Lot of 140 books:-Nº especial Connaissance des Arts. Le prix de l’art nº 12, - Connaissance des Arts. Guide 1971 . Ventes publiques, - Nº especial Connaissance des Arts. Ventes publiques à Paris. Janvier 1973-‐ juillet 1974, - Connaissance des Arts. Guide 1970. Ventes publiques en France, - Connaissance des Arts. Le prix de l’art, - Connaissance des Arts. Annuaire 1968, - Ventes publiques en France, - Nº especial Connaissance des Arts. Le prix de l’art, - Nº especial Connaissance des Arts. L’art aux enchères -Connaissance des Arts. Albin Michel. Le prix de l’art, - Nº especial Connaissance des Arts. 1972. Ventes publiques á Paris, - The price guide 18 TH. Pottery. Sally Mount, - The Lyle oficial antique review. 1974-‐1975 Reichel, - Porcelaines japonaises anciennes - Japanese ceràmics. The last 100 years. Stitt. - Chinese export porcelain. Chine de Commande. D.F. Lunsingh Scheurlee The - Lyle oficial antique review. Reference book 1977. - The Lyle oficial antique review. Reference book 1978. - The Lyle oficial antique review. Reference book 1979. - Miller’s price guide 2002. - Miller’s price guide 2003. -Miller’s price guide 2004. - Miller’s price guide 2005. -Miller’s price guide 2006. -Miller’s price guide 2007. - Miller’s price guide 200. - Miller’s price guide 2009. - Connaissance des Arts. Guide 1972 Ventes publiques. - Connaissance des Arts. Le prix de l’art. Albin Michel. - Connaissance des Arts. L’art aux enchères. - Nº especial Connaissance des Arts. Prix de l’art. - Annuaire de Connaissance des Arts 1968. Ventes publiques en France. - Le prix de l’art. Connaissance des Arts. - Guide 1970. Connaissance des Arts. Ventes publiques en France. - Nº especial Ventes publiques à Paris. Juillet 1974. - The antique year book. 1961-‐ 62 Tantivy press. -Watch collecting. Kenneth Ullyet. -L’Argus des bibelots et des objets de collection. Balland. -Oriental art. Michel J. Ridley-‐ Jhon Gifford. - Pendues et horloges. Editions Princesse Pari. - Waches in colour. Blanford. - Chinese painting. Paul Paul Hamlyn. - Porcelaine europèene. Edition Princesse Paris. -Miniatura indiana. Fratelli Fabbri editore. -Antique Jade. Paul Hamlyn. - Oriental carpets. Paul Hamlyn. - Oriental laquer. Paul Hamlyn. - La porcelaine chinoise. Edition Princesse Paris. -The International antique year book 1964-‐65. Studio Vista. - The nineteen style-‐ Paul Hamlyn. - The Lyle oficial antiques review. Reference book 1979. - The Lyle oficial antiques review. Reference book 1980. -ABC de la porcelaine ( CIE des Indes). - Art auction 1976-‐77. - Art auction 1977-‐78. - La ceràmiques chinoise. C. ABC. - Les ivoires. I. ABC. - Chinese painting. James Cahill. SKIRA. - Plata. Came. Plaza & Janes. -Collecting and restoring scientific instruments. Ronald Pearsall. - Miller’s guide. Antiques price guide 1982- V. III. - Miller’s guide. Antiques price guide 1983. ‐ V. IV. - Miller’s guide. Antiques price guide 1984. - V. V. - Miller’s guide. Antiques price guide 1986. - V. VII. - Miller’s guide. Antiques price guide 1987. - V. VIII. - Miller’s guide. Antiques price guide 1988. - V. IX - Miller’s guide. Antiques price guide 1989. -V. X. - Miller’s guide. Antiques price guide 1991. - V. XII. - Miller’s guide. Antiques price guide 1993. - V. XIV. - Miller’s guide. Antiques price guide 1994. - V. XV. - Miller’s guide. Antiques price guide 1995. ‐ V. XVI. - Miller’s guide. Antiques price guide 1996-V. XVII. - Miller’s guide. Antiques price guide 1997- V. XVIII Miller’s collectables price guide 1988. - 1989 Miller’s collectables price guide 1999. - 2000 Miller’s guide. Antiques price guide 2000- V. XXI. - Miller’s guide. Antiques price guide 2001- V. XXII. - Nº especial Connaissance des arts. La valeur des objets nº 7. - Nº especial Connaissance des arts. Les obres en vogue. - Nº especial Connaissance des arts. La guide 1973. Ventes publiques à Paris. - Nº especial Connaissance des arts. Le prix de l’art nº 12. - Guide 1971. Nº especial Connaissance des arts de ventes publiques en France. - Nº especial Connaissance des arts de ventes publiques à Paris Janvier 1973-Juillet 1974. -Guide 1970 Connaissance des arts de ventes publiques en France. - Le prix de l’art. Connaissance de l’art nº… - Annuaire Connaissance de l’art 1968. Ventes publiques en France. - Nº especial Connaissance des arts. L’art aux enchères. - Albin Michel. Connaissance de l’art .Le prix de l’art. - Christie’s. Review of de season 1973. - Christie’s. Review of de season 1974. - Christie’s. Review of de season 1976. - Christie’s. Review of de season 1977. - Christie’s. Review of de season 1978. - Christie’s. Review of de season 1979. - Christie’s. Review of de season 1981. - Christie’s. Review of de season 1982. -Art at auction 1972-73 Sotheby’sArt at auction 1974-‐75 Sotheby’s Art at auction 1978-‐79 Sotheby’s Ar. - t at auction 1980-81 Sotheby’s. -Art at auction 1981‐82 Sotheby’s. - Sotheby’s world guide to antiques and their prices 1986. - Sotheby’s world guide to antiques and their prices 1987. -Sotheby’s world guide to antiques and their prices 1988 - Sotheby’s world guide to antiques and their prices 1989 Sotheby’s world guide to antiques and their prices 1990. - Chinese ceràmics. Michel and Cécile Beurdeley. - Fine chinese art. New Bond Street. London 12 May 2016. -Art precolombí en col•lecions privades catalanes. - Orfebrería hispanoamericana. Siglos XVI-XIX. - Blue book of dolls & values nª5. - L’Argus de la brocante. Balland. - The Lyle oficial antiqes review. 1980 . - L’argenterie de la maison. A. Gruber. - El moble català. - Christie’s popular antiques year book for 1988. -Le guidargus des poupées de collectión. - Rare caràcter dolls. Mara Tarbnowska. - Le monde des poupées. - Histoire des bijoux. Grange Bateliere. Paris. -Price guide to antic furniture. John Andrews. - Nº especial Connaissance des l’arts. Le prix de l’art nº 13. - Nº especial Connaissance des l’arts. Le prix de l’art nº 14. - Zurbarán. Paul Guinard. - Auguste Rodin. R. Decharnes & J.F. Chabrun. Edita Vilo. – El mueble espanyol. L. Feduchi. - Connaissance des tais. E. Gans-Ruedin. Editorial Vilo. - Wriswatcches armbanduhren. Montres bracelets. Gilbut L. Brunner & Pfeiffer-Belli. -Cartier. Hans Nadelhoffer. - La pinture indiene. Basil Gray. - El arte del Méjico antiguo. Jaques Sutelle, Claude Arthaud, F. Hebert-Stevens. - Méjico arte e historia. Brandley Smith- L’Arte precolombiana. Sansoni.Le grande epoque de l’arte. I. Bernal, P. Gendrop. - Japan a history in art. Gemin Smith. - La pintura española. Giner. - Dalí. De Draeger. - Toledo. Alice y Marc Hament. - Historia de Inglaterra. André Maurois. - Tutankhamen. Desroches Noblecourt . - Diccionario Bénézit. 8 tomos . GRÜND
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A Chinese silver and enamel mirror mounted with jade, late 19th century. The silver circular hand-mirror decorated with Buddhist emblems and the back with a circular pale celadon jade plaque decorated with dragons, surrounded by green hardstones and floral enamels, length 25cm, diameter 13cm. From a private Devon collection.Images added to our website www.davidlay.co.uk
A Chinese pale jade and russet carved bird, Qing Dynasty. Height 2.5cm, length 5.5cm, depth 2cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.No damages
A Chinese carved jade and russet chicken, Qing Dynasty. Height 3.5cm, length 4.5cm, depth 1.8cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.More images added.
A Chinese carved pale jade buckle, Qing Dynasty. 6 x 5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.No damage and no repair
A Chinese pale jade carving of two boys, Qing Dynasty. Height 5cm, width 4.5cm, depth 1.5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.no damage
A Chinese carved pale jade and russet seal, Qing Dynasty. Surmounted by two animals on their backs, height 3.5cm,width 2cm, depth 2cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.No damage and no repair. Extra images now on our website www.davidlay.co.uk
A Chinese jade and russet carving of a boy, Qing Dynasty. Holding a staff, with a bird on his shoulder and possibly a peach, height 5.5cm, width 4cm, depth 2.5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.
A Chinese russet jade pendant, Qing Dynasty. 6 x 5cm.From the estate of Frederic Lipscombe. Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968. His collections are now being sold by his grandchildren.
Antique Period Fine Trio of 15ct and 18ct ( 2 ) Pendants and Brooch. Not Marked but Tests Gold. Comprises Features 18ct Gold Jade Set Pendant with Character Marks of Circular Form, 1.25 Inches - 3.20 cms Diameter. Weight 27.3 grams + Large Cornelian Set Brooch Set within a 18ct Gold Mount, With Rope Twist Borders. c.Mid 19th Century. Size 1.5 Inches - 3.75 cms Diameter + Small 19th Century Gold Double Sided Locket / Pendant. ( 3 ) Pieces In Total.
Chinesisches Armband mit Jade. Silver gestempelt. Punze: CHINA. 17 x 2,8 cm. 49,0 g. 4 Fliligranglieder mit zargengefassten Jadescheiben und 3 Glieder mit Schriftzeichen. Kastenschloss mit Sicherheitskette. Chinese bracelet with jade. Silver stamped. Hallmark: CHINA. 17 x 2.8 cm. 49,0 g. 4 filigree links with jade discs set in circles and 3 links with characters. Box lock with safety chain. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A gold jade ring, a carved, pierced rectangular jadeite jade plaque, claw set, to tapered shoulders and a 'D' section shank, tested as approximately 9ct gold, 3.79g.Finger size P-Q approximatelyBuying this second-hand gemstone ring could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportShank oval - finger size approximate only.Surface marks/scratches.Jade a little loose in setting, but still appears secure.
A gold single stone nephrite jade ring, an oval nephrite jade cabochon, claw set, to split shoulders and a plain shank, tested as approximately 14ct gold, 3.22g.Finger size LBuying this second-hand gemstone ring could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportSurface marks/scratches to mount.
A gold single stone jade ring, with an oval jade cabochon, rub set, to tapering engraved shoulders and a flat section shank, tested as approximately 18ct gold, 9.00g.Finger size OBuying this second-hand gemstone ring could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportSurface marks/scratches.
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64936 item(s)/page