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Historic compass, Battle of Trafalgar. Military/naval interest - an early 19th Century white metal cased 16 point compass with white enamel dial by Rubergall, London inscribed to the back 'Capt P.C.Durham RN HMS Defiance Trafalgar 21st October 1805'. Sir Philip Charles Calderwood Henderson Durham (1763-1845) had a long and most distinguished naval career. He took command of HMS Defiance in 1803 and the Defiance saw hot action at Trafalgar capturing the Spanish San Juan Nepomuceno and the French Aigle. A favourite of King George III, Durham was one of the foremost seamen of his day, finishing his naval career as Admiral, and afterwards serving briefly as the MP for Devizes (1834-36) before taking up the post of commander-in-chief at Portsmouth. The Defiance suffered extensive damage during the battle of Trafalgar (21st October) and Durham personally received wounds to his leg and side. After the battle Durham received a visit from Hardy who told him that one of the last things Nelson said before going into battle was "Hardy tell your friend Durham he was the most sensible man of the party to stick to his ship." Thomas Rubergall was a prominent scientific instrument retailer in London from 1802 to 1854. He was an optician to George III, and a mathematical instrument maker and optician to the Duke of Clarence and Queen Victoria. The book 'Trafalgar Captain, Durham of the Defiance' by Hilary Rubinstein included with this lot. Also included is an original copy of The Times, Thursday Nov 7th 1805 which discusses the Battle of Trafalgar at length. (3) Provenance: This item has been passed through the Elphinstone Fleeming-Cunningham Graham family. Admiral Charles Elphinstone Fleeming (1774-1840) was a contemporary Naval Officer of Durham and succeeded him as Commander in Chief of Portsmouth in 1839. As Durham left no direct heirs it is presumed this compass was given to Charles Fleeming by Durham during his lifetime.
Three stick pins, circa 1900, comprising: one pin capped with a spherical bead pavé-set with turquoise cabochons, length 7.3cm; and two Art Nouveau stick pins of stylised foliate design, applied with multicoloured enamel and set with seed pearls, mounted in gold, 6.1cm each, stamped 9ct and 375 respectively
A collection of jewels including a gold Jaeger LeCoultre wristwatch, 19th and 20th century, comprising: an Etruscan Revival style gold bar brooch with ram's head motifs to each end, set with circular-cut rubies, length 7.1cm; a plain gold bar brooch; two five-stone diamond rings mounted in 18ct gold, sizes M and O1/2, each with British hallmarks; a ruby and pearl ring in 15ct gold, British hallmarks; an early 19th century ring of saddle-shaped design set with pale blue pastes, size Q1/2, a ring set with cabochon carnelians, size O1/2; a silver and moonstone necklace; a shell cameo pendant/brooch mounted in gold, on a gold chain necklace, chain stamped 750; an amethyst stick pin; an amethyst, seed pearl and aquamarine necklace mounted in gold, clasp stamped 15CT; and a gold mechanical watch by Jaeger LeCoultre, case width 3.2cm, signed Jaeger LeCoultre, numbered 8664, stamped 375
An emerald stick pin and a diamond stud earring, the stick pin capped with a polished emerald and rose-cut diamonds, mounted in silver and gold, length 6.8cm, one diamond deficient; the stud earring set with a circular-cut diamond weighing approximately 1.50 carats, mounted in low carat white gold, 1cm diameter including setting, post fitting
A collection of stick pins and two shakudō brooches, late 19th/early 20th century, comprising: a group of eight stick pins capped with: a pink paste, a shield-shaped motif inlaid with sections of jasper and bloodstone, a pear-shaped amethyst, a blue chalcedony cabochon within a circular frame of white enamel, an enamelled 2nd class stamp, jadeite carved with a lingzhi fungus, a gold ivy leaf and a cultured pearl respectively, variously mounted in gold, silver and metal, longest 8.1cm; together with a Japanese shakudō brooch depicting a warrior with a scroll of calligraphy, length 3.7cm, signed Chokuzui; and a shakudō button depicting the fisherman Urashima Taro and turtle, 3.4cm diameter
Three stick pins, late 19th/early 20th century, comprising: a stick pin capped with a reverse painted rock crystal intaglio depicting the burgee of the Royal Highland Yacht Club, in a gold rope twist border, length 7cm, case; a stick pin capped with a parrot on a branch applied with multicoloured enamels, mounted in gold, length 5cm; and a stick pin capped with a baroque pearl imagined as the head of a terrier, its eyes set with circular-cut rubies, its ribbon bow collar applied with red enamel, mounted in gold, length 6.7cm, pearl untested
A collection of jewellery, comprising: a ruby, sapphire and diamond ring accented with seed pearls; a blue paste and diamond ring and a sapphire and diamond cluster ring, all with British hallmarks for 18ct gold; a diamond solitaire and a sapphire and diamond cluster ring, stamped 18CT and 18CT PLAT respectively; a seed pearl ring; a ruby cluster ring and a peridot ring, all with British hallmarks for 9ct gold; a peridot and seed pearl bar brooch; a hunting horn and flower bar brooch; a three-leaf clover brooch set with a circular-cut diamond; and a cabochon sapphire and rose-cut diamond bar brooch, all mounted in gold; an amethyst and seed pearl pendant, mounted in gold; a gold, ruby and diamond stick pin of horseshoe design; a shell cameo brooch mounted in low-carat gold; an onyx seed pearl ring in low-carat gold; and a fox-head stick pin and simulant diamond ring in gilt metal
A collection of gem-set jewels, comprising: an opal and diamond cluster ring and a sapphire and diamond cluster ring in 18ct gold, each with British hallmarks; two garnet rings, a sapphire and opal cluster ring and two pairs of earrings set with blue topaz and garnets in 9ct gold, each with British hallmarks, earrings with post fittings; a ring of abstract design in textured gold, set with a brilliant-cut diamond and two marquise-shaped emeralds, stamped 18CT; and two stick pins, one in gilt metal set with an oval amethyst, the other in gold set with seed pearls, pearls untested
A collection of jewels, comprising: a large cabochon garnet, hollowed to the reverse, approximately 3.5 x 3.5 x 1.6cm, approximately 159 carats; a Scottish hardstone stick pin; a resin and hardstone inlay brooch depicting insects, framed in gold, 3.4cm diameter; an unmounted oval amethyst, approximately 56 carats; and a gold filigree link set with turquoise cabochons, circa 1830s
λ A collection of jewels, comprising: a late 19th century gold and enamel stick pin depicting a hand holding a top hat, length 8.4cm; a gold bracelet composed of spherical and fluted links, length 16.5cm, Italian maker's mark 1 AR, stamped 750; and a coral necklace and bracelet, lengths 18cm and 39cm
* Gillray (James). The King of Brobdingnag and Gulliver [H. Humphrey, June 26th 1803], etching with aquatint on wove, contemporary hand colouring, trimmed with loss of the printed borders and the publication line, 280 x 210 mm, together with A Military Sketch of a Gilt stick, or Poker Emblazoned, H. Humphrey, June 11th 1800, etching with aquatint on wove, contemporary hand colouring, trimmed to the image, 255 x 205 mm, with Rowlandson (Thomas). Medical Dispatch or Doctor Doubledose Killing Two Birds with One Stone, circa 1810 [and] A Sufferer for Decency, circa 1797, two etched caricatures with contemporary hand-colouring, both images trimmed to the neatline and laid on later card, each approximately 330 x 230 mm, plus Marks (J. Lewis). St James' Street in an Uproar or the Quack Artist and his Assailants..., S. W. Fores, 1819, etched caricature on laid, trimmed to the image, some adhesion scaring to the verso, 210 x 3110 mm, and one other caricature similarQTY: (6)
Abernethy (John). Surgical Observations on the constitutional origin and treatment of local diseases; and on aneurysms, 1st edition, London: Longman, Hurst, Rees, and Orme, 1809, half-title, x2+ 292pp., occasional light marks to margins (generally a clean copy), endpapers renewed, modern green half calf, with maroon morocco gilt spine label, 8vo, together withLongmore (Surgeon-General Thomas). Gunshot Injuries: their history, characteristic features, complications, and general treatment; with statistics concerning them as they are met with in warfare, 1st edition, London; Longmans, Green, and Co., 1877, publisher's advertisement leaf at front, xxxviii+ 686pp., ownership inscription to head of title 'Of Henry Cornish, Surgeon R.M.D., 10th R.Hussars Rawal Pindi received from C. H. Cornish 2/4/78', including half-title at front, 32-page publisher's catalogue at rear dated September 1877, endpapers renewed, 20th century green quarter calf gilt with morocco label to spine, thick 8vo, plus others related on surgery: R. R. Madden, The Infirmities of Genius, 2 volumes, 1833, contemporary quarter calf over marbled boards, with modern calf reback, John Abernethy, Surgical Observations, Part the Second, 1806, J. Duns, Memoir of Sir James Y. Simpson, Edinburgh, 1873, William Pirrie and William Keith, Acupressure: an excellent method of arresting surgical haemorrhage and of excellerating the healing of wounds, 1867, Friedrich Esmarch, The Surgoen's Handbook on the treatment of wounded in war, A Prize Essay, translated by H. H. Clutton, London: Sampson Low, Marston Searle & Rivington, 1878, and Athur Keith, Menders of the Maimed the annotomical & physiological principles underlying the treatment of injuries to muscles, nerves, bones, & joints, London: Henry Frowde/Hodder & Stoughton, 1919, all 8voQTY: (9)NOTE:Garrison-Morton 2928 (Abernethy).Provenance: (Longmore, Gunshot Injuries): Surgeon-Major Henry Cornish (1844-1881) served in the Second Anglo-Afghan War while attached to the 10th Hussars, and was mentioned in Despatches. He died from wounds received at the disastrous battle of Majuba Hill during the Transvaal War on 27th February 1881. The walking stick on which he waved a white cloth has protection while attending the wounded at the time he met his death was perforated by a bullet, and was formally preserved at the Royal Army Medical College Officer's Mess on Milbank.
An early 20th century yellow metal, diamond and pearl stick pin, in the form of a cat playing with a ball Provenance: Sold on behalf of Dorset Wildlife TrustApprox. 50 mmWEIGHT: 4.5 g all indiamonds end: 2.9 mm diameter approxfour diamonds missing from the catvariation of colour of stone3, pin very bent
A collection of 19th & 20th century walking sticks. The lot to include a knobstick handle stick with relief mother of pearl inlay marked to knob Barmouth, a Regency style brass knobbed fruitwood stick, a riding whip, a thin hand painted Indian style stick in red & yellow, and others. Nine in lot.Longest measures approx. 108cm.
Antique Japanese sumi-e ink painting depicting Hotei (Budai) standing atop his sack with a walking stick. Hotei was an eccentric Tang Dynasty monk. He is often depicted with his large jute bag traveling pack which carried his possessions as well as alms.Height: 13 1/4 in x width: 9 in.Condition: The sheet is toned. Some soiling and foxing throughout. Light crease through the lower center. More toning along the edges due to acidic paper affixed to the margins of the verso. The work is not framed.
Set of 18 Qing Dynasty Chinese ink sticks with fine details depicting scholars, figures, and nature, 19th century. With gilt inscription along the upper right corner and verso of each. Housed within two lacquered wood cases with bands of gilt decoration and a three-character inscription along the cover.(Ink sticks, each) height: 2 1/4 in x width: 1 1/4 in x depth: 1/4 in. (Cases, each) height: 4 1/2 in x width: 7 1/2 in x depth: 1 1/4 in.Condition: There are no major breaks, losses, or signs of restoration to most of the ink sticks. One ink stick with a corner broken but included (not noted in the listing photographs). Wear to the cases consistent with age including scuffs, splits, and wear along high points. Heavy wear to the fabric lining the cases. There is a loss to the upper edge of one of the cases.
▲ Harvey Guzzini (Italian, 1929-2020), a pendant ceiling light, c.1970, with a rounded cognac acrylic shade,44cm diameterCondition ReportSurface marks due to be previous adhesive stick/tape to the widest section of the shade. Minor scratches and wear to the shade. Please see the additional images.PAT test - Passed

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