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Lot 814
A CHINESE PALE CELADON JADE OPENWORK CIRCULAR PLAQUE LATE QING DYNASTY Carved with a shuangxi character encircled by two bats and lingzhi, the edges formed as a pair of stylised dragons, the stone of an even tone with some minor white mottling, together with a wood stand and cord for suspension, 8cm. (2)
Lot 829
A COLLECTION OF SMALL CHINESE JADE ITEMS QING DYNASTY AND LATER Comprising: three cylindrical boxes and covers with four character Qianlong marks to the bases, three snuff bottles, four pendants, four carvings and a jade boulder, variously decorated with flowers, inscriptions, figures, animals, archaistic motifs and other designs, 10cm max. (18)
Lot 840
A LARGE CHINESE CELADON JADE CARVING OF A MYTHICAL BEAST QING DYNASTY OR LATER The lion-like creature carved in a recumbent position with its head turned back, grasping a sprig of lingzhi in its mouth, its bifurcated tail curling around its body, the stone with some russet markings, together with a wood stand detailed with lingzhi, 14.5cm. (2)
Lot 841
A CHINESE GREY AND BROWN JADE 'LION DOG' GROUP LATE MING DYNASTY Formed as a recumbent lion dog turning its head to sinister, with its cub clambering over its back, each carved with a bony spine and bulging eyes, with the hairs of their tails, manes and beards finely incised, together with a wood stand, 7.7cm. (2) Provenance: formerly a Scottish private collection.
Lot 843
TWO CHINESE JADE CARVINGS QING DYNASTY One a heart-shaped bead carved with a stylised taotie mask head, the other a ring carved with a chilong in a brown and celadon stone, 5cm and 5.3cm. (2) Provenance: from an Australian private collection, the mask head acquired in London 1980s/90s, the jade ring acquired in Melbourne, Australia, from Josh McCleland's print room in the 1990s.
Lot 844
A SMALL CHINESE PALE CELADON AND RUSSET JADE BOULDER QING DYNASTY OR LATER One side carved in low relief with birds perched on rockwork and flowering branches, the reverse finely incised with an inscription, the stone with large brown inclusions and striations, together with a wood stand, 6cm. (2)
Lot 101
A CHINESE WHITE JADE 'LINGZHI' PENDANT PROBABLY QIANLONG 1736-95 Carved with two beetles crawling over the top of two mushrooms, the stone with some white mottling and russet markings, 6.4cm. Provenance: formerly the collection of a Cheltonian gentleman whose father, who was in Hong Kong during the first quarter of the 20th century, whose father formed the collection during the 1st quarter of the 20th century.清乾隆 白玉雕靈芝擺件來源：切爾噸紳士收藏。
Lot 103
A CHINESE PALE CELADON JADE 'CHILONG' PENDANT QIANLONG 1736-95 Carved in openwork with the mythical beast clambering over an axe-head, with its bifurcated tail occupying the central aperture, the stone with some minor white mottling, 5.8cm. Provenance: formerly the collection of a Cheltonian gentleman whose father, who was in Hong Kong during the first quarter of 20th century, formed the collection.清乾隆 青白玉雕螭龍佩來源：切爾噸紳士收藏。
Lot 105
A CHINESE CELADON JADE 'BADGER' GROUP LATE MING DYNASTY Formed as a badger lying down with her cub curled up by her side, the stone with russet markings, together with a wood stand, 5.3cm. (2) Provenance: sold in these rooms on 12th November 2014, lot 246.明晚期 青白玉雕歡天喜地擺件來源：威立士2014年11月12日·編號246
Lot 109
A CHINESE WHITE JADE CARVING OF A LUOHAN PROBABLY 18TH CENTURY The figure depicted seated with both hands resting on his raised left knee, wearing loose monk's robes draped over one shoulder, with an armband on his right arm, his joyful face carved with an open mouth and large eyes beneath bushy eyebrows, 9.5cm.十八世紀（可能） 白玉雕羅漢坐像
Lot 111
A CHINESE PALE CELADON JADE 'WUFU' RUYI SCEPTRE QING DYNASTY OR LATER The head carved in relief with peaches beneath a shou character and a qing, with five bats flying amidst swirling clouds to the shaft, the reverse incised with an inscription, with an attached tassel, 37.5cm.清或更晚 青白玉雕五福如意擺件
Lot 112
A CHINESE WHITE JADE SQUARE SEAL PROBABLY YUAN DYNASTY The plain base surmounted by a dragon, the mythical beast crouching as if ready to pounce, its face carved with its eyes bulging and teeth bared, with its finely incised mane trailing down its arched back, the stone an even tone with minor russet striations, the underside with a single large character, 6cm.元（可能） 白玉雕龍璽
Lot 114
A SMALL CHINESE CELADON JADE 'LOTUS' BOX AND COVER QING DYNASTY Of quatrelobed form, the cover carved in shallow relief with a cartouche enclosing a lotus blossom growing amidst leaves from rippling waters, the stone of an even tone with some minor white mottling, together with a reticulated wood stand, 6.4cm. (3)清 白玉雕蓋盒
Lot 117
A CHINESE CELADON JADE 'DEER AND BAT' OPENWORK PENDANT QIANLONG 1736-95 Of flattened form, carved with a recumbent ram gazing backwards at a bat in flight, the ram holding a branch of lingzhi in its mouth and with small stars incised to its body, the stone of an even tone with minor white mottling, 6.1cm. Provenance: formerly in the collection of Dr Stefanos Bakker (1896-1959), acquired in China in the 1930s.清乾隆 青白玉雕如意福祿壽佩來源：Stefanos Bakker（1896-1959）博士舊藏，1930年代購於中國。
Lot 123
A MASSIVE CHINESE BLACK AND CELADON JADE 'YINGXIONG' GROUP QING DYNASTY The stone skilfully worked with a single-horned mythical beast carved from the black section of the stone whilst an eagle is predominantly picked out in celadon, both creatures stand side by side gazing backwards with well-defined bulging eyes, the eagle with its left leg raised and talons tightly clasped, with an old paper label to the shoulder of the lion-like beast, all raised on a rocky platform, the black and celadon areas of the stone both with white and russet markings, 34cm, 10kg. The imagery depicted is an interpretation of the motif of an eagle, ying, and a bear, xiong, which together form the word yingxiong, homophone for 'hero'. The theme of an eagle and bear first appeared on Western Han dynasty bronze 'champion' vases. This developed throughout later periods into more stylised representations where the bear is often rendered as a mythical beast resembling a lion and the eagle is sometimes portrayed as a phoenix. Provenance: from the collection of Reverend Victor Farmer (1898-1977) and thence by descent. Whilst Farmer sold several Chinese ceramics at Sotheby's in 1961, he was primarily a collector of Chinese hardstones and other works of art. Much of his collection was also sold at Phillips on 15th February 1978. Cf. A Forsyth and B McElney, Jades from China, p.292, no.292 for a Ming dynasty jade carving of an eagle perched on a lion-like mythical animal in the collection of The Museum of East Asian Art, Bath; see also Sotheby's Hong Kong, 1st December 2016, lot 172 for another Ming piece with a comparable subject matter and lot 203 for a related small 17th/18th century yellow jade 'yingxiong' carving depicting a bird of prey with a similarly rendered mythical beast.清 糖色玉雕英雄擺件來源：Reverend Victor Farmer （1898-1977）收藏，1961年Farmer曾經在蘇富比出售過他的瓷器收藏，1078年2月15日在Phillips上拍過他的玉石收藏。
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64936 item(s)/page