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A Liberty of London silk scarf, 20th century, decorated with Japanese woodblock style prints of geishas, divided in half and mounted in two matching gilt faux bamboo glazed frames, each 46cm x 85cm (2)

DEVORE SCARF. An early 20th century devore silk scarf. 90 x 133cm. (The property of Jean Shrimpton).  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.  

CHRISTIAN LACROIX. A Jeans de Christian Lacroix maxi length polyester vest dress. Size S. Length from shoulder seam, 150cm. Also, a crinkle silk scarf. (The property of Jean Shrimpton).  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.  

Lady's mink three-quarter length coat, black crepe and sequin evening top, Monsoon silk blouse and skirt and a woven scarf (5)

Georgian silver baby's rattle and whistle with coral teether, 14cm and a silver scarf spike, Birmingham, makers WM.Ld, 0.3ozt (2) 

Christian Dior silk scarf 87 cm x 87 cm & a Garrard silk scarf 84 cm x 86 cm

Football, Ilford v Woking, FA Amateur Cup Final 1958 played at Wembley, Ilford VIP selection including programme, songsheet, Royal Box match ticket, Luncheon seating plan, two embroidered shirt badges & a silk scarf. The lot also includes a menu card for House of Commons Ilford FC Celebration dinner 2 May 1958, a programme from the semi final v Crook Town played at Sunderland & post Final dinner menu & press cuttings (gen gd)

Horse Racing, a framed silk scarf celebrating the 1951 Festival of Britain Derby won by Arctic Prince, image of horse to centre surrounded with details of all previous winners from 1780, gilt wooden frame, 94cm x 90cm. BUYER TO COLLECT. (gd/vg)

Four Swarovski bears, three sat down and one on ice skates with a scarf. (4)

An interesting collection of three vintage handbags, two designer scarves , one embroidered Scarf, a bamboo handled umbrella and a 1960s storage box - NO RESERVE

LOUIS VUITTON LADIES SILK SCARF - NEW / TAGGED

FENWICKS SCARF - NEW AND BOXED

EMBROIDERED PURSE AND SILK SCARF FOR LADY DIANA SPENCER

A BOX OF ASSORTED COSTUME JEWELLERY AND ITEMS, to include a boxed 'Sarah Coventry' yellow metal non-pierced flower earrings and matching brooch set, a variety of beaded necklaces and bracelets, imitation pearl stands, a quantity of brooches in various forms and designs, yellow and white metal necklaces, bracelets, five ladies wristwatches 'Timex, Henry, Seiko', etc, two animal horn handled button hooks, two pens, scarf clips, pendants, a fine bone china flower stick pin, etc, also a tray of pens to include a 'Parker' ball point

A small selection of costume jewellery including horn scarf ring, glass discs, polished stones, glass pendants etc

* GRAYSON PERRY RA (BRITISH b. 1960), THE BRITISH MUSEUM - A PERSONAL MAP 100% silk scarf, produced for the British Museum image size 89cm x 89cm, overall size 101cm x 101cm Framed and under glass.

Libertys of London Ladies silk scarf .

Chinese blue scarf with embroidery and beads at each end. Chinese Art silk. 170 x 32cm. New

Chinese pink scarf with embroidery and beads at each end. Chinese Art silk. 170 x 32cm. New

A collection of scarf clips

100% pure silk scarf

A Hermes silk "Diana" scarf

A Christian Dior silk scarf

Otto Mueller - - 1874 Liebau/Riesengebirge - 1930 Obernigk bei Breslau Zigeunerfamilie am Planwagen. 1926/27. Farblithografie. Karsch 167 III. Auf bräunlichem Velin, auf Japan aufgezogen. 68,4 x 49,8 cm (26,9 x 19,6 in), Blattgröße. Blatt 8 der 'Zigeuner'-Folge. Abzug ohne die manuell aufgetragene Kolorierung mit Zinnoberrot, jedoch mit bräunlicher Färbung im Zaun und dem Tuch der Frau. [SM]. • Das Zigeunersujet ist gleichbedeutend mit dem Gesamtwerk Otto Muellers geworden. • Die 'Zigeuner'-Mappe ist das letzte große grafische Werk von Otto Mueller und nimmt eine zentrale Stellung in seinem Œuvre ein. Aufrufzeit: 18.06.2021 - ca. 13.45 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONOtto Mueller -1874 Liebau/Riesengebirge - 1930 Obernigk bei Breslau Zigeunerfamilie am Planwagen. 1926/27. Lithograph in colors. Karsch 167 III. On brownish wove paper, laid on Japon. 68.4 x 49.8 cm (26.9 x 19.6 in), size of sheet. Sheet 8 from the 'Zigeuner' series. Print without the manually applied coloring in vermilion, however, with brownish hue on the fence and the lady's scarf. [SM]. • The gipsy subject is tantamount to Otto Mueller's oeuvre. • The 'Zigeuner' (gipsy) portfolio is Otto Mueller's last graphic accomplishment and occupies a key position in his oeuvre. Called up: June 18, 2021 - ca. 13.45 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Karl Hofer - - 1878 Karlsruhe - 1955 Berlin Drei Frauen. 1941. Öl auf Leinwand. Wohlert 1547. Rechts unten monogrammiert und datiert. 74 x 51 cm (29,1 x 20 in). • Hofers einzigartig entrückte Mädchenbildnisse gehören zu den eindringlichsten Schöpfungen des Künstlers. • Hofers Figurengemälde waren bereits 1957 auf der legendären Ausstellung 'German Art of the 20th Century' im Museum of Modern Art, New York, neben Dix, Grosz und Beckmann ausgestellt. • Durch den schönen Kontrast des schwarzen und weißen Kleides und dem blauen Kopftuch erhält die herausragende Komposition eine subtile Spannung. • Seit 60 Jahren Teil einer deutschen Privatsammlung. • Vergleichbare Figurenkompositionen aus dem Jahr 1943 befinden sich im Museum der bildenden Künste, Leipzig, und im Karl Ernst Osthaus Museum, Hagen. PROVENIENZ: Privatsammlung Krefeld (wohl seit 1961, Lempertz 1./2.12.1961, bis 1980). Privatsammlung München (1980 vom Vorgenannten durch Erbschaft erhalten). LITERATUR: Kunsthaus Lempertz, Köln, Auktion 467, 1./2.12.1961, Los 250, S. 47 (mit SW-Abb. Tafel 16). 'Nie habe ich eine Figuration nach der äußeren Natur des Zufälligen geschaffen. Der Impressionismus vermochte mich darum nicht zu berühren. Die Extasen des Expressionismus lagen mir nicht. Der Mensch und das Menschliche war und ist das Objekt meiner Darstellungen.' Karl Hofer, zit. nach: Karl Hofer. Von Lebensspuk und stiller Schönheit, Ausst.-Kat. Kunsthalle Emden 2012, S. 14. Einzigartig ist die Melancholie und Beziehungslosigkeit, die in besonderer Weise Hofers mehrfigurige Kompositionen auszeichnet. Figurengruppen aus drei weiblichen Gestalten gehören dabei zu den wiederkehrenden Themen in Hofers malerischem Œuvre. Variationen dazu lassen sich bereits in seinem Frühwerk finden. Das Motiv hat seinen ikonografischen Ursprung in den in der Renaissance verbreiteten Darstellungen des 'Urteil des Paris' und der 'Drei Grazien'. Hofer aber emanzipiert sich mit seiner Darstellung zugleich deutlich von diesen grundlegenden mythologischen Bezügen. Sein Fokus liegt ganz auf der Schilderung einer in sich gekehrten, seltsam entrückten Beziehungslosigkeit. Es ist eine stumme Zusammenkunft der drei jungen Frauen, die von der Regungslosigkeit ihrer Gesichter und ihrem sentimental nach innen gerichteten Blick getragen wird. Gleichzeitig ist die latente Spannung zwischen den drei leicht bekleideten, körperlich einander zugewandten Frauen spürbar, die durch den spannungsvollen Kontrast des schwarzen und weißen Kleides und der Nacktheit des gegenübergestellten Rückenaktes noch gesteigert wird. Besonders schön ist auch der farbliche Akzent des hellblauen Kopftuches, der einmal mehr von Hofers kompositioneller Meisterschaft zeugt. Die Isoliertheit und Introvertiertheit der Figuren ist sicherlich zum einen Hofers neusachlicher Prägung geschuldet, aber zum anderen auch gleichsam empfindsames Sinnbild einer aufgrund der nationalsozialistischen Kulturpolitik in innerer Emigration verharrenden Künstlergeneration. Hofers Protagonisten sind in einem aktionslosen Moment des Innehaltens gezeigt, werden im Moment eines kaum bestimmbaren Empfindens und Fühlens erfasst und verweigern sich auch aufgrund des konsequenten Verzichtes auf Attribute jeder konkreten Interpretation. Gerade in dieser offenen Formulierung liegt der einzigartige, subtile Reiz von Hofers unverwechselbaren Figurenkompositionen. [JS] Aufrufzeit: 18.06.2021 - ca. 17.24 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONKarl Hofer -1878 Karlsruhe - 1955 Berlin Drei Frauen. 1941. Oil on canvas. Wohlert 1547. Lower right monogrammed and dated. 74 x 51 cm (29.1 x 20 in). • Hofer's unique portraits of engrossed girl are among the artist's most touching creations. • In 1957 Hofer's figure paintings were part of the legendary show 'German Art of the 20th Century“ at the Museum of Modern Art, New York, alongside works by Dix, Grosz and Beckmann. • The contrast of black and white dress and the blue of the scarf add subtle tension to the composition. • Part of a German private collection for 60 years. • Similar figure compositions from 1943 are in possession of, among others, the Museum der bildenden Künste, Leipzig, and the Karl Ernst Osthaus Museum, Hagen. PROVENANCE: Private collection Krefeld (presumably since 1961, Lempertz December 1/2, 1961, until 1980). Private collection Munich (inherited from the above in 1980). LITERATURE: Kunsthaus Lempertz, Cologne, auction 467, December 1/2, 1961, lot 250, p. 47 (with black-and-white illu. on plate 16). 'I never modeled my figuration on the outer nature of chance. That's why Impressionism did not touch me, neither did the ecstasy of Expressionism. Man is the object of my depictions.' Karl Hofer, quote from: Karl Hofer. Von Lebensspuk und stiller Schönheit, ex. cat. Kunsthalle Emden 2012, p. 14. The melancholy and unrelatedness that characterize Hofer's multi-figure compositions is unique. Groups of three female figures are among the recurring themes in Hofer's oeuvre of paintings. Variations thereof can be found in works from his early creative period. The motif has its iconographic origin in the representations of the 'Judgment of Paris' and the 'Three Graces' that were quite popular in the era of the Renaissance. At the same time, however, Hofer clearly emancipated himself from these fundamental mythological references. His focus was entirely on the portrayal of an introspective, strangely remote unrelatedness. It is a silent gathering of the three young women, characterized by motionless facial expression and their sentimental, inwardly gaze. At the same time, the latent tension between the three lightly clad women, physically facing each other, is palpable, and is increased by the fascinating contrast of the black and white dress and the opposite nude in rear view. The color accentuation of the light blue headscarf, which once more testifies to Hofer's compositional mastery, is particularly beautiful. The isolation and introversion of the figures is certainly due to Hofer's neo-objective character, but also owed to a sentimental symbol of a generation of artists forced to an ‘internal‘ emigration as a consequence of National Socialist‘s cultural policies. Hofer's protagonists are shown in a moment of pause without action, they are captured in a moment of sensations and feelings that are difficult to determine and also refuse any concrete interpretation due to the artist‘s consistent renunciation of attributes. It is precisely this open formulation that makes for the unique, subtle appeal of Hofer's unmistakable figure compositions. [JS] Called up: June 18, 2021 - ca. 17.24 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

A collection of vintage jewellery to include paste set brooches, in white and gilt metals, scarf clips, along with glass cufflinks and tie pinsgilt metal pendants, marcasite set jewellery, gilt metal rings, plastic bead necklaces, chains, white metal chains and pendants etc, gilt bangle, vintage compact by Regent London faux coin pendant along with a Boots vintage Christmas tea tin (1 bag) 

A collection of costume jewellery to include paste set jewellery including a matching crystal set pendant and earrings, vintage faux pearl necklace, cameo set scarf clips and pendants gilt and white metal chains, bangles, bracelets, collars, enamel pin badges, paste set rings, earrings, brooches, vintage glass bead necklaces, cased pendants,  a 1960's wooden jewellery case and a ring stand in the form of a cat, book marks and a jewellery casket  ( 1 bag)

A Mixed Lot of Assorted Costume Jewellery, including bead necklaces, modern necklets, bracelets and bangles, pendants, scarf clips etc :- Two Trays

A 'Scarf' necklace and ear pendants suite designed by Elsa Peretti for Tiffany & Co., each of mesh-link design, the necklace signed T&Co. and Peretti, stamped '925', the ear pendants on wire fittings, signed T&Co. and Peretti 1981, also stamped '925', accompanied by maker's case and pouch, necklace length 92cm, ear pendants length 8cm (2)Condition report: Necklace: occasional light snags to mesh and occasional losses of small links to mesh. Light surface wear and faint tarnishing throughout. Marks are clearly struck. Gross weight approximately 66.5gm. Ear pendants: light surface wear throughout, no apparent losses of links. Marks are clearly struck. Gross weight approximately 3.9gm.

A collection of antique and later jewellery, comprising a fine fancy-link chain, a tortoiseshell piqué work scarf ring, a tortoiseshell piqué work pendant drop, a half pearl and diamond set brooch, (adapted, three half pearls deficient, half pearls untested for origin), a faceted rock crystal brooch, a late Victorian silver panel brooch, a cut steel panel brooch, with later fitting, a Blue John panel brooch, and two bead necklaces, chain length 46.5cm (10)

Jewellery box containing costume jewellery, including silver Chinese character brooches, earrings and a silver scarf ring, paste set necklace and earrings, faux amber beads, brooches and other items Condition Report: Silver gross 32.5 grams

LOUIS VUITTON LADIES SILK SCARF - NEW / TAGGED

LOUIS VUITTON LADIES SILK SCARF - NEW / TAGGED

Vietcong ?Black Pyjama? Fighting Suit. Inc boonie hat with original badge and guerrilla scarf.

Post War British RAMC Officers uniform grouping to 453847 Captain J.A.K Wightman. This large and extensive collection of items to this officer is contained within a leather suitcase and comprises of: two 1949 pattern Battledress Blouses with RAMC insignia: Officers Service Dress cap with badge by Bates of London: two pairs of 1949 pattern BD trousers: two Airtex Jungle Green shirts, one with full insignia: Jungle green shorts x 2: white dinner jacket: blue sports shorts x 2: CC41 marked blue swimming trunks: CC41 marked blue jumper: 1937 pattern web belt: 1944 pattern web belt: pair 1937 pattern gaiters: Officers tie: spare shirt collar: CC41 marked Blue Boy Scouts shirt with Notts insignia: khaki Boy Scout shirt with full Notts insignia: hose top socks in khaki and red: school scarf. Suitcase has pre 1948 LMS Railway luggage labels affixed.

Dame Joan Sutherland memorabilia, including some Dirk sometimes used by Sutherland on stage - see Lot 11, signed Sotheby's catalogue and a scarf

HERMÈS Seidencarré "CHAINS & GOURMETTES". Entwurf erstmals erschienen 2007. NP.: ca. 280,-€. 100% Seide. Rostfarbener Grund mit verschiendenen Ketten in silberfarben. Handrollierter Saum. 65x65cm. Gut erhalten.| HERMÈS silk scarf "CHAINS & GOURMETTES". Design first published in 2007. Retail price 280€. 100% silk. Rust colored ground with various chains in silver color. Hand rolled hem. 65x65cm. Well preserved.

HERMÈS Dreieckstuch "PANI LA SHAR PAWNEE", by Kermit Oliver, Entwurf erstmals erschienen 1984. NP.: ca. 400,-€. 100% Seide. Indianer-Motiv in Orange und Braun. Handrollierter Saum. Guter Erhalt. 100x48cm. | HERMÈS "PANI LA SHAR PAWNEE" silk scarf, by Kermit Oliver, motif from 1984. Retail price 400€. 100% silk. Good condition.

HERMÈS Seidencarré "NEIGE D´ ANTAN-GAVROCHE", by Caty Latham, Entwurf erstmals erschienen 1989. Akt. NP.: 175,-€. 100% Seide. Grüner Grund mit winterlichen Motiven und braunen Details. Handrollierter Saum. 45x45cm. Gut erhalten.| HERMÈS silk scarf "NEIGE D´ ANTAN-GAVROCHE", by Caty Latham, design first published in 1989. nude. NP.: 175,-€. 100% silk. Green ground with winter motifs and brown details. Hand rolled hem. 45x45cm. Well preserved.

HERMÈS Seidencarré "PROJECTS CARRÉS", by Henri D'Origny, Entwurf erstmals erschienen 2007. Akt. NP.: 375,-€. 100% Seide. Rotes und cremefarbenes Design, Riemen-Motiv. Handrollierter Saum. 90x90cm. Gut erhalten. | HERMÈS silk scarf "PROJECTS CARRÉS", by Henri D'Origny, design first published in 2007. nude. NP.: 375,-€. 100% silk. Red and cream design, strap motif. Hand rolled hem. 90x90cm. Well preserved.

HERMÈS Seidencarré "LES VOITURES A TRANSFORMATION". Designed by Francoise de la Perriere, Motiv erstmals 1965 erschienen. 90x90cm, 100% Seide in Schwarz/Weiß mit goldfarbenen Details. Das Tuch zeigt die Entwicklung der Mobilität. Mit Box. Sehr guter Erhalt.|HERMÈS silk scarf "LES VOITURES A TRANSFORMATION". Designed by Francoise de la Perriere, motif first published in 1965. 90x90cm, 100% silk in black/white with gold-coloured details. The cloth shows the development of mobility. With box. Very good condition.

HERMÈS Seidencarré "LE CARNAVAL DE VENISE". Designed by Hubert de Watrigant, erstmals erschienen 1993, 100% Seide in Orangetönen mit klassischem Maskenmotiven. Tragespuren vorhanden. Mit Box. 90cm x 90cm.| HERMÈS silk scarf "LE CARNAVAL DE VENISE". Designed by Hubert de Watrigant, first published in 1993, 100% silk in orange tones with classic mask motifs. Traces of wear present. With box. 90cm x 90cm.

ATELIER VERSACE Schal. 100% Seide in kräftigen Farben und dekorativen Motiven, Medusa-Muster in Rot. Rückseite aus 100% Wolle. Fransenabschluss. Ein kleines Loch in der Seide vorhanden, sonst guter Erhalt. Länge: 180cm (mit Fransen), Breite: 42cm.| ATELIER VERSACE scarf. 100% silk in bold colors and decorative motifs, Medusa pattern in red. Back of 100% wool. Fringed finish. A small hole in the silk present, otherwise good condition. Length: 180cm (with fringes), width: 42cm.

HERMÈS Seidentuch "PÉGASE POP", 65x65cm. Designed by Dimitri Rybaltchenko. 100% Seide in Bunt mit kräftigen Farben und handrolliertem Saum. Sehr guter Zustand mit Box.| HERMÈS silk scarf "PÉGASE POP", 65x65cm. Designed by Dimitri Rybaltchenko. 100% silk in variegated with bold colors and hand rolled hem. Very good condition with box.

HERMÈS Seidencarré "ASTROLOGIE NOUVELLE". Designed by Cyrille Diatkine, Motiv erstmals erschienen 2012/13. 100% Seide mit Sonnenuhrmotiv in Multicolor. Box anbei. Leichte Tragespuren, dennoch guter Erhalt. 90x90cm.| HERMÈS "ASTROLOGIE NOUVELLE" silk scarf. Designed by Cyrille Diatkine, motif first published 2012/13. 100% silk with sundial motif in multicolor. Box enclosed. Light traces of wear, but still in good condition. 90x90cm.

HERMÈS Seidencarré "CIRCUIT 24 FAUBOURG". Akt. NP.: 385,-€. Designes by Benoit-Pierre Emery. 100% Seide in Schwarz/Weiß/Grau mit orangefarbenem Rand und von einer Ankerkette inspiriertem Motiv. Handrolliertem Saum. 90x90cm. Box anbei. Guter Erhalt. | HERMÈS silk scarf "CIRCUIT 24 FAUBOURG". Retail price 385€. Designes by Benoit-Pierre Emery. 100% silk in black/white/grey with orange border and anchor chain inspired motif. Hand rolled hem. 90x90cm. Box enclosed. Good condition.

Silver and white metal jewellery including an Irish silver pendant, two scarf clips and a thimble

A large quantity of football programmes, mainly a Notts County FC fan compilation with programmes bundled in years, with magazines, many other lower league programmes, FA Cup final programmes, England, 1960's onward, plus some memorabilia, scarf, pennants, miniature boots, and a boxing programme, Muhammed Ali vs. Joe Bugner

Costume brooches and scarf clips

Nineteen costume brooches and a scarf clip

Three fur hats: one grey with scarf, one brown and black Trapper hat.

Rolls Royce interest. An enamel lapel brooch; together with another similar; a silk scarf and a History of Rolls Royce (4).

A mixed collection of items to nclude: Ladies Liberty Neck Scarf, lightly used Bally Shoes, clutch bag etc

An Hermes silk scarf, Monsieur et Madame, boxedCondition report: Condition appears to be ok, although it is creased where it has been folded in the box. The box has some slight wear to the corners and edges.

An Hermes silk scarf, Les Rubans du Cheval, boxedCondition report: Overall condition looks to be complete, although it is creased from being folded in the box. The box has slight wear to the corners.

A Vintage Projectif scarf, Femmes Hindoues Jouant au Polo, boxed, together with a ladies scarf, printed Hermes, Bride de Cour, 86 x 90cm, and two black leather ladies handbags (4)

Collection of Vintage Designer Scarves, eight in total, comprising: 1. Pinto Silk Scarf 32'' square, gold and white background with rolled edges, gold flower pattern; 2. Steffano Ricci 100% silk 24'' x 36'', hand rolled edges, celebrates Autumn Thanksgiving, pattern of maize and sweetcorn. Unused. 3. Basler Silk Square, mainly golden colour with border of ferns and browns' 4. Liberty Silk Square, blue border, intricate pattern in red, white and blue; 5. Loredano Silk 84 x 82 cms, floral design, blues, gold and white. 6. Ted Baker silk square, grey and white striped background, red flower and dark leaves; 7. Talbot Beautiful square silk, black background, floral design in burgundy, cream and pink. 8. Paul Parel, 35'' square hand stitched, rolled edges, floral at each corner, burgundy background.

Vintage Betty Barclay Pure Silk Scarf, unusual design in black and cream colours. Hand rolled edges, measures 14" x 43"

Burberry Silk Scarf, illustrations depict travel, with brown border, cream square with travel illustrations, couple of small dot marks. Tag attached and branded Burberry.

A black, brown and cream Hermes vintage silk 'Fencing scarf'with central section printed with images of fencing positions, with black border, contained within in original box and with original care labelapproximately 85cm squareCondition: Three pin size spots to left of one of central swords, and a couple of minor spots to top, otherwise in good condition and with original tissue and boxFormer property of Olympic fencer Joyce Pearce