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Click here to subscribeGold Tone Chain and a Unmarked Yellow Metal Paste Stone Stick Pin. The Gold Tone Chain measures approx. 108cm and weighs approx. 28.1 grams. The Unmarked Yellow Metal Paste Stone Stick Pin measures approx. 4cm. There is a large surface fracture to the Paste Stone and the pin is a replacement. Total Gross Weight of the Stick Pin is approx. 1.1 grams.
A late 19th century horse measuring walking stick, the hickory shaft enclosing a silver mounted brass measuring implement, detailed GEO PARKER & SONS MAKERS LONDON, 94cm, an early 20th century bamboo walking cane with white metal hinged pommel opening to reveal a sprung recess (lacking glass vile) and one further bamboo walking stick with horn handle and a gilt metal, presentation engraved collar, 88cm (3).
An early 20th century periscope walking stick, adapted from a Great War trench periscope, with ebonised tapering shaft, 86cm, one further novelty Malacca walking cane enclosing a long glass vile, 88cm and two silver plated telescopic hunting cups in leather cases (4) Condition Report: Length of glass tube 34cmDiameter at large end/handle 2.5cm
A Japanese bamboo novelty anglers walking stick, the shaft enclosing a telescopic fishing rod, carved with figures, birds and landscape, 90cm extending to 272cm long and a late 19th century novelty walking cane, the screw cap opening to reveal an enclosed cheroot/smoking pipe, 91.5cm. (2)Condition Report: Fishing rod ; the telescopic operation works very well and all is solid, with no obvious cracks or damage.Cheroot holder ; Screw mount on pommel is worn out and does not stay on properly. Cheroot or pipe appears to be in good condition.No obvious damage to canes.
A rare late 19th century poachers gun stick, with brass capped walnut stock, concealed trigger and percussion cap mechanism, with twist off ebonized steel barrel. 86.5cm Condition Report: The poachers cane appears to be in original condition, the action is fully functioning, there is a small loss to the underside of the grip above the trigger. The lacquer on the barrel has wear and losses, the grip and action have surface marks and wear consistent with age and use.Bore is approx. 14.5mm tapering to 13mmInterior of barrel appears to be smooth, clean and not pittedThere are no visible makers marks or trade labels on this gun.
A Victorian briar riding crop dagger stick, with brass ferrule, L 86cmNote: You must be over 18 to purchase this item. Collection must be made in person or by arrangement with a delivery company that provides an age verification service. We do not provide a shipping service for bladed items.
46 Albums including Bryan Ferry, Leonard Cohen, Barclay James Harvest and Tom PettyBryan Ferry These foolish thingsRoxy Music AvalonRoxy Music ManifestoRoxy Music SirenRoxy Music flesh and bloodRoxy Music strandedBryan Ferry another time another placeBryan Ferry Let's stick togetherJohn Mayall blues from Laurel CanyonJohn Mayall Empty roomPink Floyd MEDDLEPink Floyd Dark Side Of The Moon.Pink Floyd Final cut.Pink Floyd Ummagumma.Yes, Fragile.Bumpers double album including artists:- Traffic Spooky Tooth, Mott the Hoople, Jethro Tull, Blodwyn Pig, King Crimson, free, Nick Drake, Cat StevensBruce Springsteen Born to runBruce Springsteen Greetings from Asbury ParkBruce Springsteen The RiverOfficial blues band bootleg albumThis is the blues various artistThe blues band ready The blues band Itchy feet The blues band shake Down Savoy brownSavoy brown hellbound trainSavoy Brown Raw SiennaSavoy Brown Looking In.Savoy Brough Street corner talkingSavoy Brown A step furtherStreet noise Julie Driscoll Brian auger and the TrinityBlind FaithLeonard Cohen Death of a ladies manMike Cooper Trout Steel.How to play blues guitar Stefan Grossman/Aaurora BlockBlues like showers of rain, a compendium of the finest British country blues artistPeter Gabriel SoTom Petty & The Heartbreakers You're gonna get it.The soundtrack from the film Led Zeppelin the song remains the sameMark Almond risingPaul Samuel Smith RenaissanceBlue matter SurvivorCarmen fandango in spaceRare Earth Get readyBarclay James Harvest and other short storiesFandangos in SpaceJuicy Lucy Sit back and enjoy it!
A NEAR PAIR OF CARVED TURKISH MEERSCHAUM COSMETIC BOTTLES AND A LARGE COSMETIC POWDER CONTAINER Eskişehir, North-Western Turkey, dated 1929, made by the master carver Ali OsmanComprising a near pair of Meerschaum (sepiolite) cosmetic bottles, possibly used for essential oils or kohl containers, each of rounded cylindrical shape with narrow shoulders, resting on a short circular base, with a flared neck embellished with a floral collar, surmounted by a screwed-on knob-like stopper, signed and dated on the body Eskişehir, Ali Osman 1929, the style and design influenced by European fashion and 20th-century portable perfume and cosmetic bottles, the tallest 7cm high; and a large rounded container accompanied by a small bottle in the shape of a vase, with a screwed-on stick-like applicator, possibly used for kohl, cosmetic power or perfume, the overall design reminiscent in shape of 18th-century European inkwells, carved with profuse rosette festoons and vine scrolls, the sloping rounded body surmounted by a hemispherical lid with a classical Graeco-Roman-inspired youth head wearing a floral crown, signed on the base Ali Osman Eskişehir no.75, 10.5cm x 9.5cm. the tallest bottle 7cm high; the container 10.5cm x 9.5cm Qty: 3
Three piece silver cruet of melon form with blue glass liners, Sheffield 1922, French silver taste de vin, late Victorian miniature "shamrock" chamber stick by Stokes & Ireland Ltd, Chester 1897, Victorian silver mounted scent bottle by C C May & Sons, Birmingham 1890, Victorian mustard spoon, set of four Art Nouveau buttons, import marks for London 1903, total weighable silver 6.25oz 194gm four piece silver backed dressing table set, comprising two hair brushes, two clothes brushes and a hand mirror, another hand mirror lacking mirror plate, and various small white metal items including a scent funnel, bangle with three charms including a hand holding a cricket ball and a miniature Prussian helmet
A late Victorian carved oak Gothic Revival hall stand, the mirrored back with hat and coat hooks, over two Flemish style carved panels depicting topers in an interior, over a glove drawer, flanked by two stick stands on turned supports, united by an undertier with drip trays, on turned feet, 92 cm wide x 37 cm deep x 203 cm high
AR * Shepard (Ernest Howard, 1879-1976), 'The Hour is Come’, [1959], fine pencil, ink and watercolour with body colour on off-white wove paper, signed lower left, 26.5 x 18.5 cm, framed and glazed with photocopies of Shepard’s manuscript labels to picture verso pasted to back of frameQTY: (1)NOTE:Provenance: Acquired by the vendors’ parents directly from the artist at an exhibition of his own work in Haslemere, Surrey, 29 May – 12 June 1965. This watercolour does not appear in Shepard’s manuscript inventory for the exhibition but was obtained directly from the artist at the same time.Shepard’s line drawings were first used to illustrate a new Methuen edition of Wind in the Willows in 1931. In 1959 Methuen published a new Shepard edition with an additional eight colour plates from watercolours by the artist.This watercolour features at the very end of the story in Chapter 12, ‘The Return of Ulysses’, and shows the moment Badger, with Ratty, Mole and Toad behind him, on the threshold and ready to burst in and attack the Weasels in Toad Hall.‘The Badger drew himself up, took a firm grip of his stick with both paws, glanced round at his comrades, and cried: “The hour is come! Follow me!” And flung the door open wide. My! What a squealing and a squeaking and a screeching filled the air! Well might the terrified weasels dive under the tables and spring madly up at the windows! Well might the ferrets rush wildly for the fireplace and get hopelessly jammed in the chimney! Well might tables and chairs be upset, and glass and china be sent crashing on the floor, in the panic of that terrible moment when the four Heroes strode wrathfully into the room!’
An Art Deco sapphire and diamond stick pin, featuring an old mine-cut diamond above a circular-cut sapphire, both set in millgrain collets, fitted with a tapering pin with stopper, unmarked metal testing 14ct, overall length 6.2 cm, 1.3 grams (excluding stopper).sapphire measures 4.6 mm in diameterdiamond measures 2.6 x 2.6 x 2.3 mm
A small group of 9ct gold jewellery - including four pairs of cufflinks, all English hallmarked; a rose gold necklace, early 20th century, unmarked, tests as 9ct gold; a late-Victorian bar brooch; a Victorian rose gold stick pin; an oval locket, Birm. 1979; and a shirt stud, total weight 33g; together with a Victorian silver and seed pearl brooch.
Connor Brothers (British Duo), 'Every Saint Has A Past', 2022, acrylic, oil stick, and mixed media on canvas, signed and dated to the canvas verso; 136 x 96cm inc frameARR 136 x 96cm inc frame In very good/artists condition No rips or tears to the canvas No signs of paint loss or restoration Some minor 'matter' to the canvas, visible upon close inspection This work has been framed in a black box frame and float mounted, leaving all corners and edges of the canvas visible Very good condition.
dating: early 20th Century provenance: Europe, Short, straight, single-edged blade (light pitting). Light cow horn grip, provided with release button. Stick-shaped scabbard with black canvas umbrella (well preserved, with small missing parts). Metal shoe. Total length when closed: 90.5 cm. Rare. length 48,3 cm.
A mixed lot of jewellery, to include an aquamarine bar brooch and seed pearl bar brooch stamped 9ct, 66mm long, 2.9g, an oval citrine brooch in unmarked yellow metal mount, 33mm long, 12.9g, an oval shell cameo in unmarked yellow metal mount, 47mm long, 11.6g, and a stick pin with Greek key and horseshoe decoration, stamped 9ct to reverse, 4.5g, (4)
A Victorian Elkington & Co inkstand, the rounded triangular base with pierced gallery back, two lidded cut glass inkwells, taper stick holder, shaped pen holder, cast feet, engraved Presented to G C Robinson, By a Few Friends and Workmen of Lensinthorne & Westerton Collieries May 1871, 24.5cm wide.
A late 19th / early 20th century Russian folk art walking stick / walking cane, the handle carved as the stylised head of a horse, and carved with mask and Russian script to stave terminal, 87cm high; another similar European folk art walking stick, the handle carved as a horse head, and with Globus cruciger symbol to verso, 84.5cm high, (2).
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![AR * Shepard (Ernest Howard, 1879-1976), 'The Hour is Come’, [1959], fine pencil, ink and watercolour with body colour on of](https://cdn.globalauctionplatform.com/c7e0fe7d-cc7e-430f-bede-b14e0119bce5/c8836bce-0707-4413-908c-b188011923cb/468x382.jpg)
