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Lot 2083
A Pair of German Silver Candlesticks, Maker's Mark IGK, Perhaps by Johann Georg Klosse, Augsburg, Second Half 18th Century on square base with beaded border, with ribbon-tied drapery swags, the stems fluted, with detachable beaded nozzles33.5cm high, 39oz 5dwt, 1,221gr (2)Marked with maker's mark only on base. The mark is clear. There is some overall surface scratching and wear, consistent with age and use. The stems have a metal screw which fixed them to the base. These have some corrosion and one is bruised/defective and the stem does not sit flush to the base and the stem on this stick leans. There are some bruises overall and some splits to the nozzle on one.
Lot 267
A Collection of odds; 19th century Corinthian column candle stick holder. Antique brass push candle sticks. Pewter dragon design stein. Indian cigarette box made from brass and having a silver and copper design. 19th century mahogany canteen of forks and knives. Wooden box containing antique dominos made from bone and ebony.
Lot 102
A collection of walking sticks comprising, a brown walking stick with handles and extendable brown leather seat to top (h. 86cm), a wooden walking stick with a plastic moulded hares head to top and rubber stopper to base (h. 88cm), and a wooden walking stick with a crook handle and painted zebra and giraffe markings to top and base (h. 95cm) (3)
Lot 11
A MIXED GROUP OF MAINLY CHINESE PORCELAIN AND TEXTILES, 18 TO EARLY 20TH CENTURY. To include various blue and white porcelain jars, cups. bowls etc. A famille rose bird feeder, A figural joss stick holder, A Japanese Imari dish, A European Chinese style dish with Shou character; A lacquer box, A Siam silk textile, together with four place mats. Largest dish 25cm (26) Some damages and repairs to note. Please contact us with specific condition queries.
Lot 463
Selection of silver to include fluted posey vase with open work detail, hallmarked Henry Moreton, Birmingham, 1945, two silver soup spoons, toddy ladle, no hallmark, pepper shaker hallmarked George Unite, Birmingham, 1898 and a pair of weighted candle stick holders, hallmarked Birmingham, 1925
Lot 180
A small group of vintage silver and silver plated items - comprising an .800 silver skewer or cocktail stick, stamped 'M800S', with cast floral and foliate terminal, 12.2cm long; an Edwardian silver-headed hat pin, Thomas White, London 1901, with cast decoration of a reclining female figure and a pair of doves within a foliate rococo frame; a silver plated hip flask by Thomas Wilkinson & Son, Birmingham, 11.1cm high; a white metal cocktail sipper straw spoon, with foliate decorated handle, 20.8cm long; and a silver handled cake knife, Sheffield 1907 and similar fork with white metal handle.
Lot 249
A small group of antique jewellery - comprising an Edwardian 9ct gold, silver and diamond tied-ribbon pendant brooch, set with old cut diamonds, 42mm long; a 15ct gold Victorian stick pin of quatrefoil form, with a central seed pearl-set black enamel star, on a 9ct pin, 65mm long, in original morocco case; a yellow metal and faux-pearl stick pin; and a rolled gold and shell cameo brooch with openwork frame, 35 x 30mm.
Lot 79
Royal Doulton porcelain figurine titled "The Laird," model number HN2361, designed by Mary Nicoll and first issued in 1968. This hand-painted piece features intricate details, showcasing a traditional Scottish figure dressed in a kilt and holding a walking stick, with a draped shawl. The backstamp on the base includes the Royal Doulton mark, model number, and production details, confirming its authenticity.Artist: Mary NicollIssued: 1969Dimensions: 8"HCountry of Origin: EnglandCondition: Age related wear.
Lot 81
Lizzie Coles Keith, 2025 Watercolour and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I'm a visual person, all about shapes and symmetry, expressing this through my love of interior design, fashion and typography. I notice how things fit together and line up, I get easily distracted by how a curve leans into a surface or how the weight of chunky lettering helps a delicate photograph on a vintage poster. I'm impressed by figurative art that has personality as well as graphic, bold, abstract artwork. I try hard to combine at least a few of these elements in my art. My background is a little more eclectic than I'd planned. All I ever wanted to do was draw people, but I didn't really understand what a career doing that looked like. I was removed from Fine Art when it was obvious that I am colourblind, so I switched to Animation, because I'd seen an old film of Disney artists drawing Cinderella sat in a circle around a dancing actress. I hated the Animation degree, their obsession with concept over drawing quality didn't inspire or encourage me. I then worked in advertising as a business director supporting big brands such as John Lewis, Barclays, Vittel, Ryvita and L'Oréal. Whilst I loved the glamour of clicking across Soho with my Gwyneth Paltrow cropped hair and skyhigh heels, I dropped it all when I got impossibly pregnant (I'd been told after too many operations that it wouldn't be an option) So, the next chapter began when my husband, (together since we were 16) our new 1 year old and a massive bump, soon to become kid number 2 all emigrated to Paris. I adore Paris and thoroughly enjoyed hanging out with our kids and made friends for life. When the kids went to school, I was lucky enough to draw at the Académie de la Grande Chaumière, indulging in 8 hours a week of life drawing for 5 years. This was an absolute joy and such a privilege to be in surroundings established over a 100 years ago, once inhabited by the best French Impressionist painters. My French isn't as good as it could be, I could chat to a 10-year-old about peanut flavoured crisps but it became apparent that my knowledge of chemistry or history in French was a bit lax. With a heavy heart, we returned to the UK to support the kids through their education - don't ever mention Brexit to me. It's taken me a while to find my feet, hugely sidetracked with breast cancer and a year of chemo and radiotherapy (now fully in remission, thankfully), I've been a full-time artist for 3 years now and intend to stick at this for a while, hopefully. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 6
ABORIGINAL TIWI THROWING CLUB AND FIGHTING STICK AUSTRALIA carved wood, the tiwi throwing club with deep linear grooving and traces of pigment remaining; the fighting stick with club head worked to a point and roughened carved surface indicating the handle longest 84cm Private collection, Scotland
Lot 139
1988 Honda VFR 750R RC30Registration number E237 AUJFrame number RC30-1000638Engine number3,565 recorded milesOriginal machineFirst registered in the UK in 2007Full service in 2014 with details of work done and parts fittedFull service in 2020 by the previous owner when the mileage was 2,898Invoices to show work done and parts fittedEngine started November 2024Very good conditionAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5C, MOT's, owners handbook, invoices, USB stick with photos, original tool kit and spare keysThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
Lot 241
George V silver and carved ivory-mounted malacca walking stick or cane, with well-modelled bulldog or bull mastiff dog head handle over silver collar with dedication inscription 'To Roy from Grandfather', hallmarked London, 1912, sponsor's mark indistinct, to a turned tapering mahogany shaft with metal ferrule, ivory handle 4.5cm wide x 5.5cm high, the stick 91.5cm overallSold with APHA permit: WGF1MSFK
Lot 195
Sword stick with bone and silver metal fittings, possibly Turkish or Middle Eastern, 44.5cm square section pointed blade, polished bone pommel with silver metal cap, handle decorated with silver metal flowers and scrolls, with polished bone mounts to the top and bottom of the black wooden haft, 92cm overall
Lot 501
Good late 18th century elm, ash and fruitwood primitive stick-back Windsor chair, South West England circa 1780, with ogee top rail over a 'comb' or 'stick' back of eight turned supports, typical three-part bow arm with six further short supports, to a flared 'shovel' shaped elm seat (the outline echoing the top rail and arms), raised on four broadening splayed supports, 56cm across seat front / 69cm across arms, 109cm highFor a discussion of the three-part Windsor arm and its development in yhe South West of England, see Cotton, Bernard D, The English Regional Chair, ACC 1990, p. 266.
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133752 item(s)/page