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Lot 164
Timpo etc Farm related figures and animals. 12 farm workers Drover with stick, man with pitchfork with hay, Shepherd with stick and pipe, Stoddart milkmaid, man pushing long wheeled cart, man pushing cart with barrel, squire etc. Plus 4 bulls one with handler. 4 cows and 2 calves. Milk maid, plus 2 heavy horses, 3 horses, 2 ponies, 3 foals and a donkey. Also another card with a Hornby pony and cow. Plus miscellaneous cows (3), another pony, donkey and North American style Steer. VGC-Mint.
Lot 167
Britains, Johillco etc. 2 Britains Tumbrel in dark green and light blue. Both complete with heavy horses and figures. Both boxed, some wear. Plus a one horse plough (in original paint) also complete. A selection of rare/not so common Britain’s figures. Boy with stick, boy with lantern, man with pick axe, 2 Boy Scouts, dairy man with yoke and pails, Seed Sower, young girl, Station Master, Salvation Army figure, Vicar, curate slim Vicar, yachtsman and golfer with clubs. Johillco garden summer house. Plus 2 Roydon heavy horses, one with its rear leg raised for a Farrier to work on. GC-Mint.
Lot 267
A group of three 19th century collector`s sword sticks comprising: a pale wood walking stick with silver mounts, single sided etched blade, marked `Toledo` at the ricasso, 89cm high; a plain hawthorn cane with triangular section blade, inlaid with gold at the ricasso, button release, 89cm high; and a plain ebonised cane with a single edged blade, fuller running the length of the blade, missing ivory collar, 93cm high (3)
Lot 26
A collection of Victorian mourning jewellery to include; a William IV gold ring set pearl border with enamel detail, engraved to the rear and dated 1836; a Georgian ring set foil backed amethyst paste, chased border; four gem set brooches; hair bracelet with silver mounts; three pendants; five stick pins
Lot 210
A Dutch brass Heemskerk candlestick, first half 17th century, with pierced socket and ‘ridged ball’ type knopped shaft, descending past the dished drip pan to a circular, spreading base, 19cm high. In his work Old Domestic Base-Metal Candlesticks, (Antique Collectors’ Club, 1978), p71ff Ronald Michaelis states that the ‘ridged ball’ stem types gave way to the ‘inverted acorn’ type by the middle of the 17th century, suggesting that this stick was probably produced between 1600 and 1650. However its place of origin is slightly less certain since it was probable that Heemskerk types were produced in England as well as the Netherlands, although apparently not in brass before circa 1620.
Lot 170
* Barker (Thomas, of Bath, 1769-1847). A lithographic stone with original study of a man in rustic costume with walking stick and basket, for ‘Impressions of Rustic Figures After Nature’, early 19th c., orig. drawing on lithographic stone, monogram present, image slightly rubbed, image dimensions 22 x 14cm (8.75 x 5.5ins), stone 24.5 x 16.5cm (9.75 x 6.5ins). There are thirty-one known examples of Thomas Barker’s lithographic stones, all of which are in the collection at the Victoria Art Gallery in Bath. Eighteen of the stones are for ‘Forty Lithographic Impressions from Drawings by Thomas Barker Selected from his Studies After Nature’ published in 1813. A further eight in the collection were drawn for ‘Thirty Two lithographic Impressions from Pen Drawings of Landscape Scenery’, published in 1814. It is very unusual for lithographic stones to have survived preserving an original illustration. The stones were highly expensive to produce and were usually reground and reused. Stones were hired out to artists by the printer for approximately a week at atime, but Barker appears to have owned his own lithographic stones. His stones are likely to be white lias limestone quarried from the Bath area. Unlike those for ‘Landscape Scenery’ the stones for ‘Rustic Figures’ have similar dimensions. In 1803 Barker was asked to contribute to the first major publication of English lithographs, Specimens of Polyautography, for Alois Senefelder’s agent in London. In 1813, the printer D.J.Redman moved to Bath at Barker’s invitation and set up a lithographic press, making Bath the centre of artistic lithography for a while. The success of the press in Bath arose partly from the plentiful supply of good quality local limestone. That same year, Redman published Barker’s Impressions of Rustic Figures After Nature, a set of forty figure studies. The following year Redman published a companion set of Barker’s landscape studies. To Barker’s disappointment, neither group was a financial success: in 1815 Redman returned to London, and Barker stopped producing lithographs. Barker’s ‘Impressions of Rustic Figures After Nature’, was the first single-artist collection of lithographs ever printed in England. (1)
Lot 265
An American walnut open armchair, 19th century, with low hoop back above a central pierced back splat, flanked by six stick supports, on shaped front arm supports, over a wide saddle seat with pointed front corners, on slender cabriole front legs, united by a turned H-stretcher, terminating in pad feet, 74cm wide, 81.5cm high, 47cm deep
Lot 1002
Ten assorted early 20th century hat pins, to include a silver golf club by Adie & Lovekin, an amber mounted golf club, a plated golf club, a mother of pearl hockey stick, an enamel example inscribed with the Arms of Dolgelly, a moonstone example, set in a silver mount, a silver and enamel example, decorated with a bulls head and other decorative examples, all within a pottery hat pin holder
Lot 1149
A citrine gold stick pin, a 9ct gold chain, a paste stick pin, a gold split pearl bar brooch, a paste and split pearl bar brooch, a 9ct gold diamond set bar brooch, a gilt metal compass, a diamond set rolled gold locket, a 9ct gold horn pendant, a rolled gold propelling pencil, and three pairs of 9ct gold earrings
Lot 177
A platinum ring, set three white faceted stones; a yellow metal Georgian style ring set with a lozenge shaped panel with cluster of diamonds; a yellow metal bar brooch set with a central pearl flanked by diamonds; another bar brooch set with central blue faceted stone flanked by chip diamonds; a yellow metal citrine set cross; a cased yellow metal stick pin with seed pearl terminal and two pearl screw ear-rings, (8)
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133746 item(s)/page