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Lot 149
Set of four scarves from various brands and made of different fabrics. A. Sulka & Company. London, Chicago, New York, Palm Beach. Natural silk scarf in off-white, trimmed with a large black and white fringe. Measurements: 133 x 44 cm. Nina Ricci. Cotton scarf in off-white with a green and red border around the edge. Stained. Measurements: 67 x 69 cm. Saint Laurent Rive Gauche. Natural silk scarf with white, black, and red stripes, printed with small golden droplets and trimmed with small gold tassels and feathers. Measurements: 162 x 35 cm. Natural silk scarf in purple-blue with a "G" in two of the corners. Trimmed with a small fringe. Unbranded. Measurements: 67 x 68 cm.
Lot 20
MONTBLANC, DONATION PEN, HERBERT VON KARAJAN A SPECIAL EDITION FOUNTAIN PEN, 2003 Cap and Barrel: Black resin cap with piano ivory style cap band and white resin conductors baton accented clip, black resin barrel Nib and Filling System: Medium two colour nib stamped 18K and 750, piston filling system, inked Accessories: Original Montblanc box, outer card box, silk scarf, Herbert Von Karajan Special Edition booklet, Service Guide and certificateProvenance:From A Private Collection Of Montblanc Writers Edition Pens Condition Report: Very light inking and very light wear with no scuffs or scratches. Box and accessories in excellent condition, box with some minor wear to corners. Outer white card box with writing on it.Condition Report Disclaimer
Lot 313
Hermes, Paris. A silk scarf, 'L'Hiver en Poste' design, green and cream ground, 89 x 89 cm, boxed, together with another Hermes silk scarf, 'Monnaies et Symboles des Parisii', gold design on cream ground, with blue border, 89 x 89 cm, boxed, and a further Aallard silk scarf with polychrome design (unboxed). (3) Condition report: L'hiver en Poste scarf with some small stains, 'Monnaies' scarf with a few small marks.
Lot 209
In the manner of Peter White; a 50 calibre Kentucky flintlock rifle (reproduction), the stock with high comb and inlaid wadding compartment to the butt, the barrel and action with indistinct markings, the stock with carved details. 123 cm long A private collection.Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. Good order.The mechanism cocks to both positions and releases on the trigger expected. , it doesn't appear to have been deactivated and the rifling is evident but I can not see very far into the barrel.The stocking is in good order.Please see extra supporting images supplied.Update, having sought advice and investigated further it appears that the weapon may have been restocked and the action and barrel are antique, this is further backed up by the label that was applied by the police firearms unit on their inspection deeming the weapon antique.The stocks had a rather crude scarf joint on the fore-end this would further point to the restocking of this weapon.
Lot 764
Capture the timeless charm of winter with Mickey donning a cozy coat, scarf, and boots, as he checks his mailbox beside a vintage light post. Marked Telco. This item has its original box. Dimensions of the box: 18"L x 9.5"W x 25.5"H. Issued: 1995Dimensions: 15"L x 8"W x 23.75"HManufacturer: TelcoCountry of Origin: ChinaCondition: Age related wear. Mistle toe garland has fallen off part of the mailbox.
Lot 24
Jack Butler Yeats RHA (1871-1957) On the Hazard (1911) Oil on panel, 29 x 38cm (11½ x 15”) SignedProvenance: Acquired directly from the artist by Serge Philipson, Dublin, May 1948; Christie's, London, 20 May 1999, lot 132; Sotheby's, London, 6 May 2010, lot 39; Sotheby's, London, 19 November 2013, lot 81; Sotheby’s, London, 19 November, 2019, lot 32, where purchased by the present owner.Exhibited: Dublin, Royal Hibernian Academy, 1911, no.134; Dublin, National Gallery of Ireland, 'Jack B. Yeats, A Centenary Exhibition', September - December 1971, no.28Literature: Hilary Pyle, 'Jack B. Yeats, A Catalogue Raisonné of the Oil Paintings', London, 1992, no.27, illustrated p.26This early oil by Jack B. Yeats shows a group of cabbies playing cards by candlelight on the side of a carriage. The title, ‘On the Hazard’ is a pun on the role of chance and unpredictability, and perhaps even the dangers of gambling, in the outcome of the game, and on a Dublin expression, ‘on the hazard’. This refers to the place where cabs waited for hire. James Joyce used it in Ulysses, (1922), when he wrote, ‘Mr Bloom went round the corner and passed the drooping nags of the hazard’.Four men sit around the cab, one is perched on the top, and leans over to watch the game. Two, their faces lit by the candlelight, are engrossed in their cards. A fourth sits with his back to the viewer and is shown as a dark silhouette wearing a large hat and cloak. To the right the wheels and horse trappings of the vehicle and part of the waiting horse can be deciphered. The composition is cut-off adding a modern note to the subject.Hilary Pyle has suggested the influence of Caravaggio in the dramatic use of chiaroscuro (light-dark) in the composition. But also, and more feasibly, that of the French realist and political cartoonist, Honoré Daumier.[i] Yeats, who owned few art history books, had a copy of Henri Frantz’s book on the artist, which was given to him and his wife, Cottie, by his father and sisters in 1904.[ii] Yeats shared Daumier’s interest in the lives of working class men and women and in the depiction of the impact of poverty on urban dwellers.The painting is dominated by deep brown tones which are alleviated by the bright yellow light and by flashes of intense blue and green, as seen in the neck scarf of one of the cabbies and in the design of the playing cards. To the right a dash of strong red indicates the reflection of light on the cab wheel. The light is skillfully used to delineate the poses and expressions of the cabbies who sit in a relaxed and companionable fashion. The face of the man looking down takes on a ghostly quality as its features are transformed by the shadows into a mask-like form. The two players, whose features are clearly presented, appear to be ‘poker-faced’ with clenched expressions that indicate their deep involvement and enjoyment of the game. The painting is a rare depiction of a forgotten aspect of Irish urban life, one that was also found across Europe and North America. Here Yeats’s vivid and original composition, its close-up view of the interaction results in an intense and captivating work of art.The painting was acquired from the artist by the noted collector, Serge Philipson, a Frenchman who settled in Ireland, in 1948.Dr Róisín KennedyAugust 2024[i] Hilary Pyle, A Catalogue Raisonné of the Oil Paintings, London, 1992, no.27.[ii] This is now in the Yeats Archive, National Gallery of Ireland, Y1/JY/24/1/6/66.
Lot 2
Two Meissen figures of girls, probably late 19th century, both wearing richly patterned lace trimmed costume, one carrying a toy sheep incised C79, the other with a doll, incised C90, 15cm.Qty: 2Condition report:Girl with toy sheep; small area of restoration to the yellow scarf, damage and losses to the lace effect throughoutGirl with doll; possible restoration to the bow on top of girls head, probable restoration to girls right hand and rattle, loss to one end of yellow sash on girls back, damage and losses to lace effect throughout
Lot 88
Charles I (1625-1649) silver Halfcrown, Tower under the king, group III, tun mintmark (S 2773). Obverse: type 3a1 horseman, scarf flying, tun mintmark, '· CAROLVS · D.' G.' MA BR.' FR.' ET · HI.' REX ·' around. Reverse: oval garnished shield with tun mintmark and '· CHRISTO AVSPICE REGNO ·' around. Weight: 15.32g. Diameter: 34mm. Grade: nF - near round flan, light tone with some double striking, particularly to the sword and the king's head, otherwise near Fine, the reverse better.
Lot 304
A small group of antique and later jewellery, to include a gold split pearl scarf buckle, with a central crescent moon and star, grain set with split pearls, tested as approximately 14ct gold, a split pearl scabbard brooch, with a central line of graduated split pearls, base metal knife blade deficient, to pin, safety chain and 'C' catch fittings, 69mm long, and a regimental enamel bar brooch, with a champlevé enamel crest, to white mount, bar and pin, stamped 9ct, both tested as approximately 9ct gold14ct gold 4.24g, 9ct gold 8.32g total (3)Condition ReportBase metal knife blade deficient to scabbard brooch.Marks and scratches to surfaces.Tarnish.
Lot 361
A group of silver jewellery, to include a silver marcasite necklace, Birmingham 1953, a silver hollow hinged baby bangle, Chester 1961, a silver marcasite necklace, to a curb link back chain, a marcasite dog brooch, a marcasite bar brooch, and a group of silver jewellery, to include baby bangles, scarf pins, earrings, rings, pendants, etc., all hallmarked or tested as silver, together with a small group of base metal earrings,weighable silver 73.22g total (qty)Condition ReportOne brooch pin deficient.Marks and scratches to surfaces.Tarnish.As found.
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22394 item(s)/page