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Click here to subscribeA collection of jewellery to include a diamond and pearl gold stick pin, both unmarked along with a gold Wedgwood pin together with others, along with a 9ct gold weighable watch bracelet and clasp, weight approx 15.8gms, weighable yellow metal, weight approx 3gms, metal sovereign case, in an antique jewellery case (1)
A collection of costume jewellery to include pearl necklaces on gilt metal clasps, faux pearl bracelet, glass bead necklace, Edwardian blue paste set drop earrings possibly silver, purple paste set necklace, silver paste set necklace, metal paste set rings, clip on costume earrings, gilt metal and enamel stick pins, cufflinks, vintage drop earrings etc (1 bag)
Abdoulaye Diarrassouba 'Aboudia' (Ivorian, born 1983)Untitled signed 'ABOUDiA' (upper left)oil stick and acrylic on canvas100 x 100cm (39 3/8 x 39 3/8in).(unframed)Footnotes:ProvenanceA private collection, Switzerland.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Abdoulaye Diarrassouba 'Aboudia' (Ivorian, born 1983)Untitled signed 'ABOUDIA/ 18' (lower right)oil stick, acrylic and collage on canvas100 x 100cm (39 3/8 x 39 3/8in).(unframed)Footnotes:ProvenanceA private collection, Switzerland.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Abdoulaye Diarrassouba 'Aboudia' (Ivorian, born 1983)Untitled signed 'ABOUDiA/18' (lower right)oil stick, acrylic and collage on canvas100 x 100cm (39 3/8 x 39 3/8in).(unframed)Footnotes:ProvenanceA private collection, Switzerland.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Abdoulaye Diarrassouba 'Aboudia' (Ivorian, born 1983)Untitled oil pastel, mixed media and collage on canvas99 x 118.2cm (39 x 46 9/16in).(unframed)Footnotes:ProvenanceAcquired from the Jack Bell Gallery, London, 2013;A private collection.In recent years, the exuberant artworks created by Abdoulaye Diarrassouba (more commonly known as Aboudia) have taken the art world by storm. The Ivorian artist trained at the School of Applied Arts in Bingerville and at the Institut des Arts in Abidjan. However, it is from the street and youth culture of Abidjan that he primarily draws his inspiration. Synthesising these local influences with imagery drawn from traditional West African sculpture and voodoo iconography, Aboudia names his distinctive stylistic approach Nouchi - a term more typically used to describe the language spoken in the urban centres of the Côte d'Ivoire which fuses Ivorian vocabulary with French. He describes himself as a passionate painter, using his work to respond directly to happenings within his urban milieu. The visceral emotion present in Aboudia's canvases has contributed to his international success.A singular depiction of Aboudia's signature ghoulish face dominates the left third of the present canvas. The word 'ART', scrawled in capital letters above the burgundy and black figure, evidences the influence of graffiti on the artist's distinctive aesthetic. The work can be dissected into multiple windowpanes depicting stick figures participating in events of everyday life; driving cars, sitting underneath the shade of an umbrella, or riding a horse. Articulated through Aboudia's energetic application of oil stick stop layers of collaged material, the work provides a lens into life in the capital city of the Côte d'Ivoire. Stating 'my paintings are the Africa of today', the Ivorian artist reclaims control of the representation of the continent as he draws upon the visual language of his urban environment.Today working between Abidjan and Brooklyn, Aboudia has cultivated a dedicated following through his distinctive painterly practice. Since his market debut with Bonhams in 2013, sales of Aboudia's work have grown exponentially, totalling just over £6 million in the last year. His work is held in important international collections, including those of Charles Saatchi and Jean Pigozzi. His international reach is reflected in his timely inclusion in the presentation of work at the Côte d'Ivoire pavilion at the 50th Venice Biennale (on view until November 2022).For further information on this lot please visit Bonhams.com
Abdoulaye Diarrassouba 'Aboudia' (Ivorian, born 1983)Untitled dated '28 06 2013' (centre right)acrylic, crayon and collage on canvas 100 x 139.5cm (39 3/8 x 54 15/16in).(unframed)Footnotes:Painted in 2013, the dark and moody hues present in Untitled were invoked by the turbulent aftermath of the Ivorian civil wars. The densely populated streets of Abidjan continually inspire Aboudia's canvases which result in intensely emotional works. The present lot is no exception, sharing with the viewer the unnerving feeling in Côte D'Ivoire during the post-civil war years. Untitled is comprised of collage, oil stick and acrylic paint. Aboudia uses multiple shades of purple, green and blue oil stick to create a glowing quality to his signature Nouchi figures, which this time take the forms of a donkey, monkey and humans. The different forms all share a similar hypnotic expression and grimace which is signature to Aboudia's work. Anonymised figures are layered on top of newspaper cuttings with headlines relating to international economic markets and policies, bringing this initially distinctively Ivorian work into the global context. The collage coupled with the gestural application of paint brings texture to the canvas. Untitled is a bustling feast for the eyes and demonstrates Aboudia's impressive ability to produce vibrant large-scale canvases.For further information on this lot please visit Bonhams.com
An 18th century gold mourning ring, unmarked, the shank inscribed "Mary Spalton. Ob: 1 Dec 1771. Aet 4", set with an oval cartouche of waxed hair arranged as flowers and foliage, surrounded by garnets, size N, 1.9g; an unmarked rose gold coloured stick pin, set with a single purple faceted stone, 1.4g, boxed (2)
* Vienna. The Concordia Ball, February 1907, large wooden brisé fan, with very wide sticks (eleven inner and two guards), each of 12 sticks colour-printed with a signed portrait, verso printed ''Gesellschaft für graphische Industrie Wien -6/2'', engraved 'Concordia Ball February 1907' to upper guard and 'Sofien Säle' to lower guard stick, a trifle rubbed at extreme edges in places, but generally in good condition, 28 cm (11 ins) QTY: (1)NOTE:This scarce fan was issued for the occasion of the Concordia Ball on February 4th 1907, held at the Sofiensaal concert hall in Vienna. The fan is a result of a collaborative project between artists which was the subject of some attention in the contemporary press. The painters who took part are as follows (left to right): John Quincy Adams, Heinrich von Angeli, Arthur Ferraris, Paul (Paja) Joannovits, Isidor Kaufmann, Josef Kinzl, Carl von Merode, Kasimir Pochwalski, Alois Hans Schram, Eduard Veith, Raimund von Wichera and Charles Wilda. The Concordia Ball - which still takes place today - has been a social occasion in Vienna since the first was held in 1863, and in the 19th century and early 20th century it was considered an integral part of the Viennese social calendar.
* Leech (John, 1817-1864). Portrait of a Gentleman, watercolour and ink, depicting side profile of a well dressed gentleman, stick in hand, wearing a top hat, signed to lower left, 17.5 x 10 cm (6 7/8 x 4 ins), framed and glazed (28.5 x 19.5 cm), together with:Group of Figure Studies, pencil on three sheets of paper, all illustrations to unidentified stories, 17.7 x 15 cm (7 x 5 7/8 ins) and smaller, together with three autograph letters by the artist, dated Aug 17th 1844, January 17 1852 and May 2 1861, all mounted together in one frame, plusCleaver (Reginald Thomas, 1870 - 1954). A Popular Belgian Holiday Resort: Blankenberghe in the Season, pencil heightened with bodycolour, depicting a main scene of beachgoers, studies of the following to upper and lower right: At the Gap in the Groin - High Tide Sunday, On the ''Front'' on Sunday. A Study from a Hotel Window, Balloons are ''Off'' Today, The Way Up to the Sea, and The Police on Double Duty, signed lower right, mount aperture 33.5 x 55.7 cm (13 1/4 x 21 7/8 ins), framed and glazed (56.5 x 78 cm), and seven other pencil, ink and watercolours comprising: John Leech, The Handley Cross Fancy Ball, Henry Gillard Glindoni, a small study, George du Maurier, Street vendor promoting 'Irving as Hamlet', (signed), F. H. Townsend, Punch as a conductor, (signed), W Tarlington, 'Moseley - Sunday Morning May 4th 1873 Time 12.30 Bona-Fide Travellers requiring 'Refreshment', (signed), Melton Prior, King Edward VII and German Emperor riding in a sleigh, (signed), and John Percival Gülich, Dancing in the Ring Easter Bank Holiday Hampstead, (signed),QTY: (10)
* Mixed Jewellery. An 18ct gold ring set with five small diamonds, size L/M, gross weight 1.2g, together with an art deco 15ct gold pendant, of organic form set with peridot and pearls, 45 mm on a fine gold chain, a yellow metal pendant set with an amethyst, on a fine gold chain, a 14K gold stick pin set with an amethyst plus a yellow metal dress ring set with a citrine, size MQTY: (5)
A Portuguese brass marine stick barometer, R.N. Desterro, Lisbon, in slender brass case with cylindrical cistern cover and gimbal with wall mount, the silvered register calibrated in barometric inches and with Vernier scale, signed 'J.J.B.L.M. 16a22 R.N. Desterro Lisbon', 95.5cm high Please note Roseberys do not guarantee the working condition of barometers offered for sale.This lot contains liquid mercury. If you intend to ship this overseas it is classified as hazardous cargo and will require additional declarations alongside specialist crating/packing. Prior to bidding, please contact your shipper or talk to our specialists for more information. The glass has been replaced by plastic and there are cracks to left side and wood with white paint marks is visible. The register with minor pitting and scratches. The brass case with knocks, scratches and tarnishing, and with marks to centre. The suspension loop attachment is slightly loose and there is Verdigris to loop. The mercury tube with some dirt visible, and there is some mercury at the top of the tube.The wall mount with scratches, Verdigris and tarnishing, as well as white paint to reverse.
A group of silver plate, to include: engine turned cigarette case, 16.8cm wide; a cased set of six Garrard & Co. silver plated fish knives and forks; a cased set of three serving spoons with pagoda terminals; a three branch candelabrum, 19cm high, 27cm wide; a tea pot and twin handled sugar bowl; a fiddle, thread and shell pattern ladle; oval dish with scrolling foliate decoration; a gravy boat; a chamber stick; various dishes; and others (lot)Please refer to department for condition report
A pair of Edwardian silver candlesticks, Birmingham, 1900 and 1902, I S Greenberg & Co, damaged, with knopped stems on stepped foliate decorated bases, filled, 23cm high, together with a silver chamber stick, London, 1775, probably John Arnell, missing snuffer and break to handle, the sconce with knopped stem on circular base with gadrooned rim, 15.5cm wide, weighable silver approx. 6.8oz (3)Weighable silver only including the chamberstick
A mid 19th century mahogany stick barometer signed 'C W Dixey, 3 New Bond St, London', the stepped pediment above an ivory register signed with the makers name, the thermometer similarly on an inscribed ivory register above a domed cistern, 95cm highPlease note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for a de minimis exemption licence for the ivory in this lot Ref: CHUP957S
Rembrandt van Rijn (1606-1669)A Beggar in a High Cap, Standing and Leaning on a StickEtching, circa 1629, an excellent lifetime impression of New Hollstein's second state (of two; New Hollstein records only three impressions of the first state), on fine cream laid paper with Basel Crosier armorial watermark with initials below [see Hinterding catalogue, variant A.a.b., datable c. 1634-1635], sheet 157 x 121 mm (6 1/4 x 4 3/4 in), thread margins, some small areas of conservation visible, notably a nick to centre left edge with paper thinning verso, spot to lower edge (unframed)Literature:Bartsch 162; New Hollstein 41 ii/ii
Rembrandt van Rijn (1606-1669)A Peasant in a High Cap, Standing Leaning on a StickEtching, 1639, a good but later impression of New Hollstein's second state (of two), without any re-working but with the two dots in the upper right corner, on thick cream laid paper without watermark, platemark 84 x 44 mm (3 1/4 x 1 3/4 in), sheet 91 x 52 mm (3 5/8 x 2 in) (unframed)Literature:Bartsch 133; New Hollstein 178 ii/ii
Rembrandt van Rijn (1606-1669)A Beggar Woman Leaning on a StickEtching, 1646, a good but later impression of New Hollstein's fifth state (of five), printing with tone on thick cream laid paper, platemark 82 x 64 mm (3 1/4 x 2 1/2 in), sheet 88 x 70 mm (3 3/8 x 2 3/4 in) (unframed)Literature:Bartsch 170; New Hollstein 229 v/v
An assortment of mostly African tribal carved wood items. Including a sectioned bowl with hooked handle, various figures, an oval bowl, two masks, etc. Condition Report: The largest mask has numerous breaks and losses to the decoration around the border. Both bottle stoppers have breaks and losses in places. The figure on the stick has lost a horn. Overall condition bar this appears to be good, with marks and wear in places commensurate with age and previous use.
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