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U.a. SITZENDORF, Wandspiegel und Figurenleuchter, 20. Jh. SITZENDORF Wandspiegel in einem Porzellanrahmen in Rocaillenform mit plastisch ausgeformten Blüten und Blättern sowie einem Putto dekoriert, mit 3 abnehmbaren einflammigen Kerzenhaltern, H. ca. 48 cm, mit Beschädigungen und RUDOLSTADT Figurenleuchter mit abnehmbarem 4-flammigen Leuchteraufsatz, Leuchterschaft in Form eines Baumstammes auf Rocaillenstand, dekoriert mit Blüten und Blättern sowie der Figur eines Schäfers, der ein Schaf schert, H. ca. 41,5, mit Beschädigungen. Alters- und Gebrauchsspuren.| A.o. SITZENDORF, wall mirror and figural candel stick, 20th cent. SITZENDORF Wall mirror in a porcelain frame in rocaille form decorated with sculpted flowers and leaves as well as a putto, with 3 removable single-flame candlesticks, h. approx. 48 cm, with damages and RUDOLSTADT figural candlestick with removable 4-flame candlestick attachment, candlestick shaft in the shape of a tree trunk on a rocaille stand, decorated with blossoms and leaves as well as the figure of a shepherd shearing a sheep, h. approx. 41.5, with damages. Signs of age and use.
UTAGAWA KUNIYOSHI (1797-1861)Edo period (1615-1868), circa 1827-1830An oban tate-e print of Dokukakuryu Sujun (Chinese: Zou Run) and Sobikatsu Kaiho (Xie Bao) from the series Tsuzoku suikoden goketsu hyakuhachinin (108 Heroes of the Popular Water Margin); depicting Kaiho and Sujun entering the palace at Beijing disguised respectively as a hunter and a lantern seller, Sujun in the foreground carrying a bamboo stick suspended with several lanterns, Kaiho behind, clutching a stick tied with a monkey and hare from his so-called hunting trip, published by Kagaya Kichibei, with censor's seal kiwame; signed Ichiyusai Kuniyoshi ga. 36cm x 25.5cm (14 3/16in x 10in).For further information on this lot please visit Bonhams.com
A GROUP OF CULTURED PEARL JEWELLERY comprising A MIKIMOTO CULTURED PEARL STICK PIN, in a Mikimoto case; and FIVE CULTURED PEARL NECKLACES, including a pink example (6)Good condition. Two necklaces with 9 carat gold clasps. Pearls in good condition with light surface wear and slightly uneven surface texture.
A GROUP OF MEXICAN SILVER ALPACA AND OTHER JEWELLERY comprising AN ALPACA SILVER PAUA SHELL BROOCH / PENDANT; A PAUA SHELL FISH LINK BRACELET; A PAIR OF MOTHER-OF-PEARL AND ENAMEL EARRINGS; A PAUA SHELL AND MOTHER-OF-PEARL CUFF BANGLE; A PAUA SHELL AND MOTHER-OF-PEARL STICK PIN; and A TURQUOISE MICRO MOSAIC AND BLACK ENAMEL BROOCH; together with A MEXICAN SILVER PILL BOX.
Sam Toft (British, b. 1964). E. H. Mustard, limited edition handmade Jig Doll with walking stick, numbered 42, together with a "passport" (listing his occupation as a 'tuneless hummer'), original booklet, a signed postcard giving thanks for placing the order, and a Mustard Shop postcard of thanks from "Nan Mustard" (4)
An NEC Next Generation Turbo Graf X model No. HESTGX-11, Entertainment Console System, housed in the original polystyrene sliding tray box, comprising of turbo graphics, console, hand controller, easy-to-follow instructions (missing turbo chip game card), together with an NEC Turbo Graphics accessories box kit, together with a Turbo Graphics Turbo Stick, all housed in original packaging, sold with a selection of NEC Turbo Graphics games to include Pack Land, Glazing Lazers, Bonks Adventure and Vigilante (loose), Pack Land example is partly shrink-wrapped and housed in the original box
dating: about 1880 provenance: Europe, Six-shot, centerfire, 5.5 mm cal cylinder. Various numbering including '4,' '1900,' and '55.' With a blade of triangular section with hollow faces at the center. Frame marked 'L'EPANTE' and 'N.S.' Folding trigger. Iron ring nut. Remains of marks (not clearly legible). Horn handle with small restorations. With its scabbard worked as a stick (non-screwable thread ), shaped as a truncated cone, provided with metal shoe. length 34,5 cm.
dating: Mid 19th Century provenance: France, Smoothbore, two-stage, iron, 11 mm cal. barrel, octagonal and round with rings at the girdle.The nozzle outlined with gold and engraved with a gold arrow at the base of the foresight. At the breech remains of gilt racemes followed by three cartouches hollow at the border, the central one with the gold signature 'CANON LE CLERRE.' At the bottom of the barrel the mark of the St. Etienne test bench and 'S' mark. Boxlock mechanism with iron frame engraved with racemes. Well-functioning, two-shot mechanism; foldaway trigger. Wooden 'C'-shaped grip, checkered and carved as a shell at the pommel. Enriched with silver-coloured metal inlays with spirals and dots. Probably the cane originally also had a removable shoe which could be inserted into the nozzle. Rare mixture of a boxlock pistol and a stick-gun. length 79 cm.
Hans Sebald Beham - St Sebald with church model - 1521 / Description: A sharply articulated foreground scene with the figure of Saint Sebald seated between two tree trunks contrasts well with the soft landscape with castle and mountains in the distance. He presents a model of the St Sebald church in Nuremberg, the city of which he is the patron saint. Furthermore, it was in this church that Dürer was baptized and married in 1494. His attributes, such as the walking stick and pilgrims' badges sewn onto his hat, refer to his pilgrimages in Italy before becoming a preacher in Nuremberg. The subject was definitely trending in Nuremberg at the time. In our auction we also offer a contemporary woodcut by Dürer in which he places the saint in a niche (Meder 1932 / Dürer Katalog p.196). Here, Sebald Beham works with the engraving technique, which results in a splendid play of hatching and cross-hatching. Signed with monogram and dated 1521 on a tablet at lower right. / Dimensions: 12,00 x 10,00 cm / Condition: A very good dark detailed impression of the second and final state. On a dense laid paper from the period trimmed on plate border with tread margins at bottom. The image is complete. / Literature: Pauli 1901-11 / Hans Sebald Beham: Ein Kritisches Verzeichniss seiner Kupferstiche Radirungen und Holzschnitte (69.II) --- Hollstein / German engravings, etchings and woodcuts c.1400-1700 (69.II) --- Bartsch / Le Peintre graveur (VIII.141.65) / Medium: Engraving /Circa: 1521
China - - Bildrolle mit 3 chinesischen Seidenmalereien. Wohl 18. Jahrhundert. Tusche, Feder, Aquarell und Gouache auf Seide. Lokalisiert (Su, heutiges Guangzhou) datiert ("Zehn Tage nach dem Chóngyáng-Fest im Jahr Renyin (=Jahr des Tigers)") und bezeichnet. Eingefasst in dekorativer Seidenbordüre, diese unterlegt, mit Holzstab und einfachem Schließband. Die Darstellungen wohl von drei unterschiedlichen Künstlern, welche je in dem die Zeichnung begleitenden Text genannt sind. Die zwei flankierenden Darstellungen von Shouwén Liáng und Wénkun Hu zeigen in vegetabiler Rahmung florale Szenen: blühende Zweige und üppige Blüten bevölkert von Insekten wie Käfern und Bienen. Mittig befindet sich die Darstellung zwei lesender Schönheiten, ebenfalls in einer vegetabilen Umgebung platziert. Diese Darstellung bezieht sich wohl auf den im linken Bildrand aufgeführten Textausschnitt eines antiken Gedichtes des Ming-Dichters Gao Qi (1336-1374), welcher in drei Passagen über zwei historisch berühmte Schönheiten zitiert. Der Künstler dieser Darstellung bennennt sich selbst nur mit Qngcong. Aus den Inschriften geht hervor, dass die drei Maler ihre Übungen auf Anforderungen eines älteren Bruders namens Sheng ausführten. Möglicherweise handelt es sich hierbei um jüngere Gelehrte, welche unter "Sheng" die Malerei studierten. - Mit materialbedingten kleinen Fehlstellen, ingesamt etw. fleckig, tls. mit etw. Farbabrieb, insgesamt gut erhaltene, feingliedrige Zeichnungen in zartem Kolorit. China - Scroll with 3 Chinese silk paintings. Probably 18th century. Ink, pen, watercolor and gouache on silk. Localized (Su, today's Guangzhou) dated ("Ten days after the Chóngyáng festival in the year Renyin (= Year of the Tiger)") and inscribed. Surrounded in decorative silk border, this underlaid, with wooden stick and simple closing band. - The depictions are probably by three different artists, each of whom is named in the text accompanying the drawing. The two flanking depictions by Shouwén Liáng and Wénkun Hu show floral scenes in vegetal framing: flowering branches and lush blossoms populated by insects such as beetles and bees. In the center of the painting we find the depiction of two reading beauties, also placed in a vegetal setting. This depiction probably refers to the text excerpt of an ancient poem by the Ming poet Gao Qi (1336-1374) listed in the left margin of the picture, which quotes in three passages about two historically famous beauties. The artist of this representation names himself only as Qngcong. From the inscriptions it appears that the three painters performed their exercises at the request of an elder brother named Sheng. Possibly these were younger scholars who studied painting under "Sheng". - With small missing parts due to the material, overall somewhat stained, sometimes with some paint abrasion, overall well preserved, delicate drawings in tender colouring.
TANGKA EN SOIE APPLIQUÉE REPRÉSENTANT CHITIPATIMONGOLIE, XIXE SIÈCLE Himalayan Art Resources item no. 205075 Image:72.5 X 58 cm (28 1/2 X 22 7/8 in.); With frame: 84.5 x 70.5 cm (33 1/4 x 27 3/4 in.)Footnotes:A SILK APPLIQUÉ THANGKA OF CHITIPATI MONGOLIA, 19TH CENTURY 蒙古 十九世紀 織錦屍陀林主唐卡Dancing in a halo of flames, this embracing skeletal couple serves to exorcise obstacles to enlightenment and highlight the transience of time. Here, the male holds a stick made of a human spine and skull-cup filled with blood. Aside from holding a sheaf of grain, his partner holds a vase in a shape more commonly linked to the Gelugkpa tradition of Tibetan Buddhism. Compare this appliqué to an embroidery of the same iconography and subject (see HAR 18404).Provenance:Ashencaen and Leonov, London, 2000sFor further information on this lot please visit Bonhams.com
Schablonen: zur Wäschestickerei. O.O. um 1900. Zus. 95 Schablonen aus Kupfer- u. Stahlblech, 1 kl. Schablonierfarbe mit Pinsel u. Gebrauchsanweisung. Lose in 3 kl. Opp.-Schachteln mit aufgezog. Dtiteln u. 1 größeren Opp.-Schachtel mit goldgepr. Dtitel. (Gebrauchsspuren, tls. Ausrisse). Die 3 kl. Schachtel enthalten Alphabete u. versch. Muster, die 16 größere Schablone mit versch. Mustern, Ziffern u. Monogramme. - Tls. Gebrauchsspuren. - ╔Dabei: Stick-Vorlagen.╗ Dessins de broderie. Slg. von 7 (1 farb.) mehrf. gefalt. Stick-Vorlagen. Tls. mit illustr. OU. - Gebrauchsspuren. - ╔Anleitung╗ zum Zuschneiden und Anfertigen des Weißzeugs. Hrsg. von den Lehrerinnen an der Fortbildungsschule der städt. Mädchenmittelschule in Stuttgart. (1904). Olwd. - ╔Lieb,M.╗ Das Stricken. Für die Hand der Schülerinnen zusammengestellt. 2. u. 4. Aufl. 2 Bde. 1895 u. 1899. OU. (Gebrauchsspuren). - ╔Frauenarbeitsschule Reutlingen.╗ Kleidernähen. (Um 1920).
A small collection of jewellery items, including a bloodstone signet ring in 9ct gold, size Q; a carnelian signet ring in 9ct gold, size V; a cameo ring depicting the side profile of a black African, metal unmarked, testing 9ct, size P; a pearl stick pin, cased; a bar brooch set with one old-cut diamond, stamped '18ct', cased; a pair of heart-shaped collar pin set with seed pearls, cased.
A 19th century French ormolu and bronze mantel clock, the drum form clock with enamel dial, beside a cherub holding a drum stick, seated on a scroll ground base, the eight day movement chiming on a bell by Samuel Marti, 29.5cm; together with a late 19th century spelter mantel clock, surmounted by a child with begging dog, the gilt base with inset alabaster panels, 35cm highOrmolu clock missing a pendulum, otherwise in good order.Spelter clock missing hands, a pendulum and key, the top is loose from the base, requires attention.
Vacheron Constantin. A fine and rare 18K white gold automatic bracelet watchModel: OverseasReference: 2000V/120G-B122Date: Purchased 5th December 2016Movement: 36-jewel Cal.1120/3 automatic, Seal of Geneva, No.5298158Dial: Sunburst grey, applied polished baton hour markers with luminous inserts, white outer minute divisions with blue Arabic numeral 5 minute markers, polished pointed baton hands with luminous insertsCase: Brushed and polished tonneau form, exhibition back secured by 5 screws, shaped fixed polished bezel, No.1344074Strap/Bracelet: Detachable shaped linkBuckle/Clasp: Signed double folding claspSigned: Case, dial & movementSize: 40mm Accompaniments: Vacheron Constantin box, outer card, Vacheron Constantin passport, Guarantee Certificate, original purchase receipt, repair receipt dated 5/08/17, 3 spare links, USB stick, polishing cloth, swing tagFootnotes:Vacheron Constantin can trace its steel sports watch history back to the 1970's with the iconic 222. In 1996 the brand launched the Overseas collection. Whilst they had released other sports watches previously, it was the Overseas that many considered to be the successor to the 222. Continuing the theme of tonneau shaped cases and Maltese cross inspired bezels the model was easily recognisable. In 2016 Vacheron Constantin presented a revamped Overseas collection as shown with the current lot. The new models came equipped with a new in-house movement and a convenient interchangeability device, allowing the user to remove and attach bracelets and straps without the need for tools.For an example of a 222 please see lot 24 for an original Jumbo 222 and lot 69 for the 34mm version.For further information on this lot please visit Bonhams.com
Derek Southall, British 1930-2011- Untitled abstract; mixed media watercolour and gouache on handmade paper, signed and dated 'Derek Southall 1970' (lower right), 63 x 49.5 cm. (unframed) (ARR) The sheet is stick loosely on to card at the upper left and lower right corners. Creases and folds to the card. The edges of the sheet itself are uneven, this appears to be original to the work. A loss to the upper part of the right edge of the sheet. Light creases and marks generally, consistent with handling. Otherwise in fair condition overall.
Arthur McIntyre, Australian 1945-2003- Autopsia, 1996; oil stick, wax crayon, acrylic and collage on paper, signed, titled, dated, inscribed and with artist's label on the reverse of the frame 'Arthur McIntyre Autopsia 1996', 182 x 126.6 cm Held in a wooden frame with Perspex glass.Numbered label stuck to the Perspex lower right hand corner. The sheet is float mounted and there is slight undulation to the sheet itself.Pin holes to all four corners and edges of the sheet.Otherwise appears to be in very good condition.
An early 20th century papier-mâché and painted countertop Johnnie Walker advertising model by R. R. Thompson Ltd Modellers, New Maldon, Surrey, 41cm highMinor marks, chips and losses to the paintwork overall. The left hand damaged, possibly originally holding a walking stick. Makers label beneath.

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133746 item(s)/page