WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Gefangene (Die Qual)"Lithografie auf Bütten. Bleistiftsignatur. [1966]. Blatt: 62,5 x 50 cm. Aus der Reihe "Gefangene" - in Erinnerung an die Gestapo-Haft des Künstlers vom 1.7. bis 15.12.1937 im KZ Hamburg-Fuhlsbüttel, Berlin und im Nürnberger Polizeigefängnis. Minimal knickspuirg. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 781. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:00 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Gefangene (Die Qual)"Lithograph on laid paper. Pencil signature. [1966]. Sheet: 62.5 x 50 cm. From the series "Gefangene" - in memory of the artist's Gestapo imprisonment from 1.7. to 15.12.1937 in the Hamburg-Fuhlsbüttel concentration camp, Berlin and in the Nuremberg police prison. Minimally creased. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 781. Aufrufzeit 24. | Feb 2024 | probably 11:00 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die Glanznummer"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [1963]. Blatt: 64,2 x 52,8 cm. Minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 862. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:59 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die Glanznummer"Lithograph on laid paper. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". [1963]. Sheet: 64.2 x 52.8 cm. Minimally creased. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 862. Aufrufzeit 24. | Feb 2024 | probably 10:59 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Wachsstock-Halter. Wohl 18. Jh. Schmiedeeisen, Wachs. H 37 cm. Dreibein, am Zentralschaft mit Tragehaken höhenverstellbarer Wachsteller mit Wachsstock. Klemmschere fehlt. Aufrufzeit 22. | Feb 2024 | voraussichtlich 15:32 Uhr (CET) Wax stick holder. Probably 18th century Wrought iron, wax. H 37 cm. Tripod, on the central shaft with carrying hook height-adjustable wax plate with wax stick. Clamping scissors missing. Call time 22 Feb 2024 | probably 15:32 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) 2 Illustrationen zu GrimmelshausenLithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". 1983. Auflage der Nachlassblätter für die Griffelkunst-Vereinigung. Blatt je: 50,4 x 38,4 cm. 2 von 45 Illustrationen zum Schelmenroman "Der abenteuerliche Simplicissimus" von Hans Jacob Christoffel von Grimmelshausen: "Soest" und "Ankunft Paris". Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 906 und 918. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:05 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) 2 illustrations on GrimmelshausenLithograph on laid paper. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". 1983 edition of the estate sheets for the Griffelkunst-Vereinigung. Sheet each: 50.4 x 38.4 cm. 2 of 45 illustrations for the picaresque novel "Der abenteuerliche Simplicissimus" by Hans Jacob Christoffel von Grimmelshausen: "Soest" and "Ankunft Paris". German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 906 and 918. Aufrufzeit 24. | Feb 2024 | probably 11:05 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die feindlichen Brüder (II)"Aquarellierte Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [1967]. Blatt: 53,7 x 65,1 cm. Blatt minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 679. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:02 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die feindlichen Brüder (II)"Watercolor lithograph on laid paper. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". [1967]. Sheet: 53.7 x 65.1 cm. Sheet minimally creased. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 679. Aufrufzeit 24. | Feb 2024 | probably 11:02 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 figürliche Feuerzeuge. Ungemarkt, 2. H. 19. Jh. Polychrom bemalt, goldstaffiert. H 11 und 12,5 cm. 1x in zylindrische Form mit dem Relief von drei Wölfen an einem Baumstamm, Deckel mit Zündwolle. / 1x in Form eines Mannes, auf dem Sockel bezeichnet "Ich bin ein zweiter Salome.", Hut als Deckel mit Stab (Halter für Zündwolle fehlt). Rechte Hand des Mannes ergänzt und bestoßen. Aufrufzeit 23. | Feb 2024 | voraussichtlich 11:24 Uhr (CET) 2 figural lighters. Mismarked, 2nd half 19th century Polychrome painted, gilt. H 11 and 12.5 cm. 1x in cylindrical form with a relief of three wolves on a tree trunk, lid with ignition wool / 1x in the form of a man, inscribed on the base "I am a second Salome.", hat as lid with stick (holder for ignition wool missing). The man's right hand has been added and bumped. Aufrufzeit 23. | Feb 2024 | probably 11:24 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
10 Teile Porzellan mit Blaumalerei. Wallendorf. W-Marke, Ende 18. Jh., 1x Rauenstein, Ende 19. Jh. Unterglasurblaue Malerei. 7x Reliefdekor "Gebrochener Stab" und ausgetuschte Strohblumenmalerei: Kaffeekanne (H 27,5 cm), Birnkännchen (ohne Deckel; H 13,5 cm), Untertassen (Ø 13 cm), 3 Kummen (H 5,5, 6 und 7 cm), Quadratschale (17 x 17 cm). / Tasse (H 4,5 cm) und Untertasse (Ø 13 cm) mit Fels- und Vogelmalerei. / Bartschale mit Blumen- und stilisierter Chinoiseriemalerei (L 20 cm). Haarrissspinne in 1 Kumme. Aufrufzeit 23. | Feb 2024 | voraussichtlich 11:19 Uhr (CET)10 pieces porcelain with blue painting. Wallendorf. W mark, late 18th century, 1x Rauenstein, late 19th century Underglaze blue painting. 7x relief decoration "Broken stick" and painted straw flowers: coffee pot (H 27.5 cm), pear jug (without lid; H 13.5 cm), saucers (Ø 13 cm), 3 chums (H 5.5, 6 and 7 cm), square bowl (17 x 17 cm). / Cup (H 4.5 cm) and saucer (Ø 13 cm) with rock and bird painting / Bearded bowl with flower and stylized chinoiserie painting (L 20 cm). Haarriss spider in 1 bowl. Call time 23 | Feb 2024 | presumably 11:19 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Englischer Flanierstock mit Silberknauf. Vollständige Punzierung, mit königlichem Steuerstempel. 1935. London. Sterlingsilber, ebonisiertes Holz, Messingzwinge. L 92,5 cm. Ebonisierter Spazierstock mit vasenförmigem Knauf. Gebrauchsspuren, Knauf gedellt. Aufrufzeit 22. | Feb 2024 | voraussichtlich 15:29 Uhr (CET)English cane with silver pommel. Fully hallmarked, with royal tax stamp. 1935. London. Sterling silver, ebonized wood, brass ferrule. L 92.5 cm. Ebonized walking stick with vase-shaped pommel. Signs of wear, pommel dented. Call time 22 Feb 2024 | probably 15:29 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Puppenservice. Rauenstein. Fähnchenmarke Rn, um 1900. Unterglasurblaue Floralmalerei, Goldstaffage. 12 Teile. Reliefdekor "Gebrochener Stab". Kännchen (H 15 cm), Milchkännchen, Zuckerdose, 4 Tassen (H 4,5 cm), 4 Untertassen und 1 Ovalschale (L 11,5 cm). Gold berieben, 1 Untertassenstandring bestoßen. Aufrufzeit 23. | Feb 2024 | voraussichtlich 14:20 Uhr (CET)Puppet service. Rauenstein. Pennant mark Rn, around 1900. Underglaze blue floral painting, gold staffage. 12 pieces. Relief decoration "Broken stick". Jug (H 15 cm), milk jug, sugar bowl, 4 cups (H 4.5 cm), 4 saucers and 1 oval bowl (L 11.5 cm). Gold rubbed, 1 saucer stand ring chipped. Call time 23 | Feb 2024 | probably 14:20 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Muttersprache"Holzschnitt. Stempelsignatur. [1944]. Druckstock: 28,5 x 19,5 cm. Gerahmt & hinter Glas : 41,5 x 33,5 cm. Der Künstler druckte Holzschnitte nur bis zum Ende des 2. Weltkrieges. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:58 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Muttersprache"Woodcut. Stamp signature. [1944]. Imprint block: 28.5 x 19.5 cm. Framed & behind glass : 41.5 x 33.5 cm. The artist only printed woodcuts until the end of the Second World War. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Call time 24 | Feb 2024 | probably 10:58 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Marotte mit Originalkleidung. Simon & Halbig. Ungemarkt. Um 1895. Biskuitporzellan, Pappe und Holz. L 37 cm. Brustkopf, blaue Glasaugen, durchstochene Ohrläppchen, Mohairlocke an der Stirn. Pappkörper an Holzstab, mit intaktem Werk. Originale, zerschlissene Kleidung und Zipfelmütze. Kopf nicht durchleuchtet: keine Defekte sichtbar. Aufrufzeit 22. | Feb 2024 | voraussichtlich 11:32 Uhr (CET)Marotte with original clothes. Simon & Halbig. Unmarketable. Circa 1895. Biscuit porcelain, cardboard and wood. L 37 cm. Chest head, blue glass eyes, pierced earlobes, mohair curl on the forehead. Cardboard body on wooden stick, with intact movement. Original, tattered clothing and pointed cap. Head not x-rayed: no visible defects. Call time 22 | Feb 2024 | probably 11:32 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Stichdegen für Kürassieroffiziere mit spanischer Klinge. 18. Jahrhundert. Klinge L 73 cm, Gesamt L 90 cm. Gerade, zweischneidige, scharfe Klinge mit schmalem Hohlschliff in der Mittellinie und im ersten Viertel. Darin Schriftzug: "SEBASTIANO ERNANDEZ(sic)", "xxxx EN xx TOLEDO". Breite Fehlschärfe am Griff. Messinggriff mit herzförmigem Stichblatt entspricht der Literaturbeschreibung. Griff mit Drahtwicklung, eventuell früher versilbert oder vergoldet. Literatur : Maier: Preuß. Blankwaffen, S. 144f. Aufrufzeit 22. | Feb 2024 | voraussichtlich 16:49 Uhr (CET)Stick sword for cuirassier officers with Spanish blade. 18th century. Blade L 73 cm, total L 90 cm. Straight, double-edged, sharp blade with a narrow fuller in the center line and in the first quarter. Inscribed: "SEBASTIANO ERNANDEZ(sic)", "xxxx EN xx TOLEDO". Broad ricasso on the grip. Brass grip with heart-shaped guard corresponds to the description in the literature. Grip with wire winding, possibly formerly silver- or gold-plated. Literature : Maier: Preuß. Blankwaffen, p. 144f. Aufrufzeit 22. | Feb 2024 | voraussichtlich 16:49 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Pariser Ausrufer: Mädchen mit Murmeltier. Meissen. 1998. Modell-Nr. 60243 (alte Form-Nr. 23). Höhe: 14 cm. Modell von Peter Reinicke 1753-1754. Aus einer Serie von 34 Figuren. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke. Stab bestoßen. Reinicke, Bildhauer, seit 1743 Modelleur in Meissen. Schuf zahlreiche Figuren, Mitarbeiter von Johann Joachim Kaendler. Meissen-Manufaktur-Preis: 2790,- Euro * Partnerauktion Bergmann. Literatur : Bergmann (2017) Katalog-Nr. 3022. Aufrufzeit 23. | Feb 2024 | voraussichtlich 15:33 Uhr (CET)Parisian crier: Girl with marmot. Meissen. 1998. model no. 60243 (old shape no. 23). Height: 14 cm. Model by Peter Reinicke 1753-1754. From a series of 34 figures. Painted in color, painted gold. Incised mark, impressed mark, painter's mark, sword mark. Stick bumped. Reinicke, sculptor, modeller in Meissen since 1743. Created numerous figures, collaborator of Johann Joachim Kaendler. Meissen manufactory price: 2790,- Euro * Partner auction Bergmann. Literature : Bergmann (2017) catalog no. 3022. Call time 23 | Feb 2024 | probably 15:33 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Gefangene (Mit sich selbst)"Lithografie auf Bütten. Bleistiftsignatur, Wasserzeichen "Clan-Presse". [1966]. Blatt: 65 x 54 cm. Aus der Reihe "Gefangene" - in Erinnerung an die Gestapo-Haft des Künstlers vom 1.7. bis 15.12.1937 im KZ Hamburg-Fuhlsbüttel, Berlin und im Nürnberger Polizeigefängnis: "Gefangener spielt, auf seiner Pritsche sitzend, mit sich selbst Schach. Weber hat im Gefängnis 1937 begonnen, Schachpartien zu zeichnen [...] und hat auch gegen sich selbst gespielt. Dazu fertigte er ein Schachspiel aus aufgeweichtem Zeitungspapier an, wobei aus den Rändern die weißen, aus den bedruckten Teilen die schwarzen Figuren entstanden. Das Spiel, das Weber später sorgsam verwahrte, befindet sich heute im Weber-Museum Ratzeburg." (Zitat aus Dorsch 1991, Werkverzeichnis der Lithografien, WVZ 777). Minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 777. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:01 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Gefangene (Mit sich selbst)"Lithograph on laid paper. Pencil signature, watermark "Clan-Presse". [1966]. Sheet: 65 x 54 cm. From the series "Gefangene" (Prisoners) - in memory of the artist's Gestapo imprisonment from July 1 to December 15, 1937 in the Hamburg-Fuhlsbüttel concentration camp, Berlin and the Nuremberg police prison: "Gefangener spielt, auf seiner Pritsche sitzend, mit sich Schach. Weber began drawing chess games in prison in 1937 [...] and also played against himself. To do this, he made a chess set out of softened newspaper, using the edges to make the white pieces and the printed parts to make the black pieces. The game, which Weber later kept carefully, is now in the Weber Museum in Ratzeburg." (Quote from Dorsch 1991, catalog raisonné of lithographs, WVZ 777). Minimally creased. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 777. Aufrufzeit 24. | Feb 2024 | probably 11:01 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die Runkelrübe"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [19]74. Druckplatte: 16,5 x 24 cm. Gerahmt & hinter Glas : 36 x 45,5 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : vgl. Dorsch WVZ 2084. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:03 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die Runkelrübe"Lithograph. Pencil signature, red stamp "Clan-Presse". [19]74. Printing plate: 16.5 x 24 cm. Framed & behind glass : 36 x 45.5 cm. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : see Dorsch WVZ 2084. Call time 24 | Feb 2024 | probably 11:03 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Crimean War - Declaration of War. Lieutenant Theophilus Moultrie Kelsall, Royal Navy (1831-1911) Autograph letter, four sides, large post 8vo, Kavarna Bay, April 14th 1854, Good Friday, HMS Trafalgar, to his sister [Ellen].Excerpts include 'On Sunday last we received the official declaration of war and we greeted it with great joy as our patience has been sorely tried by being kept up here as well, as in our case, the ship being kept in commission over her time. Our Admiral manned the rigging of his ship and gave hearty cheers and we as well as the rest to follow motions did the same though not knowing what cause we had to cheer in fact. I was asked by many of our men why we had been cheering and could give no explanation for though my own interests are perhaps favoured by war it still does not appear right to exult in so public a manner on such a calamity. I fancy our cheers must have meant that we were as ready ever to fight when forced to do so, as we have been by Russia. Though at war, we cannot yet realise it as there is no more precaution exercise or else to alter naval life from what I have always seen it. A good deal of this results from the knowledge that our enemy will never come out to attack us and we shall be obliged to act entirely on the offensive. We do not understand why we are now quietly laying here they say that the French have not yet received their official notice of war. It appears strange to stick to such niceties as our own ought to be sufficient for them… They [the Turks] have been forced to retreat and for fear of meeting with any Russian soldiers we are not allowed when on shore to go farther inland than a mile from the beach. Just before we received the official news, the Ad’tly, acting on the telegraphic intelligence sent a steamer to withdraw the French and English consults from Odessa but although she had a flag of truce flying they would not allow her boat to communicate but ordered her back to her ships and on her way back fired shot and shell at her and then at the ships, but did not strike her. Her Captain (Cpt Loring of the ‘Furious’) wished to return the fire but was overruled by his First Lieut’nt who advised him no one understands why to return and report the affair to the Ad’tly. They that moment discovered a Russian corvette … and steered for her but losing sight of her in a squall. When it cleared up she was safely under protection of forts near dangerous shoals. We were all very sorry that the Furious had not the opportunity of first opening the war as we wish the neglected Black Sea Fleet to have that honour but we have great doubts about it for the other fleet have of course had the start of us in the knowledge of our being at war and being commanded by Charles Napier, instead of the cautious Dundas. I fancy they stand perhaps more chance of commencing ….” Provenance:Theophilus Moultrie Kelsall was the son of Napoeolenic War naval veteran, John Theophilus Kelsall. Theophilius' service includes the following:HMS President - 2nd December 1846 - 6th February 1849 (As Naval Cadet and Midshipman)HMS Rattler - 18th February 1849 - 15th April 1851HMS Trafalgar - 9th December 1852 - 14th April 1955 (Mediterranean and Black Sea Fleet, including Crimea Service)HMS Spiteful - 15th May 1855 - 2nd September 1855 (Made Lieutenant in August 1855, Mediterranean)HMS Arachne - 23rd October 1855 - 27th November 1855 (North America and West Indies)HMS Horatio - 10th January 1856 - 12th May 1856 (Sheerness)HMS Cressy - 13th May 1856 - 14th May 1856 (Mediterranean and St. Petersburg)HMS Cumberland - 17th September 1858 - 17th August 1859 (South-Eastern Coast of America)HMS Weser - 18th October 1859 - 26th January 1860 (Mediterranean)HMS Alecto - 27th January 1860 - 25th June 1862 (West Africa)HMS Phoebe - 26th September 1862 - 29th June 1866 (Made Commander 11th April 1866, Mediterranean)Coast Guard Commander - 29th June 1870 - 13th October 1873 (Ramsgate)
A group of German Third Reich insignia comprising a Der Stahlhelm 1930 screw-type membership badge (no pin plate); a Kriegsmarine eagle and two visor cap wreaths, Kriegsmarine gunner's qualification patch (torn), a 1942 Police donation lapel pin; two NSKOV donation lapel pins; NSDAP Party Member enamel badge, marked M/101 for Gustav Brehmer, Marknehausen; DRA sports badge in bronze by Lauer Nürnberg (first style, without swastika); Reichsparteitag Nurnberg 1933 Day Badge; a Deutschesfrauenwerk badge (enamel at fault); and a wound badge in black.Sold together with an Austrian enamel badge, eagle enamel badge, modern German-style helmet badge, and post-war copies of German insignia including a U-boat badge marked 'Schwerin Berlin', Iron Cross 1st class (no pin), helmet decal, two police badges (lacking rear fittings), Heer army visor cap wreath, a suspicious or very worn German wound badge, and post-war copies of insignia, comprising a compising a Technische Nothlife [TeNo - Zivilabzeicen] stick pin, red pebbled translucent and black enamel, marked 'Ges Gesch', numbered 236 and a fantasy badge in the style of People's League of German in Hungary; a 1939 Spange and a Kriegsmarine eagle and one army style cap eagle; other small badges etc (mixed lot, sold as seen)Provenance:n
Three swordsticks, the first with a black painted shaft (worn), white metal collar and a 13th Hussars badge, blade length 68.5cm, overall length 90.5cm, the second with bamboo cane and segmented curved handle, blade length 62cm, overall length 94cm (collar missing) and the third with an angular horn handle and darker bamboo shaft, blade length 68cm, overall length 79cm (3)Condition:Hussars sword stick - lots of wear to black finish. A small split to the wood where the blade is inserted. Blade is generally ok but there a few spots of rust. Some small scratches to the pommel and general wear to ferrule consistent with use. The blade does fit well into the stick but can be a bit tight to draw out.Horn handled cane - split to top of wooden shaft, some shrinkage and slight cracks overall to wood and a further smaller split to wooden collar. Patches of rust in areas to blade. Fitting the blade into the cane is very tight and can be difficult to pull out. It does not sit 100% flush when assembled.Third cane - large split near the bottom. Again some shrinkage to the wood. Missing collar and some damage to end of handle. Blade generally clean but a few odd spots of rust.Please see additional images.
GEORGE III FIGURED MAHOGANY CASED STICK BAROMETER SIGNED WATKINS, CHARING CROSS, the silvered dial engraved from 27-31 and with adjustable vernier, housed in a case with bone turned finials to the pediment, flame cut trunk and urn shaped split turned cistern cover, 40 ½” (102.9cm) drop, door as found and glass broken
Large Oval Black Banded Agate Ring Stone size: 10.10. Finger size: P, Large Pear Jasper Ring Stone size: 8.00. Finger size: R, 14kt yellow gold ring with 9.50mm x 6.3mm white synthetic baguette stone mounted in 4 claw setting assessed as cubic zirconia. Weight:3.1g 9ct y gold 5 stone ring set with aquamarines. Weight: 2g, 2 stick pins/1 bar brooch1. 14kt y gold Pearl 5mm on yellow gold stick pin Hallmarked 585. 2. 9ct y gold single pearl stick pin 5.20mm cultured pearl, 9ct yellow gold bar brooch with central round citrine stone hinged. Rolled gold pin. Weight: 1.4g
1)Beautifully elegant 9ct yellow gold pearl stick pin, two golf clubs with central 4.30mm cultured pearl, weight: 3.2g, measurements: length 70mm approx, Hallmarked: 375, Makers Mark: A&W (Alabaster & Wilson), In very good condition2) Spurrier & Co Birmingham (poss circa 1890's) Yellow gold single stone oval cabochon cut opal mounted in rub over settingHallmarked but hallmark worn although makers mark is clear. Size approx: 9.30mm x 7.10mm Pin length approx: 40mm
Ebonised Sword Stick with bone handle, five spots on one end of handle and one spot on other, similar to spots on dominoes. 50cm decorated bone ferrule just below the handle. Stick length 91cm from handle to bottom ferrule. Blade length 62cm, India etched onto the unusual broad blade. Stick is quite heavy.
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