We found 133752 price guide item(s) matching your search

An Edwardian sapphire and diamond half hoop ring, circa 1906, set with three sapphires, the largest measuring 4.6mm x 4.5mm, with pairs of diamonds between, in claw settiings, with English hallmarks for 18ct gold and date letter for 1906-7, ring size L 1/2, and a pearl and diamond cluster stick pin measuring 53mm in length, marked SS18 to the reverse. Total combined weight 4.3 grams.

Garrard & Co Ltd, pair of silver bottle coasters with turned wood bases, London 1990, pair of candle stick, cigarette case, silver finger purse, sifter spoon, presentation dish, three silver serviette rings, cased set of six bean top coffee spoons, white metal serviette ring, sterling silver small dish and a lid. weighable silver 11oz 366 gmCondition Report: Bottle coasters are 3.8cm high x 12.4cm diameter, exhibit domestic wear, both have some dents to the bodiesPurse is very dentedCandlesticks are dented to base.Most of the other items exhibit some general wear.

William IV silver vinaigrette by Joseph Willmore, Birmingham 1836, silver double stamp box, Sheffield 2000, and a sterling silver miniature chamber stick on heart shaped base

Victorian silver spiral twist candle stick with acanthus leaf socket on square stepped base by Martin, Hall & Co London 1887, H 16cm. foliate embossed christening mug, London 1854, four division toast rack, Sheffield 1932 and a salt shaker with swag decoration, Sheffield 1908, weighable silver 7.9oz 245gm

George III silver chamber stick by John Crouch I & Thomas Hannam London 1787 7.7oz 240gm and another similar probably by Thomas Dicks, London 1895 7.7oz 240gm (both lacking snuffers)

An early 20th Century Continental white and gilt metal lip stick holder, engraved body with enamelled cover depicting 18th Century figures opening to reveal interior mirror, detachable lip stick holder section, unmarked & untested, 5.5cm high 

of London stick barometer the silvered face inscribed with makers name. A mahogany case brass rectangular face (was silvered) mercury glass tube to outside half ball, base cover, original period pediment top with brass acorn finial.White plate on the rear with W PELLANT & SON 17 High Street, Harpenden inscribed on it.Dimensions 100cm x 13 cm x 3.5 cmsCondition report. Brass clip for the tube loose, Silvered dial worn slightly, mercury in the tube. Cistern not inspected as brass clip prevents removal The rest of the case in reasonable condition

Three gold stick pins, to include an 18ct gold gold fish, weight approx 2.2gms along with a topaz set cluster pin in silver and gold, together with a unmarked pin with platinum mount, faux pearl, detached pewarl set crescent moon, possibly 15ct gold, and a loose pale blue sapphire approx 8x5mm, (1 bag)Further details:  wear and tear commensurate with age 

A collection of jewellery to include a Georgian yellow metal and amethyst brooch, (some modifications/repairs)  Victorian silver gilt agate set dress stud set, along with two pairs silver and enamel cufflinks, (one pair a/f) silver and blood stone cufflinks, set cased set with banded agate, two gilt metal stick pins, together with various dress studs, (some a/f) and a pair of Christian Dior gilt cufflinks 1 ( bag)Further details: wear and tear commensurate with age

A Jaki Werk of Germany walking stick which opens to reveal a tripod, c.1930s.

A silver topped dressing table hob nail glass bottle, the lid with repousse putti amongst clouds, Chester 1905, James Deakin & Sons (John & William F Deakin) together with a silver handled snuff spoon/knife, length approx 14cm, Birmingham 1899, maker E S Barnsley & Co (Edward Souter Barnsley) and a Military brass button stick (1 bag) Further details: good- some wear and tear commensurate with age 

A collection of three 9ct gold tooth picks, comprising two of hexagonal form, one tubular form all with engine turned decoration, various lengths, along with a 9ct gold swizzle stick, all hallmarked, combined total gross weight approx 16gms Further details: very good- all in working order, minor wear commensurate with age

Cetti and Co of London. A 19thC stick barometer, the broken arch pediment centred by a turned brass finial, above a silvered dial and a herringbone banded centre, and chequer inlaid turned cistern cover, 99cm high.

A 20thC mahogany stick barometer, with paper dial, visible tube and shield shaped cistern cover, 100cm high.

A Southern Netherlands carved oak group of Christ carrying the Cross, Early 16th century, Brabant, 34x33x5 cm, Showing Christ in a bent posture wearing the Crown of Thorns, accompanied by three figures. The figure on the left is most probably Simon of Cyrene, helping to carry the cross. The figure on the right is an executioner putting a noose over Christ's head. The middle figure is a bystander poking a stick in Christ's back. The group standing on a sloping base. ,

A retro vintage mid 20th century Ercol beech and elm low armchair. With fleur de lys stick back rest, shaped arm rests with floral sit on cushion. With tapering angular supports united by H stretcher. Measures approx: 82cm x 69cm x 60cm.

A yellow gold jade & pearl stick pin, circa 1930 in blue velvet box, (unhallmarked but assessed as 18ct), 1.91gm, length approx. 5.7cm and an Oriental round jade disc pendant with a central gold oriental symbol on a 17" curb chain, 6.88gm, (unhallmarked but assessed as 9ct chain with gilt bolt ring & the pendant assessed as 18ct), both come with a photocopy of new replacement value from 2016, the pin £450 & the pendant £750.

 Andachtsbild: "S. Maria Carmelitana - Regina Carmelitana Refugium Peccatorium"Farbholzschnitt. Wohl 16./17. Jh.Druckstock: 38 x 28,7 cm. Gerahmt & hinter Glas60,5 x 50 cm. Marienbild der Himmelskönigin Maria als Leitbild und Schutzpatronin des Ordens der Karmeliten, gerahmt mit 9 kleinen illustrierenden Bildern mit je begleitendem Spruch in italienischer Sprache Stockfleckig, hinterklebte Risse, griffspurig. Devotional picture: "S. Maria Carmelitana - Regina Carmelitana Refugium Peccatorium"Color woodcut. Probably 16th/17th centuryPrint stock: 38 x 28.7 cm. Framed & behind glass60.5 x 50 cm.Mary image of the Queen of Heaven Mary as the guiding image and patroness of the Order of Carmelites, framed with 9 small illustrative images each with accompanying saying in Italian Stick stained, tears glued behind, traces of grip.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Drei Rinder auf der WeideTuschzeichnung. Passepartoutausschnitt: 18 x 26,5 cm. Gerahmt & hinter Glas32,5 x 41,5 cm. Studie mit drei Rindern beim Rasten und einem Schaf Stockfleckig, Blatt lichtgebräunt. Three cattle at pastureInk drawing. Passepartout cutout: 18 x 26.5 cm. Framed & behind glass32.5 x 41.5 cm. Study with three cattle resting and a sheep Stick stained, sheet light browned. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Reineke Fuchs: Der Pilger"Lithografie auf Bütten. Im Druck signiert, roter Stempel "Clan-Presse". [1974].Gerahmt & hinter Glas75 x 56,5 cm. Nach einer Zeichnung von 1935 Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : vgl. Dorsch WVZ 2037. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Reineke Fuchs: Der Pilger"Lithograph on laid paper. Signed in print, red stamp "Clan Press". [1974].Framed & behind glass75 x 56.5 cm.After a drawing from 1935 German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : cf. Dorsch WVZ 2037.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Hitler - ein deutsches Verhängnis: Auftakt"Lithografie auf Bütten. Im Druck signiert, roter Stempel "Clan-Presse". [1965].Passepartoutausschnitt: 28 x 39,5 cm. Gerahmt & hinter Glas54 x 69 cm. Nach einer Zeichnung von 1931/32 Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : vgl. Dorsch WVZ 1072. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Hitler - ein deutsches Verhängnis: Auftakt"Lithograph on laid paper. Signed in print, red stamp "Clan Press". [1965].Passepartout cutout: 28 x 39.5 cm. Framed & behind glass54 x 69 cm.After a drawing from 1931/32 German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : cf. Dorsch WVZ 1072.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "König Nobel und Reineke Fuchs"Lithografie auf Bütten. Im Druck signiert, roter Stempel "Clan-Presse". [1977].Blatt: 42 x 59,5 cm. Gerahmt & hinter Glas49,5 x 67 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : vgl. Dorsch WVZ 1387. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "King Nobel and Reineke Fuchs"Lithograph on laid paper. Signed in print, red stamp "Clan Press". [1977].Sheet: 42 x 59.5 cm. Framed & behind glass49.5 x 67 cm. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : cf. Dorsch WVZ 1387.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) 2 Werke: "Schaukelnde Igelkinder" und "Geteilter Meinung"   "Schaukelnde Igelkinder", Lithografie, im Druck signiert, roter Stempel "Clan-Presse", verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", [1980], Blatt: 65 x 50,8 cm, vgl. Dorsch WVZ 276 | "Geteilter Meinung", Lithografie, roter Stempel "Clan-Presse", Bleistiftsignatur, [1978], Blatt: 65,2 x 50 cm, vgl. Dorsch WVZ 858 Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) 2 works: "Rocking Hedgehog Children" and "Divided Opinion"  "Rocking Hedgehog Children", lithograph, signed in print, red stamp "Clan Press", verso purple stamp "Estate A Paul Weber" with pencil signature "Christian Weber", [1980], sheet: 65 x 50.8 cm, cf. Dorsch WVZ 276 | "Divided Opinion", lithograph, red stamp "Clan Press", pencil signature, [1978], sheet: 65.2 x 50 cm, cf. Dorsch WVZ 858 German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Noch eine Frage, meine Herren?"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse", Bleistiftzeichen. [1962].Blatt: 64 x 76 cm. Handschriftlich betitelt Etwas griff- und knickspurig, Randbereich leicht gebräunt.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : vgl. Dorsch WVZ 1810. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Another question, gentlemen?"Lithograph. Pencil signature, red stamp "Clan Press", pencil mark. [1962].Sheet: 64 x 76 cm. Handwritten titled Somewhat grip- and crease-marked, marginal area slightly browned.German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : cf. Dorsch WVZ 1810.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Die tönende Schelle"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse", Bleistiftzeichen, verso handschriftlich betitelt. [1971].Blatt: 64,3 x 76,5 cm.Randbereich knickspurig, minimal stockfleckig.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : vgl. Dorsch WVZ 2411. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Die tönende Schelle"Lithograph. Pencil signature, red stamp "Clan Press", pencil mark, handwritten title on verso. [1971].Sheet: 64.3 x 76.5 cm.Marginal crease, minimal foxing.German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : cf. Dorsch WVZ 2411.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) 2 Werke: "Lokaltermin" und "Das Gerücht"   "Lokaltermin", Lithografie, im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse", Blatt: 64 x 76,3 cm, Bleistiftzeichen "B XXXIII aw, handschriftlich betitelt "Lokaltermin", vgl. WVZ Dorsch Nr. 1566 | "Das Gerücht", Faksimiledruck, im Druck signiert, Blatt: 52 x 72 cm, WVZ Dorsch Nr. 837, etwas stockfleckig Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) 2 works: "Lokaltermin" and "Das Gerücht"  "Lokaltermin", lithograph, signed in print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse", sheet: 64 x 76.3 cm, pencil mark "B XXXIII aw, handwritten titled "Lokaltermin", cf. WVZ Dorsch No. 1566 | "The rumor", facsimile print, signed in print, sheet: 52 x 72 cm, WVZ Dorsch No. 837, some foxing German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Spekulant auf Heldentod"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". 1986. Auflage der Nachlassblätter für die Griffelkunst-Vereinigung.Blatt: 64 x 52 cm. Nach einer Zeichnung von 1934 Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2266. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Speculator on Heroic Death"Lithograph on laid paper. Signed in print, purple stamp on verso "Estate A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan Press". 1986th edition of the estate sheets for the stylus art association.Sheet: 64 x 52 cm.After a drawing from 1934 German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2266.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Und sie sprechen wieder miteinander"Lithografie auf Bütten. Bleistiftsignatur, roter Stempel "Clan-Presse", Bleistiftzeichen. [1956].Blatt: 54 x 65,5 cm. Nach Zeichnungen von 1945 und 1953, mit Bleistift betitelt Fleck am unteren Rand.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2489. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "And they speak again with each other"Lithograph on laid paper. Pencil signature, red stamp "Clan Press", pencil mark. [1956].Sheet: 54 x 65.5 cm.After drawings from 1945 and 1953, titled in pencil Stain at bottom margin.German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2489.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Wir sind übern Berg"Lithografie auf Bütten, Wasserzeichen Griffelkunst-Vereinigung. Bleistiftsignatur, roter Stempel "Clan-Presse". [1943].Blatt: 49,5 x 64,2 cm.Oberer Randbereich verschmutzt.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2718. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Wir sind übern Berg"Lithograph on laid paper, watermark Griffelkunst-Vereinigung. Pencil signature, red stamp "Clan Press." [1943].Sheet: 49.5 x 64.2 cm.Upper margin area soiled.German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2718.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Schluß"Lithografie auf Bütten, Wasserzeichen "Clan-Presse". Bleistiftsignatur, roter Stempel "Clan-Presse". [1960].Blatt: 49,6 x 63 cm. Illustration für das Fuchsbuch Etwas knickspurig.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2174. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Conclusion"Lithograph on laid paper, watermark "Clan Press". Pencil signature, red stamp "Clan Press". [1960].Sheet: 49.6 x 63 cm. Illustration for the fox book. Somewhat creased.German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2174.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der stolze Kasper"Lithografie auf BFK Rives-Bütten. Bleistiftsignatur, roter Stempel "Clan-Presse". [1978].Blatt: 65,5 x 50,2 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2341. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der stolzze Kasper"Lithograph on BFK Rives laid paper. Pencil signature, red stamp "Clan Press." [1978].Sheet: 65.5 x 50.2 cm. German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2341.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Was war das?"Lithografie auf Bütten. Bleistiftsignatur, roter Stempel "Clan-Presse". [1966].Blatt: 65,5 x 53,5 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2662. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "What was that?"Lithograph on laid paper. Pencil signature, red stamp "Clan Press." [1966].Sheet: 65.5 x 53.5 cm. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2662.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

4/4-Violine mit Bogen in KofferGedruckter Klebezettel "Rentius Bechini Ortu Pisanus Fecit Liburni 19 (2?)". Ungemarkter Bogen. BECHINI, Renzo(1911 Pisa -1995 Bresso/Mailand ) Ahorn und Fichte, ebonisiertes Holz, schwarz lackiert. Bogen wohl Brasilholz. Korpus 35,0 cm. Bogen 72 cm. Geige mit altertümlicher Lackierung. Ungemarkter Bogen mit runder Stange. Schwarzer Koffer Boden in einer Länge von ca. 5 cm von der Zarge gelöst, Zarge restauriert, Druckstellen v.a. am Boden, Lackierung stark berieben. Bogen mit Lackschäden, Schraube schwergängig, Bespannung teils zerschlissen. Koffer mit Alters-/Gebrauchsspuren. Renzo Bechini war als Geigenbauer in Livorno, Pisa und Mailand tätig. 4/4 violin with bow in caseprinted adhesive label "Rentius Bechini Ortu Pisanus Fecit Liburni 19 (2?)". Unmarked sheet. BECHINI, Renzo(1911 Pisa -1995 Bresso/Milan ) Maple and spruce, ebonized wood, black lacquer. Bow probably brazilwood. Body 35.0 cm. Bow 72 cm. Violin with antique varnish. Unmarked bow with round stick. Black case Bottom detached from the rib in a length of about 5 cm, rib restored, pressure marks v.a. on the bottom, varnish heavily rubbed. Bow with lacquer damage, screw stiff, stringing partly torn. Case with signs of age/use. Renzo Bechini was active as a luthier in Livorno, Pisa and Milan. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

4/4-Violine mit Bogen im KofferHandschriftlicher Klebezettel "Horst Weller Geigenbauer Erfurt 1948". Ungemarkter Bogen. Geriegelter Ahorn, geteilte Fichtendecke, ebonisiertes Holz. Bogen wohl Brasilholz. Korpus 35,5 cm. Bogen 69,5 cm. Geige mit Kinnstütze. Bogen mit runder Stange. Dazu einige Saiten und handschriftliches Vokabelheft mit den Vortragsstilen. Brauner Koffer Druckstelle auf der Decke, Kanten etwas bestoßen, leichte Lackschäden. Bogen restaurierungsbedürftig. Koffer teils defekt. 4/4 violin with bow in caseHandwritten adhesive label "Horst Weller violin maker Erfurt 1948". Unmarked bow. Locked maple, split spruce top, ebonized wood. Bow probably brazilwood. Body 35,5 cm. Bow 69,5 cm. Violin with chin rest. Bow with round stick. Comes with some strings and handwritten vocabulary booklet with performance styles. Brown case Pressure mark on the top, edges somewhat bumped, slight damage to the varnish. Sheet in need of restoration. Case partly defective. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Klingelbeutel mit AdelsmonogrammKlebezettel mit Inventar-Nr. "SM 1645". Messing mit silberfarbenem Überzug, roter Samt und Leder, Nussbaum. L 169 cm, Ø 12 cm. Am langen Stock mit Endknauf montierter Klingelbeutel mit verziertem Scharnierdeckel sowie appliziertem Monogramm "KLvdG" mit Datum "1802" im Kranz mit Fürstenkrone Alters-/Gebrauchsspuren. Monogramm von Karl Leopold von der Gabelentz (1778-1831), Kanzler im Herzogtum Sachsen-Gotha-Altenburg und Freund von Bernhard August Lindenau, dem Stifter der Lindenau‘schen Sammlungen, die zur Gründung des Lindenau-Museums führten. Er gilt überdies als der Erfinder des Skatspiels. Provenienz : Aus Thüringer Adelsbesitz, Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Bestand Schloss Poschwitz. Ring bag with noble monogramSticker with inventory no. "SM 1645". Brass with silver plating, red velvet and leather, walnut. L 169 cm, Ø 12 cm. On the long stick with end knob mounted bell pouch with decorated hinged lid as well as applied monogram "KLvdG" with date "1802" in wreath with princely crown Signs of age/use. Monogram of Karl Leopold von der Gabelentz (1778-1831), Chancellor in the Duchy of Saxe-Gotha-Altenburg and friend of Bernhard August Lindenau, the founder of Lindenau's collections, which led to the establishment of the Lindenau Museum. Moreover, he is considered the inventor of the game of skat. Provenance : From Thuringian nobility property, restitution property with inventory number of the Residenzschloss Altenburg, formerly stock Poschwitz Castle. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Gehstock mit AdlerklopfUndeutlich gepunzt. Anfang 20. Jh. Hartholz dunkel gebeizt, Silber (geprüft), Karneol. L 91 cm. Spazierstock mit Rundhakengriff; an dessen Ende ein Adlerkopf mit roten Steinaugen sowie geöffnetem Schnabel. Schuss ähnlich einem Knotenstock und zusätzlich kanneliert, Metallzwinge Leicht berieben. Walking stick with eagle knockerUnclearly hallmarked. Early 20th c. Hardwood stained dark, silver (tested), carnelian. L 91 cm. Walking stick with round hook handle; at its end an eagle head with red stone eyes as well as opened beak. Shot similar to a knotted stick and additionally fluted, metal ferrule Slightly rubbed. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GärtnergruppeMeissen. 1880-1923. Modell-Nr. 1584 (neue Form-Nr. 61102). Höhe: 18 cm. Modell von Johann Joachim Kaendler 1751. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke Rückseitig Stabspitze, ein Finger, einige Blätter restauriert, wenige Blätter bestoßen, ein Dreiblatt lose vorhanden. Kaendler, Hofbildhauer und Modelleur, seit 1731 an der Manufaktur, ab 1749 Leiter der plastischen Abteilung. Meissen-Manufaktur-Preis: 9490,- Euro * Partnerauktion Bergmann. Literatur : Bergmann (2017) Katalog-Nr. 1192. Provenienz : Hessische Privatsammlung. Gardening groupMeissen. 1880-1923. model no. 1584 (new form no. 61102). Height: 18 cm. Model by Johann Joachim Kaendler 1751. Colorfully painted, gold painted. Incised mark, press mark, painter's mark, sword mark Rear stick tip, a finger, some leaves restored, a few leaves bumped, a trefoil loose present. Kaendler, court sculptor and modeller, since 1731 at the manufactory, from 1749 head of the plastic department. Meissen manufactory price: 9490, - Euro * Partner auction Bergmann. Literature : Bergmann (2017) catalog no. 1192. Provenance : Hessian private collection. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Ohrsteckerpaar mit Lapislazuli Gelbgold 585 geprüft. L 3,8 cm. 3,2 g. An kleiner Brisur abgehängter Lapisstab. Steckverschlüsse fehlen Pair of earrings with lapis lazuli Tested yellow gold 585. L 3.8 cm. 3,2 g. Lapis stick suspended from small brisure. Pin clasps missing .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Stockgriffe und 6 Löffelchen Polychrom bemalt, goldstaffiert. 1x Stockgriff mit Blumenmalerei, wohl Meissen (Marke nicht erkennbar; L 8,5 cm, L gesamt 27 cm). / 1x Stockgriff mit Blumenmalerei über Vordruck (L 8 cm, L gesamt 30 cm). / 6 ungemarkte Porzellan-Mokkalöffel mit Watteau-Malerei in der Laffe 1 Löffel mit restauriertem Grif, 1 Löffel Griff mit einer kleinen Goldmanschette restauriert. 2 stick handles and 6 spoons Polychrome painted, gold decorated. 1x stick handle with floral painting, probably Meissen (brand not recognizable; L 8.5 cm, L total 27 cm). / 1x stick handle with floral painting over preprint (L 8 cm, L total 30 cm). / 6 unmarked porcelain mocha spoons with Watteau painting in the spoon 1 spoon with restored handle, 1 spoon handle restored with a small gold cuff. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Dame mit FächerMeissen. 1880-1923. Modell-Nr. M 134 (neue Form-Nr. 73537). Höhe: 22 cm. Modell von Jakob Ungerer 1880-1882. Pendant zu Modell-Nr. M 133 "Herr mit Gehstock". Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Schwertermarke Ungerer, Bildhauer, studierte an der Akademie in München. Seit 1866 eigenes Atelier in München. Ab 1890 Professor an der Münchner Akademie. Die Manufaktur erwarb einige Figuren. Meissen-Manufaktur-Preis: 3990,- Euro * Partnerauktion Bergmann. Literatur : Bergmann (2010) Katalog-Nr. 299. Provenienz : Hessische Privatsammlung. Lady with fanMeissen. 1880-1923. model no. M 134 (new form no. 73537). Height: 22 cm. Model by Jakob Ungerer 1880-1882. Pendant to model no. M 133 "Gentleman with walking stick". Colorfully painted, gold painted. Incised mark, press mark, sword mark Ungerer, sculptor, studied at the Academy in Munich. Since 1866, his own studio in Munich. From 1890 professor at the Munich Academy. The manufactory acquired some figures. Meissen manufactory price: 3990, - Euro * Partner auction Bergmann. Literature : Bergmann (2010) catalog no. 299. Provenance : Hessian private collection. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Mädchen mit Kalb und Knabe mit StockRoyal Copenhagen. Wellenmarke und Stempelmarke, 2. H. 20. Jh., 1x mit Schleifstrich. Unterglasurbemalung. 1x Modell-Nr. 779: ein Kalb tränkende Magd (H 15,5 cm). / 1x Modell-Nr. 905: auf einem Steinsockel sitzender, an einem Stock schnitzender Knabe (H 18,5 cm) Girl with calf and boy with stickRoyal Copenhagen. Wave mark and stamp mark, 2nd h. 20th c., 1x with grinding stroke. Underglaze painting. 1x model no. 779: a calf watering maid (h 15,5 cm). / 1x Model No. 905: boy sitting on a stone base, carving on a stick (h 18.5 cm) .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Fein emaillierter Stockknauf in OriginalschatulleIn der Schatulle "C. Schuchs Nachf. G. Edlauer" mit Adresse in Wien, Goldmanschette undeutlich gepunzt. Um 1900. Tranzluzierendes Opalemail über Guilloche wohl in Silber und feine Emailmalerei, lackierte Silbermanschette (geprüft), Rotgoldmanschette. Original-Etui mit rotem Leder. L 28 cm, Etui 4,5 x 30 x 5 cm. Kugelknauf mit fein gemalter Rosengirlande sowie Pfeil und Köcher Amors. Dunkelrot lackierter Schaftansatz mit Manschetten 1 geringer Kratzer am Lack, Etui etwas bestoßen. Fine enameled stick knob in original casketIn the casket "C. Schuchs Nachf. G. Edlauer" with address in Vienna, gold cuff indistinctly punched. Circa 1900. Translucent opal enamel over guilloche probably in silver and fine enamel painting, lacquered silver cuff (checked), red gold cuff. Original case with red leather. L 28 cm, case 4.5 x 30 x 5 cm. Ball pommel with finely painted rose garland and Cupid's arrow and quiver. Dark red lacquered stock base with cuffs 1 minor scratch on the lacquer, case slightly bumped. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 silberne KinderrasselnUngepunzt, Silber geprüft. Wohl Ende 19. Jh. L 9,5/10 cm. Rasseln mit Pfeife, mehreren Glöckchen und Korallenlutscher 1 Korallenstab gebrochen, mit Kleberesten. 2 silver children rattlesUnpunctured, silver tested. Probably late 19th c. L 9,5/10 cm. Rattles with whistle, several bells and coral lollipop 1 coral stick broken, with glue residue. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

AERONAUTICA - 'PUSS MOTH' LOG BOOK OF LT.-COMMANDER GEOFFREY RODD Two finely presented log books relating to the De Havilland aircraft D.H. 80A Puss Moth and its playboy adventurer owner Lt. Geoffrey Rodd, together approximately 680 pages, detailing all flights (departure/arrival locations, list of crew/passengers, incidents), numerous additional photographs, press cuttings, ephemera, etc relating to Rodd, Puss Moth and their adventures pasted in, contemporary blue morocco by Truslove & Hanson of Sloane Street, gilt lettered 'G-AAYB. Journey Log Book. Vol. 1[-2] July, 1930 to July, 1931 [-To]' on upper covers, oblong 4to (190 x 240mm.), July 1930-July 1931[-1933] Footnotes: 'COMMANDER GEOFFREY RODD'S AEROPLANE AND EXPERT SERVICES AS A PILOT ARE IN MUCH REQUEST BY THE FAIR SEX' - the flight log books (enlivened with photographs, press cuttings and ephemera) of a playboy pilot's De Havilland aircraft Puss Moth, from the time of his learning to fly under the tutelage of ace pilot Maxwell Hutcheon Findlay, to flights with celebrated female pilots Amy Johnson and Peggy Salaman, aerial filming for the cinema, lending his plane to collect Hollywood actress Gloria Swanson from Paris, and his tragic death, aged only thirty-two, crashing during take-off from the glamorous holiday resort of St. Moritz. Born in Australia, Rodd (1901-1933) served in the Royal Navy during the First World War, then aboard the Royal Yacht. As evidenced from these evocative albums his trajectory from amateur pilot on the waterlogged airfields of Sussex and Kent, to success in competitions, blind flying with Amy Johnson, immersion in the world of celebrities and film stars, and airfields of glitzy Biarritz over a period of under two years was astonishing. His early flights were taken in the company of his teacher at Hanworth Aerodrome, Scottish flying ace Maxwell Hutcheon Findlay (including one resulting in an official report to the Accidents Investigation Committee concerning the 'Meopham Accident', 25 Sept. 1930); flights with associates from his naval days followed, including Admiral of the Fleet Reginald Tyrwhitt (who wrote that the flight 'had entirely changed my ideas as regards travelling by air!'); increasingly confident he was soon piloting successfully at the King's Cup with Peggy Salaman (a letter signed by Peggy to Rodd after her return to England having flown from Lympe in Kent to Cape Town, November 1931 is tipped-in). Other notable notices include a report relating to a dangerous driving charge against Rodd at Blackheath (he admitted guilt); a letter of chastisement from the Chief Constable of the Hastings Police for distributing handbills (relating to the 'Navy Week at Chatham', a copy of which tipped-in) from his aeroplane (15 Aug. 1930); correspondence with the Air Ministry concerning an 'Alleged flight over prohibited area' (14 Oct. 1930) with Rodd's reply admitting the offence and apologising for his late reply due 'to a serious accident in starting 'G-AAYB' involving amputation of my right thumb' [31 Oct. 'engine back fired and propeller cut off my right thumb at top joint... fainted a couple of times', but flown back by Max Findlay]; forced landings including one due to 'stick jambing... a nut which must have caused this' (Oct. 23 1930), and 'Smoke Bomb ignited in its release box in cabin: pretty nearly choked'; 'Shoreham aerodrome flooded, but landed in field alongside' (24 Jan. 1931), piloting Vice-Admiral Snagge to the Epsom Derby; achieving the fastest time ('982.5 miles at 127.56 m.p.h.') at the Kings Cup Air Race, 24 Aug. 1931, with pasted in letters and newspaper reports on the race ('... The lady pilots fared badly, as was to be expected'); 'Night landings by Bentley's headlights' at Hanworth, 31 Oct. 1931 (several newspaper reports show images of Rodd with his chauffer John Camp, who also acted on occasions as his co-pilot); 'House Party's flight in moonlight' at Lord Willougby de Broke's aerodrome at Kineton, '12000ft. taking cinema over the clouds' (8 Apr. 1932, beside a newspaper cutting reporting on actor John Loder telling Rodd a story about Gary Cooper); 19 Apr. 1932 'For Gloria Swanson' [flight from Lymphe to Paris and return, piloted by Maxwell Findlay], '...couldn't get permission to fly under Clifton Suspension Bridge. Flew over' (9 June 1932); August 1932 extensive public displays including at Burnham, and filming at Brooklands for the film 'The King's Cup'; 19 August starts a 'Blind Flying Course' (and includes aerial photo of 'The Rude Man of Cerne Abbas'); On 28 August flies to Le Toquet with Amy Johnson (during which time his £3000 car is stolen from Park Lane, and used 'in Wandsworth smash-and-grab raid'), and on the 31st takes her 'Night flying. Aerobatics'; aerial holiday to Biarritz (newspaper reporting that he 'has been offered £200 for one portion alone of his Biarritz film...'); 'Practice blind flying in clouds', flights to Cannes, Geneva, the Alps, and on 10 January 1933 landing on frozen lake at St. Moritz, where later in the month he was killed during a failed take off from the same lake. Provenance: Sotheby's, 15 May 1969, lot 199. This lot is subject to the following lot symbols: • • Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium. For further information on this lot please visit Bonhams.com

SHAW (GEORGE BERNARD) and HAYDEN CHURCHArchive of correspondence, interviews and other material assembled by journalist Charles Hayden Church (1878-1956) during a long association with George Bernard Shaw over some twenty years, comprising:i) Articles and questionnaires, typed by Church and annotated with responses and extensive manuscript amendments by Shaw, giving his opinion on a wide variety of topics such as sex education in schools ('...Sex should not be discussed with children, either by parents or school teachers...'), his vegetarianism ('...I eat cheese, butter and eggs but no flesh, no fowl and no fish... I object to a carnivorous diet not only because I feel instinctively that it is abominable but because it involves a prodigious slavery of men to animals...'), prohibition in the US ('...It may be that life is so miserable in America that people cannot bear it without drugging themselves with alcohol...'), the economic future of England ('...If the Big Ship [Civilisation] goes down, England will go down with it...'), women's success in previously male preserves ('...Why shouldn't they? Miss Johnson did not fly to Australia: a machine did; and she hung on to it and steered it... several women had babies yesterday without any help from a machine. Prove to me that a man has achieved that amazing and arduous feat...'), on longevity ('...we die because we do not know how to live, and kill ourselves by lethal habits...'), suggesting future political programmes ('...I am not God Almighty disguised as GBS... I am advising women to demand the Coupled vote – One Couple One Vote... I advise the whole nation to put before every other reform the invention of an alphabet of at least 42 letters capable of indicating every sound in our speech...'), matrimony ('...a woman's right to motherhood should not be conditional on her taking on a husband...'), adding a scene to the film version of Pygmalion ('...the cinema can afford practically unlimited money...'), artificial insemination ('...raises many questions... I can not forsee what will happen...'), his 91st birthday ('...Birthday! Get out. Go. The man who ever utters the word Birthday in my presence is no friend of mine... Good afternoon. Don't come again...'), an amusing account of faking a séance ('...An evening of miracles followed... After that experience I could not discuss the subject with Oliver Lodge grieving for his lost son, nor with the infatuated author of Sherlock Holmes...'), on the partition of Palestine ('...The Jews and Arabs, backed by local Home Rulers and Imperialists, must fight it out until they are tired of bloodshed and financially bankrupt...'), writing ('...A slosher using ready made phrases and ideas and never stopping to think can write several thousand words a day... I can write the dialogue of a long play easily within two months if I stick at it... the stage business is pure drudgery...'), on Shakespeare ('...a volcano from whom plays burst like lava. I am by comparison a tidy old maid...'), inspiration ('...I can sit down without an idea in my head except that I must write a play; and a play comes. A good play too...'), and much else; with a typed article signed and dated ('G. Bernard Shaw/ 19 May 1933') explaining that his initial sympathies with the Nazi movement were soon expelled by Hitler's 'insanity' over the 'Jewish question': '...an epidemic of a very malignant disease... I appeal to Herr Hitler and Captain Goering to bear in mind that Judophobia is not a part of Fascism, but an incomprehensible excrescence on it... May I add that I am not a Jew? I belong to that still naively anti-Jewish nation, the Irish. The Irish do not know that Jesus Christ was a Jew. Probably ninety nine per cent of the Nazis are equally ignorant...', comments in red and black ink and pencil, c.70 pages, 4to and 8vo, [1930's/40's]ii) Autograph and typed letters, memos, and postcards signed ('G. Bernard Shaw', 'G.B.S.'), to Hayden Church, some marked 'Private', with typed letters from Hayden Church to George Bernard Shaw, returned with Shaw's responses, and three from his secretaries, with additional fragments, Shaw's comments mostly written in red ink, c.25 items on various subjects, including an early letter warning Church not to bother his wife ('...Do not exploit Ayot St Lawrence and Mrs Shaw any further... unless you want to have an implacable enemy always at my elbow take note to keep on the right side of her... Pardon the hint...'), his play On the Rocks ('...Provisionally you may call it Piffle...'), death ('...I am a member of the Cremation Society... earth burial should be made illegal. As to my ashes I do not care what becomes of them provided they are inseparably mixed with those of my wife...'), Napoleons inability to procreate ('...Something was too short and the seminal jet did not reach the effective place...'), on Elizabeth II ('...constitutional monarchy is one of the professions for which women are specially fitted...'), etc.; with six autograph envelopes, c.30 pages, 4to and 8vo, Ayot St Lawrence, Whitehall Court, SW1 and Malvern Hotel, Malvern, and elsewhere, [11 September 1930 to 4 August 1950 where dated]iii) Group of nine photographs taken by George Bernard Shaw, all but one annotated on reverse by Shaw in ink or pencil ('Ayot St Lawrence/ Shaw's Villa/ called Shaw's Corner', 'Jehanne la Pucelle/ watching for English soldiers/statue by Claire/ Winston', 'Shaw's mulberry tree/ There is another in Malvern but this is his home one', 'Shaw's favourite statue/ of Shakespeare/ 15' high/ bought by him in Frinton/ for twenty three/ shillings'), each with a typed caption by Church attached, 83 x 135mm. and smaller, [no date]iv) Album of press cuttings kept by Hayden Church ('Property of Hayden Church/ Liberal reward to finder'), including letters from John Galsworthy and George Moore, c.48 leaves, red cloth titled 'Scraps' on front board, worn and stained, binding loose, folio (282 x 225mm.), [1913-1917]; with additional loose cuttings of his articles on Shaw from Sunday Despatch, New York Times Magazine, Evening Standard etc., [1929-1947]; and a photograph of Hayden Church and his wife on camels in Egypt at the press opening to Tutankhamun's tomb, 1923; group of articles, writings and press cuttings relating to Church's other work such as 'The Real Annie Oakley' and 'The Strange Case of Dr Minor'; with a copy of George Bernard Shaw: Eight Interviews by Hayden Church selected by Edward Connery Lathem, The Perpetua Press, 2002, limited edition of 500 copies.v) The Plays of Bernard Shaw, 12 vol., inscribed beneath portrait frontispiece in Saint Joan 'G. Bernard Shaw to Hayden Church/ Ayot St. Lawrence 20th October 1945', publisher's limp blue leather, spines gilt (slightly worn at ends), housed in original hinged box with facsimile signature on lid (this near detached), small 8vo, Constable, 1926Footnotes:'I AM NOT RESPONSIBLE FOR YOUR ASSUMPTIONS. THE INTERVIEW IS AT AN END. GOODBYE': THE ARCHIVE OF GEORGE BERNARD SHAW'S 'FAVORITE INTERVIEWER'.For further information on this lot please visit Bonhams.com

A George III and later mahogany stick barometer engraved Knie fecit 10cm wide 106cm high

A Victorian nursing chair with apricot velvet upholstery together with a Swiss walking stick and a vintage walking caneLocation: RAB

A conical copper container with enamelled interior and hinged cover 50cm high; a brass umbrella shaped stick stand; glass lustre wall brackets and other items

A Victorian carved oak hallstand the back fitted with small mirror and coat hooks, glove box with hinged lid and stick/umbrella compartments with metal bases, 191cm high 75cm wide

A pair of diamond, sapphire and ruby cufflinks, in the Old King's Scholars colours, King's School, Canterbury, a rectangular panel with rows of channel set princess-cut diamonds and step-cut sapphires and rubies, with opposing similarly set bars, with chain link connections, rectangular panel 2.4 x 1.9cm, together with a diamond, ruby and sapphire stickpinProvenance: The Barry Lock collectionCondition Report: Cufflinks gross weight 32.79g.Stick pin weight 3.27g excluding pin protector.Stick pin later adapted - the sapphire and ruby rows are later additions to the old-cut diamond stick pin.

A group of jewellery, comprising: a diamond single stone ring, the round brilliant cut diamond in half flush setting, hoop stamped 950 plat, maker's mark DJH (possibly David Hodge), ring size K; a 9ct gold garnet ring, ring size P½; a gold mounted shell cameo brooch depicting a female head in profile, length 3.9cm; a diamond and carved jade pendant, length 5.9cm; a Victorian banded agate bracelet in gilt metal mount, circa 1840, and similar banded agate ribbon strung bead necklace; a diamond and emerald eternity ring, stamped plat, ring size L; a plain wedding band, stamped 14K, ring size K½; a carved jet brooch, some chips in places; a dyed pressed horn brooch; a garnet flowerhead stick pin; and a stainless steel and marcasite cocktail watch, the dial signed Bucherer, 17 Jewels (a lot)Condition Report: Total gross weight approx. 191gDiamond measuring approximately 0.15 carats. Weight of diamond single stone ring approx. 5g

A group of jewellery, comprising: a 9ct gold hollow cross pendant, circa 1900; a 9ct gold bar brooch, Birmingham hallmarks, 1962; a set of three American imitation pearl lingerie pins, stamped 10k, circa 1910; a moonstone stick pin; a pearl stick pin; an Austrian gold pill box, stamped 585, Austrian assay marks; a Chinese tian-tsui kingfisher feather brooch in the form of a dragon; a three stone pearl and diamond bar brooch; an early 20th century gold mounted jadeite jade bar brooch; and a Victorian gold garnet and half-pearl scroll brooch, with later metal fittings (a lot)Condition Report: Gross weight excluding dragon brooch 27.84g.

Three gem stick pins, comprising: a rose-cut diamond and seed pearl pin; an emerald, ruby and pearl flowerhead cluster pin; and a freshwater pearl single stone pin (pearl untested) (3)

A Beritex 'Phillip's Stick-a-soles and heels' rubber Advertising Figure 12in H x 8in W

A 19th Century walnut Stick Barometer by Dawson & Welling, late Bywater & Co., Liverpool (top moulding loose)

An Arts & Crafts light oak Hallstand fitted drawer above a cupboard door flanked by stick/umbrella stands, 3ft 4in H x 3ft 6in W x 15in D

A Coalport style Taper Stick with gilt scroll handle and border, floral designs, a Worcester blue and white Tea Bowl and Saucer, and a pair of octagonal cut glass Salt Cellars with plated Spoons

A small Tunbridge ware Stamp Box and Cover with mosaic top, 2in square, a turned rosewood Pot and Cover with ring-turned sides, 1¾in H, a Cigar Box with floral designs to both sides, 5in and a Tunbridge, barrel-shaped stick-ware Tape Measure with purple silk tape, 1¼in (4)

Tunbridge ware - sewing, six pieces, comprising three stick ware pin wheels, the largest 5.5cms and with a few edge chips, two stick ware circular pin cushions, largest 5.5cms dia., and a rosewood reel with stick ware ends, 6cms. (6) From the collection of Dr. Brian Austen

Three Tunbridge ware stamp boxes and another, comprising a rosewood rectangular example, the lid with two stick ware panels divided by a penny red stamp with Queen Victoria's head, makers label to base for Edmund Nye 80% complete, 7.5cms, another similar but green _ penny stamp K.H., 9cms, another the lid inscribed in mosaic 'Postage' within geometric mosaic border, 9cms, and a white wood stamp box, the lid with green Malta _ d stamp, K.H., 7cms. (4) From the collection of Dr. Brian Austen