yu's forces. Excusing themselves to the lavatory he then guides Liu Bang out of the perilous situation and away on a horse. Later, Zhang Liang presents Xiang Yu with some jade cups, apologizing on behalf of Liu Bang for his early departure. Enraged that the plan has failed Fan Zeng smashes them on the floor and warns the gathered company that Liu Bang will one day defeat Xiang Yu. True to the prediction Liu Bang crushes Xiang Yu's forces in 202BC at the Battle of Gaxia and becomes the first emperor of the Han Dynasty.Ê In Chinese culture, the term 'Feast at Swan Goose Gate' (___) hong men yan is used figuratively to refer to a trap or a situation ostensibly joyous but in fact treacherous.
Lot 276
Full title: Two Chinese hardstone-embellished white jade and carved amber snuff bottles,18/19th C.------- Description: H.: 7,5 cm (the tallest)Ê Provenance:- An important Belgian private collection.- The jade bottle: Christie's, NY, 11-12 December, 2012, Lot 401 (Sold USD 3.500) - The amber bottle: Christie's, London, 15 May 2012, Lot 122 (Sold GBP 6.250 - part of a lot of 4)
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