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Click here to subscribeA Victorian ebonised walking stick,with a gold crop handle, decorated with repousse scrolls and an acanthus leaf collar. Hand engraved with a presenation inscription in script 'H Dansie Dec 25th 1881' tested as approximately 15ct gold, together with an ebonised walking stick, with a crook handle and rolled gold decoration and a collar (2)
A West African tribal 'Venga' type processional stick or club, with a rounded bulbous head with central point on a tapering shaft, tropical hardwood, possibly ebony, with distinctive two colour timber, 57cm long. *CR: Slight knocks and scuffs. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
A collection of eight black and white photographs, 8 x 11.5 cm with deckled edges, three images of U-Boats, three of tanks, one a dispatch rider , and one of a soldier with two stick grenades. *CR: Slight surface marks and discolouration. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
An 1897 Pattern Infantry Officers Sword with an 83cm pointed blade with sharpened edge, with partial fuller and decorated for the 1st V.B.K.O. Royal Lancaster Regt and Edward VII Crown and cipher. Marked for Hobson and Sons, 1,3 & 5 Lexington Street Golden Square, London. The broad guard with turned down rim, shagreen wire wound grip and domed pommel, with leather sword knot. In service scabbard with frog, 100cm overall length. With a travelling cover and dress scabbard. Also a Masonic sword, leather covered swagger stick and a King's Own Swagger stick. This sword and other items were the property of Major Nicholas Edmund Barnes who was a 2nd Lieutenant with the Volunteers from 1903 and decorated as the best shot as a recruit in the same year. Captain from 4/8/14 and Major from 3/5/15. Following the War a senior partner with Barnes and Jackson Solicitors of Alverston. With a selection of documents relating to his work as a solicitor. *CR: Light marks and age related wear throughout, but generally a nice example in good order. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
A regimental stick, white metal top embossed with the badge of the Wiltshire Regiment, 91 cm (36 in.); together with two swagger sticks, one bearing the badge of the 4th Battalion Wiltshire Regiment, the other with a plain silver top engraved 'Captn Harvey, the 99th Regt' and hallmarked for London 1876. [3]
FIVE BOXED MATCHBOX COLLECTABLE MODEL VEHICLES, to include a superfast Airport Coach no.65, in white and royal blue with yellow tinted windows, British Airways stickers to both sides, a Rola-matics Turbo Fury no.69, in metallic red with 69 arrow sticker to the bonnet, a Superfast Security Truck no.69 in red with cream roof, writing to each side of vehicle, a Didge Delivery Truck no.72, in white and red with Pepsi logo stick to both sides, rear doors do open but are quite stiff, a Model 'A' Ford no.73, in cream and green, loss of cream paint to edges
A diamond 14ct gold bar brooch, the central single cut diamond measuring 1.5mm diameter, claw set to a raised square border, continuing to a rectangular two-colour gold bar with engine turned detail, hinged pin and safety loop fastening, stamped '14K' and 'G' lozenge mark to loop, 5.2cm wide, together with a Victorian 'BABY' brooch, stamped 'AJC. 9ct' 34mm wide, a further 'BABY' brooch, stamped '9ct', 28mm wide, and a Victorian diamond set knot design stick pin, head stamped '15', 54mm long, gross weight 7.0gms (4)
A selection of silver and silver coloured accessories, to include a novelty silver rattle, Crisford & Norris Ltd, Birmingham 1976, modelled as an owl suspending two bells upon a mother of pearl handle and teething ring, 15.5cm long approx., a pair of novelty silver place card holders modelled as honeycombs, Clive & Clarissa Cooke, London 1987, each 29mm wide, a further novelty silver place card holder modelled as a fish, marks for WW, London 1998, 28mm high, a silver pickle fork with thistle finial, 12.2cm long, a late Victorian silver smoker's tool, G E Walton & Co Ltd, Birmingham 1899, 5cm long, a Victorian open silver salt, Thomas Smily, London 1872, 35mm high, a novelty EPNS rattle in the form of a penguin, 12cm long, a silver coloured pheasant bottle stopper, 6cm high, a stick pin modelled from a Victorian coin, 6cm long and three silver coloured miniature silver thimbles, each 6mm high (13)CR: Penguin Rattle is EPNS. Victoria pin, pheasant stopper are not marked. Thimbles are not marked and are not thought to be silver.Rattles: Both largely in good order. Owl example shows moderate denting, particularly to the bells. Both show moderate scratching and wear commensurate with age and use.Salt: Some misshaping to the border when viewed top down, some misshaping to the foot. Moderate loss to the engraved detail.Pickle fork shows misshaping to tines. Heavy scratching and chipping to the glass thistle.Miniature thimbles show very heavy scratching and wear.Stopper, card holders, multi-tool and pin appear largely in good order, showing general scratching and wear commensurate with age and use.
A 19th century diamond flower head stick pin, comprising two central rectangular cushion cut diamonds with a surround of eight cushion cut diamonds, all set to a silver coloured closed back setting, with a gold coloured floral border, head 16mm diameter, upon a gold coloured stick pin, 8.5cm long, weight 3.3gmsNote; It is the opinion of the valuer that the floral head may be earlier then the mount, pre-Victorian. The stick pin appears to be later, late-Victorian.
James Earley (British, B.1981)Kaud signed 'J.Earley' lower rightoil on canvas, framed99 x 69cm (39 x 27 3/16in).Footnotes:James is a self taught artist and uses his work to raise awareness of issues such as homelessness, war and mental health. He first came to prominence in 2013, when he was part of the acclaimed 'Seven Artists Exhibition' held at London's Strand Gallery. 'I was born in the UK, spent many years in France but I am now back living in the UK. I am a self taught artist and I paint those on the very edge of society. I want to use my art to help raise awareness of the issues in the world today, I want to help make the invisible visible and ultimately I want my art to scream. I am always looking to the long term as my ambition is to be a relevant and significant artist today and also in hundreds of years from now.I always had a passion for art, I knew this was my gift yet my career took me away from my passion. It was only in 2015 that I knew that I could no longer live a lie so I swapped a career in business for a profession as a full time artist, a job that in my heart I was always meant to do. My career as an artist has accelerated since 2015. In that time I was part of the prominent 'Seven Artists Exhibition' at The Strand Gallery London. I have also been nominated by The Royal Society of Oil Painters, The Royal Society of Portrait Painters and I received a nomination for the 2015, 2016, 2017 and 2020 BP award. I have had my work displayed in London, Madrid, Paris, New York and Amsterdam and I have been described as one the most relevant artists in the world today by the German Kunst Heute Art publication and the Contemporary Art Curator Magazine. In 2019 I was honoured to win the first prize at the prestigious London Biennale as well as the prestigious International Michelangelo prize for art. In 2020 I was awarded the Venice International Artist Of The Year and in 2021 I was honoured to win The International Confederation of Art Critics Award. I won the Velazquez International Painting award in 2022.' (James Earley, Saatchi Art)He has been the receipt of numerous awards, including the International Prize Giotto, and the International Prize Leonardo da Vinci in 2019 and the International Dante Eligheiri and Collector's Vision International Award,' in 2021. He has also featured on the front covers of International Art Magazine and Vanity Fair in 2017 and 2020.'In May of 2022 I was invited by the Social Purpose Organisation Friendship to visit Nakna village in the remote coastal region of Bangladesh. This area had been hit by cyclones and flooding and the situation was getting worse as climate change accelerated. Friendship and the community were doing a lot of work to protect the village from the impact of the floods and they had embarked on a huge project of planting mangrove trees to protect the coastal areas and strengthen the coastal edge.I wanted to learn how climate change had impacted over the years and I was introduced to one of the elders of the village Kaud Banq. I knew as soon as I saw Kaud that I wanted to paint her. Every wrinkle on her face told a story, her eyes showed her wisdom, her hands clutching tightly at the wooden stick that supported her showed her strength and her beautiful dress showed her pride and dignity. I wanted to create a back ground that would show a path way that instead of looking smaller in the distance as it disappeared in the horizon had the opposite affect, the pathway was getting narrower and narrower as it pushed its way into the foreground. This path that Kaud had taken for 85 years was wide and abundant in her childhood but as climate change gradually impacted the pathway got narrower and narrower as the water level increased. Kaud now stood near the end of this narrowing path surrounded by water.'For further information on this lot please visit Bonhams.com
A collection of Victorian brooches to include a sapphire and diamond set 15ct gold scarf clip, sprung, with granular and rope decoration, length approx 30 x 6mm, total gross weight approx 5.6gms along with a Etruscan style brooch pearl set star to centre, length approx 30mm, unmarked assessed as 18ct gold, (modification to reverse) pin and C clasp fittings, total gross weight approx 4.8gms, together with a 9ct gold quiver brooch, length approx. 50mm pin and C clasp safety chain fittings, weight approx 5.9gms cased and a garnet set stick pin with rope and granular decoration, assessed as 15ct gold total gross weight approx 2.2gms (1 bag)Further details: good some wear and tear tarnish and marks commensurate with age some modifications
A LATE GEORGIAN or EARLY VICTORIAN SWORD-STICK WITH BLUE AND GILT BLADE, circa 1825, with single-edged 28in. spearpoint blade, blind fuller towards the back edge, the first half of the blade decorated with blued scrolls against a gilt background, the blued scrolls extending into the polished area, white metal mounts at neck and pommel, natural bamboo scabbard and hilt. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
A CASED DEACTIVATED THOMPSON 'M1928A1' SUBMACHINE GUN, serial no. 70841, manufactured by Auto Ordnance, fitted with a finned barrel with Cutts compensator and finely cased in oak in the Continental style, complete with a drum magazine, 20 and 30 round stick magazines, pistol and splinter fore-grips, sling and instruction manuals with sundry other accessories, deactivated to the latest 2022 specification with certificate. Please note, under UK Law, you are required to inform the Home Office of possession of a deactivated firearm. A link to the Notification of possession of a deactivated firearm form can be found on our website under licence requirements in the 'buying' menu
A 9.1mm (WALKING-STICK) DUMONTHIER PATENT WALKING-STICK SHOTGUN, no visible serial number, circa 1885, with natural cane-covered 25 1/4in. barrel retaining muzzle-plug, twist and pull breech with brass band around the throat, concealed trigger within an engine-turned band and pale horn hooked handle. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
A 9.1mm (WALKING-STICK) LATE VICTORIAN WALKING-STICK SHOTGUN, no visible serial number, circa 1895, with dark malacca cane covered 26 1/2in. barrel retaining muzzle-plug, nickel band at breech, twist and pull cocking action and antler walking-stick handle with exposed button trigger. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
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