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Lot 179
JADEITE MOUNTAIN , QING DYNASTY OR LATER, with flat back, carved with a pine tree and a fruiting peach above, two bearded sages to the right, the pale green jade meting into a pale grey lavender body, with a few brown highlights. Note: the craftsman has been able to use 20th century tools to make very elaborate carvings in this boulder to bring artists subtle colouring and shape.
Lot 230
AFTER ZHOU GUAN (16th century) Ladies in a garden depicting Imperial life, titled 'Spring Morning in the Han Palace', with a seal of the artist, ink and colour on silk, 30.5cm, now framed but the original jade-mounted scroll still extant Provenance: Christie's London, 2nd December 1969, part of lot 107; from the Collection of the Hon. Theodore Francis Green.
Lot 233
CHINESE SCHOOL, MING DYNASTY OR LATER A Northern Barbarian hunting party, showing four horsemen engaged in the chase in a mountain landscape, with six seals of the Ming collector Xiang Yuanbian (1525-1590),ink and colour on silk, 40.5cm x 127cm now framed but original jade-mounted scroll still extant. Provenance: Christie's London, 2nd December 1969, part of lot 20; from the Collection of the Hon. Theodore Francis Green.
Lot 261
EXCEPTIONAL CARVED HUANGHUALI, HARDWOOD, MOTHER OF PEARL, IVORY AND JADE INLAID CABINET, QING DYNASTY in the Japanese taste, with an arrangement of sliding panel doors, open tiers, drawers and doors, inlaid and mounted in ivory, mother of pearl and fine carved jade, the case finely carved with dragons, lions and simulated bamboo, the whole raised on a peony carved base with scroll feet. Provenance: From a private Scottish collection, acquired at Lyon & Turnbull, Edinburgh, Fine Asian Works of Art, 4th June, 2014, lot 487, part of the Symington Grieve Collection. Note: There is a gilt-decorated box in the Japanese taste, dating from the Yongzheng period in the Palace Collection, Beijing.PLEASE NOTE: LIVE BIDDING IS NOT AVAILABLE FOR THIS LOT 很抱歉，该拍品不支持网上竟拍。谢谢合作。
Lot 395
FINE WHITE JADE FIGURE OF AMITAYUS, QING DYNASTY, seated in vajraparyankasana on a rocky outcrop, his hands holding a vase, wearing voluminous robes opening at the chest to reveal a beaded necklace, the serene expression framed by a pair of pendulous earlobes, 20cm highPLEASE NOTE: LIVE BIDDING IS NOT AVAILABLE FOR THIS LOT 很抱歉，该拍品不支持网上竟拍。谢谢合作。
Lot 396
CARVED CELADON JADE BUFFALO, QING DYNASTY, modelled as the recumbent beast with legs folded beneath its body and with head turned to one side, 13cm long Note: The underside of the figure bears the signature of Wu Hufan (Chinese 1894-1968); Wu Hufan was a leading traditional painter, and was known as a collector and connoisseur.
Lot 440
EXCEPTIONALLY FINE CARVED BOXWOOD FIGURE OF THE 'QUEEN MOTHER OF THE WEST' (XIWANGMU), JIAQING / DAOGUANG PERIOD, finely carved to depict the goddess wearing a voluminous long robe standing on a naturalistic base with crashing waves, and surmounted by an urn filled with lingzhi fungus and blossoming flowers, with a fitted carved zitan stand, bears seal mark for Shang Xun, 13.5cm high (including the stand), 11.5cm high (without) Provenance: Private collection, Kent. Note: This exceptional carved boxwood figure bears the seal mark of Shang Xun, active 1796-1850. Xun was a renowned bamboo carver of the Jiaqing (1796-1820) and Daoguang (1821-1850) periods, known for his work in the liu qing technique, or 'positive relief' carving. The impeccable craftsmanship of this piece mirrors the quality and skill of Xun, and this could be a fascinating example of the artist experimenting with non-typical form and material. Alternatively, this figure could have originated from Xun's own personal collection which would have contained revered works of his contemporaries. It was common practice at the time to apply one's own signature to prized artworks as an acknowledgement of quality. For another example of this practice see the jade buffalo included in this sale (lot 396). Is it also feasible that another highly skilled master applied the seal of Shang Xun to pay homage to his artistry through their own work, another common occurrence in the artist community in China during this period. Undeniable, is the exquisite pedigree of this carving, underlined by the inclusion of a fitted zitan stand. Zitan is a rare, dark wood of the rosewood family, reserved for works of the Imperial court during the eighteenth and nineteenth centuries.PLEASE NOTE: LIVE BIDDING IS NOT AVAILABLE FOR THIS LOT 很抱歉，该拍品不支持网上竟拍。谢谢合作。
Lot 242
An assortment of lady's and gentlemen's costume jewellery, to include a carved jade coloured bangle, a silver blue john set dress ring, a silver amethyst and marcasite set dress pendant, and a further assortment of rings, pendants, earrings, bracelets, chains and watches (Qty) Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding.
Lot 168
A pair of carved jade and freshwater pearl drop earrings, total length of drop 5cm, upon 9ct yellow gold shepard's hook fittings, together with a jade set yellow gold ring, the carved and pierced decoration jade measuring approx. 2cm x 1.4cm, claw set to plain polished yellow metal shank, stamped '9ct', ring size M (3)
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