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A collection of silver and white metal jewellery including Scottish Celtic brooch, Edinburgh 1937, Shipton & Co, Scotland, a Scottish silver Kilt pin, an Irish Celtic brooch with gold decoration, Dublin 1952? stamped Cork, a silver mounted moss agate brooch, white metal mounted painted porcelain brooch, white metal oval Mythical bird brooch, two silver mounted banded agate brooches, silver buckle ring, silver turquoise set bracelet and metal stick pin, silver synthetic opal brooch, silver coral pendant and chain, silver pendants, 1 bag Further details: wear and tear commensurate with age
A peridot and 14ct gold trillion shaped pendant, total gross weight approx 2gms, a yellow and white CZ 18ct white gold three stone ring, size N1/2, total gross weight approx 1gms, along with amethyst and 9ct gold pendant and chain, opal and 9ct gold pendant, combined total gross weight approx 2.3gms, a pair of Victorian synthetic sapphire drop earrings, on hook fittings, length approx 45mm, two pairs of 9ct gold hoop earrings including a stone set pair, together with an unmarked yellow metal stick pin and a 9ct gold cased early 20th century wristwatch face and two gold plated chains (1 bag) Further details: wear and tear commensurate with age
A cased Victorian/Edwardian sapphire and diamond yellow metal stick pin, comprising a circular cluster set to the centre with an oval mixed cut sapphire within a border of round rose cut diamonds, diameter approx 8mm, unmarked probably 15ct gold, total gross weight approx 1.3gms,in original fitted case Further details: good stones present and intact, minor wear and tear commensurate with age,
Framed poster print by American painter and conservationist Frank Stick (American, 1884-1966). The image depicts an early morning scene with two men in a canoe reeling in a large pike. Printed from left to right on bottom border: Painting by Frank Stick, 2104. A Crucial Test, Copyright 1919 American Art Works Coshocton, Ohio. Wood frame with embossed oak leaf border and ornate gold trim. 19.5"W x 15.25"H; 27"W x 23"H x 2.75"D. Artist: Frank StickIssued: 20th c.Condition: Age related wear. Gold trim border restored on the right side with a metal plate.
The Connor Brothers (British, born 1968)Extra-Ordinary Pigment print with hand-colouring in acrylic and oil stick, signed, dated and numbered 1/3 in white ink, printed and published by the artists, London, the full sheet, framed Sheet 1780 x 115mm (70 1/8 x 45 1/2in)This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
The Connor Brothers (British, born 1968)I Tried to Drown My Sorrows Screenprint with oil stick and varnish, 2015, on Somerset Velvet wove paper, signed, dated and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 95, the full sheet, framedSheet 1200 x 750mm (47 1/4 x 29 1/2in)This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
The Connor Brothers & Noel Gallagher (British, born 1968 & 1967)You Can Have It All Pigment print with hand-applied acrylic, oil stick and varnish, 2022, on wove paper, signed by the artists and Noel Gallagher, dated and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 100, published by Maddox Gallery, London, the full sheet, framedSheet 1300 x 900mm (51 1/8 x 35 3/8in)Footnotes:Kindly donated to Teenage Cancer Trust by Noel Gallagher from his personal collection. All proceeds in support of Teenage Cancer Trust.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
The Connor Brothers (British, born 1968)Why Fit In Screenprint in colours with hand-applied acrylic, oil stick and varnish, 2024, on wove paper, signed, dated and inscribed 'SP' in white ink, a studio proof aside from the numbered edition of 12, the full sheet, housed in the artists' designated frame, framed Sheet 1300 x 800mm (51 1/8 x 31 1/2in)Footnotes:Kindly donated to Teenage Cancer Trust by the artist from their personal collection. All proceeds in support of Teenage Cancer Trust.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
The Connor Brothers & Noel Gallagher (British, born 1968 & 1967)These Are Crazy Days Pigment print with hand-applied acrylic, oil stick and varnish, 2021, on wove paper, signed by the artists and Noel Gallagher, dated and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 100, published by Maddox Gallery, London, the full sheet, framed Sheet 1300 x 900mm (51 1/8 x 35 3/8in)Footnotes:Kindly donated to Teenage Cancer Trust by Noel Gallagher from his personal collection. All proceeds in support of Teenage Cancer Trust.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Charlie Watts: A Pair of Signed Drumsticks,2000,unused Vic Firth, Charlie Watts U.S.A drumsticks signed by Charlie Watts of the Rolling Stones in black marker dated 2000 on one stick, also with printed signatures on each stick, with compliments slip signed by Charlie Watts' assistant, each 16in x 3/4in (41cm x 2cm), (2)For further information on this lot please visit Bonhams.com
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Kämpfer"Lithografie. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christiane Weber", roter Stempel "Clan-Presse". [14.2.(?)68]. Blatt: 51 x 38,3 cm. Illustration zur Geschichte "Die Solidarität". Kleiner Fleck am unteren Rand. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 1282. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:04 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Kämpfer"Lithograph. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christiane Weber", red stamp "Clan-Presse". [14.2.(?)68]. Sheet: 51 x 38.3 cm. Illustration for the story "Die Solidarität". Small stain at lower margin. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Publikum" in his honor as part of the series "Deutsche Malerei des 20. Jahrhunderts". "I follow an urge and see it as my task to visualize and create what moves me, depresses me, fills me with worry or amuses and amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 1282. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:04 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Blick hinauf"Lithografie. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". 1967/68. Blatt: 50 x 38,3 cm. Obere rechte Ecke mit Knick. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 364. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:05 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Blick hinauf"Lithograph. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". 1967/68. Sheet: 50 x 38.3 cm. Upper right corner with crease. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 364. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:05 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) 2 Entwurfszeichnungen auf einem Blatt "Die Überredung" und "Nr. 121 Simplicissimus"Tuschzeichnung. Gerahmt & hinter Glas : 53 x 64 cm. Recto: "Die Überredung", 1960, mit schwarzer Tusche betitelt, Bleistiftsignatur, Tuschmonogramm, Abbildung ca. 22 x 33 cm | verso "Nr. 121 Simplicissimus" - Entwurf für die satirische Zeitschrift "Simplicissimus", erschienen ab 1954, um 1955, Abbildung ca. 30 x 32 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : vergleiche Kirschstein (1993). Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:02 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) 2 sketches on one sheet "Die Überredung" and "Nr. 121 Simplicissimus"Ink drawing. Framed & behind glass : 53 x 64 cm. Recto: "Die Überredung", 1960, titled in black ink, pencil signature, ink monogram, image approx. 22 x 33 cm | verso "Nr. 121 Simplicissimus" - design for the satirical magazine "Simplicissimus", published from 1954, around 1955, image approx. 30 x 32 cm. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : see Kirschstein (1993). Call time 15 | June 2024 | probably 12:02 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
1 Pfeifenhalter-Topf und 2 Wachsstockhalter. Inventar-Nr. "SM 1679" und "K74" bzw. "SM 1663 b". 19. Jh. / um 1900. Messingblech gepunzt, Eichenholz, Kupfer und Messing. / Messingblech und -guss. H Dose 21 cm (ohne Henkel). Pfeifenhalter mit Holzfuß allseits im barocken Stil mit Ranken und Wirtshausszene verziert; auf dem Scharnierdeckel mit Loch und Knauf Rocaillenzier mit Symbolen. Tragehenkel an Kupfer-Attaschen. / 2 Wachsstockhalter mit 3 Füßen an der Schale sowie Klemmschere am Stabschaft. Lötspuren an einem Wachsstockhalter, Klemmfeder am anderen fehlt. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:58 Uhr (CET)1 pipe holder bowl and 2 wax stick holders. Inventory no. "SM 1679" and "K74" or "SM 1663 b". 19th century / around 1900. Punched sheet brass, oak wood, copper and brass / Sheet brass and cast brass. H box 21 cm (without handle). Pipe holder with wooden base decorated on all sides in baroque style with tendrils and tavern scene; rocaille decoration with symbols on the hinged lid with hole and knob. Carrying handle on copper attachments. / 2 wax stick holders with 3 feet on the bowl and clamping scissors on the stick shaft. Solder marks on one wax stick holder, clamping spring missing on the other. Provenance : From Thuringian aristocratic property. Restitution item with inventory number of the Altenburg Residential Palace, formerly part of the von der Gabelentz family collection at Poschwitz Castle. Call time 13 June 2024 | probably 11:58 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Birnkanne mit Purpurmalerei. Meissen. Schwertermarke mit Stern, Marcolini-Zeit, 1774-1814. Purpurfarbene, indianische Blumenmalerei, Goldstaffage. H 20 cm. Modell "Gebrochener Stab". Minimale Bestoßung an der Schneppe und am unteren Henkelansatz. Aufrufzeit 14. | Juni 2024 | voraussichtlich 11:29 Uhr (CET)Pear jug with purple painting. Meissen. Sword mark with star, Marcolini period, 1774-1814. Purple-colored, Indian flower painting, gold decoration. H 20 cm. Model "Broken stick". Minimal wear to the snout and to the base of the handle. Call time 14 | June 2024 | presumably 11:29 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
6 Porzellane Rauenstein. Rauenstein. Fähnchenmarke Rn, um 1900. Unterglasurblaue Malerei, 4x rot- und goldstaffiert. Form "Gebrochener Stab". 4 + 1 Vogelmuster-Teller (Ø 4x 24 cm und 1x 20 cm) und 1 Ovalschale mit ausgetuschter Strohblumenmalerei (L 23,5 cm). 1 Speiseteller mit unterseitiger Randbestoßung. Aufrufzeit 14. | Juni 2024 | voraussichtlich 13:15 Uhr (CET)6 Rauenstein porcelains. Rauenstein. Pennant mark Rn, around 1900. Underglaze blue painting, decorated 4x in red and gold. "Broken stick" shape. 4 + 1 bird pattern plate (Ø 4x 24 cm and 1x 20 cm) and 1 oval bowl with painted strawflowers (L 23.5 cm). 1 dinner plate with a rim on the underside. Call time 14 | June 2024 | presumably 13:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Devisenkind "Je les balance". Meissen. Knaufschwerter, ab 1850-1924, 1. Wahl. Modell-Nr.: F 2. Entwurf: 1775. ACIER, Michel Victor (1736 Versailles - 1799 Dresden) Polychrom bemalt, goldstaffiert. H 14 cm. An einem Baumstamm stehender Putto mit Köcher und Pfeilen, in den erhobenen Händen zwei flammende Herzen auf einem Stöckchen balanciernd. Stöckchen bestoßen. Aufrufzeit 14. | Juni 2024 | voraussichtlich 16:00 Uhr (CET)Currency child "Je les balance". Meissen. Pommel swords, from 1850-1924, 1st choice. Model no.: F 2. design: 1775. ACIER, Michel Victor (1736 Versailles - 1799 Dresden) Polychrome painted, gilt. H 14 cm. Putto standing on a tree trunk with quiver and arrows, balancing two flaming hearts on a stick in his raised hands. Stick bumped. Call time 14 | June 2024 | probably 16:00 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
19 Porzellane mit Strohblumenmalerei. Verschieden gemarkt (überwiegend Wallendorf, 3x Limbach, 1x Rauenstein), 2. H. 19. Jh. Unterglasurblaue, ausgetuschte Strohblumenmalerei. 3,5 kg. Form "Gebrochener Stab". Kaffeekanne (H 29 cm), Milchkännchen, Zuckerdose, 8 Koppchen und 8 Untertassen. 1 Koppchen und 1 Untertasse mit Haarriss. Aufrufzeit 14. | Juni 2024 | voraussichtlich 13:15 Uhr (CET)19 porcelains with strawflower painting. Variously marked (mainly Wallendorf, 3x Limbach, 1x Rauenstein), 2nd half 19th century Underglaze blue, painted with strawflowers. 3.5 kg. "Broken stick" shape. Coffee pot (h 29 cm), milk jug, sugar bowl, 8 cups and 8 saucers. 1 cup and 1 saucer with hairline crack. Call time 14 | June 2024 | probably 13:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Das Ende (II)"Lithografie. Bleistiftsignatur. [1950]. Blatt: 41,3 x 54,5 cm. Nach einer kolorierten Zeichnung aus der Reihe "Leviathan"; mehrere Zeichnungen dieses Motives entstanden bereits ab 1940. Randbereich knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 584. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:01 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "The End (II)"Lithograph. Pencil signature. [1950]. Sheet: 41.3 x 54.5 cm. After a colored drawing from the series "Leviathan"; several drawings of this motif were already created from 1940. Marginal area creased. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 584. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:01 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Löwe und Fuchs beim Schach I"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber". [1975]. Blatt: 54 x 65,3 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 1568. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:03 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Löwe und Fuchs beim Schach I"Lithograph on laid paper. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber". [1975]. Sheet: 54 x 65.3 cm. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 1568. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:03 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Maulwürfe schalten sich gleich"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [3.11.62]. Blatt: 65,8 x 63,5 cm. Nach einer Zeichnung von 1933, die in der Zeitschrift Widerstand abgedruckt wurde. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html)v. Literatur : WVZ Dorsch 1615. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:59 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Maulwürfe schalten sich gleich"Lithograph. Pencil signature, red stamp "Clan-Presse". [3.11.62]. Sheet: 65.8 x 63.5 cm. After a drawing from 1933, which was printed in the magazine Widerstand. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html)v. Literature : WVZ Dorsch 1615. Call time 15 | June 2024 | probably 11:59 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Sammler"Holzschnitt. Bleistiftsignatur. [1950]. Prägestempel "Druck der Clan-Presse". Blatt: 48 x 38,3 cm. Das Motiv erlangte besonders Bekanntheit als Signet der Griffelkunst-Vereinigung Hamburg für Wasserzeichen, Postkarten, Briefpapier und Stempel. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vergleiche Motiv WVZ Dorsch 2086. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:01 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Sammler"Woodcut. Pencil signature. [1950]. Embossed stamp "Druck der Clan-Presse". Sheet: 48 x 38.3 cm. The motif became particularly well known as the signet of the Griffelkunst-Vereinigung Hamburg for watermarks, postcards, stationery and stamps. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Compare Motif WVZ Dorsch 2086. Call time 15 | June 2024 | probably 12:01 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Konvolut 18x Luxuspapier und 1 Fächer. Zumeist 19. Jh. Farblithografien häufig geprägt, hellblauer Samt mit Gold- und Silberprägung, 1 Offsetdruck. Fächer mit Beinstäben und kolorierter Lithografie auf dem Papierblatt. Maximal 18 x 9 cm. L Fächer 27 cm. Zahlreiche Tischkarten, vereinzelt mit Namen beschriftet. 1 Klappkarte "Verlängerte Tanzstunde der Geschl. Tanzstundengesellschaft" von 1893, innen mit Programm und handschriftlich eingetragenen Tänzern. Samtenes Ballbüchlein mit unbeschriftetem Programm innen. 1 Offsetdruck in Fächerform. / Fächer mit à-jour gearbeiteten Stäben sowie beidseitig handkolorierten Lithografien in Goldrahmungen. Buchstaben der Menü-Karte teils geklebt, teils abgerissen. Stift Ballbuch fehlt. / 1 Fächerstab teils ergänzt, Blatt teils eingerissen und geklebt. Aufrufzeit 13. | Juni 2024 | voraussichtlich 13:28 Uhr (CET)Convolute 18x luxury paper and 1 fan. Mostly 19th century Color lithographs often embossed, light blue velvet with gold and silver embossing, 1 offset print. Fan with leg bars and colored lithograph on the paper sheet. Maximum 18 x 9 cm. L fan 27 cm. Numerous place cards, some inscribed with names. 1 folding card "Verlängerte Tanzstunde der Geschl. Tanzstundengesellschaft" from 1893, inside with program and handwritten dancers. Velvet ball booklet with unmarked program inside. 1 offset print in fan form / fan with à-jour worked bars and hand-colored lithographs in gold frames on both sides. Letters of the menu card partly glued, partly torn off. Pen ball book missing. / 1 fan stick partly replaced, sheet partly torn and glued. Call time 13 | June 2024 | probably 13:28 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Die kurze Leiter"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse", Bleistiftzeichen. [30.12.63]. Blatt: 65,3 x 53,5 cm. Verso verschmutzt. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 1471. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:04 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "The short ladder"Lithograph. Pencil signature, red stamp "Clan-Presse", pencil mark. [30.12.63]. Sheet: 65.3 x 53.5 cm. Soiled on the verso. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 1471. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:04 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Barocke Kanne und Koppchen. Meissen. Verschiedene Schwertermarken, um 1735/50. Hellgraue bzw. hellbraune Glasur auf der Wandung, Koppchen und Unterschale mit unterglasurblauer, indianischer Blumenmalerei. Modell "Gebrochener Stab". Birnkanne mit Volutenhenkel und Knaufdeckel (H 22 cm). / Koppchen (H 4,5 cm) und Untertasse (Ø 12,5 cm). Kleine Bestoßung an der Schneppe, Untertasse mit unterseitigem kleinen Brandriss (nicht durchgehend). Aufrufzeit 14. | Juni 2024 | voraussichtlich 11:00 Uhr (CET)Baroque jug and Koppchen. Meissen. Various sword marks, around 1735/50. Light gray or light brown glaze on the wall, bowl and saucer with underglaze blue, Indian flower painting. "Broken stick" model. Pear jug with volute handle and knobbed lid (h 22 cm). / small bowl (H 4.5 cm) and saucer (Ø 12.5 cm). Small chip to the rim, saucer with small firing crack to the underside (not through). Call time 14 | June 2024 | presumably 11:00 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tasse mit Purpurmalerei. Wallendorf. W-Marke, Ende 18. Jh. Purpurfarbene Landschaftsmalerei, Goldstaffage. Tasse (H 4,5 cm), originale Untertasse (Ø 13 cm). Form "Gebrochener Stab". Gold berieben, Brandriss am Tassenhenkel. Aufrufzeit 14. | Juni 2024 | voraussichtlich 10:10 Uhr (CET)Cup with purple painting. Wallendorf. W mark, late 18th century Purple landscape painting, gold decoration. Cup (h 4.5 cm), original saucer (Ø 13 cm). Shape "Broken stick". Gold rubbed, fire crack on the cup handle. Call time 14 | June 2024 | probably 10:10 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Aufsteiger"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [1966]. Blatt: 22,2 x 19,2 cm. Kleiner Fleck in Signatur, etwas knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 243. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:03 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Aufsteiger"Lithograph. Pencil signature, red stamp "Clan-Presse". [1966]. Sheet: 22.2 x 19.2 cm. Small stain in signature, somewhat creased. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 243. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:03 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A World War I First World War era British Pattern 1914 Enfield rifle Remington made bayonet. Hooked pommel with push release stud, wooden grip and crossguard with muzzle ring, dated to the ricasso 1913 above makers ' Remington ' with broad arrow and Kings crown to the reverse. Housed in a leather and steel scabbard together with an Indian sword and a swagger stick
A COLLECTION OF JEWELSincluding a curb link bracelet in 9ct gold, suspending four charms; together with a banded agate brooch; a micro mosaic brooch; a seed pearl and amethyst necklace; a pearl and topaz drop pendant necklace; a pair of sapphire and ruby stick pins with 15ct gold studs; a pair of pearl and turquoise drop earrings; a paste and topaz three stone ring in 9ct gold; a paste eternity ring; an antique pearl and diamond leaf brooch in 18ct rose gold; and others (a lot)
A COLLECTION OF JEWELLERYincluding a pearl stick pin; a stylised knot ring; a green and white paste toi-et-moi ring; a stylised pearl ring set with two cultured pearls; two locket pendants; a pair of engine turned cufflinks; a St. Christopher charm; two chains, one with heart padlock clasp; a stylised knot brooch in 14ct gold; an engine turned wedding band in 22ct gold, (c.20.9g gross 9ct gold weight), (c.8.1g gross 14ct gold weight), (c.7.1g gross 22ct gold weight)

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