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Collection of Antique and Vintage Sterling Silver Brooches and Other Items. All Fully Hallmarked for Sterling Silver. Comprises 1/ Sterling Silver Sovereign Holder, Hallmark Birmingham 1910. 2/ Signed Stone Set Silver Celtic Brooch. Hallmark Birmingham 1902. Signed F.M. 3/ Art Nouveau Silver Stylised Stick Pin, Marked Silver. 4/ Scottish Silver Stone Set Swords Crossed Circular Brooch. 5/ Scottish Celtic Stone Set Silver Brooch, Hallmark Edinburgh 1914. Signed R,A, 6/ Pair of Large Sterling Silver Blues Enamel Cuff Links, Hallmark Edinburgh 1944. 7/ Ornate Lidded Silver Pill Box. 8/ Scottish Silver Brooch In the Form of a Sword +Small Pill Box.
DAENEWALD, Artur(1878 Altona - 1917) Bildnis Ernst HaeckelÖl/Leinwand. Links oben signiert. Datiert: 1914. 90 x 79 cm. Porträt des deutschen Mediziners und Zoologen mit Gehstock und weißem Bart vor rotem Hintergrund. Leinwand randdoubliert. Deutscher Maler, studierte in Berlin, Meisterschüler von Arthur Kampf. Wandgemälde im Hotel Adlon Berlin, Nikolaikirche JessenOsterbild und Auferstehung. Literatur : https://kirche-jessen.de/Jessen.htm. DAENEWALD, Artur(1878 Altona - 1917) Picture Ernst HaeckelOil/canvas. Signed in the upper left corner. Dated: 1914. 90 x 79 cm. Portrait of the German physician and zoologist with walking stick and white beard against red background. Canvas border-doubled. German painter, studied in Berlin, master student of Arthur Kampf. Wall painting in the Hotel Adlon Berlin, Nikolaikirche Jessen.Easter painting and resurrection. Literature : https://kirche-jessen.de/Jessen.htm. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Gehstock mit Bernsteingriff. Sauer. An der Manschette gemarkt. Nachkrieg. Bernsteingriff, Metall-Manschette, lackierter Holzschuss, ohne Zwinge, mit Gummifuß. L 95 cm. Der rechten Handform angepasster breiter Griff, mahagonifarbener Schuss. Wenige Alters-/Gebrauchsspuren. Walking stick with amber. Sour. Marked on the cuff. Postwar. Amber handle, metal cuff, lacquered wooden shot, without ferrule, with rubber foot. L 95 cm. The right hand shape adapted wide handle, mahogany-colored shot. Few signs of age/use. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KNOBLOCH, Gertrud(* 1867 Breslau) Studie mit KätzchenAquarell. Links unten signiert. 37 x 30,5 cm. 50,5 x 40 cm (Passepartout). Verschiedene Ansichten einer jungen Katze. Stockfleckig. Porträt- und Tiermalerin, studierte in Breslau. Literatur : Thieme/Becker. KNOBLOCH, Gertrud(* 1867 Breslau) Study with kittenWatercolor. Signed lower left. 37 x 30.5 cm. 50,5 x 40 cm (mount). Different views of a young cat. Stick spotted. Portrait and animal painter, studied in Wroclaw. Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kartenwerk: "Schul-Atlas der Alten Welt"14 kolorierte Kupferstiche. 22,5 x 30,5 cm. Vollständiges, gebundenes Buch mit 14 historischen, grenzkolorierten Landkarten, betitelt "Schul-Atlas der Alten Welt. Nach Mannert, Ukert, Reichard, Kruse, Wilhelm u. A. bearbeitet.", mit 10-seitigem Begleittext "Kurzer Abriss der Alten Geographie von J.H. Möller", 11. Auflage, Gotha, bei Justus Perthes, 1837. Stockfleckig, Einband mit Alters-/Gebrauchsspuren. Map Work: "School Atlas of the Ancient World"14 colored copperplate engravings. 22.5 x 30.5 cm. Complete hardcover book with 14 historical border colored maps, titled "Schul-Atlas der Alten Welt. Nach Mannert, Ukert, Reichard, Kruse, Wilhelm u. A. bearbeitet.", with 10-page accompanying text "Kurzer Abriss der Alten Geographie von J.H. Möller", 11th edition, Gotha, by Justus Perthes, 1837. Stick stained, cover with age/use marks. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HARING, Keith(1958 Reading - 1990 New York City) Plakat zum Montreux-Jazz-Festival "Pink"Farbsiebdruck. Im Druck signiert. [1983]. Druck: Albin Uldry Berne, Copyright: MTO Switzerland. Gerahmt & hinter Glas : 100,5 x 71 cm. 1 von 3 verschieden kolorierten Plakaten zum 17. Jazz-Festival in Montreux, 1983. Stockfleckig. Einer der populärsten US-amerikanischen Künstler seiner Zeit, der nachfolgende Künstlergenerationen stark beeinflusste. "I think it's more important to make a lot of different things and keep coming up with new images and things that were never made before, than to do one thing and do it well." (Zitat: KH, www.brainyquote.com). HARING, Keith(1958 Reading - 1990 New York City) Poster for the Montreux Jazz Festival "Pink"Color silkscreen. Signed in print. [1983]. Printed by Albin Uldry Berne, copyright: MTO Switzerland. Framed & behind glass : 100.5 x 71 cm. 1 of 3 differently colored posters for the 17th Jazz Festival in Montreux, 1983. Stick stained. One of the most popular US artists of his time, who greatly influenced subsequent generations of artists. "I think it's more important to make a lot of different things and keep coming up with new images and things that were never made before, than to do one thing and do it well." (Quote: KH, www.brainyquote.com). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WENTZEL, Fr. "Berlin"Kolorierte Lithografie. Um 1870. Humbert, Paris. Blatt: 32,5 x 45,3 cm, im Passepartout: 37 x 47 cm. Biedermeierliche Ansicht mit Blick auf Berlin vom Kreuzberg aus, im Vordergrund Staffagefiguren und Kreuzbergdenkmal. Stockfleckig, rechter Rand mit Wasserschaden. WENTZEL, Fr. "Berlin"Colored lithograph. Circa 1870. humbert, Paris. Sheet: 32.5 x 45.3 cm, in passepartout: 37 x 47 cm. Biedermeier view with a view of Berlin from the Kreuzberg, in the foreground staffage figures and Kreuzberg monument. Stick stained, right margin with water damage. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Ansicht des Prebischtores in der Sächsischen SchweizKolorierte Lithografie. Kunsthandlung Ernst Arnold, Dresden. Abbildung: 16 x 24 cm. Gerahmt & hinter Glas : 27,5 x 36,5 cm. Biedermeierliche "Ansicht des Thores am Prebischgrunde in der Sächsischen Schweitz", ebenso in französischer Sprache betitelt "Vue du rocher dit Prebischthor dans la Suisse Saxonne". Stockfleckig. View of the Prebisch Gate in Saxon SwitzerlandColored lithograph. Kunsthandlung Ernst Arnold, Dresden. Image: 16 x 24 cm. Framed & behind glass : 27.5 x 36.5 cm. Biedermeier "View of the Gate at the Prebischgrunde in the Saxon Switzerland", also titled in French "Vue du rocher dit Prebischthor dans la Suisse Saxonne". Stick spotted. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HOMANN, Johann Baptist(1664 Oberkammlach - 1724 Nürnberg) Landkarte des Herzogtums Württemberg und des Schwäbischen KreisesKolorierter Kupferstich. Um 1720. Platte: 49,5 x 57 cm. Gerahmt & hinter Glas : 67 x 73,5 cm. Detailreiche historische Karte des Herzogtums Württemberg und des Schwäbischen Kreises, figürliche Titelkartusche "Circulus Sueviae Continens Ducatum Wirtenbergensem [...]" und weiterer figürlicher Kartusche mit Legende und Meilenzeiger. Stockfleckig, Bugfalte, griff- und knickspurig. Deutscher Kartograf, Kupferstecher, Verleger und Globenhersteller; bedeutendster deutscher Herausgeber von Atlanten und Landkarten im 18. Jh. HOMANN, Johann Baptist(1664 Oberkammlach - 1724 Nuremberg) Map of the Duchy of Württemberg and the Swabian DistrictColored copperplate engraving. Circa 1720. Plate: 49.5 x 57 cm. Framed & behind glass : 67 x 73.5 cm. Detailed historical map of the Duchy of Württemberg and the Swabian County, figural title cartouche "Circulus Sueviae Continens Ducatum Wirtenbergensem [...]" and another figural cartouche with legend and mileage indicator. Stick stained, centerfold, grip and crease. German cartographer, engraver, publisher and globe maker; most important German publisher of atlases and maps in the 18th century .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Monogrammist "MK": Bildnis eines alten HerrenÖl/Leinwand. Links unten monogrammiert. Ende 19. Jh. 61 x 41 cm. Gerahmt : 80 x 61 cm. Porträt eines nachdenklich blickenden alten Mannes mit auf einem Stock gestützten Händen. Altersspuren. Monogrammist "MK": Portrait of an old gentlemanOil / canvas. Monogrammed lower left. Late 19th c. 61 x 41 cm. Framed : 80 x 61 cm. Portrait of a thoughtful looking old man with hands supported on a stick. Traces of age. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Miniaturbild. "Sign. Knöringer. Gärt. 1807". Aquarell, auf Papier angeheftet, verglaster Leistenrahmen. Bildmaß 9 x 14 cm, Blatt 13,5 x 18 cm, Rahmen 20 x 25 cm. Wohl christliche Szene mit Wanderern auf dem Weg und Dame auf einem Kamel mit Tross im Hintergrund. Stockfleckig, geringer Riss an einer Ecke. Thumbnail. "Sign. Knöringer. Gärt. 1807". Watercolor, pinned on paper, glazed strip frame. Image size 9 x 14 cm, sheet 13.5 x 18 cm, frame 20 x 25 cm. Probably Christian scene with walkers on the road and lady on a camel with a herd in the background. Stick stained, small tear at one corner. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tischlampe "Esprit". Paolo Venini/Murano. 2. H. 20. Jh. Italien. Entwurf: 1970. ZUCCHERI, Toni(1937 Venedig - 2008 ebd) Kristallglas, verchromter Stahl. H 59 cm. Schwere Lampe aus 41 geblasenen, kugelartig angeordneten Blüten. Elektrifiziert (Funktion nicht geprüft). Dazu 9 Ersatzblüten. 1 Schraube an 1 Blütenstab fehlt. Table lamp "Esprit". Paolo Venini/Murano. 2nd h. 20th c. Italy. Design: 1970. ZUCCHERI, Toni(1937 Venice - 2008 ibid) Crystal glass, chromed steel. H 59 cm. Heavy lamp made of 41 blown spherical flowers. Electrified (function not tested). Comes with 9 spare blossoms. 1 screw on 1 blossom stick missing. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Meistergeige. Markneukirchen. Innen gedruckter Klebezettel "Made by Marma Musikindustrie / Karl Bauer, Markneukirchen i.Sa. / Made in Germany". Innen Brandmarke "F.A.B.". BRÜCKNER, Fritz Arnold(1899 Markneukirchen, tätig noch in den 1980er Jahren ebd. und in Siebenbrunn ) Geteilter Boden, Zarge und Hals aus geriegeltem Ahorn, geteilte Fichtendecke, ebonisiertes Holz, Spirituslack. Bogen Fernambuk(?). Korpus 35,6 cm, Deckenmensur 19,5 cm, Bogen 73 cm. Geige nach einem Modell von Joseph Guarnerius del Gesu. Randeinlage aus 2 Fäden, Kinnstütze. Bogen mit runder Stange. Dazu Schulterstütze und verstellbares Stimmgerät. Im schwarzen Kasten. Minimale Lackschäden an Decke und Boden, sonst guter spielbereiter Zustand.Meister F. A. Brückner war Schüler von Heinrich August Brückner in Markneukirchen und machte sich 1923 selbstständig. Er baute vorzügliche Streichinstrumente in moderner wie antiker Ausführung. Er kopierte auch die Geigen Stradivaris. Dazu Gutachten des Geigenbaumeisters Bernd-Albrecht Kühne in Suhl vom 6.1.1993.Master violin. Markneukirchen. Inside printed adhesive label "Made by Marma Musikindustrie / Karl Bauer, Markneukirchen i.Sa. / Made in Germany". Inside brand "F.A.B.". BRÜCKNER, Fritz Arnold(1899 Markneukirchen, active still in the 1980s ibid. and in Siebenbrunn ) Split back, rib and neck of figured maple, split spruce top, ebonized wood, spirit varnish. Bow pernambuco(?). Body 35,6 cm, top mensur 19,5 cm, bow 73 cm. Violin after a model by Joseph Guarnerius del Gesu. Edge inlay made of 2 strings, chin rest. Bow with round stick. Comes with shoulder rest and adjustable tuner. In black box. Minimal varnish damage to top and bottom, otherwise good playing condition.Master F. A. Brückner was a student of Heinrich August Brückner in Markneukirchen and went into business for himself in 1923. He built exquisite stringed instruments in both modern and antique designs. He also copied the violins of Stradivari. In addition, expert opinion of the master violin maker Bernd-Albrecht Kühne in Suhl from 6.1.1993.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Stauffer & Co. silver minute repeating lever pocket watch, import hallmarks for London 1907, Roman numeral dial with sunken subsidiary seconds dial, blued steel hands, gilt frosted movement with 'S&Co'. trademark, plain case with repeat slide to the band, case maker 'CN', no. 216198, 53mm (requires repair)-PLEASE NOTE THE CONDITION REPORT HAS BEEN UPDATED -24TH OCTOBER.Movement - the movement appears functioning, PLEASE NOTE the repeat works but is temperamental and strikes the hour correctly but not the quarters or minute so will require attention.Dial - good.Glass - good.Hands - good.Case - good - see images.Crown - winds but not adjusting the hands on pin set which appears to now stick and currently it is not possible to change the time - so requires repair.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
WW2 1941 Withdrawal from Greece Distinguished Service Cross Medal Group of Six to a Lieutenant Commander Who Survived the Loss of the Destroyer HMS Hereward off the Coast of Crete and was Taken Prisoner of War by the Italian Forces, Distinguished Service Cross GVI, reverse officially dated 1941, Naval General Service medal 1915-62, GVI, with 2 clasps Palestine 1936-1939 and Minesweeping 1945-51, “LT CDR J.E. MAMMATT R.N.”, 1939-45 Star, Atlantic star, Africa star and War medal 1939-45. Medals mounted for wear. Also included with the lot is a copy photo of the recipient in Navy uniform and a leather case with the recipients initials in gilt on the top.Distinguished Service Cross – London Gazette 11th November 1941, For gallantry and distinguished services in operations in Greek waters.John Edward Mammatt, was born in March 1913. He was appointed a Midshipman in January 1931 and was serving as a Lieutenant in the destroyer HMS Hostile on the outbreak of hostilities in 1939. It was whilst serving with HMS Hostile that he saw extensive action off Norway and in the Mediterranean, right up until her mining and loss off Cape Bon on 23 August 1940. HMS Hostile arrived off Norway in March 1940, fresh from patrolling the South Atlantic, and was heavily engaged in the First Battle of Narvik in the following month, initially in a duel with the Roeder, which with HMS Hotspur she left ablaze, and latterly, alongside the HMS Havock, with the HMS Ravenfels, which was destroyed. That done, HMS Hostile escorted the battered HMS Hotspur to safety. The ship was then ordered to the Mediterranean, Serving in Mountbatten’s 5th Destroyer Flotilla, and was present when HMS Kelly was badly damaged by a torpedo on 9th May. Finally, in July, shortly before her demise off Cape Bon, she was present in the action fought off Calabria, known as the battle of Punta Stilo. Mammatt next joined the destroyer H.M.S. Hereward, and was subsequently present in her during the withdrawal from Greece, for which he was awarded his Distinguished Service Cross. HMS Hereward would finally fall victim to Stukas of 111/St.G.2 north of Plaka on 29 May 1941, during the evacuation of the island of Crete. David A. Thomas’ Crete 1941, The Battle at Sea, describes the event,“At 0625 when the force was in the middle of the [Kaso] Strait the Hereward on the port side of the screen came in for the next attack. The first few Stukas were evaded, but another, diving low, let go a stick of bombs, one of which exploded near her foremost funnel. She swung out of line, her speed crippled and she had 450 troops aboard. Admiral Rawlings was now faced with another grim choice, the second only in a few hours: whether to send another destroyer to assist Hereward or whether to abandon her to her fate. To detach another destroyer would invite almost certain destruction, for the main hope of salvation against these aircraft attacks lay in concentration. The fact that the coast of Crete lay only five miles away helped persuade Rawlings to leave the Hereward to her own devices. As the force continued on its way the Hereward was last seen heading slowly for the coast, her guns still engaging enemy aircraft. She was commanded by Lieutenant-Commander W. J. Minn, Cunningham’s Flag Lieutenant in the Hood.’’Hereward was abandoned two miles north of Plaka and all those on board who survived were taken prisoner - but for the intervention of an Italian Red Cross seaplane, which circled over the survivors as they came ashore, two Stukas intent on attacking them may well have increased her casualties. As it transpired, these were already of a dramatic nature, for having departed Heraklion earlier that day with 450 troops, and of course her own complement of around 150 officers and ratings, the Italian naval authorities could only muster a total 229 survivors by the time they issued an official statement. John Edward Mammatt, who was among those taken prisoner, was duly incarcerated in assorted Italian P.O.W. camps at Sulmona, Padula and Gavi, prior to being moved to a Stalag at Spittal in Austria in September 1943. From there he was transported to Stalag IV B at Muhlberg in Germany and thence to Marlag Und Milag Nord, at which latter camp he was liberated at the War’s end. Mammatt, who was advanced to Lieutenant-Commander with seniority from October 1944, received his Distinguished Service Cross at an investiture held on 11 December 1945. He continued to serve in the Royal Navy after the war and was involved in minesweeping operations.
A collection of jewellery,to include a gold fox head stick pin with paste cabochon eyes, tested as approximately 9ct gold, a gold fox head safety pin style brooch, tested as approximately 9ct gold, a 9ct gold safety pin style brooch, Birmingham 1942, a set of gilt metal buckles, a single silver onyx and diamond cufflink, etc., all contained in a red leather jewellery case, with later blue tray insert (qty.)9ct gold - 6.20g totalCondition ReportThe jewellery box is a marriage - the blue tray not original. Scuffed.
A collection of stick pins, comprising a 9ct gold paste and split pearl horseshoe stick pin, the finial hallmarked Birmingham 1890, with metal pin, a ruby and split pearl cluster pin, tested as approximately 9ct gold, an Art Nouveau synthetic sapphire pin, tested as approximately 15ct gold with 9ct gold pin, a single stone opal pin, tested as approximately 9ct gold, and a sapphire, ruby and split pearl spray pin, tested as approximately 9ct gold (5)
A gold diamond and split pearl stick pin, the removable finial with a Swiss cut diamond grain set at the centre, to surround of split pearls, to threaded post, and pin, tested as approximately 15ct gold with 9ct gold pin, 2.24gCondition ReportMinor surface marks/scratches.Surface reaching inclusions to the diamonds.
A late 19th century oak country house entrance hall stand, shaped pediment above a bevelled mirror plate flanked by hanging hooks, the hinged box settle form bench seat flanked by a walking stick or umbrella provision and a hinged drawer, carved throughout with mythical beasts, lion masks, a bearded gentleman, winged Green Man, leaves and fruit, 257cm high, 165cm wide, 40cm deep

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133746 item(s)/page