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Click here to subscribeA beautiful double-handle cup with soft green streaks on white ground. Royal Doulton backstamp. Charles Noke signed. Marked: Chinese Jade. Artist: Charles NokeIssued: c. 1920Dimensions: 5.5"L x 3.75"W x 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear. As is. Handles previously restored.
Late to Ptolemaic Period, Ca. 664 - 30 BC. An amulet of a crowned Horus with the body of a cicada, made of jade and perforated on the back. The fly amulet, known as the "Tyet" or "Knot of Isis," was one of the many types of protective amulets used by the ancient Egyptians. It is often depicted as a stylised knot, resembling the shape of a fly or butterfly. Size: 20mm x 10mm; Weight: 1g Provenance: Prince collection, 1990s-2014; Guerlind Corp., Boulevard Royal 1, Luxemburg, Grand-Duche de Luxembourg, 2009. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Qing Dynasty, Ca. AD 1644 - 1911.A bronze censer with a reticulated wooden lid and jade finial. The censer is made in the form of a teacup. The body is decorated with a floral band and double lion-head handles. The wooden top is reticulated and finished with a jade finial in the form of a seated figure.Size: 150mm x 110mm; Weight: 940gThis item has been cleared against the Art Loss Register database and comes with a confirmation letter.
A set of three Late Chinese Qing dynasty watercolours on paper depicting a nobleman and two attendants, the other depicting his wife seated with attendants, and their daughter and attendants, two with jade screen to rear, exotic oriental carpets, in polychrome palette all in a glazed black and gilt laqured frames. (30cm x 19cm )
A Chinese Carved Jade Twin Handled Censer, with dragon formed handles and archaic style panels, the base applied with sticker 'John Sparks Ltd', 11cm wide (handle to handle) and a soapstone seal mounted with a dragon, 7.5cm high. (2)Nibbles and small chips to edges to both, twin handles sensor with line to inside (not a crack as it is not rough to touch) see images.
A collection of carved hardstone jade/nephrite-type figurines and pendants many of chrysanthemum and animal form some carved with auspicious symbols and characters, including a rectangular form pendant relief carved with the figure of a scholar holding a staff with Chinese characters (1 bag)
A group of vintage to contemporary costume jewellery including a banded agate brooch, an enamelled and marcasite-set brooch in the form of a Viking longboat, various beaded necklaces including jade and malachite examples, a cameo ring, etc, together with vintage Mirca, Atlantic and Phenix lady's wristlet watches
A COLLECTION OF JEWELSincluding an opal and seed pearl lavalier pendant; together with a synthetic sapphire pendant necklace; an amethyst pendant; a garnet bar brooch; a nephrite jade bird pendant; a carved onyx pendant; a loose chain necklace; and a single cufflink in 9ct gold, (c.21.9g gross weight) (8)
AN ANTIQUE ENAMELLED DIAMOND BRACELET in 15ct gold, comprising a series of fancy links, decorated with red and green enamel alternating with faceted rock crystal and pearls, suspending four heart motifs with red and white enamel detail, each set with an old cut diamond, secured with a barrel clasp, no assay marks, c.19.0cm, (c.21.0g)Also suspending a carved jade pendant and tomoe symbol disk pendant.
A Late 18th/Early 19th Century Indo Persian Pesh Kabz, the 30cm single edge curved steel blade with double fuller to each side, false back edge and reinforced swollen tip, the 'T' shape spine with chiselled C scrolls, the gilt brass bolster and back strap with trefoil shaped terminal, with green jade pistol grip scales and bird head pommel set with steel suspension ring, lacks scabbard, 43cmFootnote :- found in a sarcophogus type container set into the eaves of a 19th century crofter's cottage in Sullom, Shetland
A mixed lot of gold and yellow metal jewellery: to include an unmarked Masonic ball charm; a red stone pendant stamped 375 on gilt metal chain; an unmarked yellow metal ring mount (tests as approx. 14ct gold); a 9ct St Christopher pendant; a 9ct box link chain; a single stud stamped 375; a virgin Mary pendant stamped 375; a jade brooch (a/f); a shield badge; a single cross earring and a Masonic enamel charm and oval pendant, 49g gross
A mixed lot of jewellery: to include a 22ct ring turquoise and seed pearl ring, hallmarked Birmingham 1885, size I, 2.3g (a/f), together with a jade bangle, a modernist agate and silver ring and a faux pearl necklace, (5)faux pearls - dirty & in need of a cleanmodernist ring - slight dents to silver mountheart ring - one pearl missing & others worn & discoloured; turquoise 'greenish' in colour; wear throughout and has possibly been re-sizedbangle - light wearbaton - possibly glass
A jade ring and earrings: the ring set with a pierced oval jade cabochon, claw mounted with engraved decoration to shoulders and plain lower band of unmarked yellow metal, (tests as approx. 18ct gold), size O, 4.7g, together with a pair of jade earrings set in unmarked yellow metal (tests as approx. 18ct gold), 4.6g, (2)
A PORTRAIT OF MAHARANA SARUP SINGH OF MEWAR (R. 1842-61) ATTRIBUTED TO THE ARTIST 'TARA' INDIA, RAJASTHAN, MEWAR, MID-19TH CENTURY gouache on paper heightened in gold, purple border with margin rules in red, white and black, depicting the ruler facing to the right wearing a white jama and a red turban decorated with pearls, strands of emeralds and pearls about his neck, holding a tulwar in his left hand, a jade-hilted dagger tucked into his gold and red striped patka, against a green landscape, nagari inscription on verso, mounted, glazed and framed 24.4cm x 16.9cm Tara, also known as Tara Chand, was an artist working at the Mewar court over a period of twenty-five years from circa 1836 to 1861 and during the reign of Maharana Sarup Singh. He was a hugely competent artist valued at the Mewar court for his hunting and equestrian scenes, several of which are in the National Gallery of Victoria, Melbourne, Australia. There is also a charming portrait of this court artist with possibly his two young sons by the British artist William Carpenter, circa 1851 bearing the inscription 'Tara Chund, court painter, Udaipur' in the Victoria and Albert Museum, London.For further discussion, see:L. York Leach, Mughal and Other Indian Schools from the Chester Beatty Library, London, 1995, pp. 1014-1018. A. Topsfield, Paintings from Rajasthan in the National Gallery of Victoria, Melbourne, 1980, pp.14-16, fig.1.D. Diamond and D. Khera, A Splendid Land: Paintings from Royal Udaipur, Washington D.C., 2023.
A small collection of 9 carat gold and other jewellery including a 9 carat framed tiger's eye panel pendant of rectangular form, 3.5 cm x 2.5 cm, a pair of 9 carat gold rope twist earrings, 9 carat gold seed pearl and garnet set brooch, a pair of jade oval earrings in yellow metal mounts, 9 carat gold daffodil ear stud and another single 9 carat gold earring
CHINESE JADE MOUNTED GILT COPPER CANISTER, lid inset with oval panel pierced with double gourd growing from scrolling tendrils, within engraved lotus meander border on plain oval section receptacle, further engraved with flowers, possibly a canister from a tea caddy, 17cms (h)Provenance: private collection Gwynedd
CHINESE WHITE JADE CARVING OF GOAT & KID, late Qing Dynasty or later, the recumbent adult beside kid, 27 (h) x 46 (w) x 25mms (d)Provenance: Private collection south Wales.Auctioneer's notes: In China the goat is a symbol of good luck and filial piety, based on the goat's act of kneeling whilst suckling, and the way kid goats leap and prance around their parents. It is also the eighth sign of the zodiac.Comments: good overall, one end pierced for suspension, no damage or restoration.
CHINESE JADE MOUNTED GILT COPPER CANISTER, lid applied with pierced jade plaque depicting long tailed pheasant amongst foliage, within chrysanthemum scrolling borders, on plain oval section receptacle, further engraved with grasses and lingzhi fungus, possibly a canister from a tea caddy, 16cms (h)Provenance: private collection Gwynedd
CHINESE PALE JADE ROOSTER HEAD ZODIAC FIGURE, late Qing Dynasty or later, seated in robes holding a ying/yang symbol, together with an assortment of hardstone/jade pendants with silk tassels, pierced filigree plaques mounted as brooches, Buddha pendant, etc. mostly post Qing dynasty (13)Provenance: private collection GwyneddNotes: Jade zodiac figures were originally produced under the direct commission of the Qianlong Emperor. They were placed around a central rectangular jade box carved with the Daoist qian trigram, a symbol of the Qianlong Emperor, thus they appear to have represented celestial guardians protecting the Emperor in all directions.
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