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antique Sotuh European "Madonna" sculpture in wood with remains of the original polychromy this sculpture was originally a statuette carried on a stick during processionsAntieke Zuid-Europese houtsculptuur met restanten van de originele polychromie : "Madonna" - hoogte : 38,5 cm was in oorsprong een beeldje dat op een stok gedragen werd tijdens processies
Robert Mouseman Thompson (1876-1955): An English Oak Dinner Gong, circa 1934, with an Egyptian circular engraved brass gong suspended in an octagonal frame, on two octagonal legs with sledge feet, with unusual two mice trademark,74cm high with strikerProvenance: Made for Ronald (Ron) and Lilian Crossley's Arts & Crafts house "Tudor Croft" in Guisborough.No inscription. Gong stick is broken and has black tape around. One mouse has a dent to one ear. Some grain splits, dry. Pegs are not flush. Some surface wear.
A George III mahogany cased stick barometer by Fraser of Bond Street, London - with a broken arch pediment above the bow fronted case with silvered dial incorporating vernier scale, thermometer and urn shaped bell, 100cm long, Note: William Fraser is recorded as born circa 1720 and died 1815. He worked as 'Optician and Mathematical Instrument maker to the King and The Prince Wales' from 3 New Bond Street, London, and took his son into partnership in 1799. Ivory reference number TBPHVQHA
A Victorian mahogany and walnut stick barometer, signed Stebbing, Southampton, with arched walnut veneered case turned cistern cover, concealed mercury case with a single dial thermometer tube and adjustment knob, circa 1860s, 91cm long. An 1858 advertisement listed the various items made by the J. R. Stebbing firm. They were located at Southampton Observatory, opposite the docks at Southampton. At that time, they were Optician and Mathematical Instrument Maker to Her Majesty the Queen (Queen Victoria). They also provided items to the Royal Yacht Squadron. Joseph was the fourth son of George Stebbing, an optician and instrument maker, specialising in nautical instruments in Portsmough
An Edwardian novelty silver 'Aladdin's Oil Lamp' go-to-bed chamber stick, Goldsmiths & Silversmiths Co Ltd, London 1902, with matches and striker compartment having engraved armorial crest, extinguisher and removeable sconce, length 18cm, 7.9ozNo damage or repair, only light surface wear, sconce has a very slightly bent rim, hinged cover working perfectly, hallmarks clear and matching
Early 19th Century John Rose Coalport porcelain dessert plate with a central gilt floral motif, moulded "Hockey Stick" and painted floral decoration within a shaped gilt rim, the painting likely by the Ex-Swansea artist David Evans, pattern number "2/61" in gilt to base, Dia.23.5cm; and a slop bowl with painted floral and gilt decoration, pattern "830", Dia.17.3cm. (2)
Pair of yellow metal pendant earrings each set three white stones, marked 9k, (one 'butterfly' metal), pair of pendant earrings, each set with a cabochon dark green stone, two pairs of stud earrings, (one butterfly' missing), Masonic stick-pin, 9ct, 5.2 grams, silver and enamel Black Watch badge, (clasp a/f), Egyptian white metal signet ring, set intaglio stone crest, three other rings, brooch, Chokin pendant necklace, two other necklaces, three other items, 73 grams, five metal charms and a jet pendant necklace (a Lot)..
Carmen Dillon (1908-2000), costume designs for J B Priestley's play 'Eden End' at the Old Vic 1974, starring Michael Jayston as Charles Appleby, first sketch is for his character holding a stick, pencil and watercolour, framed, another similar is labelled 'Stella on Friday', one 'Geoffrey Farrant', and the last is untitled but depicts a female wearing stole and hat. Each 39 x 21.5cm. One framed. The production was directed by Sir Lawrence Olivier and a similar costume design is held at the Victoria & Albert museum. (4)

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