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Click here to subscribeTWO BOXES OF GLASS, METALWARES, STAMPS AND MISCELLANEOUS ITEMS, to include a cut glass decanter, five sets of drinking glasses, a decorative decanter containing a ship, a boxed plated brush set, tankards and goblets, a plated candelabrum, a boxed Royal Mail long service award scarf and bronze lapel pin, an album of British and World stamps, a small collection of matchbooks including Cunard and Disneyland Hotel, etc (sd) (2 BOXES)
A BRIDGE PLAYING CARDS SET, to include a boxed set of four cards theamed pencils stamped sterling silver, and additional leads, fifteen wallets of cards, a boxed card shuffler, two packs of bridge tallies, two Parker ball point pens with two unnamed pens, a cards theamed scarf together with three cards theamed dishes,
A BAG OF ASSORTED COSTUME JEWELLERY, to include a white metal marcasite floral brooch very rubbed unreadable mark, a white metal marcasite and enamel bird brooch unmarked, five other costume brooches, a blue swirl paste set scarf clip, a rolled gold openwork scarf clip and a yellow metal wheat chain fitted with a lobster clasp
Single ownership from new and just 3,722 miles, simply lovely.Bought new by our vendor on the 28th October 2011 and finished in Calcite White with Anthracite LeatherThe third-generation SLK Roadster was introduced in 2011 to celebrate M-B's 125th AnniversaryWell optioned, the car includes an Air Scarf to both front heated seats, AMG styling pack, glass roof and sports suspensionThe service record shows four services with the most recent completed on 16th February 2022 as was the MOTWith just 3,722 miles (atoc) this car represents fabulous value for money with just one owner from new.SpecificationMake: MERCEDES-BENZModel: SLK 200 125 AMG SPORT EDITION 125Year: 2011Chassis Number: WDD1724482F028871Registration Number: CP61 UKFTransmission: AutomaticEngine Number: 27186130369395Drive Side: Right-hand DriveOdometer Reading: 3722 MilesMake: RHDInterior Colour: Anthracite Leather
Josiah Gilbert (1814-1892)- Half-length portrait of a young Lambert Broughton wearing a blue neck scarf, pastel, indistinctly signed and dated 1850, 53 x 40cmNote: Lambert Broughton (1831-1914) of Tunstall Hall, Shropshire, and Almington Hall, Staffordshire, married Anne Selina Adderley on 11th October 1859. Their daughter Rosamund married a cousin, Sir Lewis Delves Broughton, 10 Bart. in April 1881. Their son and the grandson of the sitter, Sir Henry John Delves Broughton (known as Jock), gained notoriety as the alleged murderer of Jocelyn Hay, 22nd Earl of Erroll; a crime which scandalised the Happy Valley Set in January 1941. This set comprised a group of hedonistic British & Anglo-Irish aristocrats and adventurers who settled in the Wanjohi Valley in colonial Kenya. Delves Broughton was found not guilty at the subsequent trial and later returned to England where he committed suicide in 1942.
Liberty of London - a vintage silk scarf, profusely floral decorated, pattern unknown, titled Liberty of London All Silk Made in England lower right, 85 x 85cmCondition report: With fold lines.Clearly used but complete.Colours appear a little faded and there are some spotted grubby areas (mostly to borders).
Christian Dior - a vintage silk scarf, flower head decorated within stylised surround, pattern unknown, titled Christian Dior lower right, 75 x 75cm; together with a further vintage silk scarf, the square section ground with chain link surround, maker unknown, 85 x 85cm (2)Condition report: With fold lines.Clearly used but complete.Colours appear slightly faded and there is some very light discolouration to the lighter background areas.A couple of small blue ink spotted marks.
Hermés - a La Vie Précieuse de La Méditerranée vintage silk scarf, signed and titled lower centre, 85 x 85cmCondition report: With fold lines.Stained area to lower right corner.Further staining and discolouration to several other areas and requires cleaning.Colours appear largely good and original.
Collection of white metal to include oval tray, oval dish, circular bowl with ogee surround, stamped FS to base, Continental asparagus servers with woman on swing decoration; two rectangular easel back photograph frames, two candlesticks, circular pin dish, silver handled salad servers; and a German silver napkin ring, writhen decoration, stamped 825, cast white metal and silver small scarf rings(q)
Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's final state (of five), printing with plate tone on sturdy laid paper, platemark 134 x 104 mm (5 1/4 x 4 1/8 in), sheet 146 x 116 mm (5 3/4 x 4 5/8 in), a few small spots, some minor discolouration to sheet visible verso (unframed)Literature:Hind 108; New Hollstein 120 v/v
A late 20th century Art Deco style patinated bronze figure of a young lady with hat, scarf and coat walking towards a breeze, unsigned, raised on an integral circular base, height 35.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A collection of costume jewellery to include a rolled gold hunter pocket watch, silver flatware, weight approx 4.65ozt, costume jewellery including vintage gilt metal chain necklaces, paste set brooches, silver baby bangle, silver chain, scarf clips, modern gilt metal pocket watch, compacts, dress watches etc (1 bag)
CHANEL: A BLACK AND WHITE PRINTED SILK POCHETTE BAG AND SCARFLimited Edition 2003-04Chocolate bar quilted silk with scenes of stylish women, featuring a black leather trim and silver tone hardware, 28cm wide, 13cm high, 34cm shoulder drop, together with matching silk scarf that can be worn attached to the front of the bag or removed, 55cm x 55cm (2)Condition Grade B-Includes serial sticker and authenticity cardFor further information on this lot please visit Bonhams.com
Hermes-A silk Mountain Zebra scarf designed by Alice Shirley in a turquoise colour way, 90cm x 90cm, having hand-rolled edges, never worn, complete with original branded scarf box and ribbon. Condition:As new.The Hermes Story behind the scarf-The Cape mountain zebra is a rare protected species found in the south-eastern provinces of South Africa. Alice Shirley?s design is modelled on a foal that has wandered off to explore the fynbos, the unique vegetation of the southernmost region of the country. It grows in poor soil, and is regenerated by the bush fires sparked by lightning in the dry season. In spring, the fynbos transforms into a fragrant, multi-coloured carpet of flowers, a dreamlike vista. The artist has reproduced almost forty different plants to create a sumptuous setting for the little zebra.
λ Ronald Ossory Dunlop (Irish 1894-1973)Portrait of a lady, wearing a red scarf Oil on board Signed (lower centre)51 x 41cm (20 x 16 in.)Condition Report: The board is bowing. Craquelure and light surface dirt throughout. There are two pinholes to each lower corner. There is rubbing tot he framing edges. Inspection under UV reveals a green masking varnish which may be concealing the extent of restoration or repair. Condition Report Disclaimer
GILT BRONZE FIGURE OF ZHENWU MING DYNASTY OR LATER 明或以後 銅鎏金真武大帝 cast in generous proportions, the figure seated mightily with legs bent and both hands rested on knee and thigh, he wears an armour beneath his full robe draping naturally, the front of his robe featuring a ferocious coiling dragon underneath a studded belt, the hems further carved and etched with details, his face with authoritative expression, a long wispy beard flanked by long pendulous ears, hair neatly combed back to a pointed end falling below the waist, with traces of black pigment(34.5cm high; 4.5kg)Footnote: Note: Zhenwu was an important Daoist and Buddhist symbol due to his identity as a warrior god and also as the protector of the North, an area at constant risk of invasion from foreigners and the Demon King. He was known as Supreme Emperor of the Dark Heaven and the Perfected Warrior. Ming emperors held him in very high esteem. The Yongle emperor attributed his success in the civil war to Zhenwu who was the subject of a state cult as protector of the Ming Dynasty and Yongle famously credited him with enabling him to seize the throne. From 1412 onwards, the Yongle emperor commissioned a series of temples and shrines to be built on the highest peaks in the Mount Wudang area. The Yongle emperor built Zijincheng or Forbidden City at the top of Mount Wudan and in 1416 installed an image of Zhenwu of larger dimensions but similar in appearance to this bronze in the Golden Hall. There are various theories and stories about Zhenwu's appearance. When the Emperor commissioned a figure of Zhenwu, the artist questioned how Zhenwu might look, Yongle famously quipped, 'Look at me'. He had recently risen from a bath, so with bare feet, wet, slicked black hair and a relaxed pose, he modelled for the sculptor, creating what was to become the known and popular image and pose of the hero. Another theory is that Zhenwu adopted a relaxed way to dress his hair and robes whilst in a spiritual retreat on Mount Wudang in Hebei Province. Other theories include that upon accepting his appointment as Emperor of Heaven he had been in a state of partial dress, combing his hair. After the acceptance, he found he could not put his hair up, realising that his present appearance was now unchangeable. This is how the depiction of Zhenwu tends to be recognisable, particularly with his long hair flowing down his back and bare feet. His pose is relaxed, yet imposing, with one hand resting open on his knee, the other hand facing down, at the same time regal yet not threatening. His robes, opening up at the chest, reveal his armour, a nod to his military past. His celestial scarf flows over his shoulders. He is often accompanied by a dragon and a snake around his feet, absent in this depiction. This particular pose became popular amongst later depictions of other gods such as Guandi, the God of War.
SANCAI-GLAZED BOTTLE VASE TANG DYNASTY 唐 三彩胡人獻舞繫耳扁瓶 the flattened globular body supported on a tall, splayed foot and topped with a short neck terminating to a lipped rim, each shoulder attached with a loop handle, each side of the body adorned with a foreign figure dancing on podium with a long scarf, the vessel covered overall with sancai glaze with some area showing silvery streaks(15cm high)Provenance: Private Taiwanese collection
COLLECTION OF THREE SEATED BUDDHIST FIGURES QING DYNASTY, 18-19TH CENTURY 清 礬紅綠彩送子觀音、如意羅漢 及 白釉羅漢座像（一組三件） comprising: a Guanyin the Bringer of Sons, applied with green glaze on the robe in front and iron-red from top of the scarf to back; an arhat tucking a ruyi sceptre between his right arm and body, applied with green glaze on his robe; and a white-glazed arhat, moulded in the form of a seated arhat on a rock, covered in a long robe and with his chest exposed, his face minutely defined with a smiling expression, with a fitted box(Largest: 13.2cm high)Provenance: The White-glazed Arhat was formerly in the collection of Mr Zhongling Zhao 趙中令 (1913-2013), one of the earliest members of Chinese Culture and Fine Arts Association, Taiwan (中華文物學會); Private Taiwanese collection, acquired directly from Zhongling Zhao in 2010.
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