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Lot 336
A BRONZE BUDDHIST LION JOSS-STICK HOLDER16th centuryThe beast cast seated on its hind legs, its right paw atop a ball, the fierce face with jaws agape and large ruyi-snout, and curly mane extending down the knobbly spine supporting a a small vase, the tail sweeping across its right haunch, attached wood stand. 11cm (4 1/2in) long.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十六世紀 銅獅形香插This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 377
COLLECTION OF TWELVE TUNBRIDGE WARE SEWING UTENSILS 19TH CENTURY comprising of a floral basket with apricot fabric sides and a swing handle, 8cm high, 16cm diameter; a pin cushion shaped as a teapot, 4,5cm high; a floral needlecase, 8cm high; a 'Go to Bed' chamber stick, 6cm high; one combination pin cushion and tape measure, 4.5cm high; one combination pin cushion, waxer and tape measure, 7cm high; one 'Tumbling boxes' inlaid knitting sheath, 15.5cm long; a star thread waxer, 3.5cm diameter; small star nesting box, 2.5cm high; and three small star screw-top boxes, 2,5 cm and 3cm diameterDimensions:Basket 8cm high, 16cm diameter
Lot 305
* Charles III (Philip Arthur George, 1948-). King of the United Kingdom, 2022-, formerly Prince of Wales. A Christmas and New Year Card, 1978, signed and inscribed in blue fountain pen ink for 'Michael and Mrs. Mann', & 'from Charles', above and below the printed message of greeting, opposite a black and white photograph of the Prince of Wales in a kilt with walking stick and labrador at Balmoral, folded stiff white card with gilt crest on the front, 18.5 x 12 cm, very fine conditionQTY: (1)NOTE:Provenance: Michael Ashley Mann KCVO (1924-2011), Anglican bishop and Dean of Windsor, 1976-1989.
Lot 7
In the style of Jan van Egmond - an early 20th century hand painted metal clock, in the form of a clock peddler, with top hat and walking stick and clock mounted to chest. Clock face with hand painted floral and windmill decoration, with Roman numerals numbering to the face. Appears to lack a talking stick to right hand, and one hand lacks to the clock face. Approximately 39cm tall.
Lot 150
High Victorian / early Edwardian bronze bear clutching a dumbbell across his shoulders, with a monkey ringmaster holding a whip. Bear with a ring in his mouth and wearing trousers; monkey with a top hat, britches and boots clutching stick / whip. Dumbbell bar appears to be a later replacement. Bear measures 12cm tall approx.
Lot 40
An assorted collection of antique & later brass & brass tone items. The lot to include; a mythical beast / foo dog lion candle stick, antlered mythical creature figure, Sekhmet lion headed goddess figure on plinth base, vesta case in the form of an antler, Waterloo lion's mound on rectangular base, etch banded bell, hyena like creature stylised figure & a coconut hookah smoking pipe. Largest measures approx 15cm.
Lot 656
A small collection of Chinese blue and white export porcelainQing dynasty, 18th centuryComprising: a small 'prunus' ginger jar and cover, 12cm high; a tea caddie, 11.5cm high; a pair of soft paste deep plates with brown slip rims, each 14cm diameter; a pair of cups, each 7.8cm diameter, with matching saucers, each 12.5cm diameter; an octagonal deep plate; 16.5cm wide; a circular dish, 22cm diameter; together with: a famille rose 'Mandarin pattern' bowl, 18th century, 14cm diameter; a Japanese Kutani bowl, Meiji Era, 19th century, 12.2cm diameter; and a Japanese blue and white joss-stick holder, 8.5cm wide; and a small English tea strainer, 8.5cm wide (16).清十八世紀 外銷青花瓷器十六件Condition Report: 品項報告:Ginger jar: two deep firing cracks to cover and one around the neck.Soft paste plates: one with large firing star crack progressing into hairline to base and significant scratching to edge of rim, the other with single firing crack progressing into hairline to base, both covered in heavy craquelure, Plate with single hairline also with 8mm wide rim frit.Tea caddy with rim fritting and rubbing to gilt at the edges.Pair of cups and saucers: one cup with approx. 5mm surface flake to interior of rim and star-shaped glaze hairline which does not appear to go through body; one saucer with very fine rim hairline (approx. 2cm long), the ether with significant surface wear.The octagonal plate with some fritting and a shallow surface flake to rim.The circular plate with expected firing imperfections and some surface wear.The mandarin pattern bowl with some fritting and a few rim chips, a rim hairline, and a few fine hairlines around the centre and foot. Surface wear to interior and some rubbing to enamels.The Kutani bowl with a couple of tiny rim nibbles and general expected firing imperfections.The Joss-stick holder and tea strainer with expected surface wear and firing imperfections.
Lot 541
A silver brooch, designed as a sea lion, import mark London 1990, weight 10.6g, width 5.2cm, a 9ct gold mounted oval shell cameo brooch, carved as a portrait of a lady, a gold, peridot and seed pearl bar brooch, detailed '9ct', a pair of gold mounted cultured pearl earring with screw fittings, detailed '9ct', a 9ct gold and ruby six stone ring, a 9ct gold pendant cross, total weight 14.9g, a gold topped and sapphire stick pin, detailed '9ct', and three silver brooches.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 611
A gold, ruby and seed pearl pendant in an openwork design, unmarked, weight 4g, length 4.4cm, a foil backed garnet pendant brooch, a sterling silver and cornelian brooch, detailed 'Sterling', a foil backed varicoloured paste necklace (one paste and two drops detached but present), a Victorian shield shaped pendant locket, a Victorian shaped oval pendant locket, glazed with a hair locket compartment, a gold topped and seed pearl stick pin, detailed '15ct', and three further items.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 774
Various costume and other jewellery, heart shaped locket, small pendant marked 9ct, 2g, various other stick pins, costume jewellery, costume brooches, 9ct gold St Christopher marked 9ct, silver Stoilic miniature pendant, various other costume jewellery, brooches, tri-colour bracelet, silver handled file, small quantity of ear studs, to include yellow metal, small quantity of gold, enamel and others, Swarovski type, coin, gilt coloured one shilling in mount marked silver, etc., the jewellery box 25cm wide. (a quantity)
Lot 178
AN IMPORTANT PAIR OF EMERALD AND GEM-SET PENDENT EARRINGS, BY CHOPARD RED CARPET COLLECTION, 2017Each circular-cut emerald measuring approximately 18x18mm, within a heart-shaped purplish-blue titanium motif pavé-set throughout with circular-cut emeralds, tsavorites, blue sapphires, blue tourmalines and amethysts accented with brilliant-cut diamonds, suspended from a briolette cluster of similar stones and a pear-shaped amethyst surmount with further similarly-cut stones, mounted in 18K gold and titanium, signed Chopard, numbered, length 6cmThe legendary House of Chopard was founded in 1860 by Louis-Ulysse Chopard in the Swiss village of Sonvilier, focusing production on pocket watches and chronometers. Chopard revolutionised watch manufacture and lead the charge on creating and selling complete timepieces instead of just the mechanical movement which had been the industry standard. Chopard quickly rose to fame and could boast elite clients such as Tsar Nicholas II of Russia.After Chopards death in 1915 the business was led by his son Paul-Louis and grandson Paul-André. The father and son leadership expanded Chopards remit to create women’s wristwatches and by 1921 had grown enough to move the business to the larger town of Chaux-de-Fonds. Finally, in 1937 production was moved to Geneva, the city whose name has since so iconically appeared on the dials of Chopard watches.In 1963 Paul-André Chopard sold the family company to the much-admired horologist and goldsmith Karl Scheufele III. Under Scheufele’s leadership the brand grew in production and popularity at an astonishing rate.A watershed moment occurred for Chopard in 1976 when Scheufele, in collaboration with in-house designer Ronald Kurowski, released the first watch to feature free-floating diamonds within the face of the piece. The pleasing dance of the diamonds as one moved their wrist proved to be a huge success and Chopard pieces are still admired and sought after today for this innovative quality. The Happy Diamond Collection of 1985 continued this trend of free-floating diamonds and was inspired by Karl Scheufele’s daughter Caroline’s sketch of a clown with a “tummy full of diamonds”. This joy and exuberance are a mainstay of Chopard design and history.Chopard began their genius idea of collaborating with and sponsoring events for titans of industries, creating collections in tandem, in 1988 with their partnership with the legendary Mille Miglia sportscar race. Since then, Chopard have sponsored many events but most notably, and annually, the Cannes Film Festival. Sarah Greene includes Lot 178 in her favourite pieces from this auction, showing there is a natural affinity between celebrated actresses and pieces designed by Chopard.Lot 178 comes from the 2017 Red Carpet Collection which was designed for the year’s Cannes Film Festival and marked the 20th anniversary of Chopard’s connection to the glamorous and artistically driven awards. This collection, designed by Caroline Scheufele, featured bold, rich colours, and succeeded triumphantly in its goal to modernise the interpretation of red carpet jewellery. The teardrop shape of lot (44257-3) was noted and admired most for the sensuality it lends to the wearer, in addition to the kaleidoscope of colour that draws attention to the stunning piece.Speaking to jewellery journalist Katerina Perez, Caroline Scheufele explains:“In recent years, a sort of trend has emerged. Looks on the Red Carpet have become more fashionable and less classic. No one wants to wear a diamond solitaire or a ‘riviera’ necklace. Quite the opposite. Many actresses even experiment with ways to wear jewellery to reflect their own style. Take for example the attaching of brooches to the hair. These stars are more than happy when I include titanium jewellery in the Red Carpet collection as they seek something both incredibly light and bright. I would like to believe that I have somehow contributed to the shaping of Red Carpet trends,”Caroline Scheufele has certainly done more than contribute to Red Carpet trends, her collections are the trailblazers which dictate where jewellery design is heading and impacts all corners of the fashion world. The list of actresses who have worn pieces by Chopard in recent years only begins with Charlize Theron, Cate Blanchett, Julianne Moore, Sharon Stone, Gwyneth Paltrow, Marion Cotillard, Léa Seydoux, Penélope Cruz, Lupita Nyong’o, Fan Bing Bing, Isabelle Huppert, and Jane Fonda. Condition Report:Emeralds: of bluish-green hue, medium to dark tone, facets are smooth - both well matched in size and colourPear amethysts: of purple hue, medium to dark tone, both well matched in size and colourNumbered 3295018 - 840563Minor signs of wear, overall in good conditionWith stick post for pierced and non pierced earsTotal gross weight approx. 27.9g
Lot 2788
A yellow metal stick pin depicting a snake, set with two rectangular rubies measuring between approx 1.85 x 1.65mm and 2.5 x 1.9mm, a square emerald measuring 2 x 2mm, and a diamond diameter 1mm, with a 3.8 x 3.25mm drop pearl suspended below the snake's mouth, length 75mm, gross weight 4.3g, not marked but tested as 18ctIn excellent condition with no apparent faults.
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