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Race badges and racecards, 28 cardboard day badges dating from 1934 & 1935 and with representation for Ascot, Brighton, Cheltenham, Dunstall Park, Folkestone, Goodwood, Kempton, Leicester, Lewes, Newmarket, Nottingham, Sandown, Stratford, Warwick & Windsor; 15 post-war badges including some motor racing at Aintree and Oulton Park; 18 metal lapel badges and 2 pin badges for the 2003 Grand National; and programmes comprising Stockton 22.8.1906, 2nd & 3rd Day at Ascot 1935, Stratford-on-Avon steeplechases 11.5.1935 & Lingfield 16.11.35; the lot also including a silk Jaqumar ladies scarf printed with an equestrian and race badge design (69)
Charles Hayter (1761-1835), 'Portrait of Frances Ann Kemble', wearing dark head scarf, long bust length, watercolour on ivory, oval, signed with initials, 7.5cm x 5.5cm Note: Fanny Kemble was born in London in 1809. She was the daughter of the notable actor Charles Kemble and niece of Sarah Siddons. She became an instant success following her debut as Juliet in her father's production of Romeo and Juliet in 1829 at the Covent Garden Theatre. In 1832 she accompanied her father on a tour of America and in New York met her future husband, Pierce Butler, heir to one of the largest slave holders in Georgia. Seeing first hand the conditions and treatments of slaves, Fanny became a vehement abolitionist.
A dowry wedding bag (unstitched) for the purpose of containing dowry textiles, pre 1970, Bhopa Rabari shepherding caste, embroidered overall with elephants, cuckoos, parrots and lotus, and with mirror detail; together with an interesting collection of further Indian textiles to include a Phulakiya Ludaki (women's festival veil, circa 1960, a hand woven odhni (women's marriage veil) with mirror decoration, a marriage veil and grooms scarf both mid 20th century, and an early 20th century skirt panel from the nomadic Banni tribe (qty).
Marius Jensen Hindevad, Danish 1885-1977- Portrait of a woman quarter-length in a head scarf; charcoal, signed, inscribed and dated 08, 42x37cm: together with a landscape study in oils on canvas laid down on panel by the same hand, signed with monogram, 20.3x37cm., and a portrait study of a man in pencil by a related hand, signed with initials and inscribed, 27.8x22cm., (3)
A comprehensive collection of Sheaffer ephemera and stock display material various, 1970s-90s : comprising a brown ceramic ashtray with gilt logo; a red velvet 75th Anniversary commemoration banner; a Queen's Silver Jubilee rollerball; a polished steel & gp Connaisseur key ring; four promotional plaques and one badge; two display cushions; a Fred brochure and a 1992 Japanese language pen catalogue; two 14k Targa nib tie pins in boxes; a two-colour 18k Nostalgia nib tie pin in box; a Prelude tie in packaging; a Prelude scarf in packaging, and six Sheaffer stock display cases, all with sheaffer logo, holding from ten to twenty-two pens.
Four items to include a 9ct gold cigar cutter, 9ct gold penknife, a silver baby's rattle and a flexible scarf clip. In good general condition. Cigar cutter hallmarked Chester, 1912, metal showing wear and tear/some discolouration, has a loop setting to end, measures 4.5cm. Penknife hallmarked Sheffield 1906, showing some wear and tear including scratches, measures 6cm. The scarf clip is stamped GOLD to the buckle design front, base metal to flexible section stamped WALTON'S FLEXIBLE, showing some wear and tear, discolouration, measures 3cm. The baby's rattle is hallmarked silver, Birmingham 1909, the teething ring is a very yellow colour, showing wear and tear.
AN EARLY 20TH CENTURY AUSTRIAN PAINTED TERRACOTTA FIGURE OF YOUNG GIRL depicted holding a large bowl of porridge and a spoon in her right hand, with a smiling face and wearing a fringed head scarf, brown jacket and green dress on a naturalistically modelled base, incised No 314, 56cms high' together with a young boy, wearing a tasselled hat, green jacket and holding a slice of bread in his right hand, a plate under his left arm, incised 313, 54cms high. (2)
After Dante Gabriel Rossetti (1828-1882) - Proserpine holding a pomegranate, partly eaten, lithograph, 18" x 8.75"; after Edward Burne-Jones (1833-1898) - three-quarter length portrait of a lady with a scarf around her head, wearing a black dress and holding a rosary, landscape in the background, lithograph, 20.25" x 7" (2)
An Iona Silver Pin Brooch, by Alexander Richie, celtic design, maker's mark "AR", Glasgow 1928, stamped "Iona A.R", 7.5cm; An Iona Silver and Enamel Brooch, by Alexander Richie, Celtic design, maker's mark AR, stamped "Iona", 5.5cm; An Iona Silver Scarf Buckle, by Alexander Richie, stamped "AR Iona", maker's mark "AR", Glasgow 1929; and A Sterling Necklace, with moonstone and seed pearls, French import marks (4)
* Battle of Waterloo. Review of the British Troops at Montmatre, near Paris, by The Duke of Wellington, 21st October, 1815/Landing Troops/Capture of General Paget, 1812/French Troops Retreating Through and Plundering a Village, pub. Edward Orme, 1817, together four fine hand-col. aquas. by Dubourg after Scarf, Atkinson and Clark, image size approx. 19 x 28 cm., all mounted, framed and glazed (4)
Box Of Interesting Collectables, Early Cloth Doll, Three Hat Pins, Notebook, Two Whistles, Mother Of Pearl Penknife, Two Needle Cases, Vesta Case, Two Prayer Books, Miniature Fairy Tale Book, Button Hook, Pocket Watch, Elvis Watch, Early Recipe Booklets A Silk Scarf Kure Japan Souvenir, Bangle And Evening Purse Etc.

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22394 item(s)/page