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Click here to subscribeCollection of Boxed Costume Jewellery, comprising a Butler & Wilson crystal decorated owl brooch, large oval mother-of-pearl and silver pendant, turquoise and silver drop pendant, jade coloured bead necklace, gold tone rose brooch, Lola Rose Agate necklace, three strand bead bracelet, and a green crystal set floral bracelet.
AN EARLY 20TH CENTURY NEPHRITE JADE BAR BROOCH the brooch tapered rounded corner, measuring 6.2cm in length, 0.9 and 1.1cm at each end, thin rose metal mount and C clasp, metal pin and safety chain, weight 9.9g Condition Report : Good for age, no issues Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A pre-Columbian Mayan style carved apple green jade pectoral plaque, finely carved in low relief with a chieftain, height 15cm, width 18.8cm, later mounted on a board. Provenance: from the estate of a West Sussex collector.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Tibetan jade teacup with lid, on silver base. Jade cup placed on a silver holder with a wide scalloped edge, richly decorated with floral driven and engraved decoration and images of figures. The lid is decorated with floral engraving and provided with cartouches depicting animals. The button is decorated with a red coral. 2 Fracture lines in the jade cup, otherwise in good condition. Silver about 220.5 grams. ø13.5x19cm.
A CHINESE WHITE AND RUSSET JADE ‘PEBBLE’ SNUFF BOTTLE, QING DYNASTY, 19TH CENTURY清 白褐玉 隨形鼻煙壺 十九世紀Of naturalistic form, the stone with russet inclusionsHeight: 6.3cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThere is a minute nick to the edge of the rim.
A CHINESE JADE ‘BASKET WEAVE’ SNUFF BOTTLE, QING DYNASTY清 黃玉刻編織紋鼻煙壺The stone of yellowish-brown tone, carved overall with the basket weave pattern, all on an oval recessed footApplied collector’s paper label, dated 25.5.25Height: 6cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThe ‘basket weave’ snuff bottle is in good condition.
A LARGE CHINESE WHITE AND RUSSET JADE ‘PEBBLE’ SNUFF BOTTLE, QING DYNASTY, EARLY 19TH CENTURY清 白褐玉 隨形鼻煙壺 十九世紀初The whitish stone with russet inclusions skilfully carved to accentuate shoulao, holding a peach, accompanied by a stag and bat, all within a rocky landscape, cloud scrolls and pine treesApplied collector’s paper label, dated 11.10.26Height: 7.5cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThe snuff bottle is in good condition.
TWO CHINESE CELADON JADE SNUFF BOTTLES, QING DYNASTY, EARLY 19TH CENTURY清 青玉童子持蓮鼻煙壺及 瓜形鼻煙壺 一組The first carved as a boy holding a flower vase, with russet inclusion to his back, the second of flattened quatre-lobed form (2)Applied collector’s paper labels, 16.6.26 and 21.4.20The tallest: 5.4cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThere is a 5mm bruise to the side of the neck and a minute nick to the rim of the ‘boy’ bottle. The quatre-lobed bottle is in good condition.
A CHINESE JADE ARCHAISTIC ‘BEAR’ SNUFF BOTTLE, QING DYNASTY, EARLY 19TH CENTURY清 青玉熊鼻煙壺 十九世紀初The stone of celadon tone, carved to one side with a crouched bear, the other side with an archaistic taotie-style bandApplied collector’s paper label, 16.6.26Height: 5.5cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThere is a circa 1mm., nick to the side of the neck of the bottle.
TWO MUGHAL JADE ARCHERS THUMB RINGS, 17TH/18TH CENTURY十七至十八世紀 莫臥兒王朝玉扳指兩隻Each of asymmetrical form, one of white jade the other of celadon tone, carved with empty recesses for inset stones and gold, minor traces of gold remain (2)Applied collector’s paper labels, dated 27.1.25/k and 30.10.24The largest: 4.5cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThe celadon jade ring has a fissure running through the side and a minute nick to the edge of the rim; the white jade ring is in good condition.
TWO MUGHAL JADE ARCHERS THUMB RINGS, 17TH/18TH CENTURY莫臥兒王朝 玉扳指兩隻 十七至十八世紀Each of asymmetrical form, both of whitish jade (2)Applied collector’s paper labels, dated 27.1.25/E and 27.4.26The largest: 4cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportOne thumb ring has a russet-coloured fissure to one end. Please see additional images for further guidance.
THREE CHINESE JADE ARCHERS THUMB RINGS, QING DYNASTY OR EARLIER清或更早 玉扳指一組 三隻The stones with russet inclusions, two carved with a string band to the centre (3)Applied collector’s paper labels, 11.36 and 10.11.25The largest: 2.5cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThe barrel-shaped ring (centre top in the catalogue illustration) has a circa 1.5cm., wide shallow chip to the rim. The other two rings are in good condition. One of the rings bearing a collectors label and notes suggesting it was purchased in London in June 1978 for £50 and also suggesting a mid 15th Century date.
A GROUP OF THREE CHINESE JADE ARCHERS THUMB RINGS, QING DYNASTY清 玉扳指一組 三隻The largest with celadon and pink striations, one grey with mottled inclusions, another brown (3)Applied collector’s paper labels, dated 25. 19.11.36, 45.19.11.36 and 39. 19.11.36The largest: 2.5cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThe celadon and pink ring has several hairline russet fissures; the brown ring has a circa 5mm., shallow chip to the edge of the rim; the grey ring is in good condition.
A CHINESE WHITE JADE ARCHERS THUMB RING, QING DYNASTY, 18TH CENTURY清 螭龙纹玉扳指及白玉扳指 一組三隻 十八世紀Together with two mottled jade archers rings, carved with chilong dragons, dated 44. 19.11.36 and 36.19.11.36 (3)Applied collector’s paper label, dated 27.4.26Height: 2.2cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThe ‘chilong’ ring (far right in the catalogue illustration) has a circa 1.5cm., wide polished chip to the rim. The other two rings are in good condition.
A CHINESE WHITE JADE PIERCED DOUBLE PHOENIX PENDANT, QING DYNASTY, LATE 19TH CENTURY清 白玉雙鳳掛件 十九世紀晚期Each side inscribed with two-charactersWidth: 5.5cmProvenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThere is a small chip to the end of one of the scrolls on the back of one bird at the rim. It should be noted that the stone is of a lighter pale celadon-white tone than the catalogue illustration would suggest.
A CHINESE WHITE JADE ‘DRAGON’ PENDANT, QING DYNASTY, LATE 19TH CENTURY清 白玉雕龍掛件 十九世紀晚期Carved to one side with a dragon chasing a pearl amongst cloud scrolls, the reverse with a two-character seal markLength: 5.5cmProvenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThe plaque is in good condition. It should be noted that the stone is of a lighter pale celadon-white tone than the catalogue illustration would suggest.
A CHINESE WHITE JADE PIERCED PENDANT, QING DYNASTY, LATE 19TH CENTURY清 白玉掛件 十九世紀晚期Carved to both sides with a central vase flanked by sinuous dragons, with silk tassels with embroidered bat motifDiameter: the jade - 5.5cmProvenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThe jade plaque is in good condition. There is loss to one side of the beaded decoration
TWO CHINESE CELADON JADE PIERCED PENDANTS, QING DYNASTY, LATE 19TH/EARLY 20TH CENTURY清 青白玉掛件兩件 十九世紀至二十世紀初One carved with a stylised shou character and bats, the other with birds (2)The Shou plaque: 6cmProvenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThe jade plaques in good condition, the silks slightly discoloured and faded commensurate with age.
A GROUP OF FIVE CHINESE QING DYNASTY COSTUME ACCESSORIES, 18TH/19TH CENTURY 清 服飾配件 五件 十八至十九世紀 Comprising: a rock crystal pendant, a jade pendant, a glass citrine coloured pendant, a gilt-metal mounted lapiz lazuli belt hanging and a gilt-metal belt hanging with a simulated emerald glass stone (5)The largest: 4.5cmProvenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThe gilt-metal mounted lapis lazuli belt plaque has a break through the mount and the simulated emerald has loss to the blue enamel to both sides of the metal mount.
A collection of jewellery to include a 9 carat gold and tiger's eye ring, a horse head brooch by Coro, a pair of silver and enamelled RAF cufflinks, a Rotary wristwatch, the brushed dial set with Roman numerals and numeral markers and No.d 109452 to back, a 14 carat gold and jade set ring etc
An old bakelite box containing various pieces of jewellery and watches, etc to include a silver enamelled brooch with maple leaf and flowers in Art Nouveau style, marked Sterling, a white metal enamelled brooch with roses, various brooches, jade coloured necklace/bracelet, plated cameo pendant, pin bar, watches to include a 9ct gold ladies Accurist watch with rolled gold strap, a Raymond Weil watch, a 9ct gold bugle brooch, etc.Jade coloured necklace/bracelet is unmarked yellow metal.Silver enamelled brooch - 28.55 grams.Gold watch approx 2 grams. Bugle brooch - 1.30 grams.
Various small pottery, porcelain and other collectibles, to include three Goebel figures comprising a boy with rocking horse, boy with telescope and boy talking to a red rabbit, Liliput Lane buildings and ornaments, a small modern Dresden pierced and flower encrusted basket, a small Masons Ironstone jug, a Losol ware 'Orange Tree' pattern butter dish, various models of religious buildings, small character jug, a green jade-style Dog of Fo, an Egyptian model of a cat and a sphinx, etc.
A white gold, jade and diamond pendant brooch, unmarked, weight 8.8g, length 5cm, with a white gold neckchain, detailed '14K', on a boltring clasp, weight 2.3g, length 38.5cm, and a matching pair of earclips, each of openwork design, mounted with marquise shaped jades and circular cut diamonds, one earclip detailed '14k', weight 9g, length 2.7cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold and jade ring in a curved rectangular design, unmarked, weight 8.3g, ring size approx K1/2, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Saudi Arabian style jacket in a bottle green velvet. Full Length. Lavishly embellished in gold braiding, and in the style of a caftan. Fastens with buttons down the front. Lined in jade green satin fabric. Approximately size 16.A Mishel Ambers sample American size 10 (UK 14) summer dress. It is a linen mix in violet with a tie die effect of turquoise and white. The V neck dress has a tie belt and two patch pockets. (2)
An iconic Zandra Rhodes dress from the 1970's, with silk printed abstract pattern, in French navy, with Jade pattern, elasticated waist, long pointed collars at the front, edged in a blue pearl beadwork, in a v shape, it has a v neck, what has a black tulle higher see through neck, with two ribbons, the front rope braiding of the dress has blue pearl beads as droppers, this is carried onto triangle shaped beadwork motif, onto the v neckline, the back has the same v shaped pointed collars, the long sleeves are edged in blue pearl beads, the scalloped hemline is caught up all the circumference by a blue pearl and lined in silk with a satin sash
Jade Montserrat Love, Energy, 2022 Ink and Ballpoint Pen on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education 2017 - 2022 Stuart Hall Foundation PhD (via MPhil) Candidate, Institute of Black Atlantic Research, The University of Central Lancashire, "Race and Representation in Northern Britain in the context of the Black Atlantic: A Creative Practice Project." 2008 - 2010 MA Drawing Norwich University of the Arts 2000 - 2003 BA History of Art Courtauld Institute of Art Select Exhibitions/Awards 2020 Henry Moore Artist Award Scheme 2017 Grant to attend The Red and The Black: The Russian Revolution and The Black Atlantic (IBAR, UCLan) Jerwood Drawing Prize: Student Award AN Travel Grant 2014 YVAN Development Fund 2013 London School of Economics Review of Books Awards: The I.B. Taurus Prize for most read review in arts and literature a-n Venice Biennale bursary Gallery Representation Bosse & Baum You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Jade Montserrat Love Abundant, 2022 Ink and Ballpoint Pen on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education 2017 - 2022 Stuart Hall Foundation PhD (via MPhil) Candidate, Institute of Black Atlantic Research, The University of Central Lancashire, "Race and Representation in Northern Britain in the context of the Black Atlantic: A Creative Practice Project." 2008 - 2010 MA Drawing Norwich University of the Arts 2000 - 2003 BA History of Art Courtauld Institute of Art Select Exhibitions/Awards 2020 Henry Moore Artist Award Scheme 2017 Grant to attend The Red and The Black: The Russian Revolution and The Black Atlantic (IBAR, UCLan) Jerwood Drawing Prize: Student Award AN Travel Grant 2014 YVAN Development Fund 2013 London School of Economics Review of Books Awards: The I.B. Taurus Prize for most read review in arts and literature a-n Venice Biennale bursary Gallery Representation Bosse & Baum You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Jade Montserrat Love is the Lifeforce (after June Jordan), 2022 Watercolour, Ink, Gouache and Pencil Crayon on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education 2017 - 2022 Stuart Hall Foundation PhD (via MPhil) Candidate, Institute of Black Atlantic Research, The University of Central Lancashire, "Race and Representation in Northern Britain in the context of the Black Atlantic: A Creative Practice Project." 2008 - 2010 MA Drawing Norwich University of the Arts 2000 - 2003 BA History of Art Courtauld Institute of Art Select Exhibitions/Awards 2020 Henry Moore Artist Award Scheme 2017 Grant to attend The Red and The Black: The Russian Revolution and The Black Atlantic (IBAR, UCLan) Jerwood Drawing Prize: Student Award AN Travel Grant 2014 YVAN Development Fund 2013 London School of Economics Review of Books Awards: The I.B. Taurus Prize for most read review in arts and literature a-n Venice Biennale bursary Gallery Representation Bosse & Baum You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Jade Montserrat Love is the Dream, 2022 Watercolour and Pencil Crayon on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education 2017 - 2022 Stuart Hall Foundation PhD (via MPhil) Candidate, Institute of Black Atlantic Research, The University of Central Lancashire, "Race and Representation in Northern Britain in the context of the Black Atlantic: A Creative Practice Project." 2008 - 2010 MA Drawing Norwich University of the Arts 2000 - 2003 BA History of Art Courtauld Institute of Art Select Exhibitions/Awards 2020 Henry Moore Artist Award Scheme 2017 Grant to attend The Red and The Black: The Russian Revolution and The Black Atlantic (IBAR, UCLan) Jerwood Drawing Prize: Student Award AN Travel Grant 2014 YVAN Development Fund 2013 London School of Economics Review of Books Awards: The I.B. Taurus Prize for most read review in arts and literature a-n Venice Biennale bursary Gallery Representation Bosse & Baum You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
A Chinese carved pale celadon jade chilong cup, probably Qianlong period (1736-1795), the vessel carved with a short, stepped foot, with two large chilong dragon handles, a smaller chilong climbing up one side of the cup, 3 5/8in. (9.2cm.) wide, 1 5/8in. (4.1cm.) high, with a carved, pierced hardwood stand with silver wire inlay, and a similar hardwood cover with carved coral money finial.* Small chip to jade to the edge of the foot/base. No other faults to jade. Glue residue at joint of monkey and hardwood cover, with some flakes and small chips from surface of coral around the legs. Hardwood stand and cover in good condition.
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