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Lot 356
Two Little Folk Teddy Bears for Lakeland Bears, by Wendy Phillips, comprising of Grandma Perl with brown plush, orange and black plastic eyes, fully jointed, with knitting bag and another probably Holly, with walking stick and replacement Boyd's rabbit, both with label is to seam and a Lakeland Bears childs china tea set for one in a wicker picnic basket --20 1/2in (52cm.) high
Lot 230
Antique Period 9ct Gold Coronet Brooch, Set with Large Amethyst and Pearls with Safety Chain. All Full Hallmark for 9.375. The Heart Shaped Amethyst of Superb Colours. Weight 7.8 grams + A Further 9ct Gold Matching Stick Pin with Cornet Set with Centre of Brooch. Also Set with Amethyst and Pearls. Weight 5,6 grams. 2.5 Inches - 6.25 cms Diameter. Both In Very Good Condition.
Lot 105
AN EARLY 19TH CENTURY HEDGE CHAIR, in elm and ash, rail back and arms on turned supports with plain panel seat on doweled splayed legs, incised 'H'. 61 (w) x 79 (h)cmProvenance: Private Collection, MidlandsHedge chairs are a distinctive type of furniture with a unique history, which reflects the rural nature of their creation. Often made by so-called hedge carpenters in rural Ireland, the chairs were made using naturally bent timber to achieve their desired shape with minimum cutting. Hedge carpenters were not highly regarded compared to other woodworkers due to their use of inexpensive timber and lack of formal apprenticeships. As a result, the chairs were often made from gleaned timber found in hedgerows, leading to a broad variety of contrasting wood types in each chair. The term kitchen chair was also used to distinguish hedge chairs from more stylish parlour chairs. However, the label ‘famine chair’, applied by antiques dealers, is a misnomer with no evidence supporting its use by householders. Additionally, the term Irish Windsor is wholly inappropriate for these chairs, as there is no evidence that hedge chair makers were influenced by English chair-making tradition. Hedge chairs are instead characterised by their stick construction, where the legs and upper frame are fixed independently of each other into the seat, with lathe work being exceptional, and legs not usually linked by stretchers. Despite being looked down upon by other woodworkers, the hedge carpenter’s artistry is evident in the chairs’ design, with their work often deviating from the square and exhibiting the charm of irregularity. Hedge carpentry was a diverse trade in Ireland, where tradesmen had to possess a wide range of skills to survive economically, and hedge carpenters were often small farmers as well, growing their own food to feed their families. Hedge chairs are an important part of Ireland’s furniture history, and their unique design reflects the ingenuity and practicality of rural Irish craftspeople.
Lot 397
Early 20th century white metal Scottish Motor Club medals awarded to Jim M Boyack to include three Edinburgh District 150-mile Trail medals circa 1912, 1913 and 1914, and a Scottish Two-Days bronze medal, and one other, a Baberton white metal Cycling Club medal circa 1902, and two others unnamed, along with a 15ct Masonic stick pin in leather case 1.6g, and Barr and Stroud leather cased binoculars Location:
Lot 2161
MARK WILLIS; a pair of Victorian hallmarked silver Corinthian column candlesticks, the cast beaded rims and trailing floral detail to the columns, Sheffield 1899, height 30cm (filled).Condition Report: Tarnishing to each, each with slight lean, one example is missing its drip tray, the second drip tray is stuck and does not come out of the stick, tarnishing, very minor denting to the rims.
Lot 2212
An early 20th century Indian white metal desk stand with embossed stylised decoration of various Goddesses, figures and scrolling detail, with roller top enclosing three detachable inkwells on ball feet, width 19cm, depth 13.5cm, height 10cm.Condition Report: There are two screws at the back of the item which are possibly replacements, minor dents and knocks, the rotating cover does stick slightly, no apparent marks, this item is weighted.
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