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Art Nouveau 9ct rose gold brooch, openwork sinuous form with heart motif to centre, length approx 3.5cm, replacement hinged pin, simple loop brooch fitting; a jade yellow metal crescent brooch; a late 19th century paste set silver brooch; a turquoise and seed pearl gold plated brooch and an early 20th century 9ct anchor pendant, length approx 2cm (5)
A jade bracelet, A jade bracelet, the curved jade panels with polished terminals, hinged spacers and a Chinese character push piece clasp, stamped 10k, length 19cm, gross weight 11.5g. Overall condition good to fairJade untested for treatmentsJade a pale green with mottled white patchesClasp in working order
Collection of gold jewellery including jade dragon design pendant, lavender jade and mother of pearl flower pendant, cubic zirconia heart pendant and two pairs of cubic zirconia stud earrings, all 14ct, amethyst pendant and stud earrings, three other pairs of stud earrings and a bracelet, all 9ct Condition Report:14ct approx 10.6gm, 9ct approx 5.7gm, all stamped or tested
18ct gold single stone diamond ring, diamond 0.15 carat, gold blue and clear paste stone cluster ring and jade ring, both 9ct, bead necklace and a paste stone set cluster ringCondition Report:18ct approx 1.85gm, size I-J, 9ct approx 5.25gm, jade ring re-glued in corner, clear paste ring stamped 18ct but tested 60.0 silver and 20.0 palladium
A CHINESE RUYI SCEPTRE of traditional form, with eight jade type carvings mounted on a naturalistically modelled branch, 41cm long Condition Report : no apparent damage Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A collection of mineral specimens, including desert rose, a section of tiger's eye, length 7cm, a block of Canadian jade, a section of untreated turquoise, various quartz and agates.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A mixed lot of 9ct yellow gold, some hallmarked and some not, Jade brooch not hallmarked, 7cm x 1cm, tigers tooth jade pendant not hallmarked, 2cm x 1+1/2cm, clarit jug is unhallmarked, Jade circle pendant 1+1/2 cm x 2cm, pair of earrings no butterflies, large purple stone ring is a size N, signet ring with initials is a size K, gold and silver ring is a size O
Property of a gentleman Eight pieces of jade from a gentleman's collection Frog + lotusPlaque with vignettePlaque with figures and Chinese charactersWater dropper with stork designA half-carved jade pebble with god-like figureA carved rabbit and or deerA carved mythical beastA belt-hook with dragon and mask
Once part of a book, they are inscribed in gold gilt with four horizontal lines of characters. The characters an excerpt from the Qianlong imperial poem “Si De Lun†(???). Page numbers are engraved on the bottom edge. Provenienza: -Acquistate a Singapore nel 1961. Catalogue notes: For a similar Imperially inscribed jade plaque see The National Palace Museum Taipei, accession number ??000315N000000000. See also the pieces again at the National Palace Museum in Taipei, Accession number ??003499N000000000 See also Christie’s, Important Chinese Ceramics And Works Of Art, Hong Kong, December 2 2015, lot. 3166
The lion dog is shown seated on its hind legs, neatly tucked beneath its stomach with its scrolling tail and curling brows, positioned next to an archaic Gu-form vase. The vase of flattened rectangular form with flared mouth is carved to the centre with an imposing elaborate taotie mask motif, surrounded by carved key fret design. The zitan wood stand heavily carved with openwork and lingzhi fungus reaching continuously up to surround the feet of the dog and levelled in a flat support under the vase. Provenienza: - C.C. TIH Gallery Princes Building Hong Kong 1973 - Private American Collection Note Compare with the jade group carved with a lion and a Gu vase on a wooden stand in The National Palace Museum in Taipei, accession number ??002792N000000000.
Archaic in form, with a circular mouth and tapering neck decorated with a fine band with floral motifs in iron red, the square body is well painted on each face with polychrome enamels with a character and with inscriptions in iron red; the low ring-shaped foot is decorated with a Greek also in iron red. The centre of the base bears an eleven-character mark in iron red that reads 'Respectfully Painted by the Art Porcelain Factory for the Revolutionary Committee' (???????????). Provenance: -Private collection, Europe. Catalogue notes: The word 'Cong' is an archaic term and refers to a rectangular jade ritual vase with a round mouth, this form is one of the most famous in Chinese culture and has been taken up by almost all dynasties up to the present day. This vase is noteworthy for its extraordinary pictorial quality on a porcelain from the People's Republic of China period; the characters depicted are taken from works extolling Chinese Communist Propaganda in the second half of the 20th century; each work taken up is part of the 'Eight Model Works' approved by the Communist Party, as well as the 'Red Classics': 1-"Ode to Longjiang" (Longjiangsong, ???), 2-"On the Quays" (Haigang, ??) 3-"Fighting on the Plain" (Pingyuanzuozhan ,?? ??) 4-"The Taking of Tiger Mountain" (Zhiqu Weihushan , ?? ???) Among the top ten porcelain factories in Jingdezhen, the Art Porcelain Factory is one of the best known names in the city, having operated in the market since 1958, the year of its foundation, exerting considerable influence until 1998, when it closed for renovation. As porcelain manufacture was managed by the state, official rules were established for the production of each company, each of which had its own role. The Art Porcelain Factory concentrated on exhibition porcelain and coloured handmade porcelain. It was commissioned various works by the Party and the Revolutionary Committee, an indication of the prestige it enjoyed in the second half of the 20th century.
The vase is naturally carved to represent a blossoming magnolia flower with buds rising from below towards its large curling petals. Provenance: -John Sparks LTD, 128 Mount Street London, according to the label. Catalogue notes: For a related magnolia form jade vase see, Sotheby’s, sale number L14210, Fine Chinese Ceramics & Works Of Art ,14th of May 2014, London, lot. 5
Carved as an elephant standing on all fours with its head turned towards its right, the ears are foliate and almost lotus leaf-like in appearance. The elephant is covered wearing a tasselled saddle rug depicting a bat amidst scrolling clouds and waves. On top of the elephant two boys are shown holding a treasure vase (baoping), in their other hand one holds on to a ruyi sceptre and the other a lotus blossom. Provenance: From a distinguished family. Note di catalogo: For a related white jade elephant group carving see the example in the Palace Museum in Beijing from the Qing Court Collection illustrated in The Complete Collection of Treasures of the Palace Museum: Jadeware (II), Hong Kong, 2008, pag. 178, pl. 137. See also the example in the same book again from the Qing Court Collection, pag. 179, pl. 138. Elephants (xiang) were a popular motif in the Qing court for their auspicious associations with peace, prosperity and good fortune. The motif of children carrying a pot on the back of an elephant evokes the rebus tai ping jing xiang ('peace on earth' or 'peace and prosperous future'). See the piece sold by Sotheby’s, sale number HK0517, Fine Chinese Ceramics And Works Of Art, Hong Kong, 8 April 2014, lot. 3064.
A rare Famille-Rose 'Landscape' cup and coverQing Dynasty, 18th centuryOf square section, with canted corners and raised on a low tapering footFlanked by two iron-red archaistic handlesBeautifully painted on the exterior with a continuous landscape, at lake side, with pavillions, a variety of trees, moutains and a lonely figureThe interior is delicately decorated with four scattered flowersPierced hardwood cover from later date, with inlayed silver decoration and topped by a knob jade carved in the shape of a leafProvenance:Private collection;Roger Kevener - In: Roger Kevener, Fine and Rare Chinese Works of Art and Ceramics, Summer Exhibition 2007, London 2007, pp. 70-71, n. 58.Lenght: 11,5 cm
An 18ct gold, jade and diamond ring, the light, mottled apple green jade cabochon flanked by diamond set shoulders, size M½; together with a matched 9ct gold bracelet with pierced fancy links and seven cabochon jade stones, 7in. (17.8cm.) long; a matching 9ct gold pendant on a 9ct gold rope chain, 16in. (40.6cm.) long; and a pair of 14ct gold stud earrings, each set with a single pear shaped cabochon. (5).
A Chinese 14ct gold and jade disc pendant, the circular pendant in pale lavender and green mottled jade, pierced with a single gold Chinese character, on a 9ct gold rope link chain, the disc 5cm. diameter, the chain 17½in. (44.5cm.) long.. Good condition, with no damage to the jade or gold. The chain in good condition, with working clasp.
A Chinese platinum and jade lotus brooch, mid-century, designed as a lotus spray, the single flower and roots set with graduated cabochon spinach jade stones, 6.7cm. long, in a 'The Orient Jewel Co., 87 Regent Street, London W.1.' box.. Good condition, with no faults. No damage to stones or metal. Stones secure and pin working correctly.
Three Chinese jade style hardstone carvings, 20th century, comprising a covered tripod censer, in pale green hardstone, of bellied form with large, Buddhist lion mask loose ring handles and similar finial to cover, on three lion mask and paw feet, 5½in. (14cm.) high; a similar vase with loose ring lion mask finials and kylin finial, in pale green hardstone, 7in. (17.8cm.) high; and a figure of a saddled horse, in pale grey-green and biscuit mottled hardstone, 4 1/8in. (10.5cm.) high, the latter two with fitted boxes, all with hardwood stands. (3) - Censer: VG, no faults. Natural crack showing in one loose ring handle. - Pale green vase: Tiny bruise to edge of cover. Otherwise good, with no other faults - Horse: Lower half of back left leg has been off, with glued repair. No other faults.
A Chinese carved jade archaic bronze form covered vase, second half 20th century, in black, brown and ochre mottled celadon stone, carved with taotie masks, with loose ring elephant head handles and cover with ram finial, 6½in. (16.5cm.) high, in a silk box with hardwood stand. VG condition, with no faults.
A Chinese pale grey and dark brown jade group of three kid goats, probably Qing dynasty, the three goats sharing a meal of ruyi fungi, a yin-yang symbol between them, skilfully highlighted with a darker inclusion to the jade, symbolising good luck and happiness, 4.5cm. long, 2.8cm. high, weight 54.8g, with hardwood stand. Good condition, with no damage - no chips, bruises or cracks.
A Chinese pale celadon carving of an elderly man and fo dog, probably Qing dynasty, the robed man wearing a head band in his long hair, ending in a curl to his back, holding a ball, a fo dog lying on its back at his feet, 7.5cm. high, with later hardwood stand. Good condition, with no chiprs or other damage. There are a few natural cracks to the jade, some of which have been cleverly integrated into detail within the carving.
A Chinese carved pale grey jade toggle, probably Qing dynasty, the pale grey jade suffused with dark grey inclusions and veining, of cylindrical form with slightly flared ends, carved with a dragon and pearl, 4.7cm. long, minor chips to ends. One small chip to the edge at one end, the other end with three small chips to edge. These are old, with ingrained dirt. No other faults.
A Chinese celadon jade snuff bottle, of rectangular form with rounded shoulders and shallow, slightly inset foot, the coral stopper carved with a bixie, 7cm. high, 3.7cm. wide. Stopper possibly later. Four minute chips to jade at one side of foot and tiny bruise to corner of other side of foot. No other faults.
Two Chinese carved jade pendants, probably 20th century, archaic form, comprising one of axe head form, in dark brown mottled mutton fat jade, carved with two bixies and ruyi fungi below a Buddhist lion, 7.1cm. long; the other of bi-disc form, in celadon and brown/russet jade, carved with masks and chilong, 9.1cm. long. (2) Old chip (or possibly rough natural flaw in stone) to edge of bi-disc. No other faults.
A Chinese silver and celadon jade magnifying glass, early 20th century, the lens within a pierced silver frame with squirrels, leaves and vine fruit, the handle faced with a pierced celadon jade plaque carved with auspicious symbols including a ruyi fungi and lotus root, the silver handle chased with a peony to the reverse, marked 'Silver', 7 5/8in. (19.3cm.) long. In good condition, with no faults. No damage to the jade.

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64936 item(s)/page